Category: Новини

Cannes, France — Filmmakers Nada Riyadh and Ayman El Amir spent so much time following an all-girl theatre troupe in a remote Egyptian village that at one point someone tried to sell them a house.

“He thought we were always there so we might as well live there,” Riyadh told AFP after the premiere of their documentary at the Cannes Film Festival.

“The Brink of Dreams” follows a group of teenage girls in rural southern Egypt over four years, between rehearsals, as they navigate the tough decisions that will determine their adulthood.

Majda dreams of studying theatre in Cairo, Monika wants to become a famous singer and Haidi is being pursued by the hottest guy in the village.

In their feminist street performances, they boldly rail against the patriarchy, challenging members of the crowd on issues such as self-fulfillment and early marriage.

But soon life takes over and the teenagers from Egypt’s Coptic Christian minority find themselves confronted with these concepts for real.

The camera discreetly captures conversations in the family shop, between a father and daughter, or two lovers, as neighbors and animals go about their daily lives.

“In the beginning there was a lot of people always looking at the camera. Everybody was self-conscious,” said Riyadh.

But “once the trust had been built between them and us, we had that chance to blend in.”

Riyadh said the documentary, which is screening in a sidebar section of the festival, was driven by her and co-director Amin discovering the troupe in 2017.

The film “is intentionally feminist in every way but I think it was also dictated by what this inspiring group of women was already doing,” she said.

It’s “mind-blowing because they’re demanding answers about very important things and opening a dialogue with everybody in their community.”

Co-director Amin said the main challenge was editing down 100 hours of footage to tell this coming-of-age tale and convey a seldom seen side of Egypt.

“Most mainstream films in Egypt tell stories about living in gated compounds and shopping in malls,” Amin said.

“It’s very rare to see stories that take place in the south outside of Cairo or Alexandria and see girls like those girls on screen.”

The documentary has a French distributor, but the filmmakers also hope to show the film widely in Egypt, including in the rural south.

Until then, six of the actors in the film got to attend the Cannes premiere, after a last-minute rush to get them their first passports and visas on time.

Monika, the aspiring singer, has two children now. But on the red carpet, the DJ played the catchy song that she made with a popular Egyptian producer called Molotof for the film’s final credits.
…

Anaheim, California — Disneyland performers who help bring Mickey Mouse, Cinderella and other beloved characters to life at the Southern California resort chose to unionize following a three-day vote culminating Saturday.

The Actors’ Equity Association labor union said in a statement Saturday that cast members for the parades and characters departments at Disney’s theme parks near Los Angeles voted by a wide margin for the union to become the bargaining agent for the group of roughly 1,700 workers.

An association website tracking the balloting among cast members indicated passage by 78.7% (953 votes) in favor and 21.3% (258 votes) opposed.

“They say that Disneyland is ‘the place where dreams come true,’ and for the Disney Cast Members who have worked to organize a union, their dream came true today,” Actors’ Equity Association President Kate Shindle said in a statement Saturday night.

Shindle called the workers the “front lines” of the Disneyland guest experience. The association and cast members will discuss improvements to health and safety, wages, benefits, working conditions and job security before meeting with Walt Disney Company representatives about negotiating the staff priorities into a contract, she said.

The union already represents theatrical performers at Disney’s Florida parks.

Barring any election challenges, the regional director of the National Labor Relations Board will certify the results within a week, the association said.

The NLRB did not immediately respond to an email from The Associated Press seeking confirmation or additional information about the vote.

The election took place on Wednesday, Thursday and Saturday in Anaheim, California, after workers earlier this year filed cards to form the unit called “Magic United.”

Parade and character workers who promoted unionizing said they love helping to create a magical experience at Disneyland but grew concerned when they were asked to resume hugging visitors after returning to work during the coronavirus pandemic. They said they also suffer injuries from complex costumes and erratic schedules.

