Hopes High Before Kenya Ruling on Decriminalizing Gay Sex

Members of Kenya’s LGBT community are looking forward to a High Court ruling that might decriminalize gay sex. The impending ruling is raising hopes among LGBT persons across the region.

South of Nairobi, in a remote town, models are in training in a safe house tucked in a quiet neighborhood. These are not just any models. These are LGBT refugees from Uganda, Tanzania and Rwanda.

Most fled persecution from their home countries because of their sexual orientation.

Lubega Musa, 27, fled to Kenya in 2015. He, together with other LGBT refugees, started an economic empowerment program called Lunco Haute Cotoure, whose activities focus on fashion, design and music.

“There are things we would love to do as Lunco Houte Cotoure for the gay community openly, but we cannot do them because of the law,” Musa said. “So, if there is change in the law, if same-sex becomes legal in Kenya, we as artists, we work with the gay community. The situation will be much better for us to exhibit our talent, and you know the LGBT community is one that is most talented in the arts.”

 

WATCH: Kenya High Court Ruling on Decriminalizing Gay Sex Awaited 

High Court ruling

Kenya’s High Court will rule this month on whether to repeal Section 162 of the Penal Code, which criminalizes gay sex.

In Kenya, one can be sentenced to up to 14 years for violating the law.

Activists say the case is a milestone in the fight for LGBT rights in the region.

“This is an opportunity for LGBTI people to claim their spaces,” said Brian Macharia, a gay rights activist. “Whether we win this case or not, there is visibility that is coming by the fact that we managed to get this far at the courts, that we got a lot of Kenyans thinking and talking about this.”

Homophobic attacks are common in Kenya, as a majority of the population objects to homosexuality.

​Too soon, some say

Charles Kanjama, the lead lawyer representing the Kenya Christian Professionals Forum in the case, says Kenya is not ready to accept homosexuality.

“We think that it is in the interest of our country, as do most other Africans in this continent in which we live, to outlaw homosexuality. That is gay sex in particular, and any manifestations as promotion or propagandizing in favor of gay sex, so that we can try as much as possible to encourage and promote healthy sexual behavior,” he said.

Activists in Africa and elsewhere are campaigning against penal codes that criminalize gay sex, most of which date from the colonial period.

The laws in many countries are being overturned. India scrapped them last year. Angola in January.

Kenya might do it in a matter of weeks.

However the High Court rules, both sides are likely to appeal to the Supreme Court if they lose.

First Lady Makes Valentine’s Day Art With Pediatric Patients

Melania Trump gave some love to her new city during a Valentine’s Day arts-and-crafts session with pediatric patients Thursday.

At a station where the children wrote their “favorite things” on construction paper hearts, the first lady went with “My favorite city is Washington.” She signed the heart with her name and stuck it on a board on a wall in the middle of several other hearts.

During the visit to The Children’s Inn on the campus of the National Institutes of Health outside Washington, she also helped make candy boxes — and assisted a line of children in filling them up with a variety of sugary treats — and snow globes.

Amani, a 13-year-old boy from Mombasa, Kenya, was responsible for showing her how to turn a wooden clothespin into a colorful clip.

“This is a big project,” Trump said during the tutorial. Amani has sickle cell disease and is preparing for a bone marrow transplant with marrow donated by his sister, the White House said. The first lady told Amani that she will pray for him. He presented her with a red heart-shaped box that held a silver necklace with “Hope & Faith” inscribed on a silver circle.

He also gave the first lady a bouquet of white roses.

The Children’s Inn is a private, nonprofit residence for children and families participating in pediatric research at NIH. The first lady was at the inn on Valentine’s Day last year when she was informed by her staff of a shooting at a south Florida high school that killed 17 people.

She was greeted Thursday by Amber, 9, of San Jose, California. Amber, who participates in a gene therapy trial, was among the children with whom Mrs. Trump spent time during last year’s visit.

Trump is focusing her work as first lady on the well-being of children.

Uganda’s Tourism Minister Sparks Controversy over Curvy Women Contest

Uganda’s junior minister for tourism this month sparked controversy by suggesting that curvy women could be promoted as a tourist attraction. Uganda earns billions of dollars off of wildlife tourism but, the idea of adding women to that list has generated heated debate about objectifying women.

Ann Mungoma was a judge at two pageants that showed that being slim should not be equated with beauty  — Ms. Curvy Africa 2016 and Ms. Curvy Nigeria 2017.

 

“So, here we are giving a chance to the ladies and telling them, please, you’re most welcome,” she said. “God created you that way, bless him for the way you are shaped, your size, come, we are giving you a platform to show the world that this is how we are. This is how Ugandan ladies are designed.”

 

But Mungoma’s plan to bring the well-rounded contest to Uganda this year has — well — hit a curve.

 

Godfrey Kiwanda, Uganda’s junior minister for tourism, sparked debate at the pageant’s launch. He said curvy women should be counted among the country’s tourist attractions — such as wildlife.

Kiwanda said Uganda’s tourism industry is facing stiff competition and should diversify.

 

“Tourism is not just about animals, it’s about our food, the way we walk, the way we were created, our curves,” he said.

Uganda’s women’s rights activists called Kiwanda’s objectifying women’s bodies a gross insult.

 

Some called for the Ms. Curvy Uganda beauty pageant to be cancelled.

 

Rita Aciro, the executive director of the Uganda Women’s Network, has been fighting for women and girl’s rights for the last 18 years.

 

She demanded the junior tourism minister apologize.

 

“He should stop using women’s bodies as sex objects. We are not. Not Ugandan women, not any African woman, not any woman in the world,” she said. “Our bodies are not sex objects. We have equal brains, we have equal abilities, we just need equal opportunities.”

 

In the media and on the streets of Kampala, Ugandans had mixed views on the controversy and if the curvy contest should continue.

 

Some insulted women who would take part in the beauty pageant while others defended them.

 

University student Georgia Nakyonza said she would join the contest if she qualified. 

 

“It’s not bad, it doesn’t mean that if you go for Miss curvy you are a protest, you are selling off your body. Actually, the way they put on is just the way models put on,” she said.

 

Uganda’s Tourism Board has distanced itself from the Ms. Curvy pageant, saying it will concentrate instead on promoting the country’s current attractions.

Donald Glover Gets 5 Nominations for NAACP Image Awards

Coming off a big night at the Grammys, Donald Glover and his alter-ego Childish Gambino have been nominated for five NAACP Image Awards.

Glover is nominated for his acting and directing on “Atlanta,” and Childish Gambino got three nominations on the music side. Glover won four Grammy Awards including record and song of the year on Sunday night.

The nominees were announced Wednesday at the Television Critics Association winter meeting in Pasadena, Calif.

“Black Panther” was nominated for 14 awards, with star Chadwick Boseman and director Ryan Coogler nominated for entertainer of the year along with Beyonce, LeBron James and Regina King.

The 50th NAACP Image Awards honoring entertainers and writers of color will be held March 30 at the Dolby Theatre in Hollywood and aired live on TV One.

Michelle Obama’s Grammy Appearance Did Not Impress Mom

It appears Michelle Obama received a reality check from her mom following her appearance at the Grammys.

The former first lady took to Instagram Wednesday to share a text exchange with mom Marian Robinson. Obama had received a standing ovation opening Sunday’s awards show with Alicia Keys, Lady Gaga, Jennifer Lopez and Jada Pinkett Smith.

Robinson wrote: “I guess you were a hit at the Grammys.” Her daughter asked mom if she had watched. Mom replied she saw it and then asked if her daughter had met “any of the real stars.”

