Category: Новини

The latest viral video capturing the hearts of millions of users on social media is of a 10-year-old Jamaican boy singing about beauty and gratitude.

The song, “Beautiful Day,” along with its myriad remixes, has been shared globally across Tik Tok, Instagram and YouTube.

While the video has only recently gone viral, the story of the song began nearly a decade ago when singer-songwriter Jermaine Edwards debuted “Beautiful Day” in Jamaica in 2014.

Several years later, 10-year-old Rushawn Ewears sang the song during lunchtime in 2017 at Top Hill Primary School in Jamaica. His teacher recorded the classroom performance in a video, which also captured Ewears’ classmates sweetly looking in from the next room.

Ewears croons in the chorus: “Lord, I thank you for sunshine / Thank you for rain / Thank you for joy / Thank you for pain / It’s a beautiful day!”

The video was posted to Facebook, where it was shared by users across Jamaica over the next several years.

However, it was not until recent weeks that the video went international with bands across the world creating their own remixes.

South African musician known as “The Kiffness” made a remix with a ukulele that has garnered more than 6 million views on YouTube.

Ewears is now 16 and is delighted by the worldwide interest in the video. He told the Jamaica Gleaner, “I don’t know how many people have viewed the song, but for me, music is an inspiration. Sometimes when you feel down, music helps you to motivate yourself.”

The song’s original creator, Edwards, has also benefited from the resurgence of his song, recently signing a deal with Song Music U.K., according to music website, DancehallMag.
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Italian film star Gina Lollobrigida, who achieved international film stardom during the 1950s and was dubbed “the most beautiful woman in the world” after the title of one her movies, died in Rome on Monday, her agent said. She was 95.

The agent, Paola Comin, didn’t provide details. But Lollobrigida had surgery in September to repair a thigh bone broken in a fall. She returned home and said she had quickly resumed walking.

A drawn portrait of the diva graced a 1954 cover of Time magazine, which in an article about Italian movie-making likened her to a “goddess.” More than a half-century later, Lollobrigida still turned heads with a head full of auburn curly hair and her statuesque figure.

“Lollo,” as she was lovingly nicknamed by Italians, began making movies in Italy just after the end of World War II, as the country began to promote on the big screen a stereotypical concept of Mediterranean beauty as buxom and brunette.

Besides “The World’s Most Beautiful Woman” in 1955, career highlights included Golden Globe-winner “Come September,” with Rock Hudson; “Trapeze;” “Beat the Devil,” a 1953 John Huston film starring Humphrey Bogart and Jennifer Jones; and “Buona Sera, Mrs. Campbell,” which won Lollobrigida Italy’s top movie award, a David di Donatello, as best actress in 1969.

In Italy, she worked with some of the country’s top directors following the war, including Mario Monicelli, Luigi Comencini, Pietro Germi and Vittorio De Sica.

Two of her more popular films at home were Comencini’s “Pane Amore Fantasia” (Bread Love Fantasy) in 1953, and the sequel a year later, “Pane Amore Gelosia” (Bread Love Jealousy). In each of them, her male foil was Vittorio Gassman, one of Italy’s most leading men on the screen.

Lollobrigida began her career in beauty contests, posing for the covers of magazines and brief appearances in minor films. But her sexy image quickly propelled her to roles in major Italian and international movies.

While Lollobrigida played some dramatic roles, her characters were most popular in lighthearted comedies, like the “Bread Love” movies.

Lollobrigida also was an accomplished sculptor, painter and photographer, and eventually essentially dropped film for the fine arts. With her camera, she roamed the world from what was then the Soviet Union to Australia.

In 1974, Fidel Castro hosted her as a guest in Cuba for 12 days as she worked on a photo reportage.

She was born on July 4, 1927 in Subiaco, a picturesque hill town near Rome, where her father was a furniture maker.
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R’Bonney Gabriel, a fashion designer, model and sewing instructor from Texas who competition officials said is the first Filipino American to win Miss USA, was crowned Miss Universe on Saturday night.

Gabriel closed her eyes and clasped hands with runner-up Miss Venezuela, Amanda Dudamel, at the moment of the dramatic reveal of the winner, then beamed after her name was announced.

Thumping music rang out, and she was handed a bouquet of flowers, draped in the winner’s sash and crowned with a tiara onstage at the 71st Miss Universe Competition, held in New Orleans.

