‘Get a Grip’ – Jennifer Lawrence Offended Over Plunging Dress Furor

Jennifer Lawrence on Wednesday blasted a controversy over a photo of her wearing a plunging black dress outside on a cold London day as sexist,

ridiculous and “not feminism.”

The Oscar-winning star, 27, said in a Facebook posting that she was also “extremely offended” by what she called the “utterly ridiculous” reaction on social and mainstream media to the photo, taken as part of promotions for her upcoming movie “Red Sparrow.”

The picture, taken outdoors on a bitter winter’s day in London earlier this week, showed a bare-shouldered Lawrence wearing a black gown, while actor Jeremy Irons and three fellow cast members donned thick wool coats.

Many commentators saw the photo as a reflection of the pressure on women in Hollywood to look good, particularly given Lawrence’s previous outspoken criticism of the gender pay gap in the movie industry.

“True equality means either Jennifer Lawrence getting a coat, or Jeremy Irons having to pose for a photo call in assless chaps,” tweeted London journalist Helen Lewis.

Australian journalist Stephanie Peatling remarked on Twitter that it was “cold enough that the bloke actors have to wear coats and scarves to their press call and yet poor Jennifer Lawrence is wearing a small amount of fabric some might call a dress.”

Lawrence, one of the most sought-after actresses in Hollywood, was having none of it.

“That Versace dress was fabulous, you think I’m going to cover that gorgeous dress up with a coat and a scarf? I was outside for 5 minutes. I would have stood in the snow for that dress because I love fashion and that was my choice,” she wrote on Facebook.

“This is sexist, this is ridiculous, this is not feminism,” she added. “It’s creating silly distractions from real issues. Get a grip people.”

“Red Sparrow,” a thriller in which Lawrence plays a Russian spy, opens worldwide next week.

 

Ivanka Trump to Attend Winter Olympics Closing Ceremony in South Korea

Ivanka Trump is set to attend the closing ceremony of the Winter Olympics in South Korea on Sunday in the latest high-profile visit to Games which have been dominated by the North Korea crisis.

The trip by U.S. President Donald Trump’s eldest daughter — who is also one of his advisers — comes in the wake of a visit to the Pyeongchang Games by North Korea’s ceremonial head of state Kim Yong Nam and Kim Yo Jong, sister of leader Kim Jong Un.

“The upcoming visit by adviser Ivanka is intended to celebrate the successful hosting of the Pyeongchang Olympics and highlight the mutual understanding of the South Korea-US alliance,” Noh Kyu-duk, spokesman for the foreign ministry in Seoul, said Tuesday, according to the Yonhap news agency.

Trump is expected to arrive in South Korea on Friday, the agency added, quoting Noh as saying her detailed itinerary will be released by the United States.

When asked if North Korea would be on the agenda for any potential talks during Ivanka Trump’s visit, Noh said, according to Yonhap: “Issues of mutual interest could naturally be on the table during the process of the visit.”

There has already been a high-profile meeting between South Korean President Moon Jae-in and the North Korean delegation, during which Kim Jong Un’s sister passed on his invitation for Moon to visit Pyongyang for a summit.

Despite the thaw in ties between the two Koreas, Washington has said it will maintain its campaign of “maximum pressure” on Pyongyang, and insists there are no differences with Seoul on how to handle the North.

The Games’ opening ceremony saw US Vice President Mike Pence and the North Korean representatives seated in the same box, but they did not interact.

They had planned to meet secretly while in South Korea, but US officials said Pyongyang scrapped the plan after Pence denounced North Korea’s “murderous regime”.

Tensions rose rapidly last year over the North’s development of nuclear weapons and intercontinental missiles, with President Trump and Kim Jong Un exchanging personal insults.

But the North’s participation in the Games has led to an easing in tensions on the Korean peninsula in recent weeks.

Chef Jose Andres Writing Book on Hurricane Maria Relief Work

Award-winning chef Jose Andres is working on a book about his efforts to help Puerto Rico after Hurricane Maria.

Ecco told The Associated Press on Wednesday that it has acquired We Fed an Island: The True Story of Rebuilding Puerto Rico, One Meal at a Time. The book is scheduled for Sept. 11 and is co-written by Richard Wolffe. A portion of proceeds will be given to the Chef Relief Network of Andres’ nonprofit World Central Kitchen. We Fed an Island will be released through Anthony Bourdain’s imprint at Ecco.

Andres says he wanted to provide the “inside story” of the relief work by himself and World Central Kitchen last fall.

Ursula K. Le Guin Wins Posthumous Prize for Essay Writing

The late Ursula K. Le Guin was among the recipients of literary honors presented Tuesday night by PEN America.

The science fiction/fantasy author’s “No Time to Spare” won a $10,000 prize for best essay writing. Le Guin died last month at age 88 and her award was announced during a New York ceremony hosted by PEN, the literary and human rights organization. 

Poet Layli Long Soldier’s debut collection “Whereas” won a $75,000 award for the year’s best book. Jenny Zhang’s story collection “Sour Heart” received a $25,000 prize for best debut fiction and Alexis Okeowo’s “A Moonless, Starless Sky: Ordinary Women and Men Fighting Extremism in Africa” won a $5,000 award given to outstanding works by “authors of color.”

“This year’s awardees represent the near and far corners of the literary landscape, including writers who have shattered barriers of race, class, ethnicity, geography, gender and sexual orientation to bring stories to new audiences, unlock empathy and take places of distinction within our collective canon,” PEN America Executive Director Suzanne Nossel said in a statement. “In times of challenge great literature offers a desperately needed window onto other possibilities.”

Lifetime achievement awards had been previously announced and were given to Edmund White, who won the PEN/Saul Bellow Award for American fiction, and Edna O’Brien, winner of the PEN/Nabokov Award for international literature.

Clooney, Winfrey, Spielberg, Katzenberg Offer $500K Each for Gun Control March

George Clooney, Oprah Winfrey, Steven Spielberg and Jeffrey Katzenberg said Tuesday that they would each donate $500,000 to the “March for Our Lives” rally in Washington in support of gun control following last week’s shooting at a Florida high school that left 17 dead.

Clooney and his wife, human rights lawyer Amal Clooney, were the first to make the financial pledge and also said they would march alongside the students behind the rally on March 24.

Students from Marjory Stoneman Douglas High School in Florida, where a 19-year-old former student is accused of going on a rampage with a semiautomatic AR-15-style assault rifle on February 14, are assisting in planning the march.

“Our family will be there on March 24 to stand side by side with this incredible generation of young people from all over the country, and in the name of our children Ella and Alexander, we’re donating $500,000 to help pay for this groundbreaking event. Our children’s lives depend on it,” Clooney said in a statement.

Later on Tuesday, Spielberg, with wife Kate Capshaw, and Winfrey each said that they would match the Clooneys’ donation.

“George and Amal, I couldn’t agree with you more. I am joining forces with you and will match your $500,000 donation to ‘March for Our Lives.’ These inspiring young people remind me of the Freedom Riders of the ’60s who also said we’ve had ENOUGH and our voices will be heard,” Winfrey tweeted.

Spielberg and Capshaw, in an emailed statement, said, “The young students in Florida and now across the country are already demonstrating their leadership with a confidence and maturity that belies their ages.”

It was not immediately clear whether they and Winfrey would attend the march. But Katzenberg, a film producer, and his wife, Marilyn, also said they would match the $500,000 donation and march in Washington.

The March for Our Lives event is one of several rallies being organized by students across the country in support of stronger gun laws, challenging politicians who they say have failed to protect them. Busloads of Florida students headed to the state capital, Tallahassee, on Tuesday to call for a ban on assault rifles.