Most of the more than 35,000 workers at the Disneyland Resort, including cleaning crews, pyrotechnic specialists and security staff, are already in labor unions. The resort includes Disneyland, the Walt Disney Co.’s oldest theme park, Disney California Adventure and the shopping and entertainment district Downtown Disney in Anaheim.

In recent years, Disney has faced allegations of not paying its Southern California workers, who face exorbitant housing costs and often commute long distances or cram into small homes, a livable wage. Parade performers and character actors earn a base pay of $24.15 an hour, up from $20 before January, with premiums for different roles.

Union membership has been on a decadeslong decline in the United States, but organizations have seen growing public support in recent years during high-profile contract negotiations involving Hollywood studios and Las Vegas hotels. The NLRB, which protects workers’ right to organize, reported more than 2,500 filings for union representation during the 2023 fiscal year, which was the highest number in eight years.

The effort to organize character and parade performers in California came more than 40 years after those who play Mickey, Goofy and Donald Duck in Florida were organized by the International Brotherhood of Teamsters, a union traditionally known to represent transportation workers.

At that time, the Florida performers complained about filthy costumes and abuse from guests, including children who would kick the shins of Disney villains such as Captain Hook.
…

…

RIO DE JANEIRO — A 20-minute drive separates the historic Maracana Stadium from the Complexo do Alemao, the biggest complex of favelas in Rio de Janeiro and one of the most impoverished and violent.

One of its residents, 15-year-old football player Kaylane Alves dos Santos, hopes her powerful shots and impressive dribbles will allow her to cover that short distance to the stadium in three years to play for Brazil’s national team in the final of the 2027 Women’s World Cup.

That chance, once remote, became more realistic Friday when FIFA members voted to make Brazil the first Latin American country to host the Women’s World Cup.

Local organizers have suggested that both the opening match and the final are likely to be played at the 78,000-seat Maracana Stadium that staged the final matches of the 1950 and the 2014 men’s football World Cups.

Teenager dos Santos knows the hurdles for her to ever play for Brazil remain enormous — in 2027 or later. She doesn’t have a professional club to play for, she only trains twice a week, and her nutrition is not the best due to limited food choices in the favela.

Most importantly, she often can’t leave home to play when police and drug dealers shoot at each other in Complexo do Alemao.

Still, she is excited and hopeful about Brazil hosting the Women’s World Cup, resulting in a big boost to her confidence.

“We have a dream (of playing for Brazil in the Women’s World Cup), and if we have that chance it will be the best thing in the world,” dos Santos told The Associated Press this week after a training session in the Complexo do Alemao.

She and about 70 other young women in the Bola de Ouro project train on an artificial grass pitch in a safe region of the 3-square kilometers long community.

If not on the pitch, Dos Santos and her teammates will be happy enough just to attend games of a tournament they could only dream of watching up close until FIFA members voted for Brazil over the Germany-Netherlands-Belgium joint bid. The Women’s World Cup was played for the first time in 1991 and will have its 10th edition in 2027.

A five-time champion in men’s football, more than any other country, Brazil has yet to win its first Women’s World Cup trophy. By then, it is unlikely superstar Marta, aged 38, will be in the roster. Dos Santos and thousands of young female footballers who have overcome sexism to take up the sport are keen to get inspiration from the six-time FIFA player of the year award winner and write their own history on home soil.

As many female footballers experience in Brazil, dos Santos and her teenage teammates rarely play without boys on their teams. Until recently, they also had to share the pitch with 5-year-old girls, which didn’t allow the older players to train as hard as they would like.

“(The Women’s World Cup in Brazil) makes us focus even more in trying to get better. We need to be able to play in this,” said 16-year-old Kamilly Alves dos Santos, Kaylane’s sister and also a player on the team. “We need to keep training, sharing our things.”

Their team, which has already faced academy sides of big local clubs like Botafogo, is trained by two city activists who once tried to become players themselves.

