Author: Ohart

ROME — Pope Francis presided over the Vatican’s somber Easter Vigil service on Saturday night, delivering a 10-minute homily and baptizing eight people, a day after suddenly skipping the Good Friday procession at the Colosseum as a health precaution.

Francis entered the darkened, silent St. Peter’s Basilica in his wheelchair, took his place in a chair and offered an opening prayer. Sounding somewhat congested and out of breath, he blessed an elaborately decorated Easter candle, the flame of which was then shared with other candles until the whole basilica twinkled.

Over an hour later, Francis delivered a 10-minute homily in a strong voice, clearing his throat occasionally.

The evening service, one of the most solemn and important moments in the Catholic liturgical calendar, commemorates the resurrection of Jesus. The Vatican had said Francis skipped the Good Friday procession to ensure his participation in both the vigil service Saturday night, which usually lasts about two hours, and Easter Sunday Mass a few hours later.

The 87-year-old Francis, who had part of one lung removed as a young man, has been battling respiratory problems all winter that have made it difficult for him to speak at length. He and the Vatican have said he has had bronchitis, a cold or the flu.

He has canceled some audiences and often asked an aide to read aloud some of his speeches. But the alarm was raised when he ditched his Palm Sunday homily altogether last week at the last minute and then decided suddenly Friday to stay home rather than preside over the Way of the Cross procession at the Colosseum reenacting Christ’s crucifixion.

The Vatican said in a brief explanation that the decision was made to “conserve his health.”

The decision appeared to have paid off Saturday night, as Francis was able to recite the prayers of the lengthy vigil service and perform the sacrament of baptism for the eight adults. The baptism is a traditional feature of the Vatican’s Easter Vigil service.

In his homily Francis referred to the stone that the faithful believe was removed from Christ’s tomb after his death. Francis urged Catholics to remove the stones in their lives that “block the door of our hearts, stifling life, extinguishing hope, imprisoning us in the tomb of our fears and regrets.”

“Let us lift our eyes to him and ask that the power of his resurrection may roll away the heavy stones that weigh down our souls,” he said.

Holy Week is trying for a pope under any circumstance, given four days of liturgies, rites, fasting and prayer. But that is especially true for Francis, who canceled a trip to Dubai late last year, just days prior, on doctor’s orders because of his respiratory problems.

In addition to his respiratory problems, Francis had a chunk of his large intestine removed in 2021 and was hospitalized twice last year, including once to remove intestinal scar tissue from previous surgeries to address diverticulosis, or bulges in his intestinal wall. He has been using a wheelchair or cane for nearly two years because of bad knee ligaments.

In his recently published memoirs, Life: My Story Through History, Francis said he isn’t suffering from any health problems that would require him to resign and that he still has ” many projects to bring to fruition.”
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ROME — The Vatican confirmed Pope Francis would preside over the Easter Vigil service Saturday night, after he decided at the last minute to skip his participation in the Good Friday procession at the Colosseum as a health precaution.

The Vatican’s daily bulletin confirmed Francis would lead the lengthy vigil in St. Peter’s Basilica, one of the most solemn and important moments in the Catholic liturgical calendar. The service, which is due to begin at 7:30 p.m. and usually lasts two hours, commemorates the resurrection of Jesus and includes the sacrament of baptism for eight adult converts.

The 87-year-old Francis, who had part of one lung removed as a young man, has been battling respiratory problems all winter that have made it difficult for him to speak at length.

He has canceled some audiences and often asked an aide to read aloud some of his speeches. But he ditched his Palm Sunday homily altogether and decided at the last minute Friday to stay home rather than preside over the Way of the Cross procession at the Colosseum reenacting Christ’s crucifixion.

The Vatican said in a brief explanation that the decision was made to “conserve his health” in view of the vigil service Saturday and his even more taxing obligations on Easter Sunday. The pope is due to preside over a morning Easter Mass in St. Peter’s Square and deliver his Urbi et Orbi (to the city and the world) speech praying for an end to global crises.

While Francis also skipped the chilly Good Friday procession last year because he was recovering from bronchitis, his sudden absence from the event this year raised concern. His chair was in place on the podium, and his aides were preparing for his arrival when the Vatican announced five minutes before the official start time that he wasn’t coming.

In addition to his respiratory problems, Francis had a chunk of his large intestine removed in 2021 and was hospitalized twice last year, including once to remove intestinal scar tissue from previous surgeries to address diverticulosis, or bulges in his intestinal wall. He has been using a wheelchair or cane for nearly two years because of bad knee ligaments.

In his recently published memoirs, “Life: My Story Through History,” Francis said he isn’t suffering from any health problems that would require him to resign and that he still has “many projects to bring to fruition.”
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new york — Doris Kearns Goodwin, Laurie Anderson and the president of the Harlem School of the Arts, James C. Horton, are being honored by the American Academy of Arts and Letters. 

The academy announced Friday that Goodwin, the Pulitzer Prize-winning historian, is receiving a Gold Medal for biography. Anderson, the celebrated avant-garde performer, will be given a Gold Medal for music. Horton, who has run the renowned Harlem school since 2022 and has worked in education for decades, is being cited for his “significant contribution to the arts.” 

All three will be presented their awards in May, when the academy formally inducts its new members, among them the Oscar-winning composer John Williams and the novelist Alice McDermott. 

The arts academy is an honor society founded in 1898 that has 300 core members and each year awards numerous prizes and grants.
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LOS ANGELES — Louis Gossett Jr., the first Black man to win a supporting actor Oscar and an Emmy winner for his role in the seminal TV miniseries “Roots,” has died. He was 87. 

Gossett’s first cousin Neal L. Gossett told The Associated Press that the actor died Thursday night in Santa Monica, California. No cause of death was revealed. 

