Category: Новини

MELBOURNE, Australia — Jannik Sinner has upset Novak Djokovic to reach the Australian Open men’s final, ending the 10-time champion’s career unbeaten streak in semifinals at Melbourne Park.

The 22-year-old Italian broke Djokovic’s serve twice in each of the first two sets but missed a match point in the third set of a 6-1, 6-2, 6-7 (6), 6-3 victory Friday that earned him a place in a Grand Slam final for the first time.

On his second match point, 55 minutes later, he made no mistake and completed his third victory in four matches against Djokovic since losing to the world No. 1 in last year’s Wimbledon semifinals.

“It’s always nice to have this kind of player who you can learn from,” Sinner said in his on-court TV interview. “I lost last year in the semifinals in Wimbledon, and I learned a lot from that. The confidence from the end of last year has for sure kept the belief that I can play the best players in the world.”

The youngest player to reach the men’s final in Australia since Djokovic’s first title in 2008, Sinner will play either third-seeded Daniil Medvedev or No. 6 Alexander Zverev for the championship on Sunday.

Djokovic’s bid for a record-extending 11th Australian and 25th major title overall will have to wait.

He hadn’t lost a match at Melbourne Park since 2018 and was on a 33-match winning streak at the season’s first major. Every previous time he’d won a quarterfinal in Australia, Djokovic had gone on to win the hardcourt title.

The loss to Djokovic at Wimbledon has become a turning point in their rivalry. After losing the first three meetings, Sinner won two of the next three — all in November — in the group stage of the ATP Finals in Turin and in the Davis Cup semifinals.

Sinner was the only player in the final four who didn’t drop a set in the tournament, and he spent almost four fewer hours on court through five rounds than Djokovic, who was taken to four sets three times.

Still, the odds were stacked against fourth-seeded Sinner.

But he played calm, nearly flawless tennis in the first two sets and piled pressure on Djokovic’s serve in a relatively cool 21 degrees Celsius and a light breeze.

He was holding his serve with relative ease against a player contesting a 48th Grand Slam semifinal.

Djokovic rallied, as he always does, to make Sinner win it. But he had few chances and didn’t get a look at a break point in the match — the first time he’s experienced that in a completed Grand Slam match.

The 36-year-old Serbian star missed his first chance to be just the third person in history to win 11 titles at any Grand Slam event — Rafael Nadal has 14 French Open titles and Margaret Court won 11 Australian Open women’s titles. 
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LONDON — An American scientist has sparked a trans-Atlantic tempest in a teapot by offering Britain advice on its favorite hot beverage.

Bryn Mawr College chemistry professor Michelle Francl says one of the keys to a perfect cup of tea is a pinch of salt. The tip is included in Francl’s book Steeped: The Chemistry of Tea, published Wednesday by the Royal Society of Chemistry.

Not since the Boston Tea Party has mixing tea with salt water roiled the Anglo-American relationship so much.

The salt suggestion drew howls of outrage from tea lovers in Britain, where popular stereotype sees Americans as coffee-swilling boors who make tea, if at all, in the microwave.

“Don’t even say the word ‘salt’ to us,” the etiquette guide Debrett’s wrote on X, formerly known as Twitter.

The U.S. Embassy in London intervened in the brewing storm with a social media post reassuring “the good people of the U.K. that the unthinkable notion of adding salt to Britain’s national drink is not official United States policy.”

“Let us unite in our steeped solidarity and show the world that when it comes to tea, we stand as one,” said the tongue-in-cheek post. “The U.S. Embassy will continue to make tea in the proper way — by microwaving it.”

The embassy later clarified that its statement was “a lighthearted play on our shared cultural connections” rather than an official press release.

Steeped, in contrast, is no joke. The product of three years’ research and experimentation, the book explores the more than 100 chemical compounds found in tea and “puts the chemistry to use with advice on how to brew a better cup,” its publisher says.

Francl said adding a small amount of salt — not enough to taste — makes tea seem less bitter because “the sodium ions in salt block the bitter receptors in our mouths.”

She also advocates making tea in a pre-warmed pot, agitating the bag briefly but vigorously and serving it in a short, stout mug to preserve the heat. And she says milk should be added to the cup after the tea, not before — another issue that often divides tea lovers.