Mother and daughter then quibbled over whether Obama had told her she would be on.

Obama ended the exchange by writing “And I AM A real star…by the way…”

Her mother replied, “Yeah.”

Indonesian Musicians Rally Against Music Bill

More than 200 Indonesian musicians have started a movement against a draft bill on music law (RUU Permusikan) being considered in the legislature that they say could limit freedom of expression.

Mondo Gascaro, a composer and music producer, and one of the people who initiated the National Coalition against the Draft Bill on Music, says most of the articles in the bill are problematic.

“These articles don’t address the problem about the welfare of people in the music industry. The government’s regulations should ensure a good ecosystem for music (industry), and instead the articles in the bill can potentially limit musicians’ freedom of expression,” he said at a press conference in Jakarta on February 6.

Gascaro believes the bill is also problematic because it is unclear what are the issues that the government wants to regulate because the bill only focuses on the musicians.

“They said this is about governance of the music industry, but there are terminologies that are missing from the bill when you talk about the industry, there’s production, creation, distribution, artists,” he continued.

The coalition is calling for the bill to be discarded. Arian Arifin, a vocalist of the Indonesian heavy metal band Seringai, said it is pointless to revise the bill because he said more than 80 percent of the articles are disorganized. 

Bill not yet finalized

Although the draft bill on music law has been included in the 2019 National Legislation Program (Prolegnas), which means it is one of the priority bills that can be passed this year, Representative Inosentius Samsul, a backer of the measure, said it is not final. 

“It can still be revised and reviewed,” the lawmaker said at a press conference on February 4.

“We make the framework and the main stakeholders (musicians) only need to fill it. If there are things that need improvement, we will be open to discuss it and revise the script,” he explained. 

The coalition is not convinced, however, because the bill is already in the Prolegnas, and revising a script with articles can be problematic. 

“Why bother revising, you might as well create a new one. Start from the beginning with transparency and credible sources,” Arifin said. 

One of the sources cited in the draft bill is a Blogspot page that was written by a student from a high school in Central Kalimantan. Rara Sekar Larasati, a singer and a researcher on Cultural Anthropology, questioned the sources that were used as a basis of the bill’s script. 

“The sources for the articles are irrelevant. How can you cite a Blogspot that was made by a high school student?” she told VOA.

Potential criminalization

Larasati said a major concern for artists is the possibility for musicians to be prosecuted and jailed under the draft bill.

“We see there’s Article 5 that can potentially be a ‘rubber law,’ ” she said, referring to the term used in Indonesia for a law with ambiguous wording that is open for broad interpretation. “This is like a pattern for the state to censor and control its citizens.”

The article states that musicians are not allowed to encourage the public to commit violence, make pornographic content, provoke dispute, commit blasphemy, bring the negative influence of a foreign culture, and demean people’s dignity.

Asfinawati, director of the Indonesian Legal Aid Foundation (YLBHI), said Article 50, at the end of the script, states anyone who violates Article 5 can be punished with imprisonment or fines. 

“But the wordings are problematic, must not encourage the public to commit acts against the law. In law, the word encourage is ambiguous. For example, a musician can sing on stage, but in one corner there are people gambling. The authority can say the performance encourage gambling, or be connected to a violent act in the same place,” she explained. 

In addition, the bill mentions the negative influence of foreign culture. Asfinawati is unsure whether it refers only to the negative things that may be adopted from another culture or deems all foreign cultures negative.

“When we talk about foreign (culture), the problem is there is not a single country in the world that is authentic. We have been influenced by other cultures. Should we muzzle all of it? And musicians must not demean one’s dignity? What if they wrote a song about rape or domestic abuse. They may need to portray the act of demeaning another person to highlight the social issue,” she said.

Moreover, Article 32 states that to be acknowledged in the profession, musicians must take a competency test.

Gede Robi, a member of an Indie band Navicula, believes this can be used to silence independent musicians who are critical of the government. 

“They may not find negative elements in the songs, but it’s possible we can simply be dismissed from the profession, and no longer acknowledged as a musician,” he added. 

Robi said that a poorly drafted bill will hurt the music industry in Indonesia, especially the smaller independent bands. “We want the state to make our lives easier by not diminishing our efforts,” he said. 

Slow-going Restoration at Fire-gutted Brazilian Museum

Five months after fire gutted Brazil’s 200-year-old National Museum, the site that once held some of the nation’s greatest treasures remains a ruin of scorched walls, twisted metal and piles of ash.

 

Museum director Alexander Kellner said Tuesday that plans to rebuild the structure have just gotten underway, starting with a contract to restore the facade. Financial help is being provided by the Brazilian government as well as U.N. cultural agency, which is helping with restoration efforts and building repairs.

 

“We are very excited about the great prospect of reconstruction,” Kellner said outside the museum.

But the scale of the task was evident as authorities gave journalists a tour through the ruins.

 

Teams of volunteers are still using large sieves to sort through ash and other debris to hunt for fragments that might have survived the Sept. 2 blaze, working in summer heat with the roof burned away to leave just the sky.

Researchers said in December that they had recovered more than 1,500 surviving pieces, including indigenous arrows, a Peruvian vase and a pre-Colombian funeral urn.

 

In October, researchers recovered skull fragments and a part of the femur belonging to “Luzia,” the name that scientists gave to a woman who lived 11,500 years ago.

But those are just a tiny fraction of the more than 20 million pieces, including irreplaceable historical documents, that were in the museum when the fire ravaged the building. A large meteorite sits almost intact in the otherwise bare lobby.

Malawian Boy Saves Famine-stricken Village with Wind Turbine in Berlinale Film

A movie premiering in Berlin tells the true story of a young boy from a famine-stricken village in Malawi who studies books about energy then builds a wind turbine that enables farmers to irrigate their land.

Directed by Chiwetel Ejiofor, “The Boy Who Harnessed the Wind” tells the story of William, an engineering enthusiast who resorts to secretly using the school library to learn when he is expelled from school because his father – a poor farmer – cannot afford to pay the fees.

The farm land around the village gets flooded, ruining the crops, and then later dries out, leaving people with hardly any food. Desperate villagers steal food from William’s family and they end up with just enough for one meal per day.

Less educated villagers doubt William’s turbine idea will work and his father initially refuses to give him the bike – one of the family’s few possessions – that he needs to make it, telling him to start helping on the farm instead of studying.

The father later gives in and William uses the bike, some wood and junk that he finds in a scrapyard to build the towering construction that powers a water pump. At the end of the movie, he climbs the turbine to see green plants shooting out of what was previously dry, cracked and barren land.

“I was struck and continue to be struck by just what an extraordinary achievement it was,” Ejiofor said. “What his story represents is really living in the solution, not living in the problems.”

The film is based on an autobiographical book with the same title written by the real-life William Kamkwamba. Kamkwamba said he hoped people who had not read the book would see the movie and learn about his story, adding: “They might get inspired by my work that I did, so I’m very excited.”

Maxwell Simba, who plays William, said he was struck by William’s determination to fight for what he believes in despite his difficult relationship with his father and despite being expelled from school.

“If you are really determined to go get what you want, then the universe has its own way of working out for you to achieve at the end of the day what you wanted to achieve,” he said.

Cardi B Deactivates Instagram Account After Grammy Criticism

Cardi B has deactivated her Instagram account following social media criticism of her winning a Grammy for best rap album.

Some people said the 26-year-old rapper didn’t deserve the Grammy over other nominees. The criticism was amplified by a now-deleted BET tweet that pitted Cardi B against her longtime rival Nicki Minaj.

