Category: Новини

Pope Francis has decided to give women the right to vote at an upcoming meeting of bishops, an historic reform that reflects his hopes to give women greater decision-making responsibilities and laypeople more say in the life of the Catholic Church.

Francis approved changes to the norms governing the Synod of Bishops, a Vatican body that gathers the world’s bishops together for periodic meetings, following years of demands by women to have the right to vote.

The Vatican on Wednesday published the modifications he approved, which emphasize his vision for the lay faithful taking on a greater role in church affairs that have long been left to clerics, bishops and cardinals.

Catholic women’s groups that have long criticized the Vatican for treating women as second-class citizens immediately praised the move as historic in the history of the church.

“This is a significant crack in the stained glass ceiling, and the result of sustained advocacy, activism and the witness” of a campaign of Catholic women’s groups demanding the right to vote, said Kate McElwee of the Women’s Ordination Conference, which advocates for women’s ordination.

Ever since the Second Vatican Council, the 1960s meetings that modernized the church, popes have summoned the world’s bishops to Rome for a few weeks at a time to debate particular topics. At the end of the meetings, the bishops vote on specific proposals and put them to the pope, who then produces a document taking their views into account.

Until now, the only people who could vote were men.

But under the new changes, five religious sisters will join five priests as voting representatives for religious orders.

In addition, Francis has decided to appoint 70 non-bishop members of the synod and has asked that half of them be women. They too will have a vote.

The aim is also to include young people among these 70 non-bishop members, who will be proposed to the pope by regional blocs, with Francis making a final decision.

“It’s an important change, it’s not a revolution,” said Cardinal Jean-Claude Hollerich, a top organizer of the synod.

The next meeting, scheduled for Oct. 4-29, is focused on the very topic of making the church more reflective of, and responsive to, the laity, a process known as “synodality” that Francis has championed for years.

The October meeting has been preceded by an unprecedented two-year canvassing of the lay Catholic faithful about their vision for the church and how it can better respond to the needs of Catholics today.

So far only one women is known to be a voting member of that October meeting, Sister Nathalie Becquart, a French nun who is undersecretary in the Vatican’s Synod of Bishops office and will participate in the meeting thanks to her position. When she was appointed to the position in 2021, she called Francis “brave” for having pushed the envelope on women’s participation.

By the end of next month, seven regional blocs will propose 20 names apiece of nonbishop members to Francis, who will select 10 names apiece to bring the total to 70.

Cardinal Mario Grech, who is in charge of the synod, stressed that with the changes, some 21% of the gathered representatives at the October meeting will be non-bishops, with half of that group women.

Acknowledging the unease within the hierarchy of Francis’ vision of inclusivity, he stressed that the synod itself would continue to have a majority of bishops calling the shots.

Hollerich declined to say how the female members of the meeting would be known, given that members have long been known as “synodal fathers.” Asked if they would be known as “synodal mothers,” he responded that it would be up to the women to decide.

Francis has upheld the Catholic Church’s ban on ordaining women as priests, but has done more than any pope in recent time to give women greater say in decision-making roles in the church.

He has appointed several women to high-ranking Vatican positions, though no women head any of the major Vatican offices or departments, known as dicasteries.
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Harry Belafonte, the civil rights and entertainment giant who began as a groundbreaking actor and singer and became an activist, humanitarian and conscience of the world, has died. He was 96.

Belafonte died Tuesday of congestive heart failure at his New York home, his wife Pamela by his side, said Paula M. Witt, of public relations firm Sunshine Sachs Morgan & Lylis.

With his glowing, handsome face and silky-husky voice, Belafonte was one of the first Black performers to gain a wide following on film and to sell a million records as a singer; many still know him for his signature hit “Banana Boat Song (Day-O),” and its call of “Day-O! Daaaaay-O.” But he forged a greater legacy once he scaled back his performing career in the 1960s and lived out his hero Paul Robeson’s decree that artists are “gatekeepers of truth.”

