Category: Новини

Kenya will be sitting out the Winter Olympics in Beijing after the country’s hopefuls either failed to qualify or pulled out of The Games due to lack of financial support. The ice hockey team did not have a place to train. Brenda Mulinya reports from Nairobi. Videographer: Amos Wangwa 
…

Ambassadors from six Latin American countries on Tuesday denounced an upcoming auction of pre-Hispanic artifacts in France, reviving a longstanding grievance of the region. 

The joint statement came a day after Mexico’s President Andres Manuel Lopez Obrador denounced the practice as immoral after a recent major auction. 

The Paris ambassadors of Ecuador, Guatemala, Mexico, Panama, Peru and the Dominican Republic condemned “in the strongest terms” the sale of pre-Hispanic artifacts organized by auction houses in the coming days. 

In their joint statement, they called for the auctions to be halted. 

They denounced what they said was the “continuation of practices linked to the illicit trade in cultural property, which damage the heritage, history and identity of our native peoples.” 

The ambassadors of Colombia, Guatemala, Honduras, Mexico and Peru made a similar appeal last November. 

On Monday, Mexico’s Lopez Obrador called on France to legislate on the issue, after the January 28 sale by the Millon auction house of 30 pre-Hispanic Mexican artifacts, despite protests from Mexico City. 

In recent years, Mexico has been trying to recover artifacts in the hands of private collectors around the world, with only partial success. 

As well as calling for artworks to be returned, Mexico has accused major European fashion houses of cultural appropriation for lifting native designs for their clothes. 

It is part of an ongoing debate over the ethics of cultural artifacts held by museums and private owners in former colonial powers, and questions about how they were acquired in the first place. 

 
…

Jane Campion’s gothic western “The Power of the Dog” led nominations to the 94th Academy Awards, where streaming services more than ever before swept over Hollywood’s top honors.

In nominations announced Tuesday, Campion’s film landed a leading 12 nominations, including nods for best picture, best director and all of its top actors: Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons and Kodi Smit-McPhee.

Campion, a nominee for 1993′s “The Piano,” became the first woman to ever be nominated twice for best director. Last year, Chloé Zhao became just the second woman to ever win the award. Campion’s director of photography, Ari Wegner, also became the second woman ever nominated for best cinematography. The only previous woman to do so was Rachel Morrison for “Mudbound” in 2018.

Denis Villeneuve’s majestic sci-fi epic “Dune” followed closely behind with 10 nominations.

The nominees for best picture are: “Belfast”; “The Power of the Dog”; “Dune”; “Drive My Car”; “West Side Story”; “Don’t Look Up”; “Licorice Pizza”; “CODA”; “King Richard”; “Nightmare Alley.”

Nominations were announced Tuesday morning in Los Angeles by Leslie Jordan and Tracee Ellis Ross.

A largely virtual awards season added some unpredictability to this year’s nominations, which are occurring later than usual. To make way for the Olympics, the Oscars will be held March 27 and will return to their usual venue, the Dolby Theatre.

The nominees for best actress are: Jessica Chastain, “The Eyes of Tammy Faye”; Olivia Colman, “The Lost Daughter”; Penélope Cruz, “Parallel Mothers”; Nicole Kidman, “Being the Ricardos”; Kristen Stewart, “Spencer.”

The nominees for best actor are: Will Smith, “King Richard”; Javier Bardem, “Being the Ricardos”; Benedict Cumberbatch, “The Power of the Dog” and Andrew Garfield, “Tick, Tick … Boom!” and Denzel Washington, “The Tragedy of Macbeth.”

The nominees for best supporting actress are: Jessie Buckley, “The Lost Daughter”; Ariana DeBose, “West Side Story”; Judi Dench, “Belfast”; Kirsten Dunst, “The Power of the Dog” and Aunjanue Ellis, “King Richard.”

The nominees for best supporting actor are: Ciarán Hinds, “Belfast”; Troy Kotsur, “CODA”; Kodi Smit-McPhee, “The Power of the Dog”; Jesse Plemons, “The Power of the Dog” and J.K. Simmons, “Being the Ricardos.”