Cardi B shared an expletive-laden video prior to deleting her account saying it’s not her style “for people to put other people down to uplift somebody else.” She then pointed out how people said she was snubbed when she didn’t win for her debut single “Bodak Yellow” last year despite two nominations.

The rapper said she worked hard and throughout her pregnancy on her first album “Invasion of Privacy.” Her Grammy win made her the first solo female artist to win the award for best rap album.

 

Study: More Diverse Movie Leads in 2018 Than Ever

The top films in 2018 featured more female and people of color in lead roles than ever before, according to a new study from the University of Southern California’s Annenberg Inclusion Initiative.

In a report released Tuesday, researchers found that women were the lead or co-lead in 40 of the 100 highest-grossing films of 2018. That’s an increase of eight movies from 2017 and 20 movies from 2007, when the annual study was begun.

There were 28 films with leads or co-leads from an underrepresented racial or ethnic group in 2018. That, too, was a substantial increase from the year prior and the highest mark on record.

Those numbers still fall short of reflecting demographics. Women make up about 51 percent of the U.S. population. Underrepresented groups make up about 39 percent of the population.

The gains came in a year that saw record box-office returns, thanks in part to releases like “Black Panther,” the top-selling film in North American theaters, and the breakout romantic comedy, “Crazy Rich Asians.”

Stacy L. Smith, director of the Annenberg Inclusion Initiative, called the results “a step in the right direction.”

“2018 offers hope that industry members have taken action to create content that better reflects the world in which we live, and the box office seems to have rewarded them for it,” said Smith. “This data shows us that it is possible for change to be achieved — companies must not grow complacent but continue the progress they have made in 2019 and in the years to come.”

Some of the largest increases came in more narrow demographics. Eleven of the top 100 films starred a woman of color. In 2017, there were four. The same number of films, 11, featured female leads aged 45 years or older. In 2017, there were five.

 

George Clooney Compares Markle Coverage to Princess Di

George Clooney is frustrated by the way the media is treating Megan Markle, comparing it to how the media covered Princess Diana.

 

Clooney told reporters the American actress who became the Duchess of Sussex is “a woman who is seven months pregnant and she has been pursued and vilified and chased in the same way that Diana was and it’s history repeating itself.”

Diana died in a car crash while being pursued by paparazzi in 1997.

Clooney and his wife attended Markle’s wedding to Diana’s son, Prince Harry, last year.

Clooney made the comments at the Television Critics Association conference in Pasadena, California. He is promoting his upcoming Hulu series “Catch-22.”

 

 

Hulu Making Howard the Duck, 4 More Marvel Animated Shows

Hulu is teaming with Marvel to make four separate animated series based on comic book characters like Howard the Duck.

Director Kevin Smith and comics Chelsea Handler and Patton Oswalt are among the people who have signed deals with the streaming service to help produce the cartoons. Smith will work on the Howard the Duck series.

Other shows revolve around M.O.D.O.K., a villain with an enormous head; Hit-Monkey, about a Japanese snow monkey turned assassin; and Tigra and Dazzler, two superheroes who work in Los Angeles.

Hulu senior vice president Craig Erwich said Monday animation is a particular favorite for its users. Since the deal was just signed, there’s no estimate on when the series will be ready.

Oscar Nominees in the Foreign Picture Category Tackle Political Oppression, War and Social Injustice

Totalitarian regimes and their mark on the human psyche, nostalgic depictions of life in Mexico City riddled with socio economic and racial divisions and the toll of poverty and war on children and families are themes of this year’s Oscar nominees in the category of Best Foreign Language Film. VOA’s Penelope Poulou has more.

Female Acts, Rap Songs Win Big at Grammys

Women returned at the Grammys on Sunday as female acts won album of the year and best new artist, while rap also triumphed, with Childish Gambino’s “This Is America” becoming the first rap-based song to win record and song of the year.

Kacey Musgraves’ “Golden Hour” picked up album of the year, and Dua Lipa won best new artist.

“I don’t even know what to say,” Musgraves said. “I am very thankful. Winning doesn’t make my album any better than anybody else in that category.”

Gambino was the night’s big winner, picking up four honors, including best music video and best rap/sung performance.

Drake surprised the music world when he emerged on stage to accept the best rap song trophy but told the room of musicians that winning awards isn’t necessary if you have real fans attending your concerts and singing your songs.

Drake, who rarely attends awards shows, won the honor for his massive hit “God’s Plan.”

“You’ve already won if you have people who are singing your songs word for word, if you’re a hero in your hometown. Look, if there are people who have regular jobs who are coming out in the rain and the snow, spending their hard-earned money to buy tickets to come to your shows, you don’t need this right here. I promise you. You already won,” he said at the Staples Center in Los Angeles.

He tried to continue speaking but was cut off as the ceremony suddenly went to a commercial.

Rap has endured a longtime losing streak at the Grammys. The last time a rapper won album of the year was in 2004, with Outkast. Only a handful of rappers have won best new artist.

Cardi B made history as the first solo female to win best rap album (Lauryn Hill won as a member of the Fugees at the 1997 Grammys). 

She was shaking onstage as she tried to give a thank-you speech with her rapper-husband Offset holding her arm.

“The nerves are so bad. Maybe I need to start smoking weed,” she said as the audience laughed. “I just want to say thank you everybody that was involved … I want to thank my daughter.”

The Grammys kicked off with a group of powerful women, including Michelle Obama and Lady Gaga, describing the role of music in their lives – a display that came a year after female voices were somewhat muted at the 2018 ceremony.

“Music has always helped me tell my story,” said Obama, who surprised the audience with her appearance. “Whether we like country or rap or rock, music helps us share ourselves. It allows us to hear one another.”

Gaga told the crowd: “They said I was weird, that my look, that my choices, that my sound wouldn’t work. But music told me not to listen to them.”

​Jada Pinkett Smith and Jennifer Lopez also spoke and stood in solidary with Obama, Gaga and Alicia Keys, who is hosting the show airing on CBS.

“Yes, ladies,” Keys said. “There’s nothing better than this.”

The opening contrasted with last year’s Grammys, where male acts dominated in nominations and the only woman competing for the top award, Lorde, didn’t get a chance to perform onstage.

But this year, Gaga, Brandi Carlile and Kacey Musgraves won three Grammys each.

Carlile took three honors in the Americana category and will compete for the three biggest awards during the live show: album, song and record of the year.

Gaga also won three, including best pop duo/group performance, a win she shared with Bradley Cooper.

Gaga, now a nine-time Grammy winner, won best pop solo performance for “Joanne,” while hit “Shallow,” from “A Star is Born,” was named best song written for visual media. The song is nominated for an Oscar and also won at the Golden Globes, the Critics’ Choice Movie Awards and the Satellite Awards.

Women have a strong presence in the top categories. Five of the eight album-of-the-year nominees were women, including Carlile’s “By the Way, I Forgive You,” Janelle Monae’s “Dirty Computer,” Cardi B’s “Invasion of Privacy” and H.E.R.’s self-titled album are also in contention.

When asked about the lack of women in the top categories at the 2018 Grammys, Recording Academy CEO Neil Portnow said women need to “step up.” He later acknowledged that it was a “poor choice of words,” and his much-criticized remarks forced the academy to launch a new task force focused on inclusion and diversity.

Portnow, who didn’t seek a renewal on his contract which ends this year, seemed to address his words from last year during Sunday’s show.

“This past year I’ve been reminded that if coming face to face with an issue opens your eyes wide enough, it makes you more committed than ever to help address those issues. The need for social change has been the hallmark of the American experience, from the founding of our country to the complex times we live in today,” he said.