Other celebrities have voiced their support for the students’ efforts on social media, including Justin Bieber, Lady Gaga and Cher.

Gun ownership is protected by the Second Amendment of the U.S. Constitution and remains one of the nation’s more divisive issues.

Tiger Woods Named as US Ryder Cup Vice Captain


Fourteen-times major winner Tiger Woods will serve as one of the vice captains on the U.S. Ryder Cup squad that will try to snap a 25-year drought on European soil later this year, Jim Furyk said on Tuesday.

Furyk, who will serve as captain when holders United States battle Europe in September at the Golf National on the outskirts of Paris, also announced 12-times PGA Tour winner Steve Stricker as a vice captain.

“To win in Paris will be a great challenge, and to have Steve and Tiger share in the journey is important for me and for American golf,” said Furyk, who made the announcement from the PGA of America Headquarters in Palm Beach Gardens, Florida.

Served as vice captain in 2016

“The deep appreciation they both have for competition, the concept of team, and the Ryder Cup is infectious. Their knowledge and experience will be an invaluable resource in our effort to retain the Ryder Cup.”

Woods, who this week will make his third start of the PGA Tour season after a year-long absence during which he had back surgery, first served as a vice captain at Hazeltine in 2016.

The 42-year-old Woods is a veteran of seven Ryder Cups as a player, most recently in 2012. He said he was thankful to be selected as a vice captain but is still keen to earn a spot on the team as a player.

“My goal is to make the team, but whatever happens over the course of this season, I will continue to do whatever I can to help us keep the Cup,” Woods said in a video played at the news conference. “I’m excited about the challenge.”

Furyk said Woods possesses an ability to effectively pair players together in foursomes and fourballs while also inspiring a young team room filled with players who took up the game in the hope of emulating Woods.

Woods may have plenty of ground to make up if he hopes to be a playing vice captain, but Furyk did not rule out the greatest golfer of his generation filling a dual role.

“I want to do what’s best for Tiger and I want to do what’s best for the team and that would be a bridge we cross when we got there,” said Furyk. “If he could be valuable as a player, I mean, I’m sure we would want him playing on this team. But there’s so much time to go.”

Third time for Stricker

This year’s Ryder Cup, to be played from Sept. 28-30, will mark Stricker’s third stint as a vice captain, having served at Gleneagles in 2014 and in the 2016 U.S. victory at Hazeltine.

Furyk previously appointed former Ryder Cup captain Davis Love III as a vice captain and will announce additional vice captains at a later date.

The United States won the biennial matchplay event at home in 2016, marking their first triumph since 2008, but they have not celebrated on European soil since a 15-13 victory at The Belfry in England in 1993. 

"Black Panther" Sets Hollywood Records as Crowds Pack Theaters Around the Globe

Black Panther is a certified Hollywood blockbuster, raking in more than $200 million dollars in North America during its opening weekend, setting several records. As VOA’s Kane Farabaugh reports, the film’s success comes as no surprise to the fans that packed theaters on the south side of Chicago to celebrate a film that marks a welcome departure from the Hollywood norm.

Afghanistan’s ArtLords Daub Walls With Messages of Defiance, Hope

Activists in Afghanistan are speaking out against corruption and spreading messages of peace and social justice with murals, many painted on concrete blast walls that have risen to ward off militant bombs.

The activists call themselves the ArtLords, as opposed to the warlords and drug lords who have brought so much strife and misery to Afghanistan, and say their art is a tool for social change.

“We’re painting against corruption, we’re painting against the injustices that are happening in society, for women’s rights,” said the group’s co-founder, Omaid Sharifi. “We’re encouraging people to come and join us, let’s raise our voices against all this nonsense.”

Blast walls have gone up along Kabul’s streets over the years, against a tide of violence as Taliban and other militants battle the government and U.S.-led forces, nearly 17 years after Afghanistan’s latest phase of war began.

Some city streets have been turned into concrete canyons, the walls shielding embassies, military camps, government offices and the homes of the rich.

On many of these grey slabs, the ArtLords have their say.

Watchful eyes peer from a wall protecting the headquarters of the main security agency.

“I can’t go to school because of your corruption. I can see you,” is the message on a mural of a girl on blast walls near the interior ministry.

Another mural, of a black SUV with its windows tinted, takes a dig at the powerful and privileged.

“What are you carrying, that your windows are black?” reads the message. “You don’t have a license plate and don’t stop for searches.”

A painting of a shoeshine boy says: “Don’t set off an explosion here, innocent people get killed.”

Other murals extol the city’s street-sweeper “heroes,” encourage anti-polio efforts, and call for women’s rights.

Sharifi says he always gets permission for his work, though it can be a struggle. The group gets commissions from Afghan and international groups for “awareness raising and advocacy” and sells smaller artworks.

Recently, on a cold, grey morning, the ArtLords were at the American University of Afghanistan, working on a mural on the tightly guarded campus to highlight resilience against violence.

A 2016 militant attack on the university killed 16 people and shattered its image as an island of liberalism and learning.

Students came to help paint a picture of a young man and woman picking up their books, with a phoenix rising and the words: “I am back because education prevails.”

“Kabul has been surrounded with blast walls which infuriate people but this art has a message of hope,” said student Faisal Imran, who took his turn with a brush.

New Exhibit Examines Native American Imagery in US Culture

Bold. Visionary. A spectacular success.

The words in an online promotion for a new museum exhibit in Washington, D.C., describe an 1830 U.S. law that forced thousands of American Indians from their lands in the South to areas west of the Mississippi River.

Provocative, yes, says the co-curator of the exhibit “Americans” that opened last month at the National Museum of the American Indian. Bold and visionary in imagining a country free of American Indians. A spectacular success in greatly expanding wealth from cotton fields where millions of blacks worked as slaves.

“When you’re in the show, you understand bold and visionary become tongue in cheek,” co-curator Cecile Ganteaume said.

The exhibit that runs through 2022 has opened to good reviews and pushes the national debate over American Indian imagery — including men in headdresses with bows, arrows and tomahawks — and sports teams named the Chiefs, Braves and Blackhawks. The NFL’s Washington Redskins logo on one wall prompts visitors to think about why it’s described both as a unifying force in D.C. and offensive.

The exhibit falls short, some say, with an accompanying website and its characterization of the Indian Removal Act.

The online text is a perplexing way to characterize an effort that spanned multiple presidencies and at one point, consumed one-fifth of the federal budget, said Ben Barnes, second chief of the Shawnee Tribe.

The law led to the deaths of thousands of people who were marched from their homes without full compensation for the value of the land they left behind. And it affected far more tribes than the five that are highlighted online, he said.

“It made it seem like it was a trivial matter that turned out best for everyone,” he said. “I cannot imagine an exhibit at the newly established African-American museum that talked about how economically wonderful slavery was for the South.”

Ganteaume said the website isn’t encyclopedic and neither it nor the exhibit is meant to dismiss the experiences of American Indians. Instead, it challenges the depths at which people recognize indigenous people are ingrained in America’s identity and learn how it happened, she said.

Imagery vs. reality

An opening gallery has hundreds of images of American Indians — often a stoic chief in a Plains-style headdress or a maiden — on alcohol bottles, a sugar bag, motor oil, a missile mounted on the wall and a 1948 Indian Chief motorcycle.

Dozens of clips expand on how the imagery has permeated American culture in television and film.

But when historic or cartoonish images are the only perception people have of what it means to be Native, they can’t imagine American Indians in the modern world, said Julie Reed, a history professor at the University of Tennessee.

