Category: Новини

Days after Iranian climber Elnaz Rekabi caused an international incident by not wearing her country’s mandatory headscarf while competing abroad, her fate is top of mind for the world’s best climbers.

“It has made me ill — nauseous,” said American Brooke Raboutou, speaking to The Associated Press on Friday at a World Cup climbing event in northern Japan.

“I support her 100% and I’d like to think I can speak on behalf of most of the athletes,” she added. “I’ve reached out to her, just asking if there is anything we can do to help, to support. I know that she’s fighting a really hard battle and doing what she can to represent the women in her country.”

Raboutou said she had not received a reply.

Rekabi, 33, competed Sunday without her headscarf, or hijab, in Seoul during the finals of the International Federation of Sport Climbing’s Asia Championship. She was immediately embraced by those supporting the weekslong demonstrations in her country over the hijab that increasingly include calls for the overthrow of the country’s theocracy.

She returned home to a crowd of cheering protesters, including women not wearing the required head covering. In an emotionless interview before leaving the airport terminal, she told state television that competing without her hair covered was “unintentional.”

Sports in Iran, from soccer leagues to Rekabi’s competitive climbing, broadly operate under a series of semi-governmental organizations. Women athletes competing at home or abroad, whether playing volleyball or running track, are expected to keep their hair covered as a sign of piety. Iran makes such head coverings mandatory for women, as does Taliban-controlled Afghanistan.

Rekabi’s act of what seemed to be open defiance has been described as a lightning-rod event in Iran. Activists say it lends support to the antigovernment protests sparked by the death of 22-year-old Mahsa Amini, who had been detained by the country’s morality police over what she was wearing.

In the tight-knit climbing community, she’s become an inspiration for many athletes who barely know her — or only know of her.

“I feel I cannot understand how it feels,” French climber Oriane Bertone said. “Athletes from that country (Iran) are obligated to wear something. I feel like this is something she did knowing perfectly that she was risking something. And that must have been really hard.

“We’re trying to be her voice because it’s not only concerning her, it’s concerning everyone in the country,” Bertone added.

Bertone was asked if she believes Rekabi is safe.

“She’s definitely not. She’s not safe right now,” Bertone said. “When we watched the (television) interview she did, she was trembling.”

Rekabi’s case has drawn comparisons to that of Chinese tennis player Peng Shuai.

Peng wrote publicly a year ago about being sexually assaulted by a former high-ranking Chinese Communist Party official. She quickly disappeared from public view, tried to recant, and is reported to have come under crushing pressure as China was preparing to hold the 2022 Winter Olympics in Beijing. She is rarely seen in public and doesn’t leave China, although she took part in some orchestrated events around the Olympics.

Then there’s sprinter Krystsina Tsimanousksya. She criticized her Belarusian team officials, then was forced to flee to Poland during last year’s Tokyo Olympics. She feared returning home and now has Polish citizenship.

Iranian athletes did not compete at the climbing event in Japan. The field was made up of largely Europeans, Americans and Japanese. The only athletes from a Muslim-majority country were two brothers from Indonesia.

The International Federation of Sport Climbing, the government body, has echoed similar statements made by the International Olympic Committee, saying it has assurances that Rekabi “will not suffer any consequences and will continue to train and compete.”

Neither the IOC nor the climbing federation has said how it will track how Rekabi is treated in Iran.

The IOC and its President Thomas Bach have repeated similar messages in the cases of Peng and the Belarusian-Polish sprinter. Bach has been criticized for looking away from well-documented human-rights abuse in Olympic host countries like China and Russia. Both nations spent billions to host recent Winter Olympics — while other nations have backed out of bids because of high costs.

American Natalia Grossman said other climbers at the event in Japan were thinking of Rekabi, and trying to find ways to support her. She said she did not know Rekabi well and had “not talked to her too much. But everyone in the climbing community is close in one way or another.”

Grossman said she wasn’t certain if Rekabi intentionally competed without the hijab. But she has her suspicions.

“I can’t know because I’m not her and I haven’t spoken to her,” Grossman said. “But every day you wear it, and you just don’t forget one day.”

Like several other climbers, Grossman argued that sports and politics could not be separated — and shouldn’t be.

“I don’t really think you can keep them apart,” she said. “I don’t think we should have to keep them apart. You should be able to make whatever statement.”

Japanese climber Miho Nonaka, who won an Olympic silver medal a year ago in Tokyo, said she was trying to understand Rekabi’s plight.

