Category: Новини

The IOC vice president in charge of the postponed Tokyo Olympics said Friday the games would open in just over two months even if the city and other parts of Japan were under a state of emergency because of rising COVID-19 cases.
 
John Coates, speaking from Australia in a virtual news conference with Tokyo organizers at the end of three days of meetings, said this would be the case even if local medical experts advised against holding the Olympics.
 
“The advice we have from the [World Health Organization] and all other scientific and medical advice that we have is that — all the measures we have outlined, all of those measures that we are undertaking are satisfactory and will ensure a safe and secure games in terms of health,” Coates said. “And that’s the case whether there is a state of emergency or not.”
 
Public opinion in Japan has been running at 60-80% against opening the Olympics on July 23, depending on how the question is phrased. Coates suggested public opinion might improve as more Japanese get fully vaccinated. That figure is now about 2%.
 
“If it doesn’t then our position is that we have to make sure that we get on with our job,” Coates said. “And our job is to ensure these games are safe for all the participants and all the people of Japan.”
 
IOC officials say they expect more than 80% of the residents of the Olympic Village, located on Tokyo Bay, to be vaccinated and be largely cut off from contact with the public. About 11,000 Olympic and 4,400 Paralympic athletes are expected to attend.
 
Coates said about 80% of spots in the Olympics would be awarded from qualifying events, with 20% coming from rankings.
 
Coates left no doubt that the Switzerland-based International Olympic Committee believes the Tokyo Games will happen. The IOC gets almost 75% of its income from selling broadcast rights, a key driver in pushing on. And Tokyo has officially spent $15.4 billion to organize the Olympics, though a government audit suggests the real number is much higher.
 
Tokyo, Osaka and several other prefectures are currently under a state of emergency and health-care systems are being stretched. Emergency measures are scheduled to end on May 31, but they are likely to be extended.
 
“If the current situation continues, I hope the government will have the wisdom not to end the emergency at the end of May,” Haruo Ozaki, head of the Tokyo Medical Association, told the weekly magazine Aera.
 
Ozaki has consistently said government measures to control the spread of COVID-19 have been insufficient. About 12,000 deaths in Japan have been attributed to the virus, and the situation is exacerbated since so few in Japan have been fully vaccinated.
 
Ozaki warned that if the emergency conditions are not extended, the virus and contagious variants will spread quickly.
 
“If that happens, there will be a major outbreak, and it is possible that holding the games will become hopeless,” he added.
 
Ozaki is not alone with this warning.
 
The 6,000-member Tokyo Medical Practitioners’ Association called for the Olympics to be cancelled in a letter sent last week to Prime Minister Yoshihide Suga, Tokyo Governor Yuriko Koike, Olympic Minister Tamayo Marukawa, and Seiko Hashimoto, the head of the organizing committee.
 
“We believe the correct choice is to the cancel an event that has the possibility of increasing the numbers of infected people and deaths,” the letter said.
 
Hashimoto addressed the worry of ordinary Japanese.
 
“At present there are not a few people who feel uneasy about the fact the games are going to be held where a lot of people are coming from abroad,” she said. “There are other people who are concerned about the possible burden on the medical system of Japan.”
 
She said the number of “stakeholders” coming to Japan from abroad had been reduced from 180,000 to about 80,000. She said Olympic “stakeholders” would amount to 59,000, of which 23,000 were Olympic family and international federations. She said an added 17,000 would involve television rights holders, with 6,000 more media.
 
She also said 230 physicians and 310 nurses would be needed daily, and said about 30 hospitals in Tokyo and outside were contacted about caring for Olympic patients.
 
Organizers have said previously that 10,000 medical workers would be needed for the Olympics.
 
Hashimoto said retired nurses might also be called in. Separately, the IOC has said it will make available an unspecified number of medical personnel from unnamed national Olympic committees.
 
Fans from abroad were banned months ago. Hashimoto said the number of spectators — if any — at venues would “depend on the spread of the infection.” She has promised a decision on venue capacity next month.
 
Kaori Yamaguchi, a bronze medalist in judo at the 1988 Seoul Olympics and a member of the Japanese Olympic Committee, hinted in an interview with the Kyodo news agency this week that organizers were cornered. She has been skeptical about going ahead.
 
“We’re starting to reach a point where we can’t even cancel anymore,” she said.
The IOC’s most senior member, Richard Pound, said in an interview with Japan’s JiJi Press that the final deadline to call off the Olympics was still a month away.
 
“Before the end of June, you really need to know, yes or no,” JiJi quoted Pound as saying.
 
Pound repeated — as the IOC has said — that if the games can’t happen now they will be cancelled, not postponed again.
 