Gossett’s cousin remembered a man who walked with Nelson Mandela and who also was a great joke teller, a relative who faced and fought racism with dignity and humor. 

“Never mind the awards, never mind the glitz and glamour, the Rolls-Royces and the big houses in Malibu. It’s about the humanity of the people that he stood for,” his cousin said. 

 

Louis Gossett always thought of his early career as a reverse Cinderella story, with success finding him from an early age and propelling him forward, toward his Academy Award for “An Officer and a Gentleman.” 

He earned his first acting credit in his Brooklyn high school’s production of “You Can’t Take It with You” while he was sidelined from the basketball team with an injury. 

“I was hooked — and so was my audience,” he wrote in his 2010 memoir “An Actor and a Gentleman.” 

His English teacher urged him to go into Manhattan to try out for “Take a Giant Step.” He got the part and made his Broadway debut in 1953 at age 16. 

“I knew too little to be nervous,” Gossett wrote. “In retrospect, I should have been scared to death as I walked onto that stage, but I wasn’t.” 

Gossett attended New York University on a basketball and drama scholarship. He was soon acting and singing on TV shows hosted by David Susskind, Ed Sullivan, Red Buttons, Merv Griffin, Jack Paar and Steve Allen. 

Gossett became friendly with James Dean and studied acting with Marilyn Monroe, Martin Landau and Steve McQueen at an offshoot of the Actors Studio taught by Frank Silvera. 

In 1959, Gossett received critical acclaim for his role in the Broadway production of “A Raisin in the Sun” along with Sidney Poitier, Ruby Dee and Diana Sands. 

He went on to become a star on Broadway, replacing Billy Daniels in “Golden Boy” with Sammy Davis Jr. in 1964. 

Gossett went to Hollywood for the first time in 1961 to make the film version of “A Raisin in the Sun.” He had bitter memories of that trip, staying in a cockroach-infested motel that was one of the few places to allow Black people. 

In 1968, he returned to Hollywood for a major role in “Companions in Nightmare,” NBC’s first made-for-TV movie that starred Melvyn Douglas, Anne Baxter and Patrick O’Neal. 

This time, Gossett was booked into the Beverly Hills Hotel and Universal Studios had rented him a convertible. Driving back to the hotel after picking up the car, he was stopped by a Los Angeles County sheriff’s officer who ordered him to turn down the radio and put up the car’s roof before letting him go. 

Within minutes, he was stopped by eight sheriff’s officers, who had him lean against the car and made him open the trunk while they called the car rental agency before letting him go. 

“Though I understood that I had no choice but to put up with this abuse, it was a terrible way to be treated, a humiliating way to feel,” Gossett wrote in his memoir. “I realized this was happening because I was Black and had been showing off with a fancy car — which, in their view, I had no right to be driving.” 

After dinner at the hotel, he went for a walk and was stopped a block away by a police officer, who told him he broke a law prohibiting walking around residential Beverly Hills after 9 p.m. Two other officers arrived and Gossett said he was chained to a tree and handcuffed for three hours. He was eventually freed when the original police car returned. 

“Now I had come face-to-face with racism, and it was an ugly sight,” he wrote. “But it was not going to destroy me.” 

In the late 1990s, Gossett said he was pulled over by police on the Pacific Coast Highway while driving his restored 1986 Rolls Royce Corniche II. The officer told him he looked like someone they were searching for, but the officer recognized Gossett and left. 

He founded the Eracism Foundation to help create a world where racism doesn’t exist. 

Gossett made a series of guest appearances on such shows as “Bonanza,” “The Rockford Files,” “The Mod Squad,” “McCloud” and a memorable turn with Richard Pryor on “The Partridge Family.” 

In August 1969, Gossett had been partying with members of the Mamas and the Papas when they were invited to actor Sharon Tate’s house. He headed home first to shower and change clothes. As he was getting ready to leave, he caught a news flash on TV about Tate’s murder. She and others were killed by Charles Manson’s associates that night. 

“There had to be a reason for my escaping this bullet,” he wrote. 

Louis Cameron Gossett was born on May 27, 1936, in the Coney Island section of Brooklyn, New York, to Louis Sr., a porter, and Hellen, a nurse. He later added Jr. to his name to honor his father. 

Gossett broke through on the small screen as Fiddler in the groundbreaking 1977 miniseries “Roots,” which depicted the atrocities of slavery on TV. The sprawling cast included Ben Vereen, LeVar Burton and John Amos. 

Gossett became the third Black Oscar nominee in the supporting actor category in 1983. He won for his performance as the intimidating Marine drill instructor in “An Officer and a Gentleman” opposite Richard Gere and Debra Winger. He also won a Golden Globe for the same role. 

“More than anything, it was a huge affirmation of my position as a Black actor,” he wrote in his memoir. 

“The Oscar gave me the ability of being able to choose good parts in movies like ‘Enemy Mine,’ ‘Sadat’ and ‘Iron Eagle,'” Gossett said in Dave Karger’s 2024 book “50 Oscar Nights.” 

He said his statue was in storage. 

“I’m going to donate it to a library so I don’t have to keep an eye on it,” he said in the book. “I need to be free of it.” 

Gossett appeared in such TV movies as “The Story of Satchel Paige,” “Backstairs at the White House, “The Josephine Baker Story,” for which he won another Golden Globe, and “Roots Revisited.” 

But he said winning an Oscar didn’t change the fact that all his roles were supporting ones. 

He played an obstinate patriarch in the 2023 remake of “The Color Purple.” 

Gossett struggled with alcohol and cocaine addiction for years after his Oscar win. He went to rehab, where he was diagnosed with toxic mold syndrome, which he attributed to his house in Malibu. 

In 2010, Gossett announced he had prostate cancer, which he said was caught in the early stages. In 2020, he was hospitalized with COVID-19. 