Francl has been surprised by the level of reaction to her book in Britain.

“I kind of understood that there would hopefully be a lot of interest,” she told The Associated Press. “I didn’t know we’d wade into a diplomatic conversation with the U.S. Embassy.”

It has made her ponder the ocean-wide coffee-tea divide that separates the U.S. and Britain.

“I wonder if we’re just a more caffeinated society — coffee is higher in caffeine,” she said. “Or maybe we’re just trying to rebel against our parent country.”
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San Francisco — Netflix added 13 million subscribers in the final three months of last year, the company said on Tuesday, despite price hikes at the leading streaming service.

Netflix finished 2023 with slightly more than 260 million subscribers worldwide, with a profit of $938 million in the final quarter versus just $55 million in the same period a year earlier.

“We believe there is plenty of room for growth ahead as streaming expands,” the U.S. company said in an earnings letter.

Netflix shares were up more than 8% to $532.75 in after-market trades that followed the release of the earnings figures.

“Netflix sticks out as the clear front-runner in the streaming wars,” said Insider Intelligence principal analyst Ross Benes.

The streaming pioneer said that despite last year’s strikes by Hollywood actors and writers, the company has a “big, bold” slate of content for release this year.

The company touted coming content including a sequel to the hit Squid Game series out of South Korea and a brand new “3 Body Problem” show based on a bestselling novel by the same name.

“Choice and control are the price of entry in modern entertainment, and that is streaming,” Netflix said in the letter. “It’s what consumers want, and we believe it’s the best way for our industry to stay relevant and growing.”

The earnings news came the same day that Netflix sealed a long-term broadcast deal with the WWE professional wrestling juggernaut, as it pushes further into sporting events.

Beginning in the United States in 2025, Netflix will become the exclusive new home of “Raw,” the WWE’s flagship program that has been broadcasting on television since 1993.

The agreement will also see WWE shows and live events streamed across the globe as their rights become available.

With an initial 10-year term for $5 billion, the deal has an option for Netflix to extend the deal for an additional 10 years or opt out after the first five years.

“We expect our industry to remain highly competitive,” Netflix said, citing heavy investment by rivals including Amazon, Apple and YouTube. “It’s why continuing to improve our entertainment offering is so important.”

Netflix late last year increased the price of its basic plan in the United States to $11.99 monthly and its premium plan to $22.99, with similar price increases seen in Britain and France.

After a period of rocky earnings, earlier in 2022, the Silicon Valley giant expanded its crackdown on users sharing passwords with people beyond their immediate family.

In a separate bid for revenue, Netflix launched an ad-subsidized offering around the same time as the crackdown.

The ad-supported tier is priced at $7 monthly and is growing fast but has yet to become a main driver of overall revenue, according to Netflix.

As the ad-tiers gain momentum, the company said on Tuesday that it would retire the lowest cost ad-free plan, starting with Canada and the UK in the second quarter of this year.

The company said earlier this month it has 23 million subscribers using the ad-supported tier, which accounts for 40% of new sign-ups.

Netflix Co-Chief Executive Greg Peters said during an earnings call that the company is continuing to expand its lineup of more than 80 mobile games that subscribers can play, having recently added the blockbuster “Grand Theft Auto.”

“We’re stoked by the performance of GTA,” said Peters, noting that the Netflix mobile game exceeded even the company’s high hopes for it.
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Park City, Utah — An audience member was ejected from a Sundance festival event Tuesday in a spat over artificial intelligence, triggering a walkout that illustrates the divisions the technology has rapidly wrought in the film industry.

AI — a key driver of the recent and devastating Hollywood strikes — has been debated extensively at this year’s indie movie festival in Utah.

Filmmakers have experimented with using the technology as a creative tool, while also cautioning about its potential to erase jobs and stifle human expression and connection.

At a Tuesday screening of “Being (The Digital Griot),” in which audience members were encouraged to approach the screen and discuss issues like racism and the patriarchy with an AI bot, an audience member appeared to shout profanity about AI.

