Category: Новини

Sultry musical “Cabaret” and fantastical literary adaptation “Life of Pi” were among the winners Sunday at British theater’s Olivier Awards, which returned with a live ceremony and a black-tie crowd after a three-year gap imposed by COVID-19.

The celebration of London theater, opera and dance came back to London’s Royal Albert Hall for the first time since the coronavirus pandemic shuttered Britain’s performance venues more than two years ago, weeks before the scheduled 2020 Oliviers show.

Kit Harington, Tom Felton, Emma Corrin and Jonathan Pryce were among the stars who walked the sustainable green carpet, made from reusable grass, before the glitzy, music-filled ceremony.

An intimate production of “Cabaret” that transformed London’s Playhouse Theater into the Kit Kat Club in 1930s Berlin had 11 nominations for the Oliviers, Britain’s equivalent of Broadway’s Tony Awards. Eddie Redmayne and Jessie Buckley are nominated in musical leading actor categories for their roles as the Emcee and Sally Bowles.

“Cabaret” director Rebecca Frecknall took the directing trophy and said the war in Ukraine gave John Kander and Fred Ebb’s musical about the collapse of democracy and rise of fascism added poignancy.

“In a way it’s quite sad that every time it’s on it feels like it’s been written for today,” she said.

“Life of Pi,” adapted from Yann Martel’s Booker Prize-winning novel about a boy adrift at sea with a tiger, was named best new play. Hiran Abeysekera was named best actor in a play as title character Pi, while — in a first — the supporting actor prize went to seven performers who collectively play the show’s puppet tiger.

Fred Davis, one of the seven, said it was “a landmark moment for puppetry.”

Redmayne is up for best actor in a musical alongside Olly Dobson for “Back to the Future – The Musical;” Arinze Kene for “Get Up Stand Up! The Bob Marley Musical;” and Robert Lindsay for “Anything Goes.”

Buckley is competing for best actress in a musical against Sutton Foster for “Anything Goes;” Beverley Knight for “The Drifters Girl;” and Stephanie McKeon for “Frozen.”

Knight said the theater community was ready to celebrate after a difficult couple of years.

“We have been bereft of theater for so long, just had nothing. And people only realize the importance of the place that theater and live entertainment played in any society when it was taken away,” she said.

“We bring in multi-millions and that’s week in, week out. So we are part of giving the economy buoyancy, but more than that, we feed the nation’s soul,” she added.

The contenders for best new musical are “Back to the Future – The Musical;” “The Drifters Girl;” “Frozen;” “Get Up Stand Up! The Bob Marley Musical;” and “Moulin Rouge!”

The show also paid musical tribute to a theater titan — composer and lyricist Stephen Sondheim, who died last year at 91.

The last Oliviers ceremony, held largely remotely in October 2020, awarded work done before the British government ordered U.K. theaters to shut down in March 2020.

Venues began reopening in mid-2021, and shows are largely up and running again, although the number of international visitors, vital to sustaining West End shows, remains well below pre-pandemic levels.

The awards were founded in 1976 and named for the late actor-director Laurence Olivier. Winners in most categories are chosen by a panel of stage professionals and theatergoers.
…

“Sonic the Hedgehog 2” sped to the top of the charts in its opening weekend, earning an impressive $71 million according to studio estimates Sunday. Paramount’s PG-rated sequel easily bested the weekend’s other major newcomer, Michael Bay’s “Ambulance,” which faltered in theaters.

“Sonic 2,” which brings back the first film’s director, writers and cast, including James Marsden, Jim Carrey and Ben Schwartz, who voices the blue video game character, opened in 4,234 locations and actually surpassed its predecessor’s opening weekend. The first “Sonic the Hedgehog” opened over the Presidents Day holiday weekend in February 2020, earning $58 million in its first three days.

“The normal pattern domestically is that sequels slide a little bit,” said Chris Aronson, the president of domestic distribution for Paramount. “But we certainly bucked that trend.”

For a sequel to open 22% above the first, Aronson added, is “quite remarkable.”

“Sonic 2” got mixed to positive reviews from critics and audiences were even more enthusiastic. They gave the CG/live-action hybrid a strong “A” CinemaScore.

“The filmmakers did a great job of being in service of not only the general audience but Sonic fans themselves,” Aronson said. “Many feel it’s a bigger, better film than the first one.”

It’s an important weekend not just for the “Sonic” franchise, but for PG-rated family films too. Comscore senior media analyst Paul Dergarabedian said that one of the big questions of the pandemic was whether families would return to movie theaters with seemingly limitless viewing options available at home. According to exit polls, families made up 58% of the “Sonic 2” audience.