“Even when I’m standing in front of students, identified as a Cherokee professor, making the point from Day 1 that I’m still here and other Cherokee people are still here, I still get midterm exams that talk about the complete annihilation of Indian peoples,” she said.

Ganteaume said that while Native people have deep histories in other countries, the United States is more often fixated on using images of them.

Side galleries expand on what’s familiar to most Americans: the Trail of Tears, Pocahontas and the Battle of Little Bighorn. An orientation film on the invention of Thanksgiving starts with a once widely used television screen test featuring an Indian head and then questions the hoopla of the national holiday when America already had Independence Day.

Exhibit ‘makes you think’

Eden Slone, a graduate student in museum studies in the Washington, D.C., area, said she was impressed by the exhibit’s design and interactive touch tables. She never realized that Tootsie Pop wrappers featured an image of an American Indian in a headdress, holding a bow and arrow.

“I think the exhibition was carried out well and it definitely makes you think of Native American imagery,” she said. “When I see images like that, I’ll think more about where it came from.”

Reed, University of Tennessee professor and Cherokee woman, fears people will get the wrong impression about the Indian Removal Act from the website. An essay puts a positive spin on what Reed calls ethnic cleansing.

Yet, she plans to visit.

“I think there is legitimacy to say, come look at this exhibit. That’s a fair response to criticism,” Reed said. “I want to go and give the exhibit a fair shake because it may be brilliant and could do everything the website does not.”

As ‘Black Panther’ Shows, Inclusion Pays at the box Office

A lavish, headline-grabbing premiere. Lightning word-of-mouth stoked by glowing reviews. Packed movie theaters with sold-out shows, long lines and fans decked out as characters from the film.

The phenomenon of “Black Panther” had the look and feel of a classic, bona fide blockbuster in route to its record-setting $201.8 million debut over the weekend, or an estimated $235 million Friday through Monday. Much has been made about the film industry’s struggles to tap into pop culture the way it once more regularly did – that TV and streaming options and a dearth of fresh ideas have diminished the power of the big screen.

But when Hollywood does manufacture a must-see theatrical event, it has increasingly been propelled by the power of inclusivity. Just as Jordan Peele’s Oscar-nominated “Get Out” ($253 million worldwide on a $4.5 million production budget) and Patty Jenkins “Wonder Woman” ($821.1 million) did before it, “Black Panther” captured the zeitgeist by the potent combination of top-notch filmmaking (the film stands at 97 percent fresh on Rotten Tomatoes), studio backing and an audience hungry to see itself represented on the big screen in a way it seldom has before.

At the box office, inclusion is paying – and often, it’s paying off big time.

“Diversity does in fact, sell,” said Darnell Hunt, a professor and director of social science at UCLA whose research has detailed the connection between diversity and bottom lines. “In hindsight, it’s kind of a no-brainer. The American public is about 40 percent people of color now, and we know that people of color over-index in terms of media consumption. The patterns we’ve been seeing are only becoming more pronounced as time goes on.”

“Black Panther” debuted with $361 million in worldwide ticket sales, setting up the $200 million film for a theatrical run that should easily eclipse $1 billion. History is assured. Just months after Jenkins helmed the biggest box-office hit directed by a woman, Ryan Coogler will set a new mark for films directed by an African American. The debut, the best ever for February, is the fifth highest of all time, not accounting for inflation.

At a time where hits are hard to come by for Hollywood, diversity in storytelling is proving to be not only a just cause, but a box-office imperative.

“If you want to succeed on the global stage, certainly in the tent-pole business, you have to have diversity in storytelling, in the characters that you put in front of the camera, in the artisans you put behind the camera – to be able to get that better, richer storytelling and to drive huge results,” said Dave Hollis, distribution chief for Disney. “The results speak for themselves.”

Hollis pointed to the many factors that made “Black Panther” a hit: Coogler’s direction, the stewardship of Kevin Feige’s Marvel, the reliability of the brand. But he also noted a developing pattern for Disney – that inclusive films are both richer for their diversity and, often, richer for the bottom line.

“It feels like the right thing to do. It makes for better, richer storytelling, and we’re a business. It’s something that’s just delivered big, huge box office,” said Hollis. “When we have leaned into and had inclusion and representation as part of the mix, it’s just really worked. When you think about ‘Star Wars” and ‘Rogue One,’ the female protagonist leading those stories. Also ‘Moana’ or ‘Coco.’ ‘Coco’ has been an absolute juggernaut.”

“Coco,” which is expected to win the Oscar for best animated feature next month, has gross more than $730 million worldwide. It’s the biggest budget release starring an all-Latino cast.

Rian Johnson’s “Star Wars: The Last Jedi,” which has grossed $1.3 billion worldwide, did more than any previous “Star Wars” film to elevate its female characters, and featured the widely hailed breakout star Kelly Marie Tran.

By promoting diversity in its films, Disney has faced some backlash from social-media critics who deride films like “The Last Jedi” and Sony’s 2015’s female-led “Ghostbusters” as politically correct overreach. Some fans have even gone to the extraordinary length of trying to drive down audience scores for those films.

But consider the fate of movies that haven’t tried as hard to be culturally authentic. Paramount’s “Ghost in the Shell,” which starred Scarlett Johansson in a role originally written as a cyborg in a Japanese woman’s body, last year bombed at the box office after a backlash over Johansson’s casting.

Meanwhile, the diverse cast of Universal’s “The Fast and the Furious” films helped make it one of the most bankable franchises in movies. Other standout hits have included “Girls Trip” – the biggest comedy of 2017 – and Sony’s unexpectedly lucrative “Jumanji: Welcome to the Jungle.” The film, starring Dwayne Johnson and Kevin Hart, reigned over the January box office as the no. 1 film on four weekends.

“Jumanji” has grossed more than $904 million worldwide, including more than a half a billion dollars overseas. The old argument that films starring African-American actors don’t travel well has never had a worse two months. “Black Panther” opened with $160 million abroad, even without several markets (China, Japan, Russia) yet open.

And in Hollywood, nothing talks like money.

“‘Black Panther’ can be an important first step toward really dispelling the myth that has held Hollywood back for generations in terms of telling the stories that we certainly want to see in this country but I think that the rest of the world wants to see, too,” said Hunt.

Studies have also shown that diverse casts attract wider audiences. Last year, talent agency CAA found that of the top 10 grossing films in 2016, 47 percent of the opening-weekend audience was made up of people of color, up 2 percent from the year before. The effect was even more pronounced in the biggest hits. Seven of the 10 highest-grossing films from 2016 had opening weekend audiences more than 50 percent white.

The audience for “Black Panther” was 65 percent non-white, including 37 percent black, according to comScore.

Latinos and African Americans are also more eager moviegoers, according to the Motion Picture Association of America. In the MPAA’s most recent report, it found that though Latinos make up 18 percent of the U.S. population, they account for 23 percent of frequent moviegoers. Though African Americans are 12 percent of the population, they make up 15 percent of frequent moviegoers.

“If you look at some of the bigger blockbusters from the last year, they were representative of what the audience are looking for, how they’re feeling,” said Paul Dergarabedian, senior media analyst for comScore. “These films reflect society and then society reflects back on the films. That’s when you get to these much bigger than expected debuts. It becomes more than a movie. It becomes a cultural event.”

Communal movie-going may be under siege from other entertainment options. But films like “Black Panther” are making movie theaters more communal than ever.

 

Collect Some Uranium Glass for That Peaceful Glow

Uranium glass occupies a little-known niche in the collectables world, whose members appreciate its soft color and distinctive glow, which comes from the uranium added as the glass was created.