Diogo Chaves, 38, and Webert Machado, 37, work hard to get some of their players to the Women’s World Cup in Brazil, but if that’s not possible they will be happy by keeping them in school.

Their nonprofit group is funded solely by donations.

“At first, basically, the children wanted to eat. But now we have all of this,” said Chaves, adding that the project began three years ago. “We believe they can get to the national team. But our biggest challenge is opportunity. There’s little for children from here, not only for the girls.”

Machado said the two coaches “are not here to fool anyone” and do not believe all the young women they train will become professionals.

“What we want from them is for they to be honest people, we all need to have our character,” Machado said. “We want to play and make them become nurses, doctors, firefighters, some profession in the future.”

The two dos Santos sisters, as do many of their teammates, believe that reaching the Women’s World Cup as Complexo do Alemao residents is possible. Brazil has more than 100 professional women’s football teams, with other players living in favelas, too.

But it won’t be easy.

“Sometimes I have to cancel appointments because of shootings, because there’s barricades on fire,” she said. “Sometimes police tell us to go back home, they say we can’t come down and point their guns to me, to my mother,” said Kamilly.

Her sister hopes the pair will overcome the violence, against the odds.

“I want to earn my living in football, fulfill all dreams,” Kaylane says. “And I want to leave the Complexo do Alemao. I want to make it happen.” 
…

DJENNE, Mali — Kola Bah used to earn a living as a tour guide in Mali’s historic city of Djenné, once a center of Islamic learning known for the sprawling mud-brick mosque that has been on the UNESCO World Heritage in Danger list since 2016.

The Grand Mosque of Djenné — the world’s largest mud-brick building — used to draw tens of thousands of tourists to central Mali every year. Now it’s threatened by conflict between jihadi rebels, government forces and other groups.

Bah says his income was enough to support his family, which now numbers nine children, and to pay for a small herd of cattle. But these days, few visitors come to the city, and he has been largely out of work. When he needs cash, he sells some of his cattle.

Speaking to The Associated Press outside his home in Djenné’s old town, Bah said locals believed the crisis would come to an end eventually, and that business would pick up as before.

“But the more time passed, the more this dream proved illusory,” he said. “Things are really difficult now.”

Djenné is one of the oldest towns in sub-Saharan Africa and served as a market center and an important link in the trans-Saharan gold trade. Almost 2,000 of its traditional houses still survive in the old town.

The Grand Mosque, built in 1907 on the site of an older mosque dating back to the 13th century, is re-plastered every year by local residents in a ritual that brings together the entire city. The towering, earth-colored structure requires a new layer of mud before the rainy season starts, or it would fall into disrepair.

Women are responsible for carrying water from the nearby river to mix with clay and rice hulls to make the mud used to plaster the mosque. Adding the new layer of mud is a job reserved for men. The joyful ritual is a source of pride for a city that has fallen on hard times, uniting people of all ages.

Bamouyi Trao Traoré, one of Djenné’s lead masons, says they work as a team from the very start. This year’s replastering took place earlier this month.

“Each one of us goes to a certain spot to supervise,” he said. “This is how we do it until the whole thing is done. We organize ourselves, we supervise the younger ones.”

Mali’s conflict erupted following a coup in 2012 that created a power vacuum, allowing jihadi groups to seize control of key northern cities. A French-led military operation pushed them out of the urban centers the following year, but the success was short-lived.

The jihadis regrouped and launched relentless attacks on the Malian military, as well as the United Nations, French and regional forces in the country. The militants proclaimed allegiance to al-Qaida and the Islamic State group.

Sidi Keita, the director of Mali’s national tourism agency in the capital of Bamako, says the drop in tourism was sharp following the violence.

“It was really a popular destination,” he said, describing tens of thousands of visitors a year and adding that today, tourists are “virtually absent from Mali.”

Despite being one of Africa’s top gold producers, Mali ranks among the least developed nations in the world, with almost half of its 22 million people living below the national poverty line. With the tourism industry all but gone, there are ever fewer means for Malians to make a living.

