Australia Investigates Fake Aboriginal Art

A parliamentary inquiry in Australia is investigating fake Aboriginal art and craft.  The committee has heard from campaigners in Western Australia that up to 90 per cent of Indigenous art sold in souvenir shops was fake and imported from overseas.

Indigenous artists say that current laws protecting Aboriginal art in Australia are inadequate and that fines should be imposed on people selling fake art.  

Campaigners in Western Australia estimate that the vast majority of the pieces sold in the state’s souvenir stores were bogus and shipped in from overseas.

They are calling for better education to help the buying public be more aware of the sensitivities surrounding fakes.  Some of the copies are mass produced in Indonesia and shipped for sale, mostly to foreign tourists, in Australia. Other pieces are made in China.

Some Aboriginal artists in Australia license their work to be legitimately reproduced overseas, giving them a percentage of sales.

Gabrielle Sullivan, from the Indigenous Art Code, which works to protect the rights of artists, says licensing can be a way to make money, but it is important the artist understands the whole process.

“That can be done fairly, ethically and, you know, the artist can be part of that process,” said Sullivan. “The artist can get promotion from that, they can be attributed but that means the artist has to be, you know, taken along for the ride and understand the whole supply chain of how that product comes into being.”

The trade in imitations not only takes income away from those artists producing authentic items.  Aboriginal groups insist that passing off paintings as Indigenous is disrespectful to their ancient culture.  Tribal art is focused on folklore and used to chronicle Indigenous beliefs, including the sanctity of the Earth and stories of creation.

The fake art and craft trade is not against the law in Australia unless imported souvenirs falsely claim to be authentic.  Many souvenir shops stock boomerangs, didgeridoos, paintings, tea towels and ashtrays that have Indigenous themes.

There are fears that the flood of counterfeit items adorned with Indigenous imagery and symbols is pricing genuine products out of the market.

China Horse Club Seeks to Breed Winners

A Malaysian businessman and his Chinese partners have set their sights on a traditional American pastime — horse racing. As VOA’s Abby Sun reports, two horses partly owned by the China Horse Club are among the top contenders to win this weekend’s Kentucky Derby. Robert Raffaele narrates.

Cuban Artists Plan to Stage Alternative Havana Biennial

A group of Cuban artists plans on Saturday to launch a biennial independent of state institutions on the Communist-run island, despite fierce opposition from the government, which has called it a “provocative maneuver.”

Organizer Luis Manuel Otero Alcantara said he came up with the idea of the “00Biennial” when the government postponed the official one by a year to 2019, saying it had to prioritize funds on rebuilding after Hurricane Irma.

His project is controversial in a country where the state dominates all aspects of society, including culture, which it has promoted heavily since Cuba’s leftist 1959 revolution. Many Cuban artists told Otero Alcantara they fear their careers could be affected if they participate, he said.

Still, more than 100 artists, including several foreign ones, have agreed to participate and will display their work in the independent studios that have flourished in Havana in recent years, said Otero Alcantara.

That so many Cuban artists are backing the 00Biennial reflects both the eagerness of those already working outside institutions for an alternative platform and the increasing independence of others.

The growth in tourism, the private sector and internet access has made it easier for them to gain visibility and make money.

“I would like… to break with the myth built over 60 years that to do something independent, separate from the state, is the devil, or counterrevolution,” said Otero Alcantara.

Cuba’s National Union of Writers and Artists issued a statement on Thursday saying the 00Biennial aimed to “create a climate propitious to promoting the interests of the enemies of the nation” using “funds of the mercenary counter-revolution.

“We will not allow the name and significance of the Biennale of Havana to be tarnished,” it said.

Cuba’s longtime foe, the United States, has in the past provided funds to promote its alternative arts scene like rap as part of efforts to foster democracy on the island.

Otero Alcantara said he aimed for the 00Biennial to be inclusive and non-political.

But Jorge Fernandez, head of Cuba’s Museum of Fine Arts and director of the last official biennial, said that was either naive or disingenuous.

“Unfortunately, everything that is done in Cuba is politicized,” he said, standing in front of a vibrant work by Cuban surrealist Wifredo Lam inside the museum. “Even if they are not trying to, it can be done from abroad.”

The most famous participant is set to be Cuban performance artist Tania Bruguera, who works in both Havana and New York and won the Tate Modern’s coveted commission for the Turbine Hall this year.

She has had several run-ins with Cuban authorities over works testing the boundaries of freedom of expression, although she still has pieces exhibited on the island. In 2015, she set up an “Institute of Artivism” in her Havana home, holding workshops to “foster civic literacy and policy change.”

Foreign artists said they had not been aware of the controversy surrounding the 00Biennial when they applied to participate.

“I just thought – this is a way to show my work,” said Diego Gil Moreno de Mora, who plans to hang rows of skinned pig heads representing the people society chooses as scapegoats.

Given the 00Biennial’s meager funds, raised mainly through crowdfunding, according to organizers, participants were told they would have to finance their own flights and accommodations, and should present a work they could easily create on site.

One reason for this, they later learned, was that their work risked being confiscated by customs officials at the airport.

Colombian artist Natalia Lopez arrived early to create thousands of cubes of dirt in Havana’s parks for an installation in which visitors would walk on them, turning them once more into part of the earth.

The underlying concept was the importance of the earth as a whole rather than divided into territories, she said.

Some artists operating outside Cuban state institutions, like Osvaldo Navarro, part of the rap group La Alianza, said there was a need for alternative platforms.

He chose to leave the state-run Cuban Rap Agency a few years ago to be more free with his lyrics, but struggled to reach his public due to the state monopoly on the media and spaces.

“I hope they understand what we want to do,” said Navarro, after filming a video for a rap song about the 00Biennial on a Havana rooftop, “which is to showcase artists who don’t have a space elsewhere but who do good, pro-social art.”

Top 5 Songs for Week Ending May 5

We’re unwrapping the five most popular songs in the Billboard Hot 100 Pop Singles chart, for the week ending May 5, 2018.

Last week, we had a Hot Shot Debut in the Top Five … that doesn’t happen this time, but we do get a new entry.

Number 5: Zedd, Maren Morris & Grey “The Middle”

It happens in fifth place, where Zedd, Maren Morris and the U.S. duo Grey jump a slot with “The Middle.” 

Current pop songs often travel a winding road to the countdown and this is no exception. Variety magazine reports that many singers auditioned for this song before Maren got the nod … among them Charli XCX, Camila Cabello, Carly Rae Jepsen, Tove Lo, Bebe Rexha, Demi Lovato, Elle King and others.