The pieces shown here come from the collection of Peter Marti and Markus Berner, who trade in antique glass at a small shop downstairs from their flat in Wangen an der Aare, a town in Switzerland. They discovered the glass about 15 years ago at a Swiss flea market and have been collecting ever since.

Like many uranium glass collectors, they are especially drawn to pearline, which was created by several companies, mostly in Britain, from the end of the 19th century into the 20th.

Yellow pearline is called vaseline, because the shade is similar to the color of petroleum jelly – until it’s exposed to ultraviolet light, when it glows a bright green.

The glass is slightly radioactive, enough to register on Geiger counters. But the levels are about the same as electrical appliances like microwave ovens emit, so they represent no threat to health.

Hero, Harasser or Both? Shaun White’s Newly Complex Legacy

It was expected to be a coronation: snowboarder Shaun White, shredding the halfpipe in an epic performance that won him Olympic gold at Pyeongchang four years after a devastating loss in Sochi and just four months after a nasty fall during practice sent him to a hospital.

But as he basked in the comeback story of the Winter Games, allegations of sexual misconduct resurfaced, first on social media, then at White’s victory press conference. Eager to focus on his win, White waved away the accusations with a choice of words that made things worse, not better.

“I’m here to talk about the Olympics,” he said, “not gossip and stuff.”

Like other high-profile men, White’s triumphal moment was usurped by an abruptly resurfacing past. And a story that had received scant attention between Olympic cycles was, suddenly, one of the biggest in the world.

Hours later, he was on NBC’s “Today” show apologizing for his comment. But in the era of #metoo, what should have been a triumphal and defining moment in White’s life collided with one of his lowest.

The one-two punch of victory, then condemnation, raised a number of questions that have been playing out on social media in the days since his victory.

Is it legitimate to bring up old charges simply because someone has won something new? Does White have a special responsibility as a role model who has grown rich trading off his name? With his achievements and the accusations, can he be both hero and villain at the same time?

And as his legacy is written and rewritten, will he be remembered more for his athletic successes or as one in a list of men whose achievements have been stained by accusations of sexual misconduct?

“I think he handled it better than we’ve seen other people handle it,” said University of Oregon senior Lily Jones, 21, who said White’s apology helped but didn’t erase what had happened.

“Instead of flat-out denying it, or going after his accuser like we’ve seen other people do, he took a little bit of responsibility, which I definitely appreciated,” Jones said.

White and his more diehard fans were eager to move on — an understandable instinct.

“That’s just the go-to reaction, for men or women,” says Dorothy Espelage, a psychology professor at the University of Florida. “I don’t think there would be any good timing for somebody that successful. And it doesn’t dismiss the fact that this went on.”

Twitter is barely a decade old, and the notion of the accused having to reckon with a critical public in real time, at the pinnacle of a storied career, is a relatively new notion. But it’s happening more and more.

White’s takedown on social media brings to mind James Franco’s Golden Globe win last month for best actor in a comedy or musical — an honor that produced immediate condemnation on social media decrying his past treatment of women.

But Franco is young, with a potentially lengthy career still ahead. Others, like entertainer Bill Cosby or Hollywood mogul Harvey Weinstein, have been exiled later in life after they achieved much of what they hoped to be remembered for.

Some weather the storm. Clarence Thomas was confirmed as a Supreme Court justice after Anita Hill testified that he sexually harassed her while he was her supervisor in the federal government. Nearly three decades later, Thomas remains on the bench.

NBC analyst Mike Tirico’s past didn’t follow him to Pyeongchang. The ESPN alum reportedly made lewd and unwanted advances on women in the early 1990s and was suspended. There have been no further public complaints against him, and he is contributing to the network’s 2018 Olympic coverage.

In a very different case, fellow NBC personality Matt Lauer left the network late last year after multiple reports of misconduct, including one at the last Winter Games in Sochi.

Whatever the outcome, people are listening more than ever. And the rise of the #metoo era means there are now many mechanisms of accountability, says Leslie Wexler, a law professor at the University of Illinois College of Law.

Those can range from civil and criminal action to public condemnation and social-media whisper campaigns. Someone accused of misconduct faces a choice of paths as well, she says, from acknowledging harm and taking responsibility to actually repairing the harm.

“What that entails will scale based on the severity of what was done and what the victim wants and needs,” Wexler says. “Some victims may need more repair than others. Some victims may want more repair than others. We should be asking what do they want, what does the community want, and not what does Shaun White want.”

White reached an out-of-court settlement with his accuser, Lena Zawaideh, who had been the drummer in his band, Bad Things. If he wants to move on, Wexler says, he needs to address Zawaideh’s allegations more directly.

“The more clarity the better, because it reaffirms her status, as opposed to these vague, ‘I’m sorry if anything I ever did wasn’t good, but I’m better now,’” she says. “He engaged in wrongdoing. If he wants to move on, in the sense of community forgiveness, victim forgiveness, then he needs to do that.”

White’s status as pioneer — and now as legend — seemed certain to bring him future riches. His latest halfpipe triumph could have served only to further burnish his brand. After last week, though, it’s unclear what the personal or financial fallout could be.

“A lot of my friends grew up supporting Shaun White as the only snowboarder with any real name recognition,” says Jones, the college senior. “But in light of these allegations, they’re starting to change their views and examine the man as a whole, including his actions.”

Modest Designer Finds Fashion Connects People

New York’s Fashion Week is known as a showcase for top designers’ clothing. Among those whose clothes were on the runway at the recent Fall Fashion Week, is Vivi Zubedi, who designs modest clothing for Muslim women. Anshuman Apte reports from New York.

Young People with Disabilities Skate Toward Glory at the Special Olympics

As the world watches the Olympic Winter Games in South Korea, some American athletes in Washington are lacing up their skates to train for their own, major sporting event. Special in every way, these young people work to overcome their developmental obstacles to compete for gold — just like the world’s top athletes in Pyeongchang. Arash Arabasadi reports from Washington.

In Troubling Times, Curling Might be Just What We Need

The world, some fret, is falling apart. Politicians spar viciously on social media. Leaders lie. Former heroes fall like dominoes amid endless scandals. Cruelty has come to feel commonplace.

But never fear: We have curling.

The sport with the frenzied sweeping and clacking rocks has rules that require players to treat opponents with kindness. Referees aren’t needed, because curlers police themselves. And the winners generally buy the losers a beer.

At the Pyeongchang Olympics, curlers and their fans agree: In an era of vitriol and venom, curling may be the perfect antidote to our troubled times.

“Nobody gets hit — other than the rock,” laughed Evelyne Martens of Calgary, Canada, as she watched a recent Canada vs. Norway curling match. “And there’s nothing about Trump here!”

​Thanks, Scotland

In the 500 years since curling was conceived on the frozen ponds of Scotland, it has remained largely immune to the cheating controversies and bloated egos common in other sports. This is thanks to what is known as “The Spirit of Curling,” a deeply ingrained ethos that dictates that curlers conduct themselves with honor and adhere to good sportsmanship.

The World Curling Federation’s rules state: “Curlers play to win, but never to humble their opponents. A true curler never attempts to distract opponents, nor to prevent them from playing their best, and would prefer to lose rather than to win unfairly.”

Kindness is the baseline for what curling is all about, says Canadian Kaitlyn Lawes, who won the gold medal this week in curling mixed doubles.

“We shake hands before the game, we shake hands after. And if someone makes a great shot against you, we congratulate them because it’s fun to play against teams that are playing well,” Lawes says. “I think that spirit of curling can be used in the real world — and hopefully it can be a better place.”

Case in point: After losing the curling mixed doubles gold medal to Canada, Switzerland’s Martin Rios swallowed his disappointment during a press conference to say that the Canadians had deserved to win, declaring: “They were the better team.”