The nominees for original song are: “Be Alive” from “King Richard”; “Dos Oruguitas” from “Encanto”; “Down To Joy” from “Belfast”; “No Time To Die” from “No Time to Die”; “Somehow You Do” from “Four Good Days.”

The nominees for best animated feature are: “Encanto”; “Flee”; “Luca”; “The Mitchells vs. the Machines” and “Raya and the Last Dragon.”

The nominees for documentary feature are: “Summer of Soul (Or, When The Revolution Could Not Be Televised)”; “Flee”; “Attica”; “Ascension” and “Writing With Fire.”

Nominees for best director are: Paul Thomas Anderson, “Licorice Pizza”; Kenneth Branagh, “Belfast”; Jane Campion, “The Power of the Dog”; Steven Spielberg, “West Side Story” and Ryûsuke Hamaguchi, “Drive My Car.”

The nominees for best original score are: “Don’t Look Up”; “Dune”; “Encanto”; “Parallel Mothers” and “The Power of the Dog.”

The nominees for costume design are: “Cruella”; “Cyrano”; “Dune”; “Nightmare Alley”; “West Side Story.”

The nominees for original screenplay are: “Belfast”; “Don’t Look Up”; “King Richard”; “Licorice Pizza” and “The Worst Person in the World.”

The nominees for adapted screenplay are: “CODA”; “Drive My Car”; “Dune”; “The Lost Daughter”; and “The Power of the Dog.”

In pulling from films released in myriad ways, these Oscar nominations reflect a tumultuous pandemic year for Hollywood that began with many theaters shuttered and ended with Sony Pictures’ “Spider-Man: No Way Home” smashing box-office records.

In between, much of the normal rhythm of the movie business was transformed, as studios pushed some of the biggest movies of the year to streaming services in a bid to lure subscribers. Films including “Dune” (despite the objections of its director), Pixar’s “Luca” and “King Richard” were among those that went straight to homes.

As COVID-19 cases surged in the last two months due to the omicron variant, much of Oscar season also turned virtual. Last year, the pandemic led the academy to host a delayed Oscars in a socially distanced ceremony at Los Angeles’ Union Station. Ratings plummeted to an all-time low of 9.85 million viewers.

This year, the academy has yet to map out plans for its show, except that it will include a host for the first time since 2018. For better or worse, the Academy Awards will also be without its usual lead-in. The Golden Globes in January were an untelevised non-event after NBC said it wouldn’t air them in 2022 while the beleaguered Hollywood Foreign Press reformed itself after ethics and diversity criticism.

Other changes were more subtle but potentially impactful. For the first time, the Academy of Motion Pictures Arts and Sciences ruled out hard-copy DVD screeners for its members, who instead could watch submissions on the academy’s streaming platform.
…

 A virtual version of the handwritten notes for the song “Hey Jude” has been sold at auction in California for almost $77,000, the latest hammer price success for NFTs.   

Originally entitled “Hey Jules,” the Fab Four’s hit was written in 1968 by Paul McCartney to comfort a young Julian Lennon during father John’s separation from his mother, Cynthia.     

The NFT version of the notes was presented as an animation in which the words are progressively inscribed on the page and was accompanied by an audio commentary from Lennon junior.  

“For me, just looking at a picture is not enough if I was a buyer,” Lennon earlier told AFP in Los Angeles. “So I wanted to add something a little more personal. And for me, that was writing and narrating a little bit of story that would be behind the images.”

The sale, by Julien’s Auctions, also included an NFT of the Afghan coat worn by his father on the set of “Magical Mystery Tour,” which fetched $22,400 

NFTs, or non-fungible tokens, are unique digital objects that confer ownership.   

While their content may be copyable, the NFT is “the original,” in much the same way that there are innumerable prints of Leonardo da Vinci’s “Mona Lisa,” but only the Louvre Museum has the original.    

Investors and wealthy collectors have clamored in recent months to get involved in the latest digital craze, which relies on the same blockchain technology that powers cryptocurrencies and cannot be forged or otherwise manipulated.    

Recent auctions have seen eye-watering sums paid for NFTs, including a staggering $69.3 million for a digital work by artist Beeple at a sale at Christie’s. 