He also is survived by sons Satie, a producer-director from his second marriage, and Sharron, a chef whom he adopted after seeing the 7-year-old in a TV segment on children in desperate situations. His first cousin is actor Robert Gossett. 

Gossett’s first marriage to Hattie Glascoe was annulled. His second, to Christina Mangosing, ended in divorce in 1975 as did his third to actor Cyndi James-Reese in 1992.
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TOKYO — Oppenheimer finally premiered Friday in the nation where two cities were obliterated 79 years ago by the nuclear weapons invented by the American scientist who was the subject of the Oscar-winning film. Japanese filmgoers’ reactions understandably were mixed and highly emotional.

Toshiyuki Mimaki, who survived the bombing of Hiroshima when he was 3, said he has been fascinated by the story of J. Robert Oppenheimer, often called “the father of the atomic bomb” for leading the Manhattan Project.

“What were the Japanese thinking, carrying out the attack on Pearl Harbor, starting a war they could never hope to win?” he said, sadness in his voice, in a telephone interview with The Associated Press.

He is now chairperson of a group of bomb victims called the Japan Confederation of A- and H-Bomb Sufferers Organization and he saw Oppenheimer at a preview event. “During the whole movie, I was waiting and waiting for the Hiroshima bombing scene to come on, but it never did,” Mimaki said.

Oppenheimer does not directly depict what happened on the ground when the bombs were dropped on Hiroshima and Nagasaki, turning some 100,000 people instantly into ashes, and killed thousands more in the days that followed, mostly civilians.

The film instead focuses on Oppenheimer as a person and his internal conflicts.

The film’s release in Japan, more than eight months after it opened in the U.S., had been watched with trepidation because of the sensitivity of the subject matter.

Former Hiroshima Mayor Takashi Hiraoka, who spoke at a preview event for the film in the southwestern city, was more critical of what was omitted.

“From Hiroshima’s standpoint, the horror of nuclear weapons was not sufficiently depicted,” he was quoted as saying by Japanese media. “The film was made in a way to validate the conclusion that the atomic bomb was used to save the lives of Americans.”

Some moviegoers offered praise. One man emerging from a Tokyo theater Friday said the movie was great, stressing that the topic was of great interest to Japanese, although emotionally volatile as well. Another said he got choked up over the film’s scenes depicting Oppenheimer’s inner turmoil. Neither man would give his name to an Associated Press journalist.

In a sign of the historical controversy, a backlash flared last year over the “Barbenheimer” marketing phenomenon that merged pink-and-fun Barbie with seriously intense Oppenheimer. Warner Bros. Japan, which distributed Barbie in the country, apologized after some memes depicted the Mattel doll with atomic blast imagery.

Kazuhiro Maeshima, professor at Sophia University, who specializes in U.S. politics, called the film an expression of “an American conscience.”

Those who expect an anti-war movie may be disappointed. But the telling of Oppenheimer’s story in a Hollywood blockbuster would have been unthinkable several decades ago, when justification of nuclear weapons dominated American sentiments, Maeshima said.

“The work shows an America that has changed dramatically,” he said in a telephone interview.

Others suggested the world might be ready for a Japanese response to that story.

Takashi Yamazaki, director of Godzilla Minus One, which won the Oscar for visual effects and is a powerful statement on nuclear catastrophe in its own way, suggested he might be the man for that job.

“I feel there needs to an answer from Japan to Oppenheimer. Someday, I would like to make that movie,” he said in an online dialogue with Oppenheimer director Christopher Nolan.

Nolan heartily agreed.

Hiroyuki Shinju, a lawyer, noted Japan and Germany also carried out wartime atrocities, even as the nuclear threat grows around the world. Historians say Japan was also working on nuclear weapons during World War II and would have almost certainly used them against other nations, Shinju said.

“This movie can serve as the starting point for addressing the legitimacy of the use of nuclear weapons on Hiroshima and Nagasaki, as well as humanity’s, and Japan’s, reflections on nuclear weapons and war,” he wrote in his commentary on Oppenheimer published by the Tokyo Bar Association. 
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LONDON — Books about the dizzying impact of the internet and artificial intelligence are among finalists for a new book prize that aims to help fix the gender imbalance in nonfiction publishing.

The shortlisted six books for the inaugural Women’s Prize for Nonfiction, announced on Wednesday, include Canadian author-activist Naomi Klein’s “Doppleganger,” a plunge into online misinformation, and British journalist Madhumita Murgia’s “Code-Dependent: Living in the Shadow of AI.”

The 30,000 pound ($38,000) award is a sister to the 29-year-old Women’s Prize for Fiction and is open to female English-language writers from any country in any nonfiction genre.

The finalists also include autobiographical works — poet Safiya Sinclair’s “How to Say Babylon: A Jamaican Memoir” and British art critic Laura Cumming’s “Thunderclap: A Memoir of Art and Life and Sudden Death.”

Rounding out the list are British author Noreen Masud’s travelogue-memoir “A Flat Place,” and Harvard history professor Tiya Miles’ “All That She Carried,” a history of American enslavement told through one Black family’s keepsake.

British historian Suzannah Lipscomb, who is chairing the judging panel, said that “the readers of these books will never see the world — be it through art, history, landscape, politics, religion or technology — the same again.”

The winners of both nonfiction and fiction prizes will be announced at a ceremony in London on June 13.

The prize was set up in response to a gender imbalance in the book world, where men buy more nonfiction than women — and write more prize-wining nonfiction books.

The company Nielsen Book Research found in 2019 that while women bought 59% of all the books sold in the United Kingdom, men accounted for just over half of adult nonfiction purchases.