The Canadians returned the favor by heartily applauding their Swiss opponents not once but twice. And before the women’s round-robin match Thursday, the Korean team presented their Canadian competitors with a gift bag of Korean curling banners and pins.

​A certain morality

Children new to the sport are coached about the spirit of curling from the very start, says Willie Nicoll, chairman of British Curling. Fair play is not an afterthought, he says. It is the heart of the game.

“It’s always been looked at as being a very gentlemanly sport,” says Kate Caithness, president of the World Curling Federation. “Where does that happen in sport, when you say to your opposition, ‘Good shot?’”

It’s not that curling isn’t competitive. Like every other Olympian in Pyeongchang, curlers all want the gold — just not at the expense of their integrity.

Perhaps the best example of this is the lack of referees. Officials rarely get involved in matches because players call themselves out for fouls. If a curler accidentally hits a stone that’s in motion with their foot or broom — a situation known as a “burned stone” — he or she is expected to immediately announce the mistake. Aileen Geving, a member of the U.S. Olympic curling team, says it would be unthinkable for her not to own up to such a goof.

“We all have to be true to ourselves and I know I would feel way too guilty not to say anything if I hit it!” she says, laughing. “I think there’s a certain morality behind that.”

On Friday, an exceedingly unusual controversy over a burned stone erupted that — unsurprisingly — meandered its way to a mild end. In a tense match against Canada, a Danish player accidentally hit a moving rock. Canada, which had the right to decide what happened, chose to remove the rock from play rather than allow it to remain.

The “aggression” stunned some observers. Canadian media covering the game launched into frenzied discussions, and some curling fans tweeted shock over what they considered unsportsmanlike behavior.

This, though, was the measured reaction from the Danish team’s skip a bit later: She wouldn’t have made the same choice, but she also wasn’t mad.

For the fans, seeing such displays of warmth — or, in the above case, lack of heat — can be a welcome respite from the harshness of the outside world.

Sinking into her seat at the Gangneung Curling Centre, Crystle Kozoroski was still stressed from attending the previous night’s rough and rowdy hockey game. Watching curling, she said, was just the therapy she needed.

“I’m still tense from last night’s game — my body is literally sore,” said Kozoroski, of Manitoba, Canada. “It’s nice just to sit and relax.” Curling is, she says, a “very calming and soothing sport.”

​A typical game

Here is how a typical game starts at Gangneung: Opponents turn to each other, share a handshake and wish each other “Good curling!” A bouncy organ tune blasts across the arena and the stadium announcer cheerfully bellows, “Good luck and GOOD CURLING!” The crowd whoops with glee. Even if you have no idea what is happening, it is almost impossible not to smile.

There’s a sense that everyone is welcome. And with curling, that’s kind of true. Both women and men compete in all three versions of the sport — traditional curling, mixed doubles and wheelchair — and members of curling clubs range in age from 7 to 90.

That feeling of inclusiveness is intertwined with a deep camaraderie that goes back to curling’s inception. Take “broomstacking,” named for the original practice of opponents stacking their brooms in front of a roaring fire after a game and enjoying a drink together.

These days, rivals still socialize after matches, with the winner generally buying the loser a round. The other day, Canadian gold medal curler John Morris posted a photo on Instagram of himself sharing a locker room brew with U.S. rival Matt Hamilton, their arms slung around each other and grins stretching across their faces.

Mae Polo, whose son Joe Polo is a member of the U.S. Olympic curling team, says she and her family have formed tight bonds with curlers across the globe. Those friendships have traversed any competitive or cultural divides, she says, with the curlers’ families all helping each other sort out travel logistics to the Olympics.

Curling is one big family, she says. And maybe, just maybe, curling could serve as a blueprint for us all.

“The world needs to take a lesson from it,” she says. “Let’s just love each other.”

Black Athletes in 1980s, ’90s Not Outspoken, but Not Silent 

By the 1980s, America finally publicly embraced the black athlete, looking past skin color to see athleticism and skill, rewarding stars with multimillion-dollar athletic contracts, movie deals, lucrative shoe endorsements and mansions in all-white enclaves.

Who didn’t want to be like Mike?

But those fortunate black athletes like Michael Jordan and Tiger Woods did not, for the most part, use their celebrity to speak out. Most were silent on issues like the crack epidemic, apartheid in South Africa, the racial tensions exposed by the O.J. Simpson trial and the police brutality that set off the Rodney King riots.

There were exceptions — more, perhaps, than are generally remembered. And the times and the media of those times did not necessarily lend themselves to protest. But while Jack Johnson and Muhammad Ali once stood up — and more recently, Colin Kaepernick , LeBron James, Serena Williams and others would not back down — black athletes of the ’80s and ’90s were known mostly for playing games.

“It seems to me that we need to rethink how we define ‘activism’ since black athletes certainly were involved in various social causes during that era. Anecdotally, I think about them donating to various scholarship funds and participating in ‘say no to drugs’ campaigns,” said Johnny Smith, professor of sports, society and technology at Georgia Tech University. “That’s certainly a form of activism. “However, on the whole, the most prominent black male athletes were not confrontational or outspoken.”

When Harvey Gantt took on conservative Republican Senator Jesse Helms in 1990, Jordan — the undisputed superstar athlete of his time — refused to support the black Democrat in his native North Carolina, reportedly saying Republicans buy shoes, too.

It took until 2016 for Jordan to finally speak out strongly on a social issue by condemning the killing of black men at the hands of police, writing in a column published by The Undefeated, a sports and pop culture website.

Woods said this week that throughout America’s history, blacks have struggled.

“A lot of different races have had struggles, and obviously the African-Americans here in this country have had their share of struggles,” Woods said. “Obviously has it gotten better, yes, but I still think there’s room for more improvement.”

Not everyone is an activist

The mold of the public activist — the person who is willing to lead but also willing to lose everything for a cause — doesn’t fit everyone, said Harry Edwards, a scholar of race and sports who has worked as a consultant for several U.S. pro teams.

Some people don’t want to be bothered, Edwards said, but “that has always been there. That was there during slavery. Nat Turner comes and says, ‘Hey, let’s run away. Let’s get some guns. Let’s get some machetes, and let’s fight for our freedom.’ And you always have someone say, ‘You kidding me?’ ”

Dominque Wilkins, a National Basketball Association Hall of Famer known as the “Human Highlight” for his thunderous, acrobatic dunks during the 1980s and ’90s, believes social media have amplified athletes’ voices — and the Twitter-less past did not offer sports stars the soapboxes they have now.

“We didn’t have a platform because it wasn’t that type of media around,” Wilkins said. “You had the normal, everyday media, but you didn’t have Twitter, Facebook, Instagram — you didn’t have any of that.”

Wilkins, 58, said people are completely off base when they say his generation didn’t do anything or care about what was happening in their communities and in the world.

“We grew up in a different era. We were born in the civil rights era. I remember when Martin Luther King Jr. was assassinated,” said Wilkins. “People who say we didn’t care don’t know what they’re talking about. … We cared. We were a part of it, so we cared.

“Our parents lived it. Our grandparents lived it. How can we not care?”

Behind-the-scenes work

The activism of the time was different, said sports historian Victoria Jackson, who works in the School of Historical, Philosophical, and Religious Studies at Arizona State University.

Behind the scenes, superstar athletes worked in their communities and with schools — without making their activities known or asking for publicity for their time. Millions of dollars went to schools like historically black colleges and universities, as well as other deserving charities, without public acknowledgment, Jackson said.