“I’m not here to be cursed out and I’m not going to have my AI child be cursed out either,” responded the film’s creator, artist Rashaad Newsome, refusing to participate in a post-screening Q&A until action was taken.

Festival staff forced the woman who had apparently yelled to leave the auditorium, prompting jeers.

Roughly a quarter of the auditorium walked out in solidarity, with some complaining that debate was being shut down and others insisting the lady expelled had not been the actual culprit.

Sundance organizers told AFP they were “looking into” the incident and “reviewing all available material to determine what happened so that corrective actions can be taken.”

But the incident highlighted long-brewing and sharply escalating tensions triggered by the issue of AI in the film world — something that this year’s Sundance lineup was specifically programmed to address.

‘Scary’

In addition to “Being,” the Sundance indie festival has hosted “Eternal You” and “Love Machina,” two documentaries about loved ones using AI to communicate after death.

Another film, “Eno,” explored musician Brian Eno’s career and creative process, using a “generative engine” to mesh together near-infinite different versions of a film from hundreds of possible scenes.

AI was also addressed on the fiction side by films like “Love Me,” starring Kristen Stewart, which imagined a romance between an AI-powered buoy and a satellite in a post-human world.

“Love Machina” director Peter Sillen told AFP that AI could soon mean that making a film will be a similar process to writing a novel.

“You’re going to be able to have somebody who’s sitting in their room create a masterpiece of filmmaking, probably,” he said. 

 

The idea was “hard and scary” but “interesting,” Sillen said, concluding: “I think you have to be open to it.”

“Eternal You” director Hans Block pointed out that AI is already widely used in movies — indeed, the Adobe software he used to edit the film is “full of AI” and “helped us as a tool a lot.”

“It’s so much more easy to make a film nowadays,” he said.

But Block said that while AI can help as a tool, it is important to debate what harm could be caused if the technology is not regulated.

“That’s why we are so happy to present the film right now, because it’s a perfect time to open the debate about these discussions,” he said. 

‘Human touch’

The danger that AI could replace screenwriters, actors and other professions was a key sticking point in last year’s Hollywood strikes, with unions holding out for guarantees from studios that they would not be replaced.

The encroachment of AI has sparked resolutely negative reactions from many filmmakers at Sundance.

Anirban Dutta, co-director of “Nocturnes,” an experiential documentary about scientists studying moths in the eastern Himalayas, said his movie is “a response to what’s happening to this world where all our human instincts are being mechanized.”

“Our film is a love letter to invite people to come back to what we are losing… human touch,” he said.

The woman who was thrown out of the “Being” screening, who has not been identified, was making a similar point before chaos erupted.

“As interesting as this (film) is… all of the knowledge it has comes from people,” she said.
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Nairobi, Kenya — Being the preferred choice of footwear for many, flip-flops – typically made of plastic or rubber – break easily and often aren’t disposed of properly. Therefore, millions of them end up in oceans, waterways, dumpsites, and landfills all over the world. 

Ocean Sole, a Kenya-based company, has found creative and functional ways to reuse the hundreds of thousands of discarded flip-flops that arrive regularly at their warehouse located in Karen, about 45 minutes from Nairobi’s city center.

Joe Mwakiremba has been working for the company for about 10 years. He says the company was “founded on the premise of cleaning our ocean and waterways [while] at the same time employing lots of artists from high-impact communities in Kenya.” 

He told VOA that flip-flops are generally collected from weekly beach cleanups and other places.  

At Ocean Sole, they usually weigh the material and pay collectors about 18 cents per kilogram. Then, to prepare them for carving, they are first hand-washed, one flip-flop at a time.

“The next stage for our smaller and medium-size sculptures, we have a die cut machine that would punch out a template of a giraffe, a lion or a rhino. Those templates are joined together with glue and carved out into that respective animal,” he notes. 

For life-size pieces, the company reuses an additional material. 

“The big piece like this couch I am sitting on, the inside of it is polystyrene. Polystyrene comes from shipping companies; they use it as insulation. When it’s worn out, they toss it away, so we carve out our big-size sculpture like the giraffe behind me using that material and pad it using the flip flops around it,” he expressed.

Using a machine, the pieces are then sanded before being cleaned again and readied for shipment. 