Prize organizers say that in 2022, only 26.5% of nonfiction books reviewed in Britain’s newspapers were by women, and male writers dominated established nonfiction writing prizes.
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MADRID — A prosecutor at Spain’s High Court is seeking a prison sentence of 2-1/2 years for former soccer federation chief Luis Rubiales over his unsolicited kiss on player Jenni Hermoso, a court document seen by Reuters on Wednesday showed.

Prosecutor Marta Durantez charged Rubiales with one count of sexual assault and one of coercion for his alleged actions in the aftermath of the kiss, offenses carrying jail terms of one year and one-and-a-half years, respectively.

Rubiales, 46, unleashed a furor when he grabbed Hermoso and kissed her on the lips on Aug. 20 of last year during the awards ceremony after Spain’s victory in the women’s World Cup in Sydney.  

Hermoso and her teammates said the kiss was unwanted and demeaning, but Rubiales argued it was consensual and denied any wrongdoing.  

The prosecutor also accused the former coach of the women’s national team, Jorge Vilda, the team’s current sporting director, Albert Luque, and the federation’s head of marketing, Ruben Rivera, of coercing Hermoso into saying the kiss was consensual.

All three have denied wrongdoing when they appeared before the court.

Durantez seeks to have Rubiales pay $54,080 in damages to Hermoso, and another $54,080 jointly paid by Rubiales, Vilda, Luque and Rivera.

If the court were to convict Rubiales and impose the sentencing sought by the prosecutor he would not necessarily have to go to prison. Spain’s criminal code allows judges to “exceptionally” suspend the execution of the sentence if – as in this case – none of the sentences imposed individually exceeds two years.
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Millions celebrate by dancing, exchanging food and drink, and smearing each other with colorful powder
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new york — Ghostbusting is still a good business. 

“Ghostbusters: Frozen Empire” collected $45.2 million in ticket sales over the weekend, according to studio estimates Sunday, handing Sony Pictures the studio’s first No. 1 film since last summer. 

The opening weekend for “Frozen Empire,” in 4,345 theaters, was nearly exactly the same as the $44 million launch for “Ghostbusters: Afterlife” in 2021. “Afterlife” rebooted the franchise with a sequel built around the descendants (Carrie Coon, Finn Wolfhard, Mckenna Grace) of Harold Ramis’ Egon Spengler, along with Paul Rudd’s seismologist Gary Grooberson. 

Neither film has been a hit with critics, but audiences have been more receptive. “Frozen Empire” garnered a B+ CinemaScore from moviegoers, a tick down from the A- score for “Afterlife.” “Frozen Empire” isn’t assured of profitability, but it will hope for sustained business over spring break. 

“Ghostbusters” films tend to make a low impact internationally. In 25 overseas markets, “Frozen Empire” added $16.4 million. 

The latest “Ghostbusters” cost about $100 million to make. After Jason Reitman took over directing duties from his father, Ivan Reitman, to helm “Ghostbusters: Afterlife,” “Frozen Empire” is directed by Gil Kenan, co-writer of “Afterlife.” 

Those two sequels took “Ghostbusters” in a more family-oriented, albeit PG-13 rated, direction, with original cast members Dan Aykroyd, Ernie Hudson and Bill Murray returning in supporting roles. After the 2016 female-led “Ghostbusters” prompted a backlash, Sony rebooted the franchise. 

The weekend’s other new wide release was “Immaculate,” the horror film starring Sydney Sweeney as an American nun at a remote Italian convent. The film, released by Neon following a premiere at SXSW, debuted with $5.4 million on 2,354 screens. Sweeney’s ascending star power helped make “Anyone But You” one of the most successful rom-coms in years. But “Immaculate,” an independent production that cost less than $10 million to make, isn’t getting the same bounce. 

“The movie features the popular Sydney Sweeney, but horror movies are not cast-driven,” wrote David A. Gross for the consulting firm Franchise Entertainment Research. “They’re driven by the hook: the evil doll, the wicked smile, the invisible or silent presence, the found footage, the possessed child. That’s what terrifies the horror crowd. The hook is not completely clear here.” 

The No. 2 spot went to “Dune: Part Two,” which continues to hold well. The Denis Villeneuve-directed sci-fi sequel starring Timothee Chalamet added $17.6 million in its fourth weekend of release, bringing the Warner Bros. release’s domestic total to $233.4 million. Overseas sales are just as strong, adding up to a $574.4 million worldwide haul. 

After two weeks atop the box office, Universal’s “Kung Fu Panda 4” slid to third place with $16.8 million over its third weekend. The well-performing DreamWorks animated sequel is up to $133.2 million domestic. It debuted with $25.7 million in China, where the movies have historically been popular. When the 2008 “Kung Fu Panda” was released, its success partly inspired China to expand its own film production. 

Estimated ticket sales are for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday. 

1. “Ghostbusters: Frozen Empire,” $45.2 million. 

2. “Dune: Part Two,” $17.6 million. 

3. “Kung Fu Panda 4,” $16.8 million. 

4. “Immaculate,” $5.4 million. 

5. “Arthur the King,” $4.4 million. 

6. “Late Night With the Devil,” $2.8 million. 

7. “Imaginary,” $2.8 million. 

8. “Love Lies Bleeding,” $1.6 million. 

9. “Cabrini,” $1.4 million. 

10. “Bob Marley: One Love,” $1.1 million.
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MONTREAL — American figure skating star Ilia Malinin is a world champion — and a world-record holder.

Malinin put on a dominant display that included a jaw-dropping six quad jumps — including his patented quad axel — to snag the men’s singles crown Saturday night at the world championships.

After placing third in Thursday’s short program, the 19-year-old scored a world record 227.79 in the free program while skating to the Succession soundtrack to bring his total to 333.76 — more than 20 points than the rest of the field.

Malinin dropped to the ice in disbelief after presenting his routine to a rowdy Bell Centre crowd that cheered and clapped the whole way.