 
…

It’s time again to celebrate Hollywood’s grandest ambitions and most daring risk takers.

No, I’m not talking about Jackass Forever.

On Tuesday morning, nominations for the 94th annual Academy Awards will be announced. Nominations are occurring a little later than usual. To make way for the Olympics, the Oscars are to be held March 27.

And for the second straight year, the Oscars will unfold during the pandemic. The industrial complex of parties, galas and little gold statuettes known as “awards season” has again gone largely virtual, sapping the season of some of its usual buzz. The Oscars’ typical opening act — the Golden Globes — were much reduced and untelevised this year.

But the Oscar nominations, which will be announced Tuesday beginning at 8:18 a.m. EST by presenters Tracee Ellis Ross and Leslie Jordan, will try to again seize the spotlight after a year of profound change for the industry and a still-unfolding recovery for movie theaters. Nominations will be broadcast live on Oscar.com, Oscars.org, the academy’s social media accounts and on ABC’s Good Morning America.

But those are far from the only headwinds facing the Academy of Motion Pictures Arts and Sciences. Last year’s Oscars, held in late April at an audience-less Union Station rather than the Oscars’ usual home, the Dolby Theatre, plummeted to an all-time low of 9.85 million viewers.

Can Tuesday’s slate of nominees stem the tide? Among the films expected to do well are Denis Villeneuve’s sci-fi epic Dune, Kenneth Branagh’s autobiographical coming-of-age tale Belfast and Jane Campion’s gothic western The Power of the Dog. Alas, Jackass Forever, the current no. 1 movie at the box office, will have to wait until next year.

Here are five questions heading into nominations.

Just how much will streamers dominate?

Streaming services have for years made inroads into the Oscars, but they may overwhelm this year’s best-picture field. After academy rule changes, 10 films will be nominated for best picture, and it’s possible that only a few of them will have opened traditionally in theaters. Netflix, which is still pursuing its first best-picture trophy, has three contenders in The Power of the Dog, Adam McKay’s apocalyptic comedy Don’t Look Up and Lin-Manuel Miranda’s musical adaptation Tick, Tick … Boom!

Apple has the deaf family drama CODA and Joel Coen’s Shakespeare adaptation The Tragedy of Macbeth. Amazon is represented with Aaron Sorkin’s Being the Ricardos.

Two films that premiered simultaneously in theaters and on HBO Max — Dune and the Will Smith-led King Richard — are in the hunt. That has made contenders like Paul Thomas Anderson’s Licorice Pizza (MGM, Focus Features) and Belfast (Focus) stand out as theater-first throwbacks.

Will the biggest box-office hits crash the party?

Given the waning audience for the Oscars and a tumultuous year for theaters, some would like to see as many crowd-pleasers represented Tuesday as possible. Could Spider-Man: No Way Home, the biggest hit of the pandemic with $749 million in domestic ticket sales and $1.77 billion globally, or Daniel Craig’s 007 swan song No Time to Die ($774 million worldwide) score a best picture nomination?

As much as the Oscars’ populism could use some pop, don’t count on either to join the 10 nominees. The segment of the academy most supportive of big-budget box-office success — producers — passed up the chance to do so in their highly predictive guild nominations. That

would likely leave Dune ($399 million worldwide) as the category’s biggest ticket seller. But there are also other metrics to measure today’s most popular movies. Don’t Look Up is Netflix’s second-most popular movie ever with some 359,790,000 hours watched, according to the company.

How international will the nominees be?

Two years after Bong Joon Ho’s Korean thriller Parasite won best picture, a group of acclaimed international films could vie in several top categories. While no film has the broad support that made Parasite the first non-English language film to win Hollywood’s top honor, Ryusuke Hamaguchi’s masterful three-hour Japanese drama Drive My Car could squeeze into best picture, best director or best screenplay.

Other films with strong support outside of the academy’s best international film category including Pedro Almodovar’s Parallel Mothers (look for Penélope Cruz in the uber-competitive best actress category), Asghar Farhadi’s A Hero, Joachim Trier’s The Worst Person in the World, Paolo Sorrentino’s The Hand of God and Jonas Poher Rasmussen’s animated Flee.