Number 4: Post Malone & Ty Dolla $ign “Psycho”

Post Malone and Ty Dolla $ign chill in fourth place with “Psycho.” Post dropped his second album “Beerbongs & Bentleys” on April 27, and it shattered some first-day streaming records. Spotify tweeted that the album posted record numbers both domestically, with 47 million streams, and globally, with 78 million. And that was only on the first day!

 

Number 3: Bebe Rexha & Florida Georgia Line “Meant To Be”

Bebe Rexha and Florida Georgia Line continue to dominate the Billboard Hot Country Songs list with “Meant To Be,” while holding in third place on the Hot 100. On April 25, James Cordon’s Carpool Karaoke Twitter page posted a selfie from Bebe and Wiz Khalifa … meaning we should probably look for them both in the popular show’s upcoming season. No release date has yet been announced.

 

Number 2: Drake “God’s Plan”

It’s no longer your Hot 100 champ, but “God’s Plan” hasn’t fallen far, spending another week in the runner-up slot. Drake’s next album “Scorpion” won’t appear for another month, but the roll-out points to an even bigger opening than “Views” in 2016. Forbes magazine writer Bryan Rolli credits Drake with using his stature to build up others through his music on this album cycle … which benefits everyone.

Number 1: Drake “Nice For What”

We’re not done with Drake yet: “Nice For What” spends a second week atop the Hot 100. Along with debuting atop the Hot 100, it also opened at No. 1 on the Streaming Songs Chart. It’s Drake’s fourth Streaming champ – tying him with Justin Bieber for the most victories on this list.

Will Drake keep his streak alive next week? We’ll find out in seven days.

After Sex Scandal, No Nobel Prize in Literature This Year

The Nobel Prize in literature will not be awarded this year following sex-abuse allegations and other issues that have damaged the public image of the Swedish Academy that selects the winner.

 

The academy said Friday the 2018 prize will be given in 2019. The decision was made at a weekly meeting in Stockholm a day earlier, on the grounds that the academy is in no shape to pick a winner after a string of sex abuse allegations and financial crimes scandals.

 

“We find it necessary to commit time to recovering public confidence in the Academy before the next laureate can be announced,” Anders Olsson, the academy’s permanent secretary, said in a statement. He said the academy was acting “out of respect for previous and future literature laureates, the Nobel Foundation and the general public.”

 

It will be the first time since World War II that the prestigious award is not handed out. Last year, Japanese-born British novelist Kazuo Ishiguro won the prize.

Sexual abuse scandal

The Swedish Academy’s internal feud was triggered by an abuse scandal linked to Jean-Claude Arnault, a major cultural figure in Sweden who is also the husband of poet Katarina Frostenson, an academy member.

 

The academy later admitted in a report that “unacceptable behavior in the form of unwanted intimacy” took place within its ranks, but its handling of the allegations shredded the body’s credibility, called into question its judgment and forced its first female leader to resign.

 

A debate over how to face up to its flaws also divided its 18 members, who are appointed for life, into hostile camps and prompted seven members of the prestigious institution to leave or disassociate themselves from the secretive group.

 

At this week’s meeting, members agreed to review the academy’s operating practices, according to a statement released by the body.

 

The academy said that “work on the selection of a laureate is at an advanced stage and will continue as usual in the months ahead but the Academy needs time to regain its full complement.” 

​Nobel Foundation

 

The Nobel Foundation reacted promptly, saying it presumes that the academy “will now put all its efforts into the task of restoring its credibility as a prize-awarding institution and that the Academy will report the concrete actions that are undertaken.”

 

“We also assume that all members of the Academy realise that both its extensive reform efforts and its future organizational structure must be characterized by greater openness toward the outside world,” Carl-Henrik Heldin, the chairman of the Nobel Foundation Board said in a separate statement.

Allegations denied

 

Last fall, Dagens Nyheter, one of Sweden’s largest newspapers, published sexual misconduct claims from 18 women against Arnault, who runs a cultural center the academy used to help fund. 

 

Arnault also has been suspected of violating century-old Nobel rules by leaking names of winners of the prestigious award, allegedly seven times, starting in 1996. It was not clear to whom the names were allegedly disclosed.

 

Bjorn Hurtig, the lawyer for the 71-year-old Arnault, has denied the allegations, telling The Associated Press that his client is the victim of “a witch hunt” and the claims “may only have the purpose of harming” him. 

Other missed years 

The world’s most prestigious prizes in science, medicine, literature and peacemaking have been withheld 49 times in all since the honors based on the will of Swedish inventor Alfred Nobel began in 1901.

 

No Nobel prizes at all were awarded during the World War II years of 1940-42. The Nobel literature prize has not been given out on seven occasions so far: 1914, 1918, 1935 and 1940-43 — in 1935 because no literature candidate was deemed worthy of the prize.

At Tribeca Film Festival, Digital, Physical Worlds Mix

Bombs. Destruction. Chaos. This is what it’s like to be in Syria.

It’s a part of the world many will never visit, but a virtual reality experience called “Hero,” puts viewers on the ground there. 

“Hero” was part of the Immersive program at the recent Tribeca Film Festival in New York, where it won an award for its innovative approach to storytelling. More than 30 virtual reality and augmented reality projects were on display at the event.

Not a ‘lean back’ experience

Virtual reality fans say they love the technology for its ability to transport and immerse them in new worlds. More and more, these experiences are becoming physical and interactive, not just a “lean back” experience where the viewer watches passively.

For “Hero,” viewers don a high resolution headset by StarVR and an HP Z VR backpack, a wearable computer that allows for an untethered, free-roaming VR experience.

In real life, users are instructed to close their eyes as a guide leads them by the hand into a room constructed with surfaces and objects that correspond to what they’ll see as the film starts.

When a bomb drops out of the sky, it’s not only the noise that’s unsettling, but the grit and gravel that they suddenly feel against their skin. As the dust settles, a young child’s voice faintly calls out for help. Participants can find and rescue her.

“That moment when a person realizes they can actually step around, they can actually lean on a thing, they can reach out and touch a wall, they can grab a piece of rebar, it’s a powerful moment,” said Brooks Brown, global director of Starbreeze Studios, one of the key collaborators behind “Hero.”

For a few unnerving minutes during the search for the child, disbelief is suspended. The combination of realistic graphics and participants’ ability to physically navigate the terrain makes it feel as if real lives might be in danger.

Different impact

When it comes to war-torn Syria, “We’ve seen movies about it and documentaries, and yet none of them have this same kind of impact” as a VR experience, said Navid Khonsari, founder of iNK Stories, which created “Hero.”