Anger and frustration over what many Malians call “the crisis” is rising. The country also saw two more coups since 2020, during a wave of political instability in West and Central Africa.

Col. Assimi Goita, who took charge in Mali after a second coup in 2021, expelled French forces the following year, and turned to Russia’s mercenary units for security assistance. He also ordered the U.N. to ended its 10-year peacekeeping mission in Mali the following year.

Goita has promised to beat back the armed groups, but the U.N. and other analysts say the government is rapidly losing ground to militants. With Mali’s dire economic situation getting worse, Goita’s ruling junta ordered all political activities to stop last month, and the following day barred the media from reporting on political activities.

Moussa Moriba Diakité, head of Djenne’s cultural mission which strives to preserve the city’s heritage, said there are other challenges beyond security — including illegal excavations and trash disposal in the city.

The mission is trying to promote the message that security isn’t as bad is it seems, he said, and also get more young people involved in the replastering ritual, to help the new generation recognize its importance.

“It’s not easy to get people to understand the benefits of preserving cultural heritage right away,” he said. 
…

London — Film director Mohammad Rasoulof made an “exhausting and extremely dangerous” walk across a mountainous borderland to avoid being jailed in Iran on national security charges, he told The Guardian newspaper. 

Rasoulof said Monday he had fled Iran after a court sentenced him to eight years in jail, of which five were due to be served, over his new film “The Seed of the Sacred Fig.” 

The leading Iranian filmmaker, often a target of the country’s authorities, told The Guardian in an interview published Friday that he had found shelter in Germany and was hopeful he could attend the film’s Cannes premiere next week. 

The film tells the story of a judge’s struggles amid political unrest in Tehran. 

Rasoulof told the U.K. newspaper that he had “no choice” but to leave, although he expects to return home “quite soon.” 

“My mission is to be able to convey the narratives of what is going on in Iran and the situation in which we are stuck as Iranians,” said Rasoulof. 

“This is something that I cannot do in prison. 

“I have in mind the idea that I’ll be back quite soon, but I think that’s the case of all the Iranians who have left the country,” he said. 

Rasoulof has already served two terms in Iranian jails over previous films and had his passport withdrawn in 2017. 

Having decided to leave, Rasoulof told the newspaper he cut all communications via mobile phones and computers and made his way by foot on a secret route to a border crossing.  

“It was a several-hour long, exhausting and extremely dangerous walk that I had to do with a guide,” he said. 

After staying in a safe house, he contacted German authorities who provided him with papers that enabled him to travel to Europe. 
…

MEXICO CITY — Newly minted Michelin-starred chef Arturo Rivera Martínez stood over an insanely hot grill Wednesday at the first Mexican taco stand ever to get a coveted star from the French dining guide and did exactly the same thing he’s been doing for 20 years: searing meat.

Though Michelin representatives came by Wednesday to present him with one of the company’s heavy, full-sleeved, pristine white chef’s jackets, he didn’t put it on: In this tiny business, which measures 3 meters by 3 meters, the heat is intense.

At Mexico City’s Tacos El Califa de León, in the scruffy-bohemian San Rafael neighborhood, there are only four things on the menu, all tacos, and all of which came from some area around a cow’s rib, loin or fore shank.

“The secret is the simplicity of our taco. It has only a tortilla, red or green sauce, and that’s it. That, and the quality of the meat,” said Rivera Martínez. He’s also probably the only Michelin-starred chef who, when asked what beverage should accompany his food, answers “I like a Coke.”

It’s actually more complicated than that. El Califa de León is the only taco stand among the 16 Mexican restaurants given one star, as well as two eateries that got two stars. Almost all the rest are pretty darn posh eateries.

In fact, other than perhaps one street food stand in Bangkok, El Califa de León is probably the smallest restaurant ever to get a Michelin star: Half of the 9.29 square-meter space is taken up by a solid steel plate grill that’s hotter than the salsa.