He dethroned two-time defending world champion Shoma Uno of Japan, who fell to fourth (280.85) after missing two quad jumps to start his program.

Yuma Kagiyama of Japan won silver (309.65) and Adam Siao Him Fa of France claimed bronze (284.39). Siao Him Fa climbed from 19th to third with an awe-inspiring display of his own, which included a backflip.

Earlier Saturday, 2022 Olympic champions Madison Chock and Evan Bates of the United States defended their ice dance world title with a season-best total score of 222.20.

Canada’s Piper Gilles and Paul Poirier won silver (219.68) and Italy’s Charlene Guignard and Marco Fabbri claimed bronze (216.52).

It’s Montreal’s first time hosting the event since 1932. The city was supposed to stage the 2020 championship but the COVID-19 pandemic shut down the competition.

Boston will hold the 2025 competition.
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NEW YORK — Babar author Laurent de Brunhoff, who revived his father’s popular picture book series about an elephant-king and presided over its rise to a global, multimedia franchise, has died. He was 98.

De Brunhoff, a Paris native who moved to the U.S. in the 1980s, died Friday at his home in Key West, Florida, after being in hospice care for two weeks, according to his widow, Phyllis Rose.

Just 12 years old when his father, Jean de Brunhoff, died of tuberculosis, Laurent was an adult when he drew upon his own gifts as a painter and storyteller and released dozens of books about the elephant who reigns over Celesteville, among them Babar at the Circus and Babar’s Yoga for Elephants. He preferred using fewer words than his father did, but his illustrations faithfully mimicked Jean’s gentle, understated style.

“Together, father and son have woven a fictive world so seamless that it is nearly impossible to detect where one stopped and the other started,” author Ann S. Haskell wrote in The New York Times in 1981.

The series has sold millions of copies worldwide and was adapted for a television program and such animated features as Babar: The Movie and Babar: King of the Elephants. Fans ranged from Charles de Gaulle to Maurice Sendak, who once wrote, “If he had come my way, how I would have welcomed that little elephant and smothered him with affection.”

De Brunhoff would say of his creation, “Babar, c’est moi” (“that’s me”), telling National Geographic in 2014 that “he’s been my whole life, for years and years, drawing the elephant.”

The books’ appeal was far from universal. Some parents shied from the passage in the debut, The Story of Babar, the Little Elephant, about Babar’s mother being shot and killed by hunters. Numerous critics called the series racist and colonialist, citing Babar’s education in Paris and its influence on his (presumed) Africa-based regime. In 1983, Chilean author Ariel Dorfman would call the books an “implicit history that justifies and rationalizes the motives behind an international situation in which some countries have everything and other countries almost nothing.”

“Babar’s history,” Dorfman wrote, “is none other than the fulfillment of the dominant countries’ colonial dream.”

Adam Gopnik, a Paris-based correspondent for The New Yorker, defended Babar, writing in 2008 that it “is not an unconscious expression of the French colonial imagination; it is a self-conscious comedy about the French colonial imagination and its close relation to the French domestic imagination.”

De Brunhoff himself acknowledged finding it “a little embarrassing to see Babar fighting with Black people in Africa. He especially regretted Babar’s Picnic, a 1949 publication that included crude caricatures of Blacks and American Indians — and asked his publisher to withdraw it.

De Brunhoff was the eldest of three sons born to Jean de Brunhoff and Cecile de Brunhoff, a painter. Babar was created when Cecile de Brunhoff, the namesake for the elephant’s kingdom and Babar’s wife, improvised a story for her kids.

“My mother started to tell us a story to distract us,” de Brunhoff told National Geographic in 2014. “We loved it, and the next day we ran to our father’s study, which was in the corner of the garden, to tell him about it. He was very amused and started to draw. And that was how the story of Babar was born. My mother called him Bebe elephant (French for baby). It was my father who changed the name to Babar. But the first pages of the first book, with the elephant killed by a hunter and the escape to the city, was her story.”

The debut was released in 1931 through the family-run publisher Le Jardin Des Modes. Babar was immediately well received, and Jean de Brunhoff completed four more Babar books before dying six years later, at age 37. Laurent’s uncle, Michael, helped publish two additional works, but no one else added to the series until after World War II, when Laurent, a painter by then, decided to bring it back.

“Gradually I began to feel strongly that a Babar tradition existed and that it ought to be perpetuated,” he wrote in The New York Times in 1952.

De Brunhoff was married twice, most recently to the critic and biographer Phyllis Rose, who wrote the text to many of the recent Babar publications, including the 2017 release billed as the finale, Babar’s Guide to Paris. He had two children, Anne and Antoine, but the author did not consciously write for young people.

“I never really think of children when I do my books,” he told The Wall Street Journal in 2017. “Babar was my friend and I invented stories with him, but not with kids in a corner of my mind. I write it for myself.” 
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ROME — Maurizio Pollini, a Grammy-winning Italian pianist who performed frequently at La Scala opera house in Milan, has died. He was 82.

Pollini died Saturday, La Scala said in a statement. The announcement didn’t specify a cause of death, but Pollini had been forced to cancel a concert at the Salzburg Festival in 2022 because of heart problems.

During a six decades-long international career, Pollini’s repertoire expanded beyond the standard classics. He embraced early 20th-century masterpieces by Igor Stravinsky, Arnold Schoenberg and Anton Webern and postwar modernists such as Karlheinz Stockhausen, Pierre Boulez and Luigi Nono.

La Scala defined the pianist as “one of the great musicians of our time and a fundamental reference in the artistic life of the theater for over 50 years.”

Pollini was considered a pianist with unique intellectual power, whose unrivalled technique and interpretive drive compelled listeners to think deeply.

He was born in Milan on January 5, 1942, into a family of artists. His father, Gino Pollini, was a violinist and a leading rationalist architect. His mother, Renata Melotti, sang and played the piano, as did her brother, Fausto Melotti, who was also a pioneer of abstract sculpture.