“When you’re fully encompassed in it, when everything is stripped away and you’re actually in that experience, then only can you acknowledge what’s actually taking place for others,” Khonsari said.

For Mathias Chelebourg, a virtual reality director, live VR experiences represent “the birth of a new format.” Chelebourg is the director of the VR experience “Jack: Part One,” which was also part of the virtual reality lineup at Tribeca.

Viewers are in the movie

In the retelling of the children’s fairy tale Jack and the Beanstalk, viewers can pick up and move physical props and interact with live actors who are outfitted with motion capture markers. Cameras track the markers and movements are rendered simultaneously in virtual reality.

With a format that mixes reality and fantasy, it can take some getting used to, even for the actors.

“Some people don’t dare to move, to touch or just, respond,” said Maria McClurg, one of the actresses in Jack. “Some people give me a really hard time,” she added. “As a performer, it’s always interesting. And at the same time you’re like, ‘How am I going to get through this?’”

Brothers Dump Basketball to Create Highlight-Reel Sports Site

Twin brothers Brandon and Bradley Deyo used a camera to highlight their basketball skills while they were in high school and posted the videos online, hoping to draw the attention of college recruiters. They ended up creating a sports site for young athletes and their fans, with backing from NBA stars Lebron James, Kevin Durant, and others.

The brothers, now 26, established the web-based channel Mars Reel in 2010 to showcase the skills of high school basketball players. Some of the best around the United States are featured in the weekly Top 10 of high school game highlights, helping to make the local players “public figures,” Brandon Deyo said. 

“Other 12- to 24-year-olds are looking up to them and following them on Instagram,” he said, or following them through Mars Reel’s channels and feeds on YouTube, Twitter, Instagram or Snapchat.

It started with an idea of showing college recruiters what the twins could do. 

College hoop dreams

“My mom was a single parent,” Bradley Deyo said, “so we had to get creative.” They couldn’t afford expensive basketball camps, he said, so they bought a camera “to film our own games and … send it to colleges and see what happens.”

The brothers enrolled at the University of Maryland, but dropped out to start their business, adopting the name Mars Reel to suggest something out of this world. Today, they contract with 800 reporters and video journalists to cover games around the country and say the exposure makes a difference to prospects whose games aren’t being featured on the TV sports channels. 

“If you’re in a small town like Spartanburg, South Carolina,” Bradley Deyo said, “you’re not going to have a big ESPN truck come to your game unless you’re the best thing since Lebron (James) and Michael Jordan.”

Among the athletes featured on Mars Reel is 17-year-old Zion Williamson of Spartanburg. He is rated one of the top basketball prospects in the United States.

25 million views a month

Mars Reel’s videos have 25 million online views each month, mostly on mobile devices, and in February, the brothers expanded their reach through a partnership with the USA Today Sports Media Group.

They have also created a segment that allows young athletes to share their stories, using action cameras to showcase the athletes at home, at practice and at school.

The young entrepreneurs are now expanding to college games and plan to cover football, soccer and other sports, offering millennials — those young people born in the decade before the start of the century — news about community games and local heroes.

 

‘Black Panther’ Knocks Out ‘Infinity War’ in MTV Movie Nominations

Superhero movie Black Panther scored a leading seven nominations Thursday for the MTV Movie & TV awards, delivering a knockout punch to box-office blockbuster Avengers: Infinity War.

Supernatural television show Stranger Things landed six nods, MTV announced, including a best performance nomination for 14-year-old Millie Bobby Brown who will also compete in the fan favorite best kiss category.

The youth-oriented TV network, known for its irreverent award shows, again dispensed with gender classifications, placing men and women together in performance categories in a move to embrace equality and gender fluidity.

Other entries in the best kiss category include the Ferris wheel scene between actors Nick Robinson (Simon) and Keiynan Lonsdale (Bram) in popular teen coming out movie Love, Simon.

The MTV awards show, to be held in June in Los Angeles, features the stars of blockbuster productions and has established itself as an antidote to the winter Hollywood awards season, which honors more serious fare. Winners are chosen by fans voting online.

Black Panther got nominations for Chadwick Boseman as both best hero and best performance, as well as Michael B. Jordan (best villain), Letitia Wright (scene stealer), best fight for the battle between Boseman’s Black Panther and Winston Duke’s M’Baku, and best movie.

Avengers: Infinity War, which assembles more than 20 Marvel superheroes and set a new world record for its opening weekend box office, got three nominations, including best fight, best villain (Josh Brolin’s Thanos) and best movie.

Other best movie nominees included Wonder Woman, horror movie IT and comedy Girls Trip, while best TV shows nods went to teen suicide drama 13 Reasons Why, Game of Thrones, Riverdale, and grown-ish.

Daisy Ridley and Adam Driver scored nods as best hero and best villain respectively for their roles in Star Wars: The Last Jedi, although their lightsaber battles failed to make the cut in the race for best fight.

Girls Trip breakout star Tiffany Haddish will host the MTV Movie & TV Awards ceremony on June 18.

At Film Festival, Virtual Reality Films Merge the Digital and Physical

Virtual reality experiences are becoming more physical and more interactive. No longer just a “lean back” experience, the immersive technology is taking viewers out of the living room and into entirely new worlds. At the Tribeca Film Festival in New York, VOA’s Tina Trinh met with creators who are pushing the boundaries of the digital and physical divide.

Uganda’s #Metoo Moment?

Is the #metoo movement coming to Uganda’s largest university? The school recently suspended a staff member accused of demanding sexual favors from a female student. Meanwhile, trial preparations are underway for a landmark civil suit filed by a former student who says the university failed to protect her from sexual harassment and violated her rights. For VOA, Halima Athumani reports from the university in Kampala.

‘Jazz Ambassadors’ Tells Story of American Diplomacy Through Music

A new documentary about U.S. Public Diplomacy during the Cold War premieres Friday on Public Broadcasting System (PBS) television in the United Sates.

Jazz Ambassadors, a remarkable story of music, diplomacy and race, features a group of now high-profile and legendary jazz performers, including trumpeter Dizzy Gillespie.

​Gillespie, who died in 1993, was an instrumentalist, a composer, arranger, improviser, singer, bandleader and music innovator. He went on tour of the Middle East and Turkey to help counter Soviet stories about American racism.

His 1942 song, “A Night in Tunisia,” was a hit — not only in Tunisia — but in the Middle East and North Africa.

“A Night in Tunisia,” with its trademark blend of Afro-Cuban rhythms and Asian  flow was considered inspirational by many, and became one of the signature pieces of his “be-bop” jazz revolution in 1940s.