“There’s been some indication that they wanted to go back with movies like ‘Sing 2,’ but it’s moved in fits and starts,” said Dergarabedian. “This says once and for all that families want to go back. It’s a really good indicator of things to come for family films in 2022 with ‘Lightyear’ and the next ‘Minions’ movie.”

“Sonic 2” is also the latest in a string of theatrical hits for Paramount in 2022, including “Scream,” “Jackass Forever” and “The Lost City,” which is still in the top five.

“A lot of credit goes to our marketing and distribution teams,” Aronson said. “We’ve been judicious about picking our dates and knowing who our audience was for each.”

And their next release could be their biggest yet. “Top Gun: Maverick” opens on May 27.

Meanwhile, “Ambulance” got off to a bumpy start in its first weekend. With an estimated $8.7 million in grosses, it opened behind Sony’s “Morbius,” down 74% in weekend two, and “The Lost City.” Bay’s nail-biter about a botched bank robbery was released by Universal and stars Jake Gyllenhaal, Yahya Abdul-Mateen II and Eiza Gonzalez.

Its tepid launch proved a head-scratcher for many. Reviews weren’t terrible (it’s at a 69% on Rotten Tomatoes versus “Sonic 2’s” 67%) and on paper “Ambulance” appears to be the kind of throwback, big screen blockbuster spectacle that would draw significant crowds to the theaters.

“This is a filmmaker who will forever be looked at as a blockbuster director, whether you like his movies or not. The bar is always raised for someone like that,” Dergarabedian said. “But this is a different kind of movie and I think that’s why we’re seeing these numbers. It’s not trying to be ‘Transformers.’ If Bay’s name wasn’t on it, expectations wouldn’t be as high.”

“Sonic 2” wasn’t the only success of the weekend. A24’s critical darling “Everything Everywhere All at Once” expanded nationwide in its third weekend in theaters and earned $6.1 million from only 1,250 screens.

“A24 has done a spectacular job of rolling it out on a platform release and building buzz,” Dergarabedian said.

The film, directed by the Daniels and starring Michelle Yeoh, will expand to more theaters in the coming weeks.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Sonic the Hedgehog 2,” $71 million.

2. “Morbius,” $10.2 million.

3. “The Lost City,” $9.2 million.

4. “Ambulance,” $8.7 million.

5. “The Batman,” $6.5 million.

6. “Everything Everywhere All at Once,” $6.1 million.

7. “Uncharted,” $2.7 million.

8. “Jujutsu Kaisen 0,” $825,000.

9. “Spider-Man: No Way Home,” $625,000.

10. “RRR,” $570,000
    …

The motion picture academy on Friday banned Will Smith from attending the Oscars or any other academy event for 10 years following his slap of Chris Rock at the Academy Awards. 

The move came after a meeting of the academy’s Board of Governors to discuss a response to Smith’s actions. 

“The 94th Oscars were meant to be a celebration of the many individuals in our community who did incredible work this past year; however, those moments were overshadowed by the unacceptable and harmful behavior we saw Mr. Smith exhibit on stage,” the academy said in a statement. 

‘Inexcusable’ actions

“I accept and respect the academy’s decision,” Smith said in response. He pre-emptively resigned from the academy last week during the run-up to the meeting, calling his actions “shocking, painful and inexcusable.” 

Smith will keep the Oscar he won after the slap, and he will remain eligible to be nominated for and to win more of them in the 10-year period, though he can’t show up to accept them. 

The academy also apologized for its handling of the situation and allowing Smith to stay and accept his best actor award for King Richard. 

“During our telecast, we did not adequately address the situation in the room. For this, we are sorry,” the academy said. “This was an opportunity for us to set an example for our guests, viewers and our Academy family around the world, and we fell short — unprepared for the unprecedented.” 

In a statement in the days following the Oscars, the academy said Smith was asked to leave the ceremony but refused. 

How was he told?

But it’s not clear how the message was delivered to Smith or what form it took, and several media outlets reported that he was never formally told to leave the Dolby Theatre. The Los Angeles Times reported Thursday that Oscars producer Will Packer had told Smith: “Officially, we don’t want you to leave. We want you to stay.” 

The ban means Smith will not be presenting one of the major awards at next year’s Oscars, as is tradition for the best actor winner. 

The academy in its Friday statement also expressed “deep gratitude to Mr. Rock for maintaining his composure under extraordinary circumstances.” 

The academy has not revoked Oscars from expelled members Harvey Weinstein or Roman Polanski. 

With his resignation last week, Smith lost the ability to vote for nominees and winners. Smith has been nominated for four Oscars, winning once. 
…