In expanding and diversifying its membership in recent years, the academy has grown more international — and enlarged the sway of overseas voters.

Will Kristen Stewart get in?

Kristen Stewart had once been widely expected to land her first Oscar nomination for her performance as Princess Diana in Pablo Larrain’s Spencer. But that film has proved divisive among critics and moviegoers, and Stewart’s once sturdy Oscar bid now appears far from certain.

The 31-year-old actor was looked over by the Screen Actors Guild and the BAFTAs. She could mount a comeback with the academy, but best actress is brutal this year. Among the favorites: Olivia Colman (The Lost Daughter), Lady Gaga (House of Gucci), Jennifer Hudson (Respect), Nicole Kidman (Being the Ricardos), Cruz, Jessica Chastain (The Eyes of Tammy Faye) and Alana Haim (Licorice Pizza).

If Stewart isn’t snubbed, someone — several someones — will be.

Will enough people watch?

This is probably the biggest question facing the Oscars this year, and it hovers over everything. Ratings for award shows all around have been declining for years, but the pandemic and the growth of streaming has accelerated the dismantling of Hollywood tradition.

This year, the academy has signaled that everything is on the table. Should Spider-Man star Tom Holland be called upon to emcee?

No details have yet been announced about the show, but the academy has said there will be a host for the first time since 2018.

Maybe Johnny Knoxville has a few tricks up his sleeve?
…

After final against Egypt finished 0-0 in extra time, Sengal won shoot-out 4-2
…

Joe Rogan has put Spotify in a tough spot, but the streaming giant is not ready to part ways with the popular podcast host despite intense criticism over his anti-coronavirus vaccine comments and use of racial slurs.

Spotify CEO Daniel Ek also said in a message to employees Sunday that Rogan’s racist language was “incredibly hurtful” and that the host was behind the removal of dozens of episodes of “The Joe Rogan Experience.”

“While I strongly condemn what Joe has said and I agree with his decision to remove past episodes from our platform, I realize some will want more,” Ek said in the note. “And I want to make one point very clear — I do not believe that silencing Joe is the answer.”

The letter is the clearest indication yet of where Spotify stands on Rogan’s fate with the company as some musicians, including Neil Young and India.Arie, have pulled their work from the streaming service in protest and others could follow. Spotify reportedly paid $100 million to exclusively host Rogan’s podcast, which now threatens the bottom line but is also a key part of the company’s strategy to be a one-stop shop for audio.

“We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress,” Ek wrote.

He said he was “deeply sorry” for the impact the controversy was having on Spotify’s employees. Rogan apologized Saturday for his use of the N-word on some past episodes.

Spotify’s move likely won’t sit well with one side of an increasingly polarized country where there are heightened sensitivities on race and vaccine misinformation, experts say.

“If Spotify says, ‘We can’t drop him. He has the right to say what he wants,’ that continues on the line where there is this implicit support to say racist things on these platforms,” Adia Harvey Wingfield, a sociology professor at Washington University in St. Louis, said before Ek’s letter was released.

The streaming site also has to decide whether offensive words are allowable elsewhere on its app, where songs with racist, homophobic and anti-immigrant messages are available, said John Wihbey, a Northeastern University professor and specialist in emerging technologies.

“There’s some real self-examination to be doing beyond Joe,” Wihbey said Sunday. “This is a big moment of reckoning for entertainment and streaming platforms to see where the window is, what’s over the line.”

In his letter, Ek announced an investment of $100 million to license, develop and market “music and audio content from historically marginalized groups,” without giving more details.

Rogan’s public troubles started on Jan. 24 when Young asked to have his music removed over concerns Rogan was promoting skepticism about the COVID-19 vaccines. Other artists followed suit, including Joni Mitchell and Roxane Gay.

Spotify said it would soon add a warning to all podcasts that discuss COVID-19, directing listeners to factual, up-to-date information from scientists and public health experts.

The scrutiny intensified when a video compilation emerged last week showing Rogan repeatedly using the N-word. Arie posted it on her Instagram account, using the hashtag #DeleteSpotify.