British singer Dua Lipa alluded to Portnow’s 2018 words when she won best new artist. 

“I guess this year we’ve really stepped up,” she said after telling the audience she was was grateful to be nominated alongside so many female performers. Six of the best-new-artist nominees were women, including H.E.R., Chloe x Halle, Margo Price, Bebe Rexha and Jorja Smith.

Musgraves picked up best country album for “Golden Hour,” best country solo performance for “Butterflies” and best country song for “Space Cowboy.”

“I never dreamed that this record would be met with such love,” she said onstage.

She also gave a shout-out to her husband in the audience, saying she wouldn’t have been able to make the album if he “didn’t open my heart like you did.”

Musgraves performed “Rainbow” from “Golden Hour” during the show, and hit the stage for a second time to honor Dolly Parton. Musgraves and Katy Perry joined forces for “Here You Come Again,” later joined by Parton herself. The icon sang a duet version of “Jolene” with Miley Cyrus, who often covers the classic song. But the country music icon truly shined when she sang “Red Shoes,” with country foursome Little Big Town providing background vocals.

Yolanda Adams, Fantasia and Andra Day teamed up for stirring performance of “(You Make Me Feel Like) A Natural Woman” in honor Aretha Franklin, who died last year. 

Diana Ross earned a standing ovation when she emerged onstage in a bright red dress to perform “Reach Out and Touch (Somebody’s Hand)” and “The Best Years of My Life.” She celebrated her 75th birthday early with the performance, saying afterward, “Happy birthday to me!” Her actual birthday is March 26.

​R&B singer H.E.R., who won best R&B performance for “Best Part” with Daniel Caesar, stunned as she played her guitar and sang. Chloe x Halle impressed when they sang Donny Hathaway and Roberta Flack’s “Where Is the Love.” Monae grooved onstage during “Make Me Feel,” backed by several dancers. Post Malone performed with Red Hot Chili Peppers, and Cardi B grinded onstage during her latest single, “Money.”

Ariana Grande won her first Grammy in the same week that she publicly blasted Grammys producer Ken Ehrlich and accused him of lying about why she was no longer performing at the show.

Tori Kelly and Lauren Daigle won two awards each. Beyonce, Jay-Z, Ella Mai, Pharrell Williams, Hugh Jackman, Stingy, Shaggy, Dave Chappelle, “Weird Al” Yankovic, the late Chris Cornell, Greta Van Fleet and even former President Jimmy Carter also picked up early awards ahead of the live show.

There was a tie for best rap performance, and Drake was surprisingly not one of the winners. Drake’s “Nice for What” lost to Anderson Paak’s “Bubblin”’ and Kendrick Lamar, Jay Rock, Future and James Blake’s “King’s Dead,” from the “Black Panther” soundtrack.

Beck was a double winner during the pre-telecast, taking home best alternative music album and best engineered album (non-classical) for “Colors.” Emily Lazar, one of the engineers who worked on the album and won alongside Beck, was the first female mastering engineer to win in the latter category.

Female Acts, Rap Songs Win Big at the Grammy Awards

Women returned at the Grammys on Sunday as female acts won album of the year and best new artist, while rap also triumphed, with Childish Gambino’s “This Is America” becoming the first rap-based song to win record and song of the year.

Kacey Musgraves’ “Golden Hour” picked up album of the year, and Dua Lipa won best new artist.

“I don’t even know what to say,” Musgraves said. “I am very thankful. Winning doesn’t make my album any better than anybody else in that category.”

Gambino was the night’s big winner, picking up four honors, including best music video and best rap/sung performance.

Drake surprised the music world when he emerged on stage to accept the best rap song trophy but told the room of musicians that winning awards isn’t necessary if you have real fans attending your concerts and singing your songs.

Drake, who rarely attends awards shows, won the honor for his massive hit “God’s Plan.”

“You’ve already won if you have people who are singing your songs word for word, if you’re a hero in your hometown. Look, if there are people who have regular jobs who are coming out in the rain and the snow, spending their hard-earned money to buy tickets to come to your shows, you don’t need this right here. I promise you. You already won,” he said at the Staples Center in Los Angeles.

He tried to continue speaking but was cut off as the ceremony suddenly went to a commercial.

Rap has endured a longtime losing streak at the Grammys. The last time a rapper won album of the year was in 2004, with Outkast. Only a handful of rappers have won best new artist.

Cardi B made history as the first solo female to win best rap album (Lauryn Hill won as a member of the Fugees at the 1997 Grammys). 

She was shaking onstage as she tried to give a thank-you speech with her rapper-husband Offset holding her arm.

“The nerves are so bad. Maybe I need to start smoking weed,” she said as the audience laughed. “I just want to say thank you everybody that was involved … I want to thank my daughter.”

The Grammys kicked off with a group of powerful women, including Michelle Obama and Lady Gaga, describing the role of music in their lives – a display that came a year after female voices were somewhat muted at the 2018 ceremony.

“Music has always helped me tell my story,” said Obama, who surprised the audience with her appearance. “Whether we like country or rap or rock, music helps us share ourselves. It allows us to hear one another.”

Gaga told the crowd: “They said I was weird, that my look, that my choices, that my sound wouldn’t work. But music told me not to listen to them.”

​Jada Pinkett Smith and Jennifer Lopez also spoke and stood in solidary with Obama, Gaga and Alicia Keys, who is hosting the show airing on CBS.

“Yes, ladies,” Keys said. “There’s nothing better than this.”

The opening contrasted with last year’s Grammys, where male acts dominated in nominations and the only woman competing for the top award, Lorde, didn’t get a chance to perform onstage.

But this year, Gaga, Brandi Carlile and Kacey Musgraves won three Grammys each.

Carlile took three honors in the Americana category and will compete for the three biggest awards during the live show: album, song and record of the year.

Gaga also won three, including best pop duo/group performance, a win she shared with Bradley Cooper.

Gaga, now a nine-time Grammy winner, won best pop solo performance for “Joanne,” while hit “Shallow,” from “A Star is Born,” was named best song written for visual media. The song is nominated for an Oscar and also won at the Golden Globes, the Critics’ Choice Movie Awards and the Satellite Awards.

Women have a strong presence in the top categories. Five of the eight album-of-the-year nominees were women, including Carlile’s “By the Way, I Forgive You,” Janelle Monae’s “Dirty Computer,” Cardi B’s “Invasion of Privacy” and H.E.R.’s self-titled album are also in contention.

When asked about the lack of women in the top categories at the 2018 Grammys, Recording Academy CEO Neil Portnow said women need to “step up.” He later acknowledged that it was a “poor choice of words,” and his much-criticized remarks forced the academy to launch a new task force focused on inclusion and diversity.

Portnow, who didn’t seek a renewal on his contract which ends this year, seemed to address his words from last year during Sunday’s show.

“This past year I’ve been reminded that if coming face to face with an issue opens your eyes wide enough, it makes you more committed than ever to help address those issues. The need for social change has been the hallmark of the American experience, from the founding of our country to the complex times we live in today,” he said.

British singer Dua Lipa alluded to Portnow’s 2018 words when she won best new artist. 

“I guess this year we’ve really stepped up,” she said after telling the audience she was was grateful to be nominated alongside so many female performers. Six of the best-new-artist nominees were women, including H.E.R., Chloe x Halle, Margo Price, Bebe Rexha and Jorja Smith.

Musgraves picked up best country album for “Golden Hour,” best country solo performance for “Butterflies” and best country song for “Space Cowboy.”