“While we might have seen a decline in athletes voicing strong opinions publicly about systemic racism, police brutality, criminal justice and education and residential and workplace reform — and perhaps the growth of endorsements contributed to this — I would suspect, if we did a little digging, we’d find countless stories of athletes doing work in the space of social justice and that this is the constant theme in the long historical arc,” she said.

There were some who spoke loudly. Dashiki-wearing point guard Craig Hodges, Jordan’s teammate on the Chicago Bulls, presented then-President George H. W. Bush with a letter in 1991, urging more concern for African-Americans during one of the Bulls’ championship trips to the White House.

During the 1995-96 season, Mahmoud Abdul-Rauf began stretching or staying in the locker room during the national anthem. Abdul-Rauf was suspended for one game.

But at season’s end, despite averaging 19.2 points and 6.8 assists, he was traded from the Denver Nuggets to the Sacramento Kings. And when his contract expired two years later, he couldn’t get a tryout and was out of the league at age 29.

Efforts in boardrooms

Those protests, some say, may not represent the most radical actions of black athletes of the time, which were in the boardrooms, not on the streets.

Jordan built a brand that turned him into a Nike powerhouse, where he brought African-American businessmen and women up the ladder with him, before becoming the first black sports billionaire with his ownership of the NBA’s Charlotte Hornets.

Magic Johnson, in addition to building a business empire, spoke out passionately about the HIV/AIDS crisis after contracting the disease. The NFL’s Man of the Year award was long named for Walter Payton, who pushed organ donation into the public limelight in his native Chicago and around the country through his foundation while advocating for minority ownership in professional football.

Mike Glenn, who played in the NBA from 1977 to 1987 and is a member of the National Basketball Retired Players Association board of directors, believes how those first black millionaires went about their business helped build the foundation that allows athletes to speak out today.

“I think all of them were aware of backlash,” said Glenn, a collector of documents on African-American history and culture. “They were aware that if you say certain things it may hurt your brand, or may hurt your ability to do things or that maybe even the league would take a different look at you. I think it was an insecurity of their position regardless of how much success they had.”

Jordan and other iconic athletes of that period established the power of individual sports brands, a transitional platform Glenn believes athletes benefit from today.

“LeBron has took what Michael had,” Glenn said, “and taken it a step further.”

Billionaire Wynn Gets No Money in Casino Termination Deal

A termination agreement between embattled casino mogul Steve Wynn and the company bearing his name shows that he won’t receive any compensation and can’t be involved in any competing gambling business for two years.

The terms of the agreement were released Friday by Wynn Resorts. Wynn resigned as CEO earlier this month amid sexual misconduct allegations.

The billionaire has vehemently denied the allegations, which he attributes to a campaign led by his ex-wife.

As part of the agreement, Wynn also agreed to cooperate with any investigation or lawsuits involving his time with the company. He can have his attorney present. Wynn Resorts created a committee to investigate the sexual misconduct allegations.

As fallout from the allegations, Wynn also resigned as finance chairman of the Republican National Committee.

Being There Helps at Olympics, Even If You Don’t Want to Be

Highlights from media coverage of the Pyeongchang Olympics:

BEING THERE: Sometimes the secret to good reporting is simply being there, even if you’d rather not. Alpine skiing reporter Steve Porino was right near American Mikaela Shiffrin as she vomited before heading out on her first slalom run Friday in South Korea. Fortunately, he didn’t have a camera. Was it nerves? Was Shiffrin coming down with something at the worst possible time? Not clear. In a high-flying sport decided by split seconds, though, her condition is valuable information. (Later, after finishing in fourth place, she admitted to anxiety that made her sick.) Analyst Bode Miller is full of insight from being a recent top competitor on the ski circuit. He even has his own tales of throwing up before major races, and the pressure that can literally make you sick.

​SHARP WORK: Listen to the work of Leigh Diffey and Bree Schaaf as they called the skeleton competition won handily by Yun Sung-Bin. They bring excitement and historical sweep to their calls, explaining the technicalities without getting lost in them. “This is one of those moments that just makes your heart feel like it’s going to explode,” Schaaf said over the replay of the South Korean’s final run. “His form, his expression. I am blown away by not just this race but the entire season by Yun Sung-Bin.” Similarly, cross-country ski analyst Chad Salmela made the women’s 10-kilometer freestyle race easier to understand, despite its complexities. He captured the thrill as he and viewers tried to will Jessica Diggins over the finish line to earn the USA’s first Olympic medal in the sport. She fell less than four seconds short in a 25-minute race.

TRYING AGAIN: NBC prepared a strong feature on American snowboarder Lindsey Jacobellis, a four-time Olympian sadly known best to many for falling while making an unnecessary jump at the end of a race she was dominating, costing her a sure gold medal in the 2006 Turin Games. Unfortunately, producers aired it around 1 a.m. Eastern on Thursday on the East Coast, right before a men’s qualifying round in snowboarding. Time constraints probably prevented NBC from showing it before Jacobellis competed Friday (she finished fourth) and that’s a shame, because anyone who saw the story would have rooted hard for her.

​PRIME TIME PLUS: NBC decided this year to air its Olympic telecast at the same time across the country, and that paid off for West Coast viewers in the U.S. with Thursday’s competition in Korea. They were able to see Shiffrin win her giant slalom gold medal live in a prime viewing window, right before 10 p.m. Pacific on Wednesday. In past years, West Coast viewers were stuck watching reruns of an East Coast feed that aired three hours earlier.

COORDINATION: On a busy night Thursday, NBC seemed to use the extra space of its NBCSN cable network wisely. Producers showed a wider sweep of Olympic events on the network, while letting people who wanted to see an extended look at figure skating have the chance on cable. One area to improve upon: keeping viewers better informed of their options.

RATINGS: If the ratings were an Olympic race, NBC slipped a few seconds off its pace on Wednesday. The Nielsen company said 19.2 million people watched competition in prime time on NBC, the cable network NBCSN and through streaming services, down 8 percent from the 20.8 million who watched NBC for the corresponding night at the Sochi Olympics four years ago. An estimated 17.2 million watched NBC alone, or 17 percent off Sochi.

Ancient Beard Traditions Shape Face of Modern Jerusalem

Facial hair is trendy worldwide these days, but in Jerusalem beards have never gone out of style, projecting religious mysticism, nationalism and ideals of masculinity.

 

For men of all faiths in the holy city, a beard can be an important statement of religious devotion, connecting past generations to God through the tangled strands of history. Facial hair also reflects social mores in many communities. In some cases, it can even reflect one’s political views.

 

Nowhere is this more visible than in Jerusalem’s Old City, where bearded ultra-Orthodox Jews, Christian clerics and devout Muslims all come into contact in a densely packed mix of some of the world’s most sensitive holy sites.

 

For Eitan Press, 40, growing a beard is a spiritual journey that embodies ancient concepts of Jewish mysticism while challenging modern perceptions of masculinity.

His beard balm company, “Aleph Male,” is more than a clever word play on the first letter of the Hebrew alphabet. He says it expresses Jewish values that stand in sharp contrast to the tough Alpha Male narrative often associated with facial hair.

 

“Rather than being a man at the top of the pyramid, it’s the image of a man who is lifting his brothers up,” said Press, who has a majestic, full red beard.

“When a man grows a beard, it is incumbent upon him to act with greater kindness, compassion and sensitivity toward the world because he is now wearing on his face a divine quality,” he said.

At Jerusalem’s bustling Mahane Yehuda market, he demonstrated his unique blends on a recent day, “anointing” bearded shoppers with balms inspired by Jewish festivals and rites.