The other half is packed with standing customers clutching plastic plates and ladling salsa, and the female assistant who rolls out the rounds of tortilla dough constantly.

In a way, El Califa de León is a tribute to resistance to change. It has been doing the same four things since 1968.

Thousands of times a day, Rivera Martínez grabs a fresh, thinly sliced fillet of beef from a stack and slaps it on the super-hot steel grill; it sizzles.

He tosses a pinch of salt over it, squeezes half a lime on top, and places a soft round of freshly rolled tortilla dough onto the solid metal slab to puff up.

After less than a minute — he won’t say exactly how long because “that’s a secret” — he flips the beef over with a spatula, flips the tortilla, and very quickly scoops the cooked, fresh tortilla onto a plastic plate, places the beef on top and calls out the customer’s name who ordered it.

Any sauces — fiery red or equally atomic green — are added by the customer. There is no place to sit and at some times of day, no place to stand because the sidewalk in front of the business was taken over by street vendors hawking socks and batteries and cell phone accessories years ago.

Not that you really would want to eat inside the tiny taco restaurant. The heat on a spring day is overwhelming.

The heat is one of the few secrets Rivera Martínez would share. The steel grill must be heated to 360 Celsius. Asked how it felt to get a Michelin star, he said in classic Mexico City slang, “está chido … está padre,” or “it’s neat, it’s cool.” 

The prices are quite high by Mexican standards. A single, generous but not huge taco costs nearly $5. But many customers are convinced it’s the best, if not the cheapest, in the city.

“It’s the quality of the meat,” said Alberto Muñoz, who has been coming here for about eight years. “I have never been disappointed. And now I’ll recommend it with even more reason, now that it has a star.”

Muñoz’s son, Alan, who was waiting for a beef taco alongside his father, noted “this is a historic day for Mexican cuisine, and we’re witnesses to it.”

It really is about not changing anything — the freshness of the tortillas, the menu, the layout of the restaurant. Owner Mario Hernández Alonso won’t even reveal where he buys his meat.

Times have changed, though. The most loyal customer base for El Califa de León originally came from politicians of the old ruling PRI party, whose headquarters is about five blocks away. But the party lost the presidency in 2018 and has gone into a steady decline, and now it’s rare to see anyone in a suit here.

And Hernández Alonso noted that his father Juan, who founded the business, never bothered to trademark the Califa name and so a well-funded, sleek taco chain has opened about 15 airy restaurants in upscale neighborhoods under a similar name. Hernández Alonso has been toying with the idea of getting the business on social media, but that’s up to his grandkids.
…

VATICAN CITY — The Vatican on Friday overhauled its process for evaluating alleged visions of the Virgin Mary, weeping statues and other seemingly supernatural phenomena that have marked church history, putting the brakes on making definitive declarations unless the event is obviously fabricated.

The Vatican’s doctrine office revised norms first issued in 1978, arguing that they were no longer useful or viable in the internet age. Nowadays, word about apparitions or weeping Madonnas travels quickly and can harm the faithful if hoaxers are trying to make money off people’s beliefs or manipulate them, the Vatican said.

The new norms make clear that such an abuse of people’s faith can be punishable canonically, saying, “The use of purported supernatural experiences or recognized mystical elements as a means of or a pretext for exerting control over people or carrying out abuses is to be considered of particular moral gravity.”

The Catholic Church has had a long and controversial history of the faithful claiming to have had visions of the Virgin Mary, of statues purportedly weeping tears of blood and stigmata erupting on hands and feet evoking the wounds of Christ.

When confirmed as authentic by church authorities, these otherwise inexplicable signs have led to a flourishing of the faith, with new religious vocations and conversions. That has been the case for the purported apparitions of Mary that turned Fatima, Portugal, and Lourdes, France, into enormously popular pilgrimage destinations.