He stands as the model and the epitome of the celebrity activist. Few kept up with Belafonte’s time and commitment and none his stature as a meeting point among Hollywood, Washington and the civil rights movement.

Belafonte not only participated in protest marches and benefit concerts, but helped organize and raise support for them. He worked closely with his friend and generational peer the Rev. Martin Luther King Jr., often intervening on his behalf with both politicians and fellow entertainers and helping him financially. He risked his life and livelihood and set high standards for younger Black celebrities, scolding Jay Z and Beyonce for failing to meet their “social responsibilities,” and mentoring Usher, Common, Danny Glover and many others. In Spike Lee’s 2018 film “BlacKkKlansman,” he was fittingly cast as an elder statesman schooling young activists about the country’s past.

Belafonte’s friend, civil rights leader Andrew Young, would note that Belafonte was the rare person to grow more radical with age. He was ever engaged and unyielding, willing to take on Southern segregationists, Northern liberals, the billionaire Koch brothers and the country’s first Black president, Barack Obama, whom Belafonte would remember asking to cut him “some slack.”

Belafonte responded, “What makes you think that’s not what I’ve been doing?”

Belafonte had been a major artist since the 1950s. He won a Tony Award in 1954 for his starring role in John Murray Anderson’s “Almanac” and five years later became the first Black performer to win an Emmy for the TV special “Tonight with Harry Belafonte.”

In 1954, he co-starred with Dorothy Dandridge in the Otto Preminger-directed musical “Carmen Jones,” a popular breakthrough for an all-Black cast. The 1957 movie “Island in the Sun” was banned in several Southern cities, where theater owners were threatened by the Ku Klux Klan because of the film’s interracial romance between Belafonte and Joan Fontaine.

 
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Jury selection began Monday in a trial to determine whether British pop star Ed Sheeran plagiarized American music legend Marvin Gaye’s “Let’s Get It On” in his 2014 hit “Thinking Out Loud.”   

The plaintiffs are the heirs of Ed Townsend, a musician and producer who co-wrote Gaye’s 1973 soul classic.  

They allege that there are “striking similarities and overt common elements” between Gaye’s sultry classic and Sheeran’s “Thinking Out Loud.”   

It’s not the first time Sheeran has been taken to court, as copyright lawsuits in the music industry flourish.    

Sheeran testified in a London court in April last year in a case centered around his song “Shape of You.” He is among the potential witnesses to be called in this trial, as well, in which opening arguments were due to begin Tuesday after a jury is selected, a lawyer working on the case told Agence France-Presse.    

Townsend’s family has pointed out that the group Boyz II Men has performed mashups of the two songs, and that Sheeran has blended the songs together on stage, as well.   

Sheeran’s team contests the allegations, saying “there are dozens, if not hundreds, of songs that predate and postdate” Gaye’s song, “utilizing the same or similar chord progression.”   

“These medleys are irrelevant to any issue in the case and would be misleading [and] confuse the jury,” Sheeran’s team said.   

Sheeran’s “Thinking Out Loud” shot up America’s Billboard Hot 100 charts when it was released and won Sheeran a Grammy Award for “Song of the Year” in 2016.   

The lawsuit, filed in 2016 — and refiled in 2017 after being rejected on procedural grounds — also names Sony.   

In Sheeran’s London trial, the singer called the lawsuit emblematic of copyright litigation that goes too far, potentially stifling creativity.   

The judge agreed, declaring that Sheeran had “neither deliberately nor subconsciously copied” part of the melody in the song “Oh Why” by Sami Chokri and Ross O’Donoghue.   

The judge acknowledged similarities between the two songs, but ultimately ruled there were large differences, and that Chokri’s lawyers failed to prove Sheeran had ever heard the song.   

Gaye’s family is not part of the New York lawsuit against Sheeran, though his estate successfully sued the artists Robin Thicke, Pharrell Williams, and T.I. over similarities between the song “Blurred Lines” and Gaye’s “Got to Give it Up.” 
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