IOC President Thomas Bach now plans to arrive in Tokyo only July 12. He was forced to cancel a trip to Japan this month because of rising COVID-19 cases.
 
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An inquiry into how the BBC secured the 1995 interview with Britain’s Princess Diana in which she disclosed intimate details of her failed marriage concluded on Thursday that the journalist involved had acted deceitfully. The BBC set up the investigation, headed by former senior Court judge John Dyson, in November following allegations from Diana’s brother Charles Spencer that forged documents and “other deceit” were used to trick him to introduce Diana to journalist Martin Bashir. FILE – Martin Bashir, then one of the anchors of the ABC news program ‘Nightline’, taking part in a panel discussion at the ABC television network Summer press tour for television critics in Beverly Hills, California, July 26, 2007. ​Dyson’s report found that Bashir, then a little known reporter, had shown Spencer fake bank statements to induce him to arrange a meeting with Diana. “Mr Bashir acted inappropriately and in serious breach of the 1993 edition of the Producers’ Guidelines on straight dealing,” the report said. He also concluded the BBC had fallen short of “the high standards of integrity and transparency which are its hallmark” in its response to allegations of impropriety. During the explosive interview, watched by more than 20 million viewers in Britain, Diana shocked the nation by admitting to an affair and sharing details of her marriage to the heir to the throne, Prince Charles. It came at a nadir for the royal family and was the first time Diana, who died in a Paris car crash in 1997, had made public comments about her doomed marriage. Her remark that “there were three of us in this marriage, so it was a bit crowded” — a reference to Charles rekindling his relationship with Camilla Parker Bowles, now his second wife — was particularly damaging to the Windsors. Last week, the BBC announced that Bashir was leaving his current job as the publicly-funded broadcaster’s religious affairs editor because of ill health. Bashir apologized but said he did not believe the faked statements had prompted Diana to give the interview, PA Media reported. Spencer says Bashir had persuaded him to get his sister to agree to the interview by telling him Diana was being bugged by the security services and that two senior aides were being paid to provide information about her. Both Diana’s sons, Prince William and Prince Harry, have welcomed the investigation as a chance to find out the truth of what had happened. “While the BBC cannot turn back the clock after a quarter of a century, we can make a full and unconditional apology. The BBC offers that today,” BBC director-general, Tim Davie, said in a statement. 
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The Ivory Coast resort town of Grand-Bassam is known for its beaches and French colonial architecture. Recent flooding and the passage of time have taken a toll on the city’s historic buildings, but some people are determined to fix things, as Yassin Ciyow found in this report narrated by Carol Guensberg.Camera: Yassin Ciyow 
Produced by: Robert Raffaele 
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Charles Grodin, the droll, offbeat actor and writer who scored as a caddish newlywed in “The Heartbreak Kid” and later had roles ranging from Robert De Niro’s counterpart in the comic thriller “Midnight Run” to the bedeviled father in the “Beethoven” comedies, has died. He was 86. Grodin died Tuesday in Wilton, Connecticut, from bone marrow cancer, his son, Nicholas Grodin, said. Known for his dead-pan style and everyday looks, Grodin also appeared in “Dave,” “The Woman in Red,” “Rosemary’s Baby” and “Heaven Can Wait.” On Broadway, he starred with Ellen Burstyn in the long-running 1970s comedy “Same Time, Next Year,” and he found many other outlets for his talents. With bone-dry understatement, Grodin could steal entire scenes with just a look. His commitment, whether acting across De Niro or Missy Piggy, was unsurpassed. In his many late-night appearances, he once brought a lawyer with him to threaten David Letterman for defamation. (The lawyer instead took a shine to Letterman.) Hosting “Saturday Night Live,” he pretended to not understand live television, ruining all the sketches. Steve Martin, who co-starred with Grodin in 1984’s “The Lonely Guy,” remembered him as “one of the funniest people I ever met.” In the 1990s, Grodin made his mark as a liberal commentator on radio and TV. He also wrote plays and television scripts, winning an Emmy for his work on a 1997 Paul Simon special, and wrote several books humorously ruminating on his ups and downs in show business. FILE – Charles Grodin attends the Ripple of Hope Awards in New York, Dec. 11, 2013.Actors, he wrote, should “think not so much about getting ahead as becoming as good as you can be, so you’re ready when you do get an opportunity. I did that, so I didn’t suffer from the frustration of all the rejections. They just gave me more time.” He spelled out that advice in his first book, “It Would Be So Nice If You Weren’t Here,” published in 1989. Grodin became a star in the 1970s, but might have broken through years earlier: He