Church figures who claimed to have experienced the stigmata wounds, including Padre Pio and Pope Francis’ namesake, St. Francis of Assisi, have inspired millions of Catholics even if decisions about their authenticity have been elusive.

Francis himself has weighed in on the phenomenon, making clear that he is devoted to the main church-approved Marian apparitions, such as Our Lady of Guadalupe, who believers say appeared to an Indigenous man in Mexico in 1531.

But Francis has expressed skepticism about more recent events, including claims of repeated messages from Mary to “seers” at the shrine of Medjugorje in Bosnia-Herzegovina, even while allowing pilgrimages to take place there.

“I prefer the Madonna as mother, our mother, and not a woman who’s the head of a telegraphic office, who sends a message every day at a certain time,” Francis told reporters in 2017.

The new norms reframe the Catholic Church’s evaluation process by essentially taking off the table whether church authorities will declare a particular vision, stigmata or other seemingly divinely inspired event supernatural.

Instead, the new criteria envisages six main outcomes, with the most favorable being that the church issues a noncommittal doctrinal green light, a so-called “nihil obstat.” Such a declaration means there is nothing about the event that is contrary to the faith, and therefore Catholics can express devotion to it.

The bishop can take more cautious approaches if there are doctrinal red flags about the reported event. The most serious envisages a declaration that the event isn’t supernatural or that there are enough red flags to warrant a public statement “that adherence to this phenomenon is not allowed.”

The aim is to avoid scandal, manipulation and confusion, and the Vatican fully acknowledged the hierarchy’s own guilt in confusing the faithful with the way it evaluated and authenticated alleged visions over the centuries.

The most egregious case was the flip-flopping determinations of authenticity by a succession of bishops over 70 years in Amsterdam about the purported visions of the Madonna at the Our Lady of All Nations shrine.

Another similar case prompted the Vatican in 2007 to excommunicate the members of a Quebec-based group, the Army of Mary, after its founder claimed to have had Marian visions and declared herself the reincarnation of the mother of Christ.

The revised norms acknowledge the real potential for such abuses and warn that hoaxers will be held accountable, including with canonical penalties.

The norms also allow that an event might at some point be declared “supernatural,” and that the pope can intervene in the process. But “as a rule,” the church is no longer in the business of authenticating inexplicable events or making definitive decisions about their supernatural origin.

And at no point are the faithful ever obliged to believe in the particular events, said Argentine Cardinal Víctor Manuel Fernández, the head of the Vatican doctrine office.

“The church gives the faithful the freedom to pay attention” or not, he said at a news conference.

Despite the new criteria, he said the church’s past decision-making on alleged supernatural events — such as at Fatima, Guadalupe or Lourdes — remains valid.

“What was decided in the past has its value,” he said. “What was done remains.”

To date, fewer than 20 apparitions have been approved by the Vatican over its 2,000-year history, according to Michael O’Neill, who runs the online apparition resource The Miracle Hunter.

Neomi De Anda, executive director of the International Marian Research Institute at the University of Dayton, said the new guidelines represent a significant and welcome change to the current practice, while restating important principles.

“The faithful are able to engage with these phenomena as members of the faithful in popular practices of religion, while not feeling the need to believe everything offered to them as supernatural as well as the caution against being deceived and beguiled,” she said in an email.

Whereas in the past the bishop often had the last word unless Vatican help was requested, now the Vatican must sign off on every recommendation proposed by a bishop.

Robert Fastiggi, who teaches Marian theology at the Sacred Heart Major Seminary in Detroit, Michigan and is an expert on apparitions, said at first glance that requirement might seem to take authority away from the local bishop.

“But I think it’s intended to avoid cases in which the Holy See might feel prompted to overrule a decision of the local bishop,” he said.

“What is positive in the new document is the recognition that the Holy Spirit and the Blessed Mother are present and active in human history,” he said. “We must appreciate these supernatural interventions but realize that they must be discerned properly.”