In 2023, the company said it recycled 750,000 flip-flops. This year it aims to recycle one million. 

Florence Auma is an artist who has been working for the company for 14 years. Auma told VOA she had to learn the art of carving from scratch. 

“I came into this company, washing flip-flops. I started with washing, then I started with blocking, then I am the first female carver in this company. Now, I am happy because I have many skills in this company,” she says.

Skills, she says, that have allowed her to be able to carve just about anything — like coasters — and to travel the world to showcase her talent. 

Mwakiremba told us one of the largest pieces the company made was a life-size car for a Honda dealership in the United States. They spent three months on the project, using 2,500 flip flops.

Ocean Sole is now collaborating with a design artist from Uganda who now lives in Finland and founded a studio there, in one of their biggest projects to date.

It’s a project they had planned to work on together in 2019 but had to pause due to the COVID-19 pandemic.

Lincoln Kayiwa – who has used material such as ceramic, granite, wood, and glass — has decided to try something new with flip flops. 

He recently traveled to Kenya to finalize a furniture project to be launched in April during Milan Design Week — Salone del Mobile — in Italy. 

To cook up this kind of project, Kayima told us he wanted to combine different elements, including a unique design concept with a meaningful product combined with his Ugandan and Finnish cultures — and that of Kenyans at Ocean Sole.

“The project itself has 14 pieces; you are just seeing three of them … of course it’s a win-win situation; the more flip-flops are used, that means the more flip-flops are being taken out of the environment. For me that’s the meaning of sustainability,” the Alvar Aalto University graduate said.
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NEW YORK — Charles Osgood, a five-time Emmy Award-winning journalist who anchored “CBS Sunday Morning” for more than two decades, hosted the long-running radio program “The Osgood File” and was referred to as CBS News’ poet-in-residence, has died. He was 91. 

CBS reported that Osgood died Tuesday at his home in Saddle River, New Jersey, and that the cause was dementia, according to his family. 

Osgood was an erudite, warm broadcaster with a flair for music who could write essays and light verse as well as report hard news. He worked in radio and television with equal facility and signed off by telling listeners: “I’ll see you on the radio.” 

“To say there’s no one like Charles Osgood is an understatement,” Rand Morrison, executive producer of “Sunday Morning,” said in a statement. “He embodied the heart and soul of ‘Sunday Morning.’ … At the piano, Charlie put our lives to music. Truly, he was one of a kind — in every sense.” 

“CBS News Sunday Morning” will honor Osgood with a special broadcast on Sunday. 

Osgood took over “Sunday Morning” after the beloved Charles Kuralt retired in 1994. Osgood seemingly had an impossible act to follow, but with his folksy erudition and his slightly bookish, bow-tied style, he immediately clicked with viewers, who continued to embrace the program as an unhurried TV magazine. 

Osgood, who graduated from Fordham University in 1954, started as a classical music disk jockey in Washington, served in the Army and returned to help start WHCT in Hartford, Connecticut. In 1963, he got an on-air position at ABC Radio in New York. 

In 1967, he took a job as reporter on the CBS-owned New York news radio station NewsRadio 88. Then, one fateful weekend, he was summoned to fill in at the anchor desk for the TV network’s Saturday newscast. In 1971, he joined the CBS network and launched what would be known as “The Osgood File.” 

In 1990, he was inducted into the radio division of the National Association of Broadcaster’s Hall of Fame. In 2008, he was awarded the National Association of Broadcasters Distinguished Service Award. He won four Emmy Awards and earned a fifth lifetime achievement honor in 2017. 

Jane Pauley succeeded Osgood as host of “Sunday Morning,” becoming only the third host of the program. 

When he retired in 2016 after 45 years of journalism, Osgood did so in a very Osgood fashion. 

“For years now, people — even friends and family — have been asking me why I continue doing this, considering my age,” the then-83-year-old Osgood said in brief concluding remarks. “It’s just that it’s been such a joy doing it! It’s been a great run, but after nearly 50 years at CBS … the time has come.” 

And then he sang a few wistful bars from a favorite folk song: “So long, it’s been good to know you. I’ve got to be drifting along.” 
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