The documentary also features trumpeter Louis Armstrong, whose photo at the foot of Giza pyramid and the Sphinx became very popular in the Middle East, pianists Duke Ellington and Dave Brubeck, arranger Quincy Jones, drummer Charlie Persip, and clarinetist Benny Goodman, who became one of America’s most important cultural ambassadors.

The idea behind Jazz Ambassadors was spurred by Willis Conover, the popular Voice of America radio broadcaster, whose short-wave jazz show helped contribute to the fall of the Berlin Wall in 1989.

Conover’s show helped audiences worldwide develop a passion for American jazz.

 

Kanye West Criticized by Campaigners for ‘Unhelpful’ Stance on Slavery

Rapper Kanye West’s remarks about slavery being a choice were criticised on Wednesday by campaigners as disrespectful to victims and damaging to global efforts to eradicate the crime.

The U.S. award-winning musician’s comments on the transatlantic slave trade came in a video interview on Tuesday at the California offices of celebrity website TMZ.com.

During the TMZ interview, shown on its website and shared widely on social media, West says: “When you hear about slavery for 400 years. For 400 years? That sounds like a choice.”

Amid outrage, he later said on Twitter: “Of course I know that slaves did not get shackled and put on a boat by free will. “My point is for us to have stayed in that position even though the numbers were on our side means that we were mentally enslaved.”

Yet his initial remarks belittle the nature of modern slavery, said Justine Currell, executive director of British charity Unseen.

“Suggesting anyone chooses a life of abuse and exploitation is incredibly unhelpful and disrespectful to those who have experienced slavery and those who are still being treated in this way,” Currell told the Thomson Reuters Foundation.

Estimates vary widely, but as many as 28 million Africans are believed to have been shipped across the Atlantic and enslaved in the Americas between the 15th and 19th centuries.

About 40 million people are now thought to be trapped in forced labour and forced marriages, with women and girls making up 70 percent of victims, according to a landmark joint estimate by the United Nations and rights group Walk Free Foundation.

“More people are enslaved today than at any other point in history,” said David Westlake, chief executive of the International Justice Mission UK, an anti-trafficking charity. “Just like slavery was not a choice for people sold during the transatlantic slave trade, slavery is not a choice today.”

Following a year’s Twitter silence, the rapper and fashion designer, has posted a series of startling interviews, tweets and videos, saying he may run for U.S. president, promising four new albums and comparing himself to Henry Ford and Walt Disney.

While condemning his comments, British anti-trafficking charity The Salvation Army said the global attention on West could cast a wider spotlight on the issue of modern slavery.

“That we are talking about slavery today because someone in the public eye has referenced it, may help to remind people that it is still going on right now in every community,” said Anne Read, director of anti-trafficking and slavery at the charity.

 

US Centenarian Record Runner Publishes Inspiring Memoir

A 102-year-old woman from New York, who set a world record as a runner only seven years ago, has published a memoir documenting the achievements and tribulations of her challenging life. Ida Keeling’s newly published book is titled Can’t Nothing Bring Me Down. VOA’s Zlatica Hoke has more.

‘Amazing China’ Documentary More Fiction Than Fact

A Chinese company that manufactured Ivanka Trump shoes and has been accused of serious labor abuses is being celebrated in a blockbuster propaganda film for extending China’s influence around the globe.

 

The state-backed documentary “Amazing China” portrays the Huajian Group as a beneficent force spreading prosperity — in this case, by hiring thousands of Ethiopians at wages a fraction of what they’d have to pay in China. But in Ethiopia, Huajian workers told The Associated Press they work without safety equipment for pay so low they can barely make ends meet.

 

“I’m left with nothing at the end of the month,” said Ayelech Geletu, 21, who told the AP she earns a base monthly salary of 1,400 Birr ($51) at Huajian’s factory in Lebu, outside Addis Ababa. “Plus, their treatment is bad. They shout at us whenever they want.”

With epic cinematography, “Amazing China” — produced by China Central Television and the state-owned China Film Group Co. Ltd. — articulates a message of how China would like to be seen as it pursues President Xi Jinping’s vision of a globally resurgent nation, against a reality that doesn’t always measure up.

China’s ruling Communist Party recently announced it would take direct control of major broadcasters and assume regulatory power over everything from film and TV to books and news.

 

As the party deepens its ability to cultivate “unity of thought” among citizens, “Amazing China” demonstrates the scope of China’s propaganda machine, which not only crafted a stirring documentary about China’s renaissance under Xi but also helped manufacture an adoring audience for it.

 

The movie, which weaves together extraordinary feats of engineering and military, environmental and cultural achievements, hit theaters three days before China’s rubber-stamp legislature convened to amend the constitution and allow Xi to potentially rule China for life.

 

The star — duly noted by IMDb.com — is Xi himself, who appears more than 30 times in the 90-minute film.

 

“Amazing China” presents Huajian as an inspiring example of China exporting the success of its own economic miracle by creating transformative jobs for thousands of poor Ethiopians and sharing China’s knowledge, language and can-do discipline to build a new industrial foundation for Ethiopia’s economy.

The company is celebrated as a model of the inclusiveness at the heart of a much larger project: Xi’s signature One Belt One Road initiative, a plan to spread Chinese infrastructure and influence across dozens of countries so ambitious in scope that it’s been compared to the U.S.-led Marshall Plan after World War II.

 

“In opening to the outside world, China’s pursuit is not to only make our lives better, but to make the lives of others better,” the narrator says.

 

In the film, Huajian chairman Zhang Huarong stands before neat rows of Ethiopian workers singing a song about unity, describing himself as a father to his employees, who “like me very much.”

 

But four current and former Huajian employees told the AP their wages were so low that they struggled to pay their bills. They said they had no protective gear, were forced to work 12 hours a day and participate in military-style physical drills, were not permitted to form a union and were regularly yelled at by their Chinese managers.

 

All that made it hard for them to relate to the inspirational video about Huajian circulated by mobile phone with its sweeping shots of a gleaming factory and a soundtrack that repeats in operatic Mandarin: “Huajian has come, Huajian has come … holding the torch of hope.”

 

“If someone complains, he will be accused of disturbing the workplace and will be fired right away,” said Ebissa Gari, a 22-year-old who estimated he earns 960 Birr ($35) a month. “That’s why we keep quiet and work no matter how much we are subdued.”

Getahun Alemu, a 20-year-old who quit Huajian last year to continue his studies, complained of inadequate safety gear.

 

“There are chemicals that hurt our eyes and nose, and machines that cut our hands,” he said. “They have no idea about hand gloves! If you refuse to work without that protective gear, then you will be told to leave the company.”