He cited the biblical phrase that best applies: “Test everything, retain what is good.”
…

new york — Dabney Coleman, the mustachioed character actor who specialized in smarmy villains such asd the chauvinist boss in “9 to 5” and the nasty TV director in “Tootsie,” has died. He was 92. 

Coleman died Thursday at his home in Santa Monica, his daughter, Quincy Coleman, said in a statement to The Associated Press. She said he “took his last earthly breath peacefully and exquisitely.” 

“The great Dabney Coleman literally created, or defined, really — in a uniquely singular way — an archetype as a character actor. He was so good at what he did it’s hard to imagine movies and television of the last 40 years without him,” Ben Stiller wrote on X. 

Coleman’s delivery drew fans

For two decades Coleman labored in movies and television shows as a talented but largely unnoticed performer. That changed in 1976 when he was cast as the incorrigibly corrupt mayor of the hamlet of Fernwood in “Mary Hartman, Mary Hartman,” a satirical soap opera that was so over the top no network would touch it. 

Producer Norman Lear finally managed to syndicate the show, which starred Louise Lasser in the title role. It quickly became a cult favorite. Coleman’s character, Mayor Merle Jeeter, was especially popular and his masterful, comic deadpan delivery did not go overlooked by film and network executives. 

A six-footer with an ample black mustache, Coleman went on to make his mark in numerous popular films, including as a stressed out computer scientist in “War Games,” Tom Hanks’ father in “You’ve Got Mail,” and a firefighting official in “The Towering Inferno.” 

He won a Golden Globe for “The Slap Maxwell Story” and an Emmy Award for best supporting actor in Peter Levin’s 1987 small screen legal drama “Sworn to Silence.” Some of his recent credits include “Ray Donovan” and a recurring role on “Boardwalk Empire,” for which he won two Screen Actors Guild Awards. 

In the groundbreaking 1980 hit “9 to 5,” he was the “sexist, egotistical, lying, hypocritical bigot” boss who tormented his unappreciated female underlings — Jane Fonda, Lily Tomlin and Dolly Parton — until they turned the tables on him. 

Opposite Dustin Hoffman in “Tootsie,” he was the obnoxious director of a daytime soap opera that Hoffman’s character joins by pretending to be a woman.  

Coleman’s obnoxious characters didn’t translate quite as well on television, where he starred in a handful of network comedies. Although some became cult favorites, only one lasted longer than two seasons, and some critics questioned whether a series starring a lead character with absolutely no redeeming qualities could attract a mass audience. 

Underneath all that bravura was a reserved man. Coleman insisted he was really quite shy.

“I’ve been shy all my life. Maybe it stems from being the last of four children, all of them very handsome, including a brother who was Tyrone Power-handsome. Maybe it’s because my father died when I was 4,” he told The Associated Press in 1984. “I was extremely small, just a little guy who was there, the kid who created no trouble. I was attracted to fantasy, and I created games for myself.” 

As Coleman aged, he began to put his mark on pompous authority figures, notably in 1998’s “My Date with the President’s Daughter,” in which he was not only an egotistical, self-absorbed president of the United States, but also a clueless father to a teenager girl. 

Abandons law school to act

Dabney Coleman — his real name — was born in 1932 in Austin, Texas. After two years at the Virginia Military Academy, two at the University of Texas and two in the Army, he was a 26-year-old law student when he met another Austin native, Zachry Scott, who starred in “Mildred Pierce” and other films. 

“He was the most dynamic person I’ve ever met. He convinced me I should become an actor, and I literally left the next day to study in New York. He didn’t think that was too wise, but I made my decision,” Coleman told the AP in 1984. 

Twice divorced, Coleman is survived by four children and five grandchildren. 

“My father crafted his time here on earth with a curious mind, a generous heart, and a soul on fire with passion, desire and humor that tickled the funny bone of humanity,” Quincy Coleman wrote in his honor. 
…