The second runner-up was Miss Dominican Republic, Andreina Martinez.

In the Q&A at the last stage of the competition for the three finalists, Gabriel was asked how she would work to demonstrate Miss Universe is “an empowering and progressive organization” if she were to win.

“I would use it to be a transformational leader,” she responded, citing her work using recycled materials in her fashion design and teaching sewing to survivors of human trafficking and domestic violence.

“It is so important to invest in others, invest in our community and use your unique talent to make a difference,” Gabriel continued. “We all have something special, and when we plant those seeds to other people in our life, we transform them, and we use that as a vehicle for change.”

According to Miss Universe, Gabriel is a former high school volleyball player and graduate of the University of North Texas. A short bio posted on the organization’s website said she is also CEO of her own sustainable clothing line.

Nearly 90 contestants from around the world took part in the competition, organizers said, involving “personal statements, in depth interviews and various categories including evening gown & swimwear.”

Miss Curacao, Gabriela Dos Santos, and Miss Puerto Rico, Ashley Carino, rounded out the top five finalists.

Last year’s winner was Harnaaz Sandhu of India.
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After COVID-19 restrictions had wiped out Vienna’s glamorous winter ball season for two years in a row, 50-year-old Wahyuni couldn’t wait any longer to get dolled up and put on her dazzling floral-patterned ballgown to once again waltz the night away.

“We love to come here, because the very nice decorations are made out of real flowers and it’s very lovely,” Wahyuni said, alongside her friend Deasy, who declined to give their full names, as both were attending the legendary Flower Ball in Vienna’s neo-Gothic city hall.

Admiring the riot of colors, 46-year-old Deasy, who originally hails from Indonesia, said she had been here a few years ago and “had to come back.”

Known for being one of the most beautifully decorated winter balls among about 450 hosted in the Austrian capital each season, the Flower Ball showcases mesmerizing floral arrangements skillfully crafted out of 100,000 blossoms.

Donning snow-white dresses and classy black evening suits, four first-time debutants said they were “quite nervous” about opening the ball.

“I think it is so beautifully decorated, and that makes me super happy,” 18-year-old Eduard Wernisch said.

The self-described rookies said they had attended dance classes for a couple of hours every week since September to be prepared.

The rhythm of the waltz can be tricky, and 17-year-old classmate Emma said she was particularly afraid of dropping her flower bouquet.

“People come here with the expectation of experiencing spring” as opposed to the gray, foggy winters so prevalent in Vienna, Peter Hucik, art director of the Flower Ball told Agence France-Presse.

Even though the ball is not sold out, Hucik said he is pleased that 2,400 visitors are attending Friday’s ball, kicking off the season as one of Vienna’s first big balls.

On track to be successful season

The COVID-related shutdown of Vienna’s famous ball season caused the city to lose at least $164 million in revenue per year.

This season, however, appeared to be on track to become one of Vienna’s most successful on record.

“The season is making a roaring comeback,” said Markus Griessler, chairman of the tourism and leisure division of the Vienna Chamber of Commerce.

Griessler said he expects the city to rake in 170 million euros this season.

“Every third Viennese aged 15 and older is planning to attend a ball this year,” compared with 1 in 4 in 2019, he added, noting that nearly 550,000 tickets have been sold.

About one-tenth of the ball-goers each year come from abroad. On average, every ball-goer spends around 320 euros per ball.

Too close for comfort

There are parallels between Vienna’s ball season and traveling in general, Norbert Kettner, director of the city’s tourist office told AFP, when asked about why balls remained a top priority.

“Clearly, people insist on traveling and dancing,” said Kettner while emphasizing the city’s age-old tradition of hosting such events.

The tradition dates to the 18th century, when the balls of the Habsburg royal court ceased to be reserved for the aristocracy alone.

The Viennese began adopting court customs for their own soirees, soon launching balls dedicated to hunters, cafe owners and florists.

The Viennese used the opportunity to approach the opposite sex, lavishly wine, dine, spy and dance.

“The Viennese ball season and the waltz had always been a thorn in the side of the Catholic Church,” Kettner said, because “waltzing was too close for comfort.”

Therefore the famous ball season “loosely follows the Christian calendar and wraps up before Ash Wednesday,” he added.

Thousands will earn their living in the flourishing sector, from hotels and restaurants to fashioning evening wear and hairdressing.

All businesses were as excited as the revelers to gear up and make this season a success.
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