 

One conjures up the citrus notes of Sukkot, the autumn festival that commemorates the desert wandering of the Jews during the Exodus. Items like myrtle branches and the etrog, a fruit resembling a lemon, are used in ceremonies.  

 

Another blend has aromas of clove and cinnamon, spices used in Havdalah, the ritual marking the end of the Sabbath and the beginning of the new week.

 

“Jewish beard culture is literally thousands of years old. Moses had a beard. King David had a beard,” he said. “The custom for Jewish men to anoint their hair and beards with sacred oil goes back to the Bible.”

 

The custom of religious Jews wearing beards is rooted in a passage in the Biblical book of Leviticus that forbids “destroying” beard edges and prohibits shaving with a blade. While Jewish law permits the use of electric razors or scissors to trim beards, some sects don’t shave at all.

 

‘Channel of divinity’

Michael Silber, a Hebrew University professor who has researched beards, said that some Orthodox Jewish communities, leaning on Jewish mystical texts, consider facial hair so holy that men refrain from even combing their beards, fearing they will pull hair out. Strands that fall out naturally are sometimes placed in prayer books for preservation, he said.

For the pious that follow such teachings “beards are a channel of divinity” connecting them to God, he said.

 

Beards cross religious lines.

 

Zuheir Dubai, an Islamic scholar and imam in the West Bank city of Nablus, said that while Muslim men grow beards for religious reasons, moustaches are rooted in popular culture.

 

Some grow moustaches to emulate powerful leaders, like Iraqi dictator Saddam Hussein, he said. Some autocratic governments in the Mideast were known to shave off a prisoner’s mustache as a form of humiliation, Dubai said.

 

In Syria, Jordan and Lebanon, some men swear by their mustache, putting their hand on it to convince people to accept their word, Dubai said.

 

Muslim beard traditions stem from the time of the Prophet Muhammad, who in the 7th century urged his followers to wear beards and “shorten the mustache as a sign of modesty.” They regained popularity in modern times with the rise of political Islam about three decades ago. Some Muslims tint their beards orange with henna, which may have been used by the prophet, Dubai said.

 

Among Orthodox Christian priests, long bushy beards are as common a sight as their long, flowing robes on the narrow, winding cobblestone streets of Jerusalem’s ancient Old City.  They see a beard as a sign of devotion to God and homage to Jesus – traditionally portrayed with a beard.

In Jerusalem wearing a beard can also reflect political sentiments. “In the 1980s religion begins to be intertwined with political orientations and this is reflected with the rise of the beard among the more right-wing oriented and religiously oriented, both Jews and Muslims,” Silber said.

 

Many bearded men, of course, often have simpler motives and just like the style.

 

Tal Johnson, a barber in the Israeli city of Holon, said growing one is not as easy as it looks.

 

“You can’t eat with it … there are lots of things that are terrible, like hummus … or fried egg that is runny, and you need to wash it afterward, all of this, it’s very complicated. Eating soup is awful,” he said.

 

For Heath Loftis, an American visiting Jerusalem, it has a different meaning altogether.

 

“I grew the beard after my time in the Marine Corps,” he said. “We always had to keep our face shaved. So I grow it out now as a freedom, but also as a tribute to that time in the Marine Corps.”

 

‘Black Panther’: Black Superhero Film Set to Break Box Office

Ryan Coogler’s superhero film Black Panther, based on the Marvel comic, is about a king of a technologically advanced African country. His superb fighting skills are enhanced by his mystical powers and unique Black Panther suit, crafted with Vibranium, a metal found only in his country. The film, which cost over $200 million to make, has created a buzz worldwide for its cinematography, special effects, great cast and especially its homage to African culture.

The story is set in Wakanda, a small fictional African nation, that hides a big secret.  Built on Vibranium, the earth’s strongest metal, Wakanda has the technology and power no other nation has ever seen.

After his father dies in a terrorist attack, T’Challah, played by Chadwick Boseman, becomes the new king and assumes the powers of the Black Panther. Filmmaker Coogler has created a contemporary African superhero. “What makes the Black Panther, the Black Panther?” he asks rhetorically. “You got the political responsibility, you got the suit, the claws, you got the strength. We got the fact that he is African. That is the thing that makes him unique.”

The film highlights the risks and benefits of an advanced country’s political isolationism. Should Wakanda share its power and technology with the rest of the world? Or hide and protect its resources from outsiders?

Black Panther’s storyline and black superhero have captivated the imagination of audiences worldwide, says Lupita Nyong’o. She plays Nakia, a Wakandan spy and T’Challah’s love interest. “We have here a Marvel universe that is unapologetically black. And to see us occupy an African country with kings and queens and warriors, and it’s so inspiring! An aspirational nation that is rejuvenating to the human spirit,” she says.

In a VOA interview, Black Panther producer Nate Moore and said everyone on the film wanted to create a movie that showcased a proud, beautiful and intelligent black culture.

“Typically in cinema, when you see Africa, it tends to be stories about poverty, and stories about resources being stripped. Here’s a country that in our world is the most technologically advanced in the world. That’s a great example to show to kids,” Moore says.

Colorful garments, created by Oscar-nominated costume designer Ruth Carter, reflect African tradition and empower its characters, she says, especially the women.

“They are actual fighters, they are generals, they have weaponry. They have to wear armor, but then we did it in a beautiful way. So, the colors are enhanced, the armor looks like jewelry. Their harness is, like, straps the body in a certain way. They pay homage to their history.”

Moore says the actors and the film’s creators paid attention to every detail. ” We went to great lengths and had a lot of cultural advisers, and a lot of our cast is from Africa. Even our dialect coach, Beth MacGuire, and all of our cast members wanted to sound African. And again, at the same time, I think for African American audiences there is a lot to pull from. And hopefully, there is some inspiration again learning about the roots where African Americans came from,” he says.

At T.C. Williams, a racially diverse high school in Alexandria, Virginia, students like Jeincy Paniagua are excited about the film. “I feel like it gives the message to younger children or just our society in general that no one is born racist. And with this, you’re sort of teaching them not to be,” she says.

Her classmate Charlotte Despard observes, “I think it’s super important for not only young women but young black girls, and black individuals to see this kind of representation in the media and I think it will give them a really big sense of empowerment.”

“But also show who we are as people, adds Krishuana Andrews. “We are superheroes in our own way, and that has been proven through marches, black protests that we are not just a minority, but we are part of the majority.”

Whether it’s due to Black Panther’s messages about black pride or women’s empowerment, this highly anticipated film is also set to break the box office record in the superhero movie universe.

‘Black Panther’: A Black Superhero Film Set to Break the Box Office

Ryan Coogler’s superhero film “Black Panther,” based on the Marvel comic, is about a king of a technologically advanced African country. His superb fighting skills are enhanced by his mystical powers and Vibranium-crafted Black Panther suit. The film has created a buzz worldwide for its cinematography, special effects, great cast and especially its homage to African culture. VOA’s Penelope Poulou has more.

Broadcaster Wolf, 80, Sues Imus, Alleging Age Discrimination

The sportscaster who popularized the phrase “Let’s go to the videotape!” filed an age discrimination lawsuit on Thursday over his firing from shock jock Don Imus’ radio show.

Warner Wolf, who’s 80 years old, charges in a lawsuit filed in state Supreme Court that he was illegally fired in 2016 because of his age and was replaced with sportscaster Sid Rosenberg, who’s three decades younger.

The lawsuit names Imus and three executives with radio station WABC and its parent company Cumulus Media as defendants. It seeks unspecified punitive and compensatory damages.

A spokesman for Imus declined to comment. A spokeswoman for Cumulus said the company wasn’t commenting.