 

Huajian declined the AP’s requests for comment. Ivanka Trump’s brand said it no longer does business with Huajian and “has always and continues to take supply chain integrity very seriously.”

 

Huajian’s investment in Ethiopia was part of a government-led industrialization drive. In the last few years, Ethiopia’s leaders and business allies came under intense criticism, with more than 300 businesses attacked by protesters who saw them as bolstering a repressive regime.

 

These days, armed soldiers stand guard at the entrance to the Eastern Industrial Zone in Ethiopia’s Oromia region, where Huajian opened its first factory.

 

Six years after the company’s arrival, the dream of turning Ethiopia into a shoe-manufacturing hub remains unrealized, and few harbor illusions about the main incentive for Huajian’s investment in a country where there is no legal minimum wage.

 

“These companies are moving out of Asia and coming to Africa to save labor costs,” said Fitsum Arega, who recently stepped down as head of the Ethiopian Investment Commission to become an adviser to the new prime minister. He praised Huajian for employing more than 5,000 Ethiopians, but said the company “could have done better.”

 

“I’m not saying all employees are happy and there are no abuses here and there,” Arega said, adding that the government pushes companies to protect workers. “There’s a labor law which actually the companies say favors the employees.”

 

The Chinese-owned Eastern Industrial Zone effectively took fertile land from Ethiopian farmers and handed it over to foreign investors — a strategy the Ethiopian government is rethinking, according to Nemera Mamo, a teaching fellow in economics at the University of London.

 

“You can clearly see that these industrial zones are absolutely favorable to the Chinese investors, but not to the local communities or the local private investors,” he said. Huajian workers told the AP they made 960 Birr ($35) to 1,700 Birr ($62) a month. A basic living wage in Ethiopia is about 3,000 Birr ($109) a month, according to Ayele Gelan, a research economist at the Kuwait Institute for Scientific Research.

 

In a post promoting “Amazing China” on its official WeChat account, Huajian claimed to be Ethiopia’s largest exporter — an exaggeration also promulgated by China’s official Xinhua News Agency.

Huajian is Ethiopia’s largest shoe exporter, shipping out $19.3 million worth of goods last fiscal year, according to Ethiopia’s Leather Industry Development Institute. But coffee producer Mullege PLC said it exported $42 million worth of coffee during the same period and that other companies export even more.

 

Huajian’s record within China also has been troubled. In at least five cases since 2015, Huajian sued workers in Chinese court rather than pay compensation mandated by a government arbitration panel. Huajian lost every case, court records show, and the court had to freeze Huajian’s assets to get one worker the 44,174 yuan ($7,000) he was owed.

 

Last year, Huajian found itself entangled in labor and human rights controversies that made global headlines but attracted little attention in China’s official media. Three men working with the New York-based non-profit group China Labor Watch were arrested after their investigation of Ivanka Trump’s suppliers zeroed in on Huajian. The men are out on bail, but remain under police surveillance.

 

China Labor Watch founder Li Qiang said Huajian’s factory in Ganzhou, in southeastern Jiangxi province, had some of the worst conditions he has ever encountered, including excessive overtime, low pay, and verbal and physical abuse.

 

Huajian has called those allegations “completely not true to the facts, taken out of context, exaggerated” and accused the investigators of conducting industrial espionage — a charge that was parroted in China’s party-controlled media.

Wei Tie, the director of “Amazing China,” said he wasn’t aware of the controversy surrounding Huajian until the AP informed him. That’s not too surprising given the years of positive coverage of Huajian in party-controlled media and the fact that many foreign news sites, especially Chinese-language ones, are blocked inside China.

 

Wei said he included the company in the film because it is “introducing China’s experience of prosperity to Africa.”

 

He said he prefers to focus on the good. “What I did was absorb the essence and discard the dross,” he said, citing a longstanding aphorism of Chinese political thought.

 

At first glance, Wei’s selective approach appears to have resonated with Chinese audiences. “Amazing China” smashed box-office records for documentary films, raking in 456 million yuan ($72 million) in its first five weeks, according to ticketing website Maoyan.com. It even thumped “Star Wars: The Last Jedi.”

 

Wei attributed this success to the “spontaneous feeling” of citizens inspired by the arc of tremendous progress they’ve witnessed, a national rejuvenation forged with sweat and skill that he compared to Europe’s Renaissance and the pioneering days of the American republic.

In Shanghai, midday screenings during the week sold out immediately, suggesting either unquenchable public appetite or organized bulk ticket sales.

 

None of the viewers surveyed by AP had purchased their own tickets. Instead, they said they got them from state-run companies, neighborhood committees or government departments that handed them out as part of their “party building work.”

 

Douban, a popular film review website, blocked users from rating and commenting on the movie. The only entries came from official media, which gave it an 8.5 out of 10 ranking. On IMDb.com, a subsidiary of Amazon, “Amazing China” earned only one star.

 

But for some, “Amazing China” is balm for old feelings of inferiority and a welcome reaffirmation that China is ready to resume its rightful place in the community of great nations.

 

“I did not know how good our country is until I watched this movie,” said Zuo Qianyi, a 68-year-old retiree. “I have been to many countries, Britain, Spain, and they are not as good as China, at least not as Shanghai. I am very happy, and I will love my country more.”

Women’s Sports Leagues Band Together With SheIS Initiative

Women’s sports leagues are banding together with a new initiative, SheIS.

Eight leagues, including the WNBA, U.S. Tennis Association, Women’s Pro Fastpitch League and Canadian Women’s Hockey, will try to help each other increase resources, viewership and attendance.

“Each commissioner has agreed to come to one another’s events,” WNBA President Lisa Borders told The Associated Press. “Women have to support women before you ask other people to support you. I’ll buy a ticket to a hockey game in Canada or a fast-pitch softball game.”

All the league commissioners signed a pledge and filmed a public service announcement promoting the effort. Those ads were to start rolling out Tuesday.

“It’s a social media campaign for now but will grow,” Borders added. “This is only tier one.”

Brenda Andress, commissioner of the Canadian Women’s Hockey League, came up with the idea for the initiative last November.

“This collective sports voice has never been heard. I wanted to create some type of program or challenge to bring women together that was born out of positivity,” Andress said. “So I thought of SheIS. When I thought of myself, she is a grandmother with young kids. She is a commissioner. She is a hockey player. She is anything she wants to be. That’s where SheIS came from.”

Instant support

Andress reached out to Borders and USTA chief executive Stacey Allaster, who quickly jumped on board.