“There is some physical distance, so in terms of actual support, I think the most immediate thing I can do is share it on (social media) as much as possible, or obtain the correct information and spread it to many people,” she said in Japanese.

Marco Vettoretti, a spokesperson for the climbing federation, described the climbers as “a young, cohesive and a diverse group.”

“We have Muslim athletes competing almost everywhere,” he said. “But it’s bigger than us sometimes. You try to respect everyone. Then sometimes it’s bigger than the athletes. It’s bigger than us when it comes to religion and politics.”

Vettoretti said the climbing federation expected Rekabi to be back competing in the northern hemisphere this spring.

Japanese climber Ai Mori seemed to have the same expectation, addressing her best wishes to the Iranian.

“You are not wrong,” she said in Japanese. “So do your best to come back to climbing to compete again. We’ll be waiting for you.”
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The popular National Air and Space Museum in Washington on the National Mall has partially reopened, after being closed for almost seven months, with a new look and new exhibits.

Among them, a historical look at The Wright Brothers and the Invention of the Aerial Age, and Exploring the Planets.

Rather than an assortment of objects spread out across the museum, larger exhibitions tell in-depth stories on everything from commercial passenger flight in the past to today’s delivery drones.

“There’s a gallery that shows the importance of using drones and airplanes for the greater good,” said Jeremy Kinney, the museum’s associate director for research and curatorial affairs.

These include drones that deliver food packages to the Amazon, and a commercial airliner, converted into an eye-surgery hospital, that travels around the world to developing countries.

The National Air and Space Museum, which first opened its doors 46 years ago, was upgraded to include eight new exhibitions, hundreds of new artifacts, and 50 digital interactive exhibits – with the aim of making it more modern and engaging.

It’s an experience that reflects the 21st century, bringing people into the digital age,” Kinney said.

That includes an interactive tour of the solar system.

“The planets gallery is a fully immersive journey through our solar system, stopping at different locations, and seeing what that looks like on a large scale,” Kinney said. “You learn about the surface of different planets and asteroids. It almost feels like you’re walking on them.”

Visitor Taylor Brautigan, 18, looked at some of the artifacts in the gallery and then watched the seven-minute video on a huge screen.

“Wow, it was fantastic to see how different the planets are, and it made me want to find out more about them,” she said.

Kinney said that’s the kind of reaction the museum is hoping for.

“We want young people to connect with the artifacts and the stories we tell about them,” he said, “so when they get home, they will want to learn more about the history and importance of the objects.”

Visitors can see favorite artifacts in new settings that tell compelling stories past and present.

They include the 1903 Wright Flyer, the first powered and piloted mechanical aircraft.

Ahmed Chaudry, who had traveled from Pakistan to visit relatives in Washington, said he had looked forward to seeing the aircraft.

“The exhibit explains the background behind the Wright Brothers and what they went through to build the plane,” he said. “They only flew it for 12 seconds the first time, but it was incredible they were able to do that.”

The Destination Moon exhibit shows icons of space history, including the Apollo 11 command module, Columbia, and the spacesuit astronaut Neil Armstrong wore during the journey to the moon. Armstrong, who was first man to walk on the moon, uttered the famous line, “That’s one small step for man, one giant leap for mankind.”

Items used in film and video are also displayed at the museum, including the fictional X-Wing Starfighter used in a Star Wars movie, and the prosthetic ear tips made for Mr. Spock in the original Star Trek series.

More accomplishments by women and people of color are incorporated than were in the past.

Highlights include the air racer constructed by Neal Loving, the first African American to be licensed as a racing pilot, and a supersonic jet trainer flown by Jackie Cochran, the first woman to break the sound barrier.

The museum also shows the discrimination they faced, though.

“Our goal is to tell the whole history of air and space which also includes gender and race discrimination,” said Kinney.

That includes women who were qualified, but denied entry into the space program, and Black people who were allowed on commercial passenger planes but not in some airports because of the color of their skin.

A renovation of the National Museum of Air and Space in Washington began in 2018, with the rest of the museum set to open in 2025.

The museum, along with its companion facility in Chantilly, Virginia, the Steven F. Udvar-Hazy Center, contains the world’s largest collection of historic aircraft and spacecraft.
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Works by Ukrainian artists will be the highlight of the world’s largest outdoor sculpture exhibition, starting Friday in Sydney.

The annual Sculpture by the Sea exhibition, near Bondi beach in Sydney, will raise money for the Australian-Ukrainian community’s humanitarian aid charity. The seaside gallery will show more than 100 exhibits from 16 countries from Oct. 21-Nov. 7.