“I never dreamed that this record would be met with such love,” she said onstage.

She also gave a shout-out to her husband in the audience, saying she wouldn’t have been able to make the album if he “didn’t open my heart like you did.”

Musgraves performed “Rainbow” from “Golden Hour” during the show, and hit the stage for a second time to honor Dolly Parton. Musgraves and Katy Perry joined forces for “Here You Come Again,” later joined by Parton herself. The icon sang a duet version of “Jolene” with Miley Cyrus, who often covers the classic song. But the country music icon truly shined when she sang “Red Shoes,” with country foursome Little Big Town providing background vocals.

Yolanda Adams, Fantasia and Andra Day teamed up for stirring performance of “(You Make Me Feel Like) A Natural Woman” in honor Aretha Franklin, who died last year. 

Diana Ross earned a standing ovation when she emerged onstage in a bright red dress to perform “Reach Out and Touch (Somebody’s Hand)” and “The Best Years of My Life.” She celebrated her 75th birthday early with the performance, saying afterward, “Happy birthday to me!” Her actual birthday is March 26.

​R&B singer H.E.R., who won best R&B performance for “Best Part” with Daniel Caesar, stunned as she played her guitar and sang. Chloe x Halle impressed when they sang Donny Hathaway and Roberta Flack’s “Where Is the Love.” Monae grooved onstage during “Make Me Feel,” backed by several dancers. Post Malone performed with Red Hot Chili Peppers, and Cardi B grinded onstage during her latest single, “Money.”

Ariana Grande won her first Grammy in the same week that she publicly blasted Grammys producer Ken Ehrlich and accused him of lying about why she was no longer performing at the show.

Tori Kelly and Lauren Daigle won two awards each. Beyonce, Jay-Z, Ella Mai, Pharrell Williams, Hugh Jackman, Stingy, Shaggy, Dave Chappelle, “Weird Al” Yankovic, the late Chris Cornell, Greta Van Fleet and even former President Jimmy Carter also picked up early awards ahead of the live show.

There was a tie for best rap performance, and Drake was surprisingly not one of the winners. Drake’s “Nice for What” lost to Anderson Paak’s “Bubblin”’ and Kendrick Lamar, Jay Rock, Future and James Blake’s “King’s Dead,” from the “Black Panther” soundtrack.

Beck was a double winner during the pre-telecast, taking home best alternative music album and best engineered album (non-classical) for “Colors.” Emily Lazar, one of the engineers who worked on the album and won alongside Beck, was the first female mastering engineer to win in the latter category.

Tabloid CEO’s Lawyer Denies Enquirer tried to Extort Bezos

The National Enquirer committed neither extortion nor blackmail by threatening to publish intimate photos of Amazon CEO Jeff Bezos, an attorney for the head of the tabloid’s parent company said Sunday.

Elkan Abromowitz, an attorney for American Media Inc. chief executive David Pecker, said on Sunday a “reliable source” well-known to Bezos and his mistress provided the story about the billionaire’s extramarital affair.

Bezos has said AMI threatened to publish the explicit photos of him unless he stopped investigating how the Enquirer obtained his private exchanges with his mistress, former TV anchor Lauren Sanchez, and publicly declare that the Enquirer’s coverage of him was not politically motivated. Bezos also owns The Washington Post.

Bezos’ investigators have suggested the Enquirer’s coverage of his affair was driven by dirty politics, and the high-profile clash has pitted the world’s richest man against the leader of America’s best-known tabloid, who is a strong backer of President Donald Trump. Trump has been highly critical of Bezos over his ownership of The Washington Post and Amazon, and the Post’s coverage of the White House.

Federal prosecutors are looking into whether the Enquirer violated a cooperation and non-prosecution agreement that recently spared the gossip sheet from charges for paying hush money to a Playboy model who claimed she had an affair with Trump, two people familiar with the matter told The Associated Press on Friday. The people weren’t authorized to discuss the matter and spoke on condition of anonymity.

But asked during an interview with ABC’s “This Week” whether he was concerned the Bezos matter could jeopardize the noncooperation agreement, Abramowitz said: “Absolutely not.”

Abramowitz defended the tabloid’s handling of the situation as part of a standard legal negotiation.

“I think both Bezos and AMI had interests in resolving their interests,” Abramowitz said. “It’s absolutely not a crime to ask somebody to simply tell the truth. Tell the truth that this was not politically motivated, and we will print no more stories.”

Bezos’ affair became public when the Enquirer published story on Jan. 9 about his relationship with Lauren Sanchez, who is also married. Bezos then hired a team of private investigators to find out how the tabloid got the texts and photos the two exchanged.

​Bezos’ personal investigators, led by his security consultant Gavin de Becker, have focused on Sanchez’s brother, according to a person familiar with the matter. The person wasn’t authorized to discuss the matter publicly and spoke on condition of anonymity. Michael Sanchez is his sister’s manager, a Trump supporter and an acquaintance of Trump allies Roger Stone and Carter Page.

Abramowitz would not comment when asked whether Michael Sanchez was the Enquirer’s source but said that “Bezos and Ms. Sanchez knew who the source was.”

Michael Sanchez has declined to speak with AP on the record. In a Jan. 31 tweet, he said without evidence that de Becker “spreads fake, unhinged conservative conspiracy theories.”

Investigators working for Bezos have identified who they believe provided text messages to the Enquirer, the person familiar with the matter told the AP on Sunday. Bezos’ investigators concluded their probe into the text message leak and turned over the results to attorney Richard Ben-Veniste for review and possible referral to law enforcement, the person said. Ben-Veniste had served as special prosecutor during the Watergate scandal. 

In his blog post on Thursday, Bezos alluded to a possible relationship between Saudi Arabia and AMI, but Adel al-Jubeir, Saudi Arabia’s minister of state of foreign affairs, said he had “no idea” about such a relationship and doubted the kingdom played any role in urging AMI to run negative stories about Bezos. Last year, the tabloid produced a glossy magazine that included 97 pages saluting Saudi Arabia, ahead of Crown Prince Mohammed bin Salman’s arrival in the U.S. on a public relations blitz to transform his country’s image.

“It’s like a soap opera,” al-Jubeir said of Bezos’ allegations during a roundtable on Friday with reporters in Washington.

Asked about AMI’s recent $450 million debt restructuring, Abramowitz said “not a penny” of that money came from the Saudi kingdom. The company had sought financing from the Saudis but never received any, he said.

After Bezos on Thursday posted the exchanges with AMI in an extraordinary blog post on Medium.com, several celebrities and journalists posted on social media that they too had been threatened by AMI. Ronan Farrow said he and “and at least one other prominent journalist” involved in reporting on the tabloid had “fielded similar ‘stop digging or we’ll ruin you’ blackmail efforts from AMI” and actor Terry Crews alleged the company tried to “silence him” by “fabricating stories of me with prostitutes.”

Abramowitz said he didn’t know of any AMI employees blackmailing celebrities or journalists or “committing any crime at all.”

In recent months, the Trump-friendly tabloid acknowledged secretly assisting Trump’s White House campaign by paying $150,000 to Playboy centerfold Karen McDougal for the rights to her story about an alleged affair with Trump. The company then buried the story until after the 2016 election.

Trump’s longtime personal attorney and fixer Michael Cohen pleaded guilty last year to charges that included helping to broker that transaction.

As part of a non-prosecution agreement in that case, AMI promised not to break the law. The deal requires top executives, including Pecker and the Enquirer’s editor, Dylan Howard, to cooperate with federal prosecutors. A violation of the agreement could lead to criminal charges over the McDougal payments.