“Right off the bat, they were so supportive,” Andress said. “We have to do it together. Let’s do it, but let’s do it right. It’s going to be professional, top-notch. It’s about us as females recognizing we can bring the fans not just to hockey, but to the WNBA. Tennis needs more eyes on the TV. It’s not about everyone else making the difference for us, but us making the difference for ourselves.”

There has been much discussion over the years about the wage gap in sports between the sexes. Tennis is one of the few sports where the women have some parity — all four Grand Slam events pay both sexes equally.

“I think the secret sauce for women’s tennis started with our athletes,” Allaster said. “It took their advocacy and courage to stand up to the establishment, much like soccer players and female hockey players have. It was Billie Jean King and the ‘Original 9′ saying they’d do this back in the 1970s. The athletes have the power and SheIS is a great time to energize our athletes.”

The SheIS group can point to a Seattle group already using the multisport format. Force 10 Sports Management owns and operates the WNBA’s Seattle Storm. The group also runs the Seattle Reign of the National Women’s Soccer League and the Seawolves of Major League Rugby. There is cross-promotion among the sports.

“Seattle is absolutely the model,” Borders said. “They were doing that before SheIS is born.”

The city has embraced female athletes such as Sue Bird, Megan Rapinoe and Breanna Stewart.

Before the launch Tuesday, members of the founding committee, league commissioners and prominent figures from across sports gathered at the WNBA office in New York to sign the SheIS pledge.

“The heroes who run, walk and play among us make up 51 percent of the global population, yet have little to no visibility in the sports world,” said Dr. Jen Welter, who was the first female coach in the NFL.

“SheIS will give the first true platform for these real-world, real-women heroes who have been living among us. With that comes the opportunity to be much more visible and for female athletes and their supporters to join forces in a really positive way. I love that this bubbling movement is coming from the sports industry, because sports has the ability to change the world.”

Other leagues

The other leagues that already joined are Women’s Pro Lacrosse, Canada Basketball, Rugby Canada and the National Women’s Hockey League. Andress expects other sports like soccer, gymnastics, swimming, cycling and running to join soon, too. Through the initiative, the leagues also aim to help increase young girls’ participation in sports.

“Women for so long have been competitive no matter what they do in life,” WNBA player Chiney Ogwumike said. “We are even more powerful when we are collaborative. In public. We have to support each other.”

The initiative also has support from the WWE. Stephanie McMahon, the chief brand officer of the company, signed the pledge.

“We need to encourage audiences to watch and attend games and live events, and young girls to stay in sports,” she said. “Girls need to see themselves across sports, entertainment and business, and it’s going to take all of us to show the world that SheIS anything she wants to be.”

Iconic Guitar Maker Gibson Seeks Bankruptcy Protection

The maker of the Gibson guitar, omnipresent for decades on the American music stage, is filing for bankruptcy protection after wrestling for years with debt.

A pre-negotiated reorganization plan filed Tuesday will allow Gibson Brands Inc. to continue operations with $135 million in financing from lenders.

Gibson guitars have been esteemed by generations of guitar legends. After Chuck Berry died, his beloved cherry-red Gibson guitar was bolted to the inside of his coffin lid. David Bowie favored the 1989 Gibson L4 when he fronted Tin Machine. Slash swears by them.

“It is one of the most widely recognized brand names on planet Earth,” said George Gruhn of Gruhn Guitars, a world-famous vintage instrument store.

Gibson, founded in 1894 and based in Nashville, Tennessee, has the top market share in premium guitars. It sells more than 170,000 guitars a year in more than 80 countries, including more than 40 percent of all electric guitars that cost more than $2,000, according to a bankruptcy filing.

The company has already sold off some noncore brands, acquisitions that contributed to its burdensome debt load. Gibson has begun the liquidation process for its debt-plagued, struggling international Gibson Innovations division, which sells headphones, speakers, accessories and other electronics.

“The decision to re-focus on our core business, musical instruments, combined with the significant support from our noteholders, we believe will assure the company’s long-term stability and financial health,” Henry Juszkiewicz, Gibson chairman and CEO, said in a news release.

Gruhn, an expert on guitars of all kinds, said the company’s bankruptcy was predictable after it expanded into the home electronics business. But that doesn’t mean the Gibson brand will simply go away, Gruhn added.

“The brand name and company’s reputation for making guitars is tarnished, but not dead by any means, and it’s very much capable of being resuscitated.”

In the hands of musicians from B.B. King to Eric Clapton, Jimmy Page, Duane Allman and Slash, Gibson’s electric guitars have been a foundational element of blues and rock. King’s signature guitar, “Lucille,” was a Gibson.

Legendary jazz guitar player Charlie Christian made history playing a Gibson ES-150 — one of the first ever electric guitars — through an amplifier with the Benny Goodman orchestra. The later big-bodied Gibson jazz guitars have been in the arsenal of many great players since then, such as Wes Montgomery and Joe Pass.

One of the only known photographs of iconic Delta blues pioneer Robert Johnson shows him with a Gibson L-1 guitar.

And folk-revival of the 1950s and 60s wouldn’t have sounded quite so mellow without battalions of steel-string Gibson acoustic guitars among the Martins and Guilds.

Elvis Presley didn’t start out with a Gibson but owned and played many of them, according to the website for Graceland, his Memphis home.

Eric Clapton played the solo on the Beatles’ “While My Guitar Gently Weeps” on a Gibson guitar he borrowed from George Harrison, according to GuitarWorld.com. And Jimmy Page, the legendary guitarist for blues rockers Led Zeppelin, was and remains a longtime Gibson loyalist.

“It’s hard to name any guitar players who play electric or steel-string acoustics who don’t own a Gibson,” said Gruhn, the Nashville guitar expert.

Kenya Bans Lesbian Love Story Ahead of Cannes Premier

Kenya has banned a new film by the celebrated Kenyan director Wanuri Kahiu saying it violates Kenyan law and morals. Her new film, “Rafiki,” is a coming-of-age tale of two girls falling in love, inspired by an award-winning short story by a Ugandan author. In May, the film will become the first feature-length movie from Kenya ever to premiere at the Cannes Film Festival (May 8 – May 19). VOA’s Daniel Schearf met with Kahiu in Nairobi and has this report.

Actress Ashley Judd Sues Harvey Weinstein for Defamation, Sexual Harassment

American actress Ashley Judd on Monday filed a defamation and sexual harassment lawsuit against Hollywood producer Harvey Weinstein, alleging that he damaged her career after she refused his sexual advances.