“I grew up in a house with art and artists,” Pollini said in an interview. “Old works and modern works coexisted together as part of life.”

Pollini began giving concerts before his 10th birthday, performing Chopin’s Etudes at age 14 and then winning the International Chopin Piano Competition at 18, as the youngest foreign pianist among a group of 89 contestants.

Arthur Rubinstein, president of the jury, reportedly said that the young pianist “already plays better than any of us.”

After his first international recognition, however, Pollini put his career on hold to study, explaining that performing right away would have been for him “a little premature.” 

“I wanted to study, get to know the repertoire better, play the music of Beethoven, Schubert, Brahms,” he said.

In the late 1960s, Pollini participated in improvised concerts in factories and programs for students and workers at La Scala, conducted by longtime friend Claudio Abbado.

During his long international career, he also collaborated with other famous conductors, including Riccardo Muti, Daniel Barenboim and Riccardo Chailly.

Pollini performed his first American tour in 1968. From the 1970s to the ’90s, he made a series of recordings with the Deutsche Grammophon label, becoming a celebrated interpreter of classics like Beethoven, Schumann and Schubert.

His albums won several awards, including a Grammy in 2007 for Best Instrumental Soloist Performance (without orchestra) for Chopin: Nocturnes.

He is survived by his wife, Marilisa, and his son, Daniele, also an acclaimed pianist and conductor. 
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LONDON — England’s new men’s soccer team shirt is causing a bit of a stir. It’s not just the price that’s vexing some.

The decision by Nike to change the color of the St. George’s Cross on the shirt from the traditional red and white has even prompted the prime minister and the man who is favored to succeed him to make their displeasure known.

A petition on Change.org calling for a design change attracted more than 22,000 signatures by early afternoon Friday.

The new Nike-designed shirt, which has been modeled by England captain Harry Kane, is being rolled out in the run-up to the European Championship in Germany. The altered cross on the back of the shirt collar has purple and blue horizontal stripes.

Nike says it’s a “playful update” to the shirt and harks to the training kit England wore at the 1966 World Cup, the only major tournament won by the men’s team. England will be starting Euro 2024 this summer as one of the favorites.

Keir Starmer, leader of the main opposition Labour Party and a fan of English Premier League leader Arsenal, said he believed the flag, which is marked by an image of the St. George’s Cross, was a “unifier” and Nike needed to “reconsider” its decision to modify it.

“It doesn’t need to be changed,” he told the Sun newspaper. “We just need to be proud of it.”

Conservative Prime Minister Rishi Sunak, on a visit to the north of England, was also asked about the altered cross.

“I prefer the original and my general view is that when it comes to our national flags, we shouldn’t mess with them because they are a source of pride, identity, who we are and they’re perfect as they are,” said Sunak, who supports Southampton, which is vying for promotion back to the Premier League.

Nike and the English Football Association have indicated they are not going to change tack.

Despite the criticism, the FA defended the design, saying it was “not the first time” different colored St. George’s Cross-inspired designs have appeared on England shirts and it was “very proud” of the traditional cross.

“The new England 2024 home kit has a number of design elements which were meant as a tribute to the 1966 World Cup-winning team,” a spokesperson said. “The colored trim on the cuffs is inspired by the training gear worn by England’s 1966 heroes, and the same colors also feature on the design on the back of the collar.”

England coach Gareth Southgate said the furor has “not been high on my list of priorities” this week as he prepares to lead the team into friendly matches against Brazil on Saturday and Belgium on Tuesday.

“It’s a hard question to answer really because it is presumably some artistic take which I am not creative enough to understand,” Southgate said when asked about his thoughts on the new design.

“What you are really asking,” he said, “is should we be tampering with the cross of St. George? In my head, if it is not a red cross and a white background, then it isn’t a cross of St. George anyway.”

Southgate added that, for him, it was more important that the symbol of the three lions stayed on the shirt than the St. George’s Cross.

“It’s our iconic symbol — it is what distinguishes us not only from football teams around the world but from England rugby and England cricket,” he said of the three lions.

John Barnes, one of England’s best players, said he could not understand what all the fuss was about.

“It’s a much ado about nothing,” the 60-year-old former winger said.

For most people, the problem will be less the color of the flag and more its price tag. An “authentic” version for adults will cost 125 pounds ($155) and 120 pounds for children. That’s quite an outlay at a time when household budgets have been stretched as a result of one of the most acute cost-of-living crises in decades.

The Football Supporters’ Association has long bemoaned the high cost of replica shirts and suggested that a “sell-by” date should be put on kits so buyers know how long it will be in use before a newer version is released.

“An unwitting parent could easily buy a kit for Christmas or a birthday to find it’s ‘old’ within a matter of months,” a spokesperson for the group said.
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Seoul — As a South Korean baseball fan, Shin Jae-woong had many reasons to watch the Los Angeles Dodgers and San Diego Padres open the Major League Baseball season this week in Seoul.

These are the first ever regular season MLB games in baseball-loving South Korea. And the games feature multiple Korean stars, including Padres infielder Kim Ha-seong.

But the main draw is obvious for Shin and his two young sons, who traveled from the southeastern city of Gwangju. They came to see Japanese superstar Shohei Ohtani.

“I think Ohtani is out of this world. He’s like another level of player,” said Shin as he watched the Dodgers practice ahead of the series opener on Wednesday.

Ohtani, the do-it-all Japanese megastar – who in December signed a record 10-year, $700 million contract with the Dodgers – draws massive crowds wherever he goes these days.

Perhaps surprisingly, Ohtani also has throngs of fans in South Korea, which shares a fierce sports rivalry and complicated history with Japan.