The lawsuit says Imus once said it was time to put Wolf “out to pasture” and “shoot him with an elephant dart gun,” citing the comments as evidence of discriminatory intent. It says that, “adding insult to injury,” Cumulus refused to pay Wolf the severance he was entitled to.

“Warner is seeking to hold the individuals accountable for their unlawful actions,” Wolf’s attorney Douglas Wigdor said.

Imus and Wolf have long been broadcast fixtures in New York and nationally.

Wolf worked in the 1970s for “Monday Night Baseball,” then on ABC, and has worked for several local TV and radio stations. He frequently said “Let’s go to the videotape” while introducing sports highlights on his TV broadcasts. 

Imus, who’s 77, has long courted controversy with his irreverent and often insulting commentary. He was fired by CBS Radio in 2007 for racist and sexist comments about the Rutgers University women’s basketball team. He was hired by WABC eight months later.

Imus has announced that his show will go off the air on March 29.

Rights Group Sounds Alarm Over Chechnya’s Role in Soccer World Cup

Human Rights Watch has said world soccer’s governing body must tackle rights abuses in Russia’s Chechnya region now that one of the teams in this year’s World Cup in Russia has chosen Chechnya as the location for its base camp.

Rights groups and Western governments allege that the authorities in Chechnya repress their political opponents, discriminate against women and persecute sexual minorities, all allegations that Chechnya’s leaders deny.

The region is not hosting any World Cup matches, but the world governing body, FIFA, said that the Egyptian national team will use the Chechen capital, Grozny, as their base between matches.

“This suddenly makes Chechnya, which was not on the list of Russia’s World Cup regions, one of the World Cup sites,” Tatyana Lokshina, Russia Program Director for Human Rights Watch, told Reuters Television.

“Chechnya has been run by Ramzan Kadyrov, a ruthless strongman who with the blessing of the Kremlin has been ruling it with an iron fist through brutal repression for over a decade,” said Lokshina.

“FIFA must understand that the situation with human rights in Chechnya is indeed so dire that unless something gets done without delay it’s going to cast an ominous shadow on the World Cup,” she said.

Contacted by Reuters on Wednesday, a spokesman for Kadyrov said the stance adopted by Human Rights Watch was unfounded.

“These conclusions are not based on anything, they are not grounded in the real situation in the Chechen Republic,” said the spokesman, Alvi Karimov.

“I can state with full responsibility that the Chechen Republic is a more worthy location than all the places where World Cups have been conducted up to his point.”

FIFA said in an emailed statement to Reuters that “there should be no doubt that in line with its Human Rights Policy, FIFA condemns discrimination of any form.”

“When FIFA was confronted with the incidents in Chechnya last year, we strongly condemned them,” it added. FIFA confirmed it had received a letter from Human Rights Watch over the matter and said it would respond shortly.

The Egyptian team manager, Ihab Leheta, said that the choice of Grozny was endorsed by FIFA, and that the city had the right facilities for the squad.

He told Reuters any reservations about Chechnya as a venue should be addressed to FIFA and not to the Egyptian team. “For us the place is good and calm, the people are welcoming us,” Leheta said of the Chechen capital.

According to FIFA, the Egypt squad will stay in a newly built hotel in Grozny and train at the nearby stadium, Akhmat Arena. It is named after Chechnya’s former leader, and Ramzan Kadyrov’s father, Akhmad Kadyrov, who was assassinated in a 2004 bomb attack.

Fries, Not Flowers: Fast-Food Chains Try to Lure Valentines

Is that love in the air or french fries? White Castle, KFC and other fast-food restaurants are trying to lure sweethearts for Valentine’s Day.

It’s an attempt to capture a bit of the $3.7 billion that the National Retail Federation expects Americans to spend on a night out for the holiday. Restaurant analyst John Gordon at Pacific Management Consulting Group says it appeals to people who don’t want to splurge on a pricier restaurant. And some customers enjoy it ironically.

White Castle, which has been offering Valentine’s Day reservations for nearly 30 years, expects to surpass the 28,000 people it served last year. Diners at the chain known for its sliders get tableside service and can sip on its limited chocolate and strawberry smoothie. KFC is handing out scratch-and-sniff Valentine’s Day cards that give off a fried chicken aroma to diners who buy its $10 Chicken Share meals or a bucket full of Popcorn Nuggets.

Panera Bread wants couples to get engaged at its cafes; those who do can win food for their weddings from the soup and bread chain. And Wingstop sold out of its $25 Valentine’s Day kit, which came with a gift card and a heart-shaped box to fill with chicken wings. The company says 1,000 of the kits were gone in 72 hours.

‘Black Panther’ Movie is Source of Pride for Kenya

One of 2018’s most hotly anticipated new films premiered for African audiences this week in the Kenyan hometown of one of the film’s stars, Kenyan-Mexican actress Lupita Nyong’o. Based on a Marvel superhero comic, Black Panther is set in a fictional, futuristic African nation.

The Kisumu premiere drew several hundred people. Although the stars of the movie were not in attendance, that did not dampen the atmosphere.

“To be honest, it’s a great honor that Kisumu is the first place in Africa that this movie is screened,” Kenyan actor Moses Oduwa told VOA. ” We are so happy that we are honored this way.”

The film is being hailed as an example of the Afro-futurism movement, which blends science fiction and African tradition to reimagine the past and visualize what is to come.

After the screening attendees gave positive reviews.

“What I remember is this interesting mix between the traditional and post-modern and something about the movie which I liked is that evil was punished in the end,” said John Obiero, a Kisumu resident.

“Costumes, they are amazing,” marveled Linda Achieng. ” I think I have three dresses that want to be made for. Just from the movies.”

Bertha Magak is a big fan of hero movies.

“I have watched Captain America, the Avengers and all that. I was very eager to watch this one, I have actually enjoyed most part of it,” she told VOA.

“I think it’s more of like massaging African ego,” opined Edwin Odoyo, who also lives in Kisumu. “Like we are strong but we really don’t know how strong we are.”

Most importantly, people were happy to celebrate one of their own: Lupita Nyong’o. She couldn’t be here in the flesh, but for her fans, Lupita’s presence on the movie poster, on display at the premiere next to the red carpet —  was enough.

American Shaun White Wins Olympic Gold in Men’s Snowboarding

American snowboarder Shaun White has won his third career Olympic gold medal Wednesday with a masterful run in the men’s halfpipe at the PyeongChang Winter Olympics in South Korea.

The 31-year old White was trailing Japan’s Ayumu Hirano going into the final of three runs at the Phoenix Snow Park venue, but dazzled the crowd with a daring set that included back-to-back 1440-degree spins, known as the “1440 Triple Cork.” Hirano won the silver medal with a score of 95.25, while Australia’s Scotty James earned the bronze. 

Wednesday’s gold medal run for the red-headed daredevil dubbed “The Flying Tomato” redeems his failure to reach the medals podium four years ago in Sochi, after winning gold in 2006 in Turin and the 2010 Vancouver Olympics to become the sport’s biggest star. 

White’s gold medal also marks the 100th overall for the United States in the Winter Olympic Games.

Elsewhere in PyeongChang Wednesday, strong winds have forced officials to postpone the women’s slalom, the third event that has been scratched in the Alpine skiing program due to inclement weather. The women’s slalom has been moved to Friday, while the giant slalom, which was originally scheduled for Monday, has been moved to Thursday.

Norway leads the overall medal count with 11, with both Canada and the Netherlands tied for second place with 10, followed by Germany with nine and the United States with 7. In the gold medal count, Germany leads with five, the United States and the Netherlands tied with four each, and Norway and Canada tied with three.