The civil lawsuit, filed in Los Angeles Superior Court in Santa Monica, alleges that Weinstein caused Judd to lose a part in 1998 in the film “The Lord of the Rings” by making “baseless smears” against her.

The lawsuit, reviewed by Reuters, alleges that Weinstein “was retaliating against Ms. Judd for rejecting his sexual demands approximately one year earlier, when he cornered her in a hotel room under the guise of discussing business.”

“Weinstein used his power in the entertainment industry to damage Ms. Judd’s reputation and limit her ability to find work,” the lawsuit added.

Weinstein has denied non-consensual sex with anyone. His spokesman did not immediately return a request for comment on Monday.

Judd was one of the first women in October 2017 to make an on the record allegation of sexual misconduct against Weinstein, which soon afterward evolved into the social media #MeToo movement against sexual harassment and assault. The Oscar-winning producer has since been accused of sexual impropriety by more than 70 women.

Judd, a leading member of the “Time’s Up” movement against sexual harassment in the workplace, is seeking unspecified damages and a jury trial.

Judd’s representative did not immediately return a call for comment.

The actress said in a statement to the New York Times that any financial recuperation from the lawsuit would be donated to Time’s Up “so that women and men in all professions may have legal redress for sexual harassment, economic retaliation and damage to their careers.”

With Fans Aflutter, Boy Band ‘NSync ‘Reunites’ for Hollywood Star

Screaming fans greeted former boy band ‘NSync on Monday just like it was the turn of the last century as the group that helped catapult Justin Timberlake to stardom was honored with their own star on the Hollywood Walk of Fame.

Timberlake reunited with Lance Bass, JC Chasez, Joey Fatone and Chris Kirkpatrick along Hollywood Boulevard for the unveiling of the emblematic terrazzo and brass star that is one of the city’s major tourist attractions.

“We’re really a family,” Timberlake, 37, said, addressing the crowd.

“I don’t really think I could put into words how much the four of you mean to me. … I just love all of you so much,” he added.

One of the most successful groups of the teen pop era that also launched the careers of Britney Spears and Christina Aguilera, ‘NSync was greeted with adoring screams and a spontaneous sing-a-long to hit “Tearin’ Up My Heart.”

The band’s second album, 2000’s “No Strings Attached,” held the U.S. record for first week sales with 2.41 million for 15 years.

Spectators chanted “reunite” and “sing” during the ceremony.

‘NSync last released an album of new music in 2001 and performed together full time in 2002. They last performed together at the 2013 MTV Music Video Awards.

Bass, who revealed he was gay in 2006, spoke about how he feared for the group’s success if he came out.

“I wanted to so badly let you know I was you; I just didn’t have the strength then,” Bass said.

‘NSync has sold more than 40 million records worldwide. They were founded in 1995 in Orlando, Florida.

A Unique Window on Being Queer in Nigeria

“Whenever I was with her, I was open. I could talk … my sexuality does not define who I am.” 

These words are from a new book, “She Called Me Woman: Nigeria’s Queer Women Speak.”

The new book, released this week, is a collection of interviews with two dozen women. It offers an unprecedented window into what it means to be a queer woman in Nigeria, where homosexuality is illegal.

Intimate interviews

The book recounts a series of intimate interviews with 25 lesbian Nigerian women of various religious and socioeconomic backgrounds.

“I’m really nervous and I’m also nervous about the reception of Nigerians to the book,” Woman A, as she asked to be referred to, told VOA.

Woman A, one of the women featured in the book, said most queer Nigerian women are like her, living in the closet.

In 2014, Nigeria banned same-sex marriage. The law is far-reaching. It also bans any cohabitation or public displays of affection, like kissing or hand holding, between same-sex partners. Anyone who breaks the law could face up to 14 years in prison. 

There is also a 10-year prison sentence for anyone who registers, operates or participates in gay clubs or organizations.

Human Rights Watch said with the law, Nigeria effectively criminalized being LGBTQ — lesbian, gay, bisexual, transgender or queer.

That’s what makes this book so groundbreaking.

One woman reveals she lives with her partner in Abuja, which is illegal. She says it’s nice to wake up in the morning and have a cup of tea ready for her. Another woman speaks with anguish about the religious dilemma she faces being queer and Christian in Nigeria. 

Azeenarh Mohammed, one of the book’s editors, helped capture the one-on-one interviews. She said discussions of homosexuality in Africa focus on men. Lesbians have been excluded.

“There was an erasure of them. We said they really need to be heard and the reason why they hadn’t been heard is because the mic had not been passed to them. So we tried to do that with the book to let them be heard in their own voice with their own words,” Mohammed told VOA.

Bracing for a backlash

The book has garnered buzz on social media. Many people say they’re worried that homosexual lifestyles may become normalized in Nigerian society. Others say they have already pre-ordered the book in anticipation.

The book was published and released in the U.K., but the book’s editors say it will soon be available in Nigeria. They are bracing for backlash. In the past, the Nigerian government has banned controversial art, including books.

“Personally I’m curious, and I’m definitely going to read this book. To hear that there’s women talking about the fact that they’re queer and what they want to do is get with other women I think, to even be talking about it, I’m excited that we’re talking about it. I think this book is needed,” said Rosemary Ajuka, a feminist and media professional based in the Nigeria’s business hub of Lagos.

The book’s release comes as authorities in Kenya ban the new film by celebrated Kenyan director Waniru Kahiu. The film, called “Rafiki,” is a coming-of-age story about two girls falling in love. It will premiere at the Cannes Film Festival in May, the first feature-length Kenyan film ever to do so.

“Inxeba,” another controversial film won six South African Film and Television Awards in March, despite campaigns to ban it by community groups and political leaders. The film portrays two boys developing a sexual attraction for each other while participating in a cultural rite of passage ceremony for young men from the Xhosa ethnic group. The film was removed from some cinemas in the South Africa.

Optimistic but cautious

An oft-repeated sentiment is that homosexuality is un-African.

“Which is ridiculous, before just look at Nigeria for instance,” Mohammed said. “Homosexuality and queer identity is portrayed in the cultures of many ethnic groups and even across Africa, there is evidence that pre-dates colonialism that people were involved in same-sex romantic relationships.”

She said she’s hopeful that attitudes will change.

Asked what impact their book may have in Nigeria, Woman A is cautious.

“I wish someday I will be able to live openly, but until then…”

Until then, she said, she will keep living “in the closet.” 

America’s Best Crafts Spotlighted at Smithsonian Show

The Smithsonian Craft Show is wrapping up this weekend, highlighting works from artists across the United States. From Washington, VOA’s Jill Craig has more.