“He has a good personality. He’s tall. He’s good-looking,” said Eo Soo-young, a 38-year-old Seoul resident. “And that other stuff, that’s an old story.”

This week, it’s all about positive vibes, as South Korea and Japan come together around an American game, which has also become a showcase for improved ties among the three countries.

“It’s almost become a trilateral event,” said Philip Goldberg, the U.S. ambassador to Seoul, who attended the Wednesday game with several senior South Korean and Japanese officials. “In this atmosphere of better relations…it brings even more luster.”

Japan-South Korea ties have long been strained, often over issues related to atrocities committed by Japan during its brutal 1910-45 occupation of Korea. When South Korean President Yoon Suk Yeol took office in 2022, he instead chose to focus on the future, expanding security cooperation and holding several meetings with his counterpart, Japanese Prime Minister Fumio Kishida.

Nonetheless, Japan remains a sensitive issue in South Korea, where many left-leaning politicians accuse Yoon of being too friendly with Japan.

According to Japanese media reports, planning was under way for Kishida to attend Wednesday’s MLB opener in Seoul, perhaps alongside Yoon. Kishida’s visit was called off because it may have been too controversial ahead of next month’s general election in South Korea, the reports suggested.

“Even though the two governments have been able to kind of smooth things over, this historical issue hasn’t been resolved, I think. And that leaves open the possibility of the relationship deteriorating in the future,” said Benjamin Engel, a professor at Seoul National University.

For now, ties are warming, even at the people-to-people level. Recent polls suggest a majority of young Koreans want to improve relations with Japan. And South Korean interest in Japanese cultural productions, such as anime, and commercial products like beer, has surged.

In an interview with VOA, Ambassador Goldberg said he was optimistic that trilateral ties will also remain strong.

“It just makes so much sense. It’s in the interests of the three countries,” he told VOA in an interview. “There are going to be moments where we have to manage and go through different periods. But I think there’s a logic to all of this that will keep it going.”

And Ohtani – whom Koreans refer to as the “baseball genius” – can’t hurt, at least if you ask many Korean baseball fans.

Many were impressed that during his pre-game comments to the media, Ohtani had nothing but warm words for South Korea. That is a contrast to Ichiro Suzuki, another Japanese baseball legend, who stirred resentment among many Koreans by taunting, and sometimes even insulting, their country.

“(Ohtani) just respects Korea…that’s why other people respect him too,” said Seoul resident Ryoo Sung-kyu. “It’s give and take, I think.”
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LOS ANGELES — Usher was named entertainer of the year at the 55th annual NAACP Awards on Saturday night, which highlighted works by entertainers and writers of color.

After Usher accepted his award at the Shrine Auditorium in Los Angeles, the superstar R&B singer spoke about being thankful about the journey of his successful career that has lasted three decades.

He reeled off several of his recent big moments including his sold-out residency in Las Vegas, getting married, releasing his ninth studio album “Coming Home” and his Super Bowl halftime performance, which became the most-watched in the game’s history.

Usher beat out Colman Domingo, Fantasia Barrino, Halle Bailey and Keke Palmer.

“I don’t know how many people do that much stuff in one setting,” said the multi-Grammy winner, who was presented the award by Oprah Winfrey. After being surprised by Winfrey’s presence, he thanked those who have supported him throughout the years.

“This is for you, you, my number ones,” the singer said as the audience repeated his words back to him. The final words of his speech were recited lyrics from his popular song “Superstar” from his 2024 album “Confessions,” which has sold more than 10 million units in the U.S.

Earlier in the ceremony, Usher was honored with the President’s Award for the singer’s public service achievements through his New Look Foundation. He thanked the strong women in his life, including his mother and wife Jenn Goicoechea, whom he married after his Super Bowl halftime performance last month.

“The say behind or beside or with every strong man is a stronger woman,” he said.

Queen Latifah hosted the awards ceremony aired live on BET.

“The Color Purple” was awarded best motion picture. The musical film featured star-studded cast including Barrino, Taraji P. Henson, Domingo, H.E.R., Danielle Brooks, Corey Hawkins and Bailey.

Barrino, who starred as Celie in the film, won for best actress in a motion picture.

“I didn’t prepare a speech, because I didn’t think I was going to win,” the singer-actor said. “I was afraid to play Celie, but I’m glad I did. Because I kept saying ‘If I don’t win an award, the awards that I will win will come from the people who watched ‘Color Purple’ and the women who will relate to her and feel like Oscars when they walk out.’”

New Edition was inducted into the NAACP Image Awards Hall of Fame. The induction is bestowed on individuals who are viewed as pioneers in their respective fields and whose influence shaped their profession.

“We stand here in brotherhood,” said Michael Bivins while his group members behind him. The Grammy-nominated group includes Bobby Brown, Johnny Gill, Ralph Tresvant, Ronnie DeVoe and Ricky Bell.

“You’ve seen our story. You know what we’ve been through,” said Bivins, who spoke about the group overcoming conflict and tension in their earlier years to now holding a residency in Las Vegas.

“But we call each other every day,” he continued. “We text each other every day. We check on our families. You watched us grow up. We’re still growing.”

Damson Idris won best actor in a drama television series for his role in “Snowfall.” Henson and Domingo took home best supporting roles in “The Color Purple.” Domingo also won best actor in a motion picture for his role in “Rustin.”
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Warsaw, Poland — A Russian-Belarusian rock band that denounces Moscow’s Ukraine invasion returned to the stage this week, voicing defiance after being detained in Thailand in January and threatened with deportation to Russia. 

The band, Bi-2, formed in the 1980s in Belarus when it was part of the Soviet Union, left Russia in protest over the invasion and has been touring ever since in countries with large Russian-speaking communities. 

Ahead of a concert in Vilnius on Thursday, band members met with exiled Belarusian opposition leader Sviatlana Tsikhanouskaya and supporters of late Kremlin critic Alexey Navalny, who died in an Arctic prison last month. 