At Grammys, Carlile and Gaga Among Early Winners

The music world hit the red carpet Sunday for the Grammys, with hip-hop royalty and a bevy of talented women leading the pack — and early awards going to top nominees Brandi Carlile and Lady Gaga.

In the pre-gala ceremony in Los Angeles, at which most of the more than 80 prizes are handed out, folk rocker Carlile — this year’s most nominated woman — won her first three Grammys ever, in the Americana and American Roots categories.

Pop royalty Gaga meanwhile won an award in the visual media group for her heart-pounding hit “Shallow” of the blockbuster film “A Star Is Born,” and another for best pop solo performance for “Joanne.”

“I’m not gonna be able to wear any makeup tonight,” Gaga tweeted. “I’m in tears with honor and gratitude.”

Genre-bending experimental artist Beck scored the prize for Best Alternative Music Album.

The early wins by women offered a positive sign that change may be afoot at the Recording Academy, which has faced intense backlash over its apparent struggle to embrace diversity.

For the second consecutive year, black hip-hop artists are leading the pack — but observers are still wondering if nominations success can translate into big wins.

Rapper Kendrick Lamar — who won a Pulitzer Prize for his album “DAMN.” but has yet to snare a Grammy for Album of the Year — earned eight nods while Canadian rapper Drake snagged seven.

Female artists take front seat

Women artists scored nominations in all of the top categories, after being largely muted a year ago: Gaga, Carlile, rapper Cardi B and pop futurist Janelle Monae are among the frontrunners.

This year, five of the eight Album of the Year nominations went to female artists: Cardi B, Carlile, Monae, R&B prodigy H.E.R. and country star Kacey Musgraves.

In the Best New Artist category, six of the eight nominees are women.

A thrilled Carlile beamed as she accepted three consecutive trophies.

“Americana music is the island of the misfit toys. I am such a misfit,” Carlile said, speaking about the difficulties of coming out as a lesbian in her teen years and never attending school dances.

“To be embraced by this enduring and loving community has been the dance of a lifetime. Thank you for being my island,” she said.

In a charming twist, U.S. president Jimmy Carter won his third Grammy in the Spoken World Album category for the audio version of his best-selling book “Faith: A Journey For All.”

Backstage drama

But industry drama was threatening the evening gals, with a number of superstars declining to take part in the glitzy concert portion at the Staples Center.

Pop mega-star Ariana Grande — who dropped her highly anticipated album “Thank U, Next” just before the Grammys — slammed producer Ken Ehrlich over her decision not to perform, suggesting he was “lying” about her readiness.

Grande won for best pop vocal album for “Sweetener.”

Drake, Lamar and Childish Gambino — the rap alter-ego of actor Donald Glover — have also all turned down performance offers, and it was not clear if they would even attend.

Childish Gambino won the coveted prize for best music video for his politically provocative “This Is America.”

Gaga, Carlile, Monae, Cardi B and Musgraves are all due to take the stage.

Praise for women ‘overdue’

Hopes that women would get their due comes after the head of the Recording Academy — which includes more than 13,000 music professionals — told them last year to “step up” if they wanted to do better on Grammys night.

The brazen comment drew outrage and prompted the executive, Neil Portnow, to say he would resign when his contract expires this summer.

Gaga’s initial two wins were out of five nominations, including for both Record and Song of the Year for “Shallow,” which she performed with co-star Bradley Cooper.

Songstress Alicia Keys, a 15-time Grammy winner, is set to host Sunday’s televised ceremony — the first woman to do so in 14 years.

She vowed this year’s performances would be the “sickest” yet, with icons like Parton and disco diva Diana Ross also set to take the stage.

A performance honoring the legacy of the late “Queen of Soul” Aretha Franklin is also expected.

Keys told CBS news this year’s greater representation from women was “far overdue.”

She hailed the importance “particularly for women to have our seat at the table, to represent the fact that we are so here and so incredible and we are the creators of our music.”

 

 

Wikitongues Helps Bring Languages Back to Life

Some 6,000 languages are spoken in the world, and nearly half of them are endangered, according to the UNESCO Atlas of the World’s Languages in Danger.

One of them is Theron Musuweu Kolokwe’s native tongue, Subiya, a Bantu language spoken by more than 30,000 people along the Zambezi River in Namibia, Zambia and Botswana.

“I think in my language,” he said. “I dream in my language. It’s the language that I was born into. I didn’t have the choice to speak it.”

That’s because, like other educated young people in Windhoek, the 33-year-old speaks a number of other languages on a daily basis, especially English and Afrikaans.

Two years ago, Kolokwe started documenting Subiya. The idea came to him while he was watching YouTube.

“Randomly, a video of someone speaking their native tongue popped up,” he recalled. “Then, when I opened it, it caught my curiosity. Then, I was like, I want to also hear my tongue and languages from my country and southern Africa in particular.”

Kolokwe is one of dozens of volunteers working with Wikitongues, a nonprofit in New York City that helps people from around the world preserve native languages that have been disappearing.

​Colorful vs. gray

When a language becomes extinct, says Wikitongues co-founder Daniel Bogre Udell, a culture disappears and a community loses its identity. That’s happening more often than many can imagine.

Udell, however, says language loss is not a natural culmination of progress.

“That’s really not an accident of history,” he explained. “It’s because, over the 1800s and 1900s, roughly every country in the world relentlessly worked to forcefully assimilate minorities’ cultures. I think no one would suggest that we need to be religiously or culturally or ethnically homogeneous. So, why would we be linguistically homogeneous? It’s a question about what kind of a world we want to live in: a colorful one or a gray one?”

The volunteer-based group began in 2016 as an open internet archive of every language in the world. Nearly 1,000 volunteers have submitted videos in more than 400 languages and dialects on Wikitongues’ YouTube channel. Some, like English, Farsi and Mandarin, are spoken by hundreds of millions of people. Others are unfamiliar, like Bora, spoken by a few thousand people in the Amazonian regions of Peru and Colombia, and Iraqw, spoken in Tanzania.

Inspiration and hope

The vision behind Wikitongues is simple and clear. It’s all about providing the tools and support people need to save their languages.

“Language revitalization at the end of the day is something that has to be done by the community, from the ground up,” Udell said. “There is no way an outsider organization can save someone’s language for them. We’ve had over 1,500 contributors and videos from 70 different countries. We have people from India who record dozens of languages, which is beyond their own. We have another volunteer from Scotland who is one of the last speakers of a variety of Scottish dialects. He’s in the process of reclaiming them, revitalizing, (and) building a dictionary for them.”

Wikitongues is also where volunteers from around the world can be inspired by the proof that reviving disappearing indigenous languages is possible. Hebrew is a good example.

“Hebrew went extinct in the 4th century BC, and was revived in the 1800s and now once again it’s the mother tongue of half of the world’s Jewish population,” Udell said. “One of our tribe partners here in the U.S., the Tunica-Biloxi tribe in Louisiana, has over the past couple of years built a really lively language revival on their community. Their language went extinct in the 1940s. We’ve had contributors from the Cornish community whose language went extinct in the 1700s and was brought back in the 1900s. Their movement really got geared up when the internet arrived and new generations of Cornish speakers find each other online and use the language on a daily basis.”

Such revival success stories give volunteers like Theron Musuweu Kolokwe hope that his efforts can save Subiya and other African languages from extinction. Kolokwe’s goal is to create a dictionary, and a curriculum so it can be taught in school.