Comedian Draws Laughs, Gasps at Correspondents’ Dinner

If President Donald Trump isn’t comfortable being the target of jokes, comedian Michelle Wolf gave him and others plenty of reasons to squirm Saturday night.

“It’s 2018 and I’m a woman, so you cannot shut me up,” Wolf cracked, “unless you have Michael Cohen wire me $130,000.”

No, Trump’s personal attorney wasn’t there. And, for the second year, Trump himself skipped the annual dinner of the White House Correspondents’ Association, preferring to criticize journalists and others during a campaign-style rally near Detroit.

Wolf, the after-dinner entertainment for the White House press corps and their guests, was surprisingly racy for the venue and seemed more at home on HBO than C-SPAN. After one crass joke drew groans in the Washington Hilton ballroom, she laughed and said, “Yeah, shoulda done more research before you got me to do this.”

​Trump in Michigan

As he did last year, Trump flew to a Republican-friendly district to rally supporters on the same night as the dinner. In Washington Township, Michigan, the president assured his audience he’d rather be there than in that other city by that name.

“Is this better than that phony Washington White House Correspondents’ Dinner? Is this more fun?” Trump asked, sparking cheers.

“I could be up there tonight, smiling, like I love where they’re hitting you, shot after shot. These people, they hate your guts … and you’ve got to smile. If you don’t smile, they say, ‘He was terrible, he couldn’t take it.’ And if you do smile, they’ll say, “What was he smiling about?’”

Wolf’s act had some in the audience laughing and left others in stony silence. A blistering critique of press secretary Sarah Huckabee Sanders, who was seated just feet away, mocked everything from her truthfulness to her appearance and Southern roots.

Among Wolf’s less offensive one-liners:

“Just a reminder to everyone, I’m here to make jokes, I have no agenda, I’m not trying to get anything accomplished, so everyone that’s here from Congress you should feel right at home.”
“It is kinda crazy that the Trump campaign was in contact with Russia when the Hillary campaign wasn’t even in contact with Michigan.”
“He wants to give teachers guns, and I support that because then they can sell them for things they need like supplies.”

Dimmed star power

The dinner once attracted Oscar winners and other notable performers in film and television as well as celebrities in sports and other high-profile professions. The star power dimmed appreciably last year when the famously thin-skinned Trump, who routinely slammed reporters as dishonest and their work as “fake news,” announced he wasn’t attending. He was the first president to skip the event since Ronald Reagan bowed out in 1981 as he recovered from an assassination attempt.

Unlike last year, when Trump aides also declined to attend, the Trump White House had its contingent, including counselor to the president Kellyanne Conway and Commerce Secretary Wilbur Ross. Former administration officials were on hand, such as onetime press secretary Sean Spicer, ex-chief of staff Reince Priebus, former chief economic adviser Gary Cohn and political aide Omarosa Manigault-Newman.

At least one Trump antagonist attended — porn star Stormy Daniels’ attorney Michael Avenatti, who tweeted that he and Conway had a “spirited discussion.” And there was comedian Kathy Griffin, who last year posted controversial video of herself holding what appeared to be Trump’s bloody head; she later apologized.

Jazz Festival Remembers Fats Domino

Fats Domino was a New Orleans musical legend when he died last year, so it’s only fitting that he and his music receive a special send-off this year during the New Orleans Jazz and Heritage Festival.

Organizers on Saturday marked the occasion with a jazz funeral as well as a special tribute performance in his honor. 

Al “Lil Fats” Jackson played the classic Domino song Blueberry Hill as crowds gathered at the festival’s ancestor area to remember Domino.

The festival unveiled a painting of Domino sitting at his piano to join the other paintings of luminaries associated with the festival who have died. 

One of Domino’s grandchildren, Angele Green, thanked the crowd for coming.

“In the words of my grandfather, let’s shake, rattle and roll,” she said.

Domino sold more than 110 million records, with hits including Blueberry Hill, Ain’t That a Shame and other standards of rock ‘n’ roll. 

Domino helped change popular music with his steady, pounding piano and easy baritone. Despite his fame, he always stayed loyal to New Orleans. After 2005’s Hurricane Katrina as floodwaters swept the city, he and his family were rescued by boat from his home but he lost three pianos and dozens of gold and platinum records and other memorabilia.

“There are two New Orleans musicians … that changed the music of the whole world. That’s Louis Armstrong and Fats Domino,” festival producer Quint Davis said before the festival, adding that he’d had a “wonderful time” going back and listening to Domino’s music to prepare for the festival.

Carolyn Stark of Ann Arbor, Mich., was part of the crowd. She said she’d seen Domino perform only once but wanted to pay her respects.

“He was so happy when he was playing,” she said, adding that the image had stuck in her memory.

Eather Reynolds of New Orleans said she often drives by the house where Domino lived for a long time in the city’s Lower 9th Ward neighborhood. She grew up listening to his music, which she described as part gospel and part jazz.

“But you could feel it in your soul,” she said. 

The tribute concert Saturday featured various members of Domino’s band who are still playing, as well as special musical guests like Bonnie Raitt and Jon Batiste.

The jazz funeral featured the Tornado Brass Band as well as three of the city’s social aid and pleasure clubs.

Domino is also featured on this year’s festival poster.

“He’s with us everywhere,” said Davis.

Remembering Fats Domino: Funeral, Concert on Jazz Fest Day 2

Fats Domino was a New Orleans musical legend when he died last year so it’s only fitting that his death – and his music – receive a special send-off this year during the New Orleans Jazz & Heritage Festival.

Organizers Saturday will mark the occasion with a jazz funeral as well as a special tribute performance in his honor.

Festival producer Quint Davis says there are two New Orleans musicians who “changed the music of the whole world.” One was Louis Armstrong and the other was Fats Domino.

The tribute concert Saturday will feature various members of Domino’s band who played with him. Special musical guests include Bonnie Raitt and Jon Batiste.

Roycroft Campus: Where U.S. Craftsmanship Was Born

The Arts and Crafts movement began in Britain and flourished in Europe at the turn of the 19th century. It stood for traditional crafts and against mass-produced goods that were popular in the United States at the time. But Americans too joined the movement and established the Roycroft Campus, which continues to represent and support true American arts and crafts. Olga Loginova of VOA’s Russian Service visited the campus in New York state.

Filmfest DC Brings International Films to the Capital

Filmfest DC is celebrating its 32nd year in the nation’s capital, by showcasing 80 films from 45 different countries to a politically savvy international audience. But the festival provides more than just entertainment. Over the years, the festival has become a cultural and economic force for a city known around the world for its bipartisan politics. VOA’s Penelope Poulou has more.