“We have become hostages to Russian history,” Egor Bortnik, one of the band’s two founders, told AFP ahead of a concert in Warsaw on Saturday. 

But 51-year-old Bortnik, who is better known by his stage name “Lyova,” said he was “not against the war.” 

“On the contrary, I’m for the war. I just want Ukraine to liberate its own territory,” he said. 

“Putin has to gather his orcs and get out of Ukraine,” Bortnik said, using a disparaging term for Russian soldiers frequently used by Ukrainians. 

The band was detained in Phuket, Thailand, in January on immigration charges in a case that has alarmed Russians critical of President Vladimir Putin living abroad. 

The organizers of their concerts said all the necessary permits had been obtained, but the band was issued with tourist visas in error, and they accused the Russian consulate of waging a campaign to cancel the concerts. 

After a week in detention, the band members were released and traveled to Israel, where they met with Foreign Minister Israel Katz who said in a statement that the episode showed that “music will win.” 

Several of their concerts in Russia were canceled in 2022 after they refused to play at a venue with banners supporting the war in Ukraine, after which they left the country. 

“I put my prosperity on the line when the war began, and I had to leave Russia. It was unexpected, it was not a process we had prepared for,” Bortnik said. 

Bortnik, who moved to Israel while still a teenager, said he was more used to emigration than some of his peers who left Russia in the wake of the war. 

“I understand how difficult it is,” he said. 

Bortnik said he was no “geopolitician” and does not write explicitly “political songs” although their lyrics can “hit a nerve that is constantly vibrating.” 

He said Putin’s demise could be sudden and violent and would also bring down Belarusian strongman Alexander Lukashenko, who has been in power for three decades. 

“If something happens to Putin then there could be a civil war — the finale for any tyranny,” he said. 
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Seoul — South Korea’s “Squid Game” actor O Yeong-su has been found guilty of sexual misconduct, a local court said Friday, after he was charged with assaulting a woman in 2017.

The 79-year-old in 2022 became the first South Korean to win a Golden Globe Award for best supporting actor in a series for his performance as a seemingly vulnerable old man in the mega-hit Netflix dystopian thriller.

The actor was sentenced to eight months in prison, suspended for two years, the Seongnam Branch of the Suwon District Court told AFP.

He has been also ordered to complete 40 hours of classes on sexual violence, the court added.

The victim’s own records of the assault and her claims are “consistent … and appear to be statements that cannot be made without actually experiencing them,” judge Jeong Yeon-ju said, according to the court.

O was indicted in 2022 without detention on charges of sexually assaulting a woman, who has not been identified, on two occasions.

The incidents took place when O was staying in a rural area for a theatre performance in 2017, on a walking path and in front of the victim’s residence, respectively, according to the Suwon District Court.

“Squid Game,” a series that depicts a dark world where marginalized individuals are forced to compete in deadly versions of traditional children’s games, quickly gained immense popularity on Netflix.

Within less than four weeks of its release in 2021, it attracted a staggering 111 million viewers.

The show’s success has amplified South Korea’s increasingly outsized influence on global popular culture, following global fame won by the likes of K-pop band BTS and the Oscar-winning film “Parasite.”

Multiple figures in South Korea’s film industry — including late filmmaker Kim Ki-duk and actor Cho Jae-hyun — have faced sexual assault allegations.
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SANTA FE, N.M. — Defense attorneys for Alec Baldwin urged a New Mexico judge on Thursday to dismiss a grand jury indictment against the actor in the fatal shooting of a cinematographer on the set of the Western movie “Rust.”

The indictment in January charged Baldwin with involuntary manslaughter in the death of cinematographer Halyna Hutchins on Oct. 21, 2021, at a movie ranch on the outskirts of Santa Fe.

Baldwin has pleaded not guilty to the charge. His attorneys in a new court filing accused prosecutors of “unfairly stacking the deck” against Baldwin in grand jury proceedings that diverted attention away from exculpatory evidence and witnesses.

They say that prevented the jury from asserting their obligation to hear testimony from director Joel Souza, who was wounded in the shooting while standing near Hutchins, as well as assistant director and safety coordinator Dave Halls and props master Sarah Zachry.

“The grand jury did not receive the favorable or exculpatory testimony and documents that the state had an obligation to present,” said the court motion signed by defense attorney Luke Nikas. “Nor was the grand jury told it had a right to review and the obligation to request this information.”

Prosecutor Kari Morrissey declined to comment and said a response will be filed with the court.

Baldwin’s motion also asserts that the grand jury received inaccurate and one-sided testimony about the revolver involved in the fatal shooting.

“Rust” armorer Hannah Gutierrez-Reed was convicted by a jury last week in the shooting and is being held without bond pending an April sentencing hearing. Involuntary manslaughter carries a felony sentence of up to 18 months in prison and a $5,000 fine.

Baldwin was pointing a gun at cinematographer Halyna Hutchins when the revolver went off, killing Hutchins and injuring Souza. Baldwin has maintained that he pulled back the gun’s hammer, but not the trigger.

Prosecutors blamed Gutierrez-Reed at a two-week trial for unwittingly bringing live ammunition onto the set of “Rust” where it was expressly prohibited. They also said she failed to follow basic gun-safety protocols.

Halls last year pleaded no contest to negligent handling of a firearm and completed a sentence of six months of unsupervised probation.

Baldwin is scheduled for trial in July.
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This month’s Academy Awards ceremony saw a big first for Ukraine as Mstyslav Chernov’s “20 Days in Mariupol” won the best documentary Oscar. The film is a first-person account of being in the eastern Ukrainian city during the first weeks of Russia’s invasion. Khrystyna Shevchenko talked with Chernov. Anna Rice has that story.
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