“I want the world to know about my language,” he sais. “I want to promote it, so that generations to come can speak it fluently because there is a huge influx of Western languages around here, especially in Namibia. We all learn [English] in school. It’s the business language, the language of government, and people are neglecting their native languages. So, I want to promote it so more and more people can speak it. And children can be proud of where they come from.”

With awareness and technology, Wikitongues puts people in a better position to save and revive their native languages, making the world more colorful and culturally diverse.

Grammy Awards to Showcase Girl Power

Rappers Kendrick Lamar and Drake may lead the nominations, but Sunday’s Grammy Awards looks set to be a showcase for girl power.

Outspoken rapper Cardi B, whose music and personal life has dominated pop culture for the past two years, leads the charge on music’s biggest night with a live performance and five Grammy nominations, including for album and record of the year.

R&B singer Alicia Keys will host the Grammys for the first time, while Miley Cyrus, Janelle Monae, Camila Cabello and Kacey Musgraves are also among the performers at the Los Angeles ceremony.

Adding to the star power, Motown legend Diana Ross will take the stage to mark her 75th birthday in March, and hopes are high that Lady Gaga will perform her Grammy- and Oscar-nominated song “Shallow” from the movie “A Star is Born.”

​Eyes on Cardi B

Yet Cardi B is likely to grab most of the attention. The 26-year-old New York artist is one of only a handful of female rappers and has captured attention with her message of female empowerment, on and off marriage to rapper Offset, and a string of hit records and collaborations, including “I Like It,” “Girls Like You” and “Taki Taki.”

“Cardi B is a very strong woman who is in control of her career. She is really talented and has something to say and she is just fun. She is like a breath of fresh air,” said Melinda Newman, West Coast editor for Billboard magazine.

“Between Alicia Keys and all the female nominees, I think we will have a very female-leading show. That’s not necessarily by design, that’s just how it’s shaking out this year,” Newman added.

Uproar in 2018

It is a far cry from 2018, when the dearth of female nominees and performers caused a media uproar and prompted the Recording Academy, whose members choose the Grammy winners, to expand the number of nominees in the top four categories to eight from five.

This year five of the eight nominees for the coveted album of the year award are women: Cardi B’s “Invasion of Privacy”; Janelle Monae’s “Dirty Computer”; folk singer Brandi Carlile’s “By the Way, I Forgive You”; country artist Kacey Musgraves’ “Golden Hour”; and R&B newcomer H.E.R.’s self-titled “H.E.R.”

Six of the eight musicians competing for best new artist are also women, including “New Rules” British singer Dua Lipa, Chloe & Halle, Bebe Rexha and H.E.R.

While the show may give the impression that girls run the world, there is no guarantee how many will take home a Grammy.

Lamar leads with eight nods, many of them for writing most of the “Black Panther” movie soundtrack album, which is up for album of the year. Drake, the most commercially successful artist of 2018, follows with seven nominations, including for his album “Scorpion” and single “God’s Plan.”

It is not yet known whether either of the rappers will perform on Sunday.

The Grammy Awards take place in Los Angeles, Feb. 10, and will be broadcast live on CBS television at 8 pm ET/5 pm PT (0100 GMT).

Ice Harvesting Tradition Continues for 120-Plus Years

Americans have not needed iceboxes to keep food cold for nearly a century, ever since refrigerators became widely available. But that doesn’t stop folks in Holderness, N.H., from carrying out a winter task that’s been done for more than 120 years — harvesting ice for the summer months. Faith Lapidus reports.

How to Succeed in Hollywood as a Muslim Woman Filmmaker

Wearing a headscarf and a smile, Muslim movie director and writer Lena Khan stands out when she walks in Hollywood circles.

“It’s very hard to be a female filmmaker in Hollywood, that is for sure,” she said. “I think they feel like you don’t have as much authority, or you can’t command a set as much. And for the Muslim thing, I think they are still trying to process that.”

Khan is a child of immigrants from India. Born in Canada, she moved to the United States with her family when she was 2 years old and settled in a neighborhood east of Los Angeles. In school, she explored several career options before deciding on filmmaking.

“I had wanted to become a teacher. You look around and you’re like, ‘Nobody learns from teachers anymore,’” Khan joked. “Sometimes it feels like it,” she added. “And at least people learn so much from movies and films, about people, about social issues, about everything.”

However, Khan’s decision to pursue a career of writing and filmmaking sparked some criticism.

“When I was starting out, people in the community, South Asians most of all, they’re like, ‘Why are you entering such a stupid career?’”

Stories have value

But Khan persisted. Her first success was a movie she co-wrote and directed called “The Tiger Hunter.” The 2017 comedy is about the immigrant experience of a man from India in the U.S. Khan said the movie’s success surprised people in her community.

“People who are South Asian or Muslim can’t seem to believe that our stories have really real value. And so, the moment you start talking about, ‘Oh, you know such and such person from this company’ — aka white person — ’said this movie is good.’ That’s when their eyebrows raise. That’s when they feel like, ‘Oh, OK, somebody else validated this brown person’s story, and thus it has something to say.’”

Khan said the film’s universal themes and the coincidental timing of its release helped draw attention to it.

“The Muslim ban happened right when the movie came out,” she said, referring to President Donald Trump’s executive order that temporarily barred people from seven countries, most with a predominantly Muslim population, from entering the U.S. “That was never intended. It’s not a good thing, but it became very, very relevant.”

Her own path

“The Tiger Hunter” opened doors to opportunities that Khan never had. She is now working on a TV comedy and directing a movie for Disney. She said she surprised many people during Hollywood meetings.

“The first thing when you walk into a room in a lot of places is them kind of looking at your head — sort of just a quick eye-glance over there. And then, when you say things like how I play the drums, and they were just very shocked,” she said. “They want people who they feel like they can hang out with that are part of their club. And you really don’t look like you’re a part of their club.”

But Khan said she will not compromise who she is. She just creates her own path.

“I’m not going to hang out in a bar until 2 a.m., which sometimes a lot of business gets done that way, and sometimes meeting those people on TV that you need to meet. So, you kind of have to make up for it in other ways,” she said. “For me, I’ve always had to make up for it, part of it. That’s how I started making my own movies.”

What keeps her going, even with obstacles from Hollywood and within her own community?

“I like what I’m doing,” she said. “I like it. I feel like it has some value. It’s incredibly fun. Then, I’m also a faithful person, whereas it’s always for me, it’s about sort of like how you went about your day, and kind of what you tried, and the results are up to God.”

How to Succeed in Hollywood as a Muslim Woman

The Hollywood film industry is hard for anyone to break into. There may be a few more hurdles if you are a woman and Muslim. One filmmaker found success both in Hollywood and in her own community. VOA’s Elizabeth Lee reports from Los Angeles.

Bezos: Enquirer Threatening to Publish Revealing Photos

Amazon CEO Jeff Bezos says the National Enquirer is threatening to publish revealing photographs of him unless his private investigators back off the tabloid.

Bezos detailed the revelations in a Thursday post on Medium.com. He accuses the Enquirer of “extortion and blackmail.”

The National Enquirer published a story last month that included lurid texts between Bezos and former TV anchor Lauren Sanchez. Since then, private investigators have been looking into how the Enquirer got the texts.

Bezos says the Enquirer’s parent company tried to get him to agree to a deal for the tabloid not to publish the explicit photos.

As part of the deal, Bezos would have to release a public statement that he has “no knowledge or basis” to suggest the tabloid’s reporting was politically motivated.