“They take this money that’s built from streaming, and they pay this guy $100 million, but they pay us like .003% of a penny,” the Grammy winner wrote. “I don’t want to generate money that pays that.”

Rogan apologized in an Instagram video Saturday, saying that the slurs were the “most regretful and shameful thing” he has ever had to address and that he hasn’t used the N-word in years.

Ek told The Wall Street Journal last week that he took responsibility for being “too slow to respond” to the criticism over vaccine misinformation. It took the company five days to respond publicly to Young.

“It’s become clear to me that we have an obligation to do more to provide balance and access to widely accepted information from the medical and scientific communities guiding us through this unprecedented time,” Ek continued in a statement.

Rogan is an odd mix of shock jock and host who leads discussions of public policy, arts and culture, Wihbey said, describing his brand as conservative “bro America.”

His comments were clearly racist, Wihbey said, but he hopes that Rogan will see this as a chance to substantively discuss race and vaccine issues in future episodes. His audience may not hear the discussions otherwise, Wihbey said.

“I do think that assembling this kind of audience is important,” he said. “He can say things that I think can move the needle.”

Wingfield said the controversy could be positive if it starts a shift to discussions of racial stereotypes.

“I think that if Joe Rogan kind of learns from this experience and becomes a driving voice for that conversation, that could be really valuable,” she said. “But I want to stress again that that’s a pretty big if, and I don’t know if it will come to that.”

Spotify reports having 406 million active monthly users, up nearly 20% from last year, and advertising has grown largely because of podcasts. Musicians still generate the bulk of Spotify’s profits, experts say. The company had 31% of the 524 million music streaming subscriptions worldwide in the second quarter of 2021, more than double that of second-place Apple Music, according to Midia Research.

Spotify Technology’s share price fell 0.5% early Monday in after-hours trading. It jumped 9.2% on Friday.
…

Chinese tennis player Peng Shuai is again denying that she had accused a former Communist Party official of sexually assaulting her in a social media post late last year.  

L’Equipe, a French daily sports newspaper, published an interview it conducted with Peng in its Monday edition.  

“I never said anyone had sexually assaulted me in any way,” Peng is quoted in the interview after she is asked directly if she actually wrote the post on her account on China’s Weibo social media platform.

In the November 2 post, Peng, a former Olympian who won titles at Wimbledon and the French Open, said former Vice Premier Zhang Gaoli coerced her into sex before it evolved into an on-off consensual relationship. Her post was quickly deleted and she vanished from public view for several days.  She eventually appeared at a tennis event and spoke by video with Thomas Bach, president of the International Olympic Committee president, during which she said she was safe.  

Her public absence sparked concern among some of the world’s top tennis players, including Naomi Osaka, Serena Williams, Billie Jean King and Novak Djokovic, and the Women’s Tennis Association suspended all of its sponsored tournaments in mainland China and Hong Kong.   

Peng told L’Equipe the initial post had caused a huge “misunderstanding” and that she did not want it to attract any more attention, and insisted that she had deleted it herself “because I wanted to.”  She also explained that her “disappearance” was simply due to her being unable to respond “to so many messages.” Peng said her personal life since the controversy surfaced had been uneventful, and stressed that her private life and personal problems should not be mixed with sports and politics.  

Peng also told the newspaper she was retiring from tennis.

She also said she had dinner with IOC President Bach Saturday, which the IOC confirmed in a separate statement Monday.  

Bach told the Reuters news agency when asked about Peng’s interview that any communication “is up to her, it is her life, it is her story.”

The newspaper said it submitted the questions to Peng in advance and conducted the interview in Chinese.  Wang Kang, the chief of staff of the Chinese Olympic Committee,  accompanied Peng during the interview and translated her answers for the reporter.  

WTA Chairman and CEO Steve Simon called for an open investigation into Peng’s initial accusations after a Chinese state-run media outlet released a statement it said was an email Peng had sent to Simon in which she denied the allegations and insisted she was not missing or unsafe, but just “resting at home.”

Peng issued a similar denial back in December during a virtual interview that was posted on the website of the Singapore-based Chinese-language newspaper Lianhe Zaobao.  

Some information for this report came from the Associated Press, Reuters and Agence France-Presse.
…