auditioned for the title role in Mike Nichols’ 1967 classic “The Graduate,” but the part went instead to Dustin Hoffman. Grodin did have a small role in “Rosemary’s Baby” and was part of the large cast of Nichols’ adaptation of “Catch-22″ before he gained wide notice in the 1972 Elaine May comedy “The Heartbreak Kid.” He starred as a Jewish newlywed who abandons his comically neurotic bride to pursue a beautiful, wealthy blonde played by Cybill Shepherd. The movie was a hit and Grodin received high praise. He commented: “After seeing the movie, a lot of people would approach me with the idea of punching me in the nose.” “I thought the character in ‘The Heartbreak Kid’ was a despicable guy, but I play it with full sincerity,” Grodin told the A.V. Club in 2009. “My job isn’t to judge it. If it wasn’t for Elaine May, I probably would never have had that movie career.” In the next few years, Grodin played in a lavish 1976 film remake of “King Kong” as the greedy showman who brings the big ape to New York. He was Warren Beatty’s devious lawyer in “Heaven Can Wait,” and Gene Wilder’s friend in “The Woman in Red” (Less successfully, he appeared in May’s 1987 adventure comedy “Ishtar,” a notorious flop). His turn in 1981’s “The Great Muppet Caper” was typically dedicated as a thief wooing Miss Piggy. In 1988’s “Midnight Run,” Grodin was a bail-jumping accountant who took millions from a mobster and De Niro was the bounty hunter trying to bring him cross-country to Los Angeles. They’re being chased by police, another bounty hunter and the Mob, and because Grodin is afraid of flying, they are forced to go by car, bus, even boxcar. Grodin and De Niro improvised in many scenes in the film, revered as among the greatest buddy comedies. Often Grodin was genuinely trying to amuse his more intimidating co-star. One line he threw at De Niro: “You ever had sex with an animal, Jack?” “I moved a little more toward drama and he moved a little toward comedy,” Grodin said at the time. “And we met on a very good ground.” “Beethoven” brought him success in the family-animal comedy genre in 1992. Asked why he took up such a role, he told The Associated Press he was happy to get the work. “I’m not that much in demand,” Grodin replied. “It’s not like I have this stack of wonderful offers. I’m just delighted they wanted me.” Amid his film gigs, Grodin became a familiar face on late-night TV, perfecting a character who would confront Johnny Carson or others with a fake aggressiveness that made audiences cringe and laugh at the same time. “It’s all a joke,” he told The Los Angeles Times in 1995. “It’s just a thing. It was a choice to do that.” His biggest stage success, by far, was “Same Time, Next Year,” which opened on Broadway in 1975 and ran nearly 3½ years. He and Burstyn were two people who — though each happily married — meet in the same hotel once a year for an extramarital fling. Beyond the humor, the play won praise for deftly tracing the changes in their lives, and in society, from the 1950s to the ’70s. Critic Clive Barnes called Grodin’s character “a monument to male insecurity, gorgeously inept.” After 1994’s “My Summer Story,” Grodin largely abandoned acting. From 1995 to 1998, he hosted a talk show on CNBC cable network. He moved to MSNBC and then to CBS’ “60 Minutes II.” In his 2002 book, “I Like It Better When You’re Funny,” he said too many TV programmers’ believe that viewers are best served “if we hear only from lifelong journalists.” He argued that “people outside of Washington and in professions other than journalism” also deserved a soapbox. He returned to the big screen in 2006 as Zach Braff’s know-it-all father-in-law in “The Ex.” More recent credits include the films “An Imperfect Murder” and “The Comedian” and the TV series “Louie.” Grodin was born Charles Grodinsky in Pittsburgh in 1935, son of a wholesale dry goods seller who died when Charles was 18. He played basketball and later described himself as “a rough kid, always getting kicked out of class.” He studied at the University of Miami and the Pittsburgh Playhouse, worked in summer theater and then struggled in New York, working nights as a cab driver, postal clerk and watchman while studying acting during the day. In 1962 Grodin made his Broadway debut and received good notices in “Tchin Tchin,” a three-character play starring Anthony Quinn. He followed with “Absence of a Cello” in 1964. He co-wrote and directed a short-lived 1966 off-Broadway show called “Hooray! It’s a Glorious Day … and all that.” That same year, he made his movie debut in a low-budget flop called “Sex and the College Girl.” In 1969, Grodin demonstrated his early interest in politics by helping write and direct “Songs of America,” a TV special starring Simon and Garfunkel that incorporated civil rights and antiwar messages. But the original sponsor pulled out and Simon later called the little-noticed effort “a tragedy.” Simon returned with a special in 1977 that spoofed show business and featured Grodin as the show’s bumbling producer. Grodin and his co-writers won Emmys. Grodin and his first wife, Julia Ferguson, had a daughter, comedian Marion Grodin. The marriage ended in divorce. He and his second wife, Elissa Durwood, had a son, Nicholas. 
 
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