Frank Robinson, Baseball’s First Black Manager, Dies at 83   

Legendary baseball Hall of Famer Frank Robinson, the first black manager in the U.S. major leagues, died Thursday in Los Angeles at 83.

He had been suffering from bone cancer and was in hospice care at his home.

Even if he had not become baseball’s first African-American manager, Robinson’s feats on the playing field would have been enough to earn him a spot in the Baseball Hall of Fame.

During his career as an outfielder for the Cincinnati Reds, Baltimore Orioles, Cleveland Indians, California Angels and Los Angeles Dodgers, Robinson hit 586 home runs, played in 14 All-Star games, helped lead the Orioles to three straight World Series, and was an outstanding and aggressive fielder.

He was named Rookie of the Year during his first season in 1956 playing for the Reds. 

Robinson is the only player in major league history to win the Most Valuable Player award in both the American and National leagues.

He made history in 1975 when the Cleveland Indians hired him as a player-manager, the first black manager in the major leagues. He made an impressive debut, hitting a home run on the first day. 

He later managed the Orioles, Dodgers, San Francisco Giants, Montreal Expos, and Washington Nationals. He was named Manager of the Year in 1989 when he was with the Orioles.

Robinson worked as a baseball executive after retiring as a manager in 2006.

Woody Allen Sues Amazon for $68 Million for Breach of Contract

Filmmaker Woody Allen has filed a $68 million lawsuit against Amazon for breach of contract, accusing the streaming giant of canceling a film deal because of a “baseless” decades-old allegation that he sexually abused his daughter.

Allen says Amazon sought to terminate the deal in June, and has since refused to pay him $9 million in financing for his latest film, A Rainy Day in New York, his lawyers at Quinn Emanuel Urquhart & Sullivan allege.

That film was one of several to be produced with the Oscar-winning director under a series of agreements reached after Allen made the Crisis in Six Scenes program for Amazon, which was then a new content provider.

He is seeking that $9 million along with minimum guarantees owed him for other films, totaling “in excess of $68,000,000,” according to a complaint filed Thursday in federal court in New York and obtained by AFP.

He says Amazon told him the deal had become “impracticable” because of “supervening events, including renewed allegations against Mr. Allen, his own controversial comments” and the refusal of actors to work with him.

Allen has been accused of molesting Dylan Farrow, his adopted daughter, when she was seven years old in the early 1990s.

He was cleared of the charges, first leveled by his then-partner Mia Farrow, after two separate months-long investigations, and has steadfastly denied the abuse. But Dylan, now an adult, maintains she was molested.

In June last year, the same month that Amazon apparently terminated his contract, Allen backed the #MeToo movement against sexual harassment — and said he should be its poster boy.

“I’ve worked in movies for 50 years, I’ve worked with hundreds of actresses, and not a single one has ever suggested any kind of impropriety at all,” he said in an interview with Argentina’s Canal 13 television network.

“I — who was only accused by one woman in a child custody case, which was looked at and proven to be untrue — I get lumped in with these people.”

In recent months, a string of actors who have worked with Allen have distanced themselves from him, and said they would no longer work with him.

Amazon did not immediately reply to a request for comment.

FGM Engenders Sharp Cultural Divide

F.A. Cole was 11 when her stepmother told her to dress up for a special occasion near her hometown of Freetown, Sierra Leone.

It was, instead, a traumatic occasion, Cole recalls 34 years later. Her stepmother turned her over to a small group of women, who led her into a forest and bound and blindfolded her. Then someone put a razor blade to her genitals.

“Two or four of the women held me down. They spread my legs open and pinned me down, and then the woman who was the cutter, she sat on my chest,” Cole recounts. “As she began to cut my clitoris, I began to fight and scream and wriggle under her, just looking for somebody to help me, somebody to come to my rescue.”

No one came then. But the United Nations has been working to eradicate female genital mutilation. To raise awareness, the U.N. since 2003 has sponsored an International Day of Zero Tolerance for FGM to raise awareness. The annual observance was on Wednesday.

FGM has sparked a global clash between those who define it as a cultural tradition and those who say it’s a dangerous ritual that should end. In Africa, the procedure is illegal in 22 countries but widespread nonetheless. In the United States, a federal ban on FGM was overturned in November, but it still is prohibited by state laws in nearly 50 percent of the country.     

WATCH: Zero Tolerance for Female Genital Mutilation

Lingering questions

Cole recalls days of excruciating pain and years of wondering why she was cut.

“When I came to America and I started doing research, and I started talking about my story, that’s when I realized the damage — not just the sexual damage, but the psychological damage that was done,” says Cole, who now lives in Washington and campaigns to end FGM.

The World Health Organizationidentifies three types of FGM most common in Africa. In type one, the clitoris is partially or totally removed. Type two goes further, including the labia. And type three involves removing the labia and stitching to narrow the vaginal opening.

The cultural practice can have serious medical consequences. Physicians at major U.S. medical centers and teaching hospitals worry whether American doctors are equipped — medically and culturally — to treat women who have been circumcised.

Dr.Ranit Mishori, a professor of family medicine at Georgetown University School of Medicine in Washington, recalls an experience in the second month of her residency. A woman from Djibouti, in East Africa, was in labor.

“I was getting ready to do a pelvic examination, and I put my gloves on and suddenly I realize I can’t put my fingers in there because the whole area is closed off,” Mishori said of the patient’s vagina. “I had no idea what that meant. I called my senior physicians and they had no idea what was going on. The bottom line is a lot of doctors don’t know what to expect, don’t know how to handle these types of emergencies.”

A call for communication and respect

That experience inspired Mishor to teach other doctors about FGM, especially as they treat more immigrants from Africa, Asia and the Middle East.

She stresses communication and cultural humility.

“We can’t forget that some women are very proud [of being circumcised], because that ensures their marriageability and economic prospects,” Mishori says, adding that medical personnel must learn “to ask about it in a nonjudgmental way.”

Respectful questioning, she says, is “more important than how to deal with the medical complications, even though they are there. In some women, the cutting has healed. There are no scars, maybe … but the long-term effects are here and here,” she adds, pointing first to her head, then her heart.

Not everyone agrees the practice should be banned.

Anthropologist Fuambai Ahmadu, who lives in Washington and also is from Sierra Leone, says she was circumcised, not mutilated. She was an adult when she chose to undergo the procedure — the most minimal type of circumcision.

Ahmadu testified on behalf of Dr. Jumana Nagarwala, who was among eight people facing federal charges over the genital mutilations of nine girls from Michigan, Illinois and Minnesota. As the Associated Press reported, U.S. District Judge Bernard Friedman in November dismissed mutilation and conspiracy charges against the defendants, saying the 1996 law banning the practice was unconstitutional.

A rite of passage

Ahmadu says circumcision is a rite of passage into womanhood in Kono culture. She believes anti-FGM campaigners are putting African cultures under siege.

“The grand narrative of mutilation is completely inappropriate,” says Ahmadu. “… It’s really important that FGM campaigners understand that the messages that they’re sounding out to women, they’re not working, they’re not effective,” she says. “What they’re doing is driving the practice underground.”

She says some families are reacting to the pressure by bringing in their daughters for circumcision at younger ages — sometimes even as babies. She advocates that girls should have a choice in whether to undergo the procedure and that they should wait until at least age 16 to understand the cultural significance.

“This is a coming-out ceremony, where they are celebrated and they are now women,” Ahmadu says.

It was no celebration for Cole, who says her circumcision made her less desirable to men in Sierra Leone.

“It was supposed to make me more marriageable, but I’m 45 and still single,” she says. “So what was that?”

This report originated in VOA’s English to Africa service.