Organizers of the event have said sculptures that are part of the Ukraine Showcase in Sydney are symbols of solidarity and resistance.

Colossus Holds Up the World by artist Egor Zigura is about the fragility of life and refers to Russian aggression in Ukraine in 2014. Another exhibit warns of the dangers of global warming.

The Ukrainian sculptures are curated by Viktoria Kulikova, the art director at the Abramovych Art Agency in Kyiv.

She told VOA the exhibition sends powerful messages of support to the people of Ukraine.

“It is very important for us because it is about a relationship with Ukraine and Australia also,” she said. “It is also about solidarity with Ukraine, about culture, about resistance, about our unity, also.”

Organizers of the exhibition on cliffs near Bondi beach say they want to remind Australians of the plight of Ukrainian refugees forced to flee Russia’s invasion.

About 400,000 visitors are expected to attend the exhibition, which has been held since 1997.

About 9,000 people displaced by the conflict have been granted visas in Australia. Australia is the largest non-NATO contributor of military aid to Ukraine.

It has sent missiles and armored personnel carriers as well as humanitarian supplies. The government has imposed sweeping sanctions on Russian institutions and its political and military leaders, including President Vladimir Putin.

Earlier this month, campaigners from the Australian Federation of Ukrainian Organizations again called on Australia to declare the Russian government, military and its Federal Security Service, the FSB, terrorist organizations under Australian law.
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A jury sided with Kevin Spacey on Thursday in one of the lawsuits that derailed the film star’s career, finding he did not sexually abuse Anthony Rapp, then 14, while both were relatively unknown actors in Broadway plays in 1980s.

The verdict in the civil trial came with lightning speed. Jurors at a federal court in New York deliberated for a little more than an hour before deciding that Rapp hadn’t proved his allegations.

When the verdict was read, Spacey dropped his head. Then he hugged lawyers and others before leaving the courtroom.

During the trial, Rapp had testified that Spacey invited him to his apartment for a party, then approached him in a bedroom after the other guests left. He said the actor, then 26, picked him up and briefly laid on top of him on a bed.

Rapp testified that he wriggled away and fled as an inebriated Spacey asked if he was sure he wanted to leave.

In his sometimes-tearful testimony, Spacey told the jury it never happened, and he never would have been attracted to someone who was 14.

The lawsuit sought $40 million in damages.

In his closing arguments to the jury Thursday, Rapp’s lawyer, Richard Steigman, accused Spacey of lying on the witness stand.

“He lacks credibility,” Steigman said. “Sometimes the simple truth is the best. The simple truth is that this happened.”

Spacey’s lawyer, Jennifer Keller, told jurors that Rapp made up the encounter and said they should reject Rapp’s claims.

During her closing argument, she suggested reasons Rapp imagined the encounter with Spacey or made it up.

It was possible, she said, that Rapp invented it based on his experience performing in “Precious Sons,” a play in which actor Ed Harris picks up Rapp’s character and lies on top of him, mistaking him briefly for his wife before discovering it is his son.

She also suggested that Rapp later became jealous that Spacey became a megastar while Rapp had “smaller roles in small shows” after his breakthrough performance in the original cast of the Broadway musical “Rent.”

“So, here we are today, and Mr. Rapp is getting more attention from this trial than he has in his entire acting life,” Keller said.

Rapp, 50, and Spacey, 63, each testified over several days at the three-week trial.

Rapp’s claims, and those of others, abruptly interrupted what had been a soaring career for the two-time Academy Award-winning actor, who lost his job on the Netflix series “House of Cards” and saw other opportunities dry up. Rapp is a regular on TV’s “Star Trek: Discovery.”

After jurors were sent away to deliberate, Keller drew sympathy from U.S. District Judge Lewis A. Kaplan when she complained that Steigman had broken trial rules when he finished his summation by telling jurors that he hoped “you don’t let him get away with it this time.”

Kaplan had set rules that were meant to keep jurors from learning about sex abuse accusations made against Spacey that were not part of the trial evidence.

Keller called Steigman’s statement “another clear, premeditated attempt to let the jury know” about other claims against Spacey.

“I’m very concerned,” she added, saying it could affect the verdict.

Kaplan responded by saying Steigman’s statement “shouldn’t happen” and that if the jury ruled in Rapp’s favor, attorneys might need to make written arguments over the issue.

He also said that Rapp during his testimony should not have mentioned that there were other claims made against Spacey.
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