Category: Новини

Horror movies topped the domestic box office charts, and an Oscar contender got off to a sparkling start this weekend. “Smile 2,” in its first weekend, and “Terrifier 3” in its second proved to be the big draws for general movie audiences in North America, while the Palme d’Or winner “Anora” got the best per-theater average in over a year.

“Smile 2″ was the big newcomer, taking first place with a better than expected $23 million, according to studio estimates Sunday. Parker Finn returned to write and direct the sequel to the supernatural horror “Smile,” his debut. Originally intended for streaming, Paramount pivoted and sent the movie to theaters in the fall of 2022. “Smile” became a sleeper hit at the box office, earning some $217 million against a $17 million budget.

The sequel, starring Naomi Scott as a pop star, was rewarded with a bit of a bigger budget, and a theatrical commitment from the start. Playing on 3,619 screens, it opened slightly higher than the first’s $22 million.

Second place went to Universal and DreamWorks Animation’s “The Wild Robot” in its fourth weekend with $10.1 million, bumping it past $100 million in North America. Family films often have long lives in theaters, particularly ones as well reviewed as “The Wild Robot,” and some have speculated that it got a bump this weekend from teenagers buying tickets for the PG-rated family film and then sneaking into “Terrifier 3,” which is not rated, instead. Either way, Damien Leone’s demon clown movie, which cost only $2 million to produce, is doing more than fine with legitimate ticket buyers. It added an estimated $9.3 million, bringing its total to $36.2 million.

“Rumors like that are PR gold,” said Paul Dergarabedian, the senior media analyst for Comscore. “There’s no better indication that that movie is red hot right now.”

The No.1 openings for “Smile 2” this weekend and “Terrifier 3” last were only possible because of the failure of “Joker: Folie a Deux.” That big budget sequel continued its death march in its third weekend, falling another 69% to earn $2.2 million, bringing its domestic total to $56.4 million.

Warner Bros. has a better performer in “Beetlejuice Beetlejuice,” which placed fourth in its seventh weekend with an additional $5 million, bringing its domestic total to $284 million. Star Michael Keaton also had another film open this weekend — the father-daughter dramedy “Goodrich” which stumbled in with only $600,000 from 1,055 locations.

Rounding out the top five was the romantic tearjerker “We Live In Time,” which expanded to 985 theaters following last weekend’s debut on 5 screens. The A24 release starring Andrew Garfield and Florence Pugh earned $4.2 million over the weekend. Audiences were 85% under 35 and 70% female, according to exit polls. The well-reviewed film will expand further next weekend.

One of the other brightest spots of the weekend was Sean Baker’s “Anora,” which opened in six locations in New York and Los Angeles and earned an estimated $630,000. That’s a $105,000 per theater average, the best since “Asteroid City’s” $142,000 average last summer. The Neon release, a sensation at Cannes and a likely Oscar contender, stars Mikey Madison as a New York sex worker who falls for the son of a Russian oligarch.

After several weeks of would-be awards contenders and buzzy films (“Piece by Piece,” “Saturday Night,” “The Apprentice” among them) fizzling with audiences, “Anora’s” success is a promising sign that moviegoers will still seek out arty, adult fare.

 

“For moviegoers, there’s a lot on offer with something in every type of movie in every category,” Dergarabedian said. “I think we’re going to have a really strong home stretch with a great combination of movies big and small.”

The Walt Disney Co. also made a splash with several re-releases. “The Nightmare Before Christmas” got a place in the top 10 with $1.1 million, while “Hocus Pocus” made $841,000.

Next weekend will have a major studio comic book movie with “Venom: The Last Dance” as well as an awards movie in the papal thriller “Conclave” vying for audience attention.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Smile 2,” $23 million.

2. “The Wild Robot,” $10.1 million.

3. “Terrifier 3,” $9.3 million.

4. “Beetlejuice Beetlejuice,” $5 million.

5. “We Live In Time,” $4.2 million.

6. “Joker: Folie a Deux,” $2.2 million.

7. “Piece by Piece,” $2.1 million.

8. “Transformers One,” $2 million.

9. “Saturday Night,” $1.8 million.

10. “The Nightmare Before Christmas,” $1.1 million.
    …

NEW YORK — Cher, Mary J. Blige and Ozzy Osbourne were among this year’s Rock and Roll Hall of Fame inductees, an elite group formally introduced into the music pantheon Saturday at a star-studded concert gala.

Kool & the Gang, Dave Matthews Band, Foreigner, A Tribe Called Quest, and Peter Frampton round out the 2024 class of honorees, artists honored at the ceremony held in Cleveland, Ohio, home of the prestigious hall.

Big Mama Thornton, Alexis Korner and John Mayall received special honors for “musical influence,” as Jimmy Buffett, MC5, Dionne Warwick and Norman Whitfield received awards for “musical excellence.”

Suzanne de Passe, a trailblazer for women executives in the music business, who was big in Motown, won the night’s award for nonperforming industry professionals.

Dua Lipa kicked off the evening with a performance of Believe, with Cher joining the pop star onstage to finish her 1998 smash hit, which was credited as the first song to use auto-tune technology as an instrument.

“I changed the sound of music forever,” she said in her acceptance speech, less than a year after railing against the hall for not having yet added her to the ballot.

“It was easier getting divorced from two men than it was getting in the Rock and Roll Hall of Fame,” she quipped Saturday night.

Performers included Kelly Clarkson, Sammy Hagar, Slash and Demi Lovato, who all appeared for Foreigner.

A group of artists including Queen Latifah, De La Soul and Busta Rhymes also performed with the surviving members of the eclectic, pioneering hip hop group A Tribe Called Quest — Q-Tip, Ali Shaheed Muhammad and Jarobi White. 
…

Britain’s six-time Olympic track cycling champion Chris Hoy has revealed he has “two to four years” to live after he was diagnosed with terminal prostate cancer which metastasized to his bones.

The announcement comes after the 48-year-old Scot said in February he was feeling “optimistic and positive” as he was undergoing treatment for an unspecified cancer diagnosed last year.

However, the sprinter, who worked as a pundit with the BBC at last summer’s Paris Games, has now revealed he has known for more than a year that his cancer is incurable.

Despite his illness, Hoy says he remains positive and appreciating life.

“Hand on heart, I’m pretty positive most of the time and I have genuine happiness,” Hoy told The Times.

“This is bigger than the Olympics. It’s bigger than anything. This is about appreciating life and finding joy.”

“As unnatural as it feels, this is nature. You know, we were all born and we all die, and this is just part of the process.”

Hoy wrote a memoir about his life over the past year in which he describes how doctors discovered his cancer after initially finding a tumor in his shoulder.

The father of two also said he had an allergic reaction to his chemotherapy treatment, feeling “completely devastated at the end of it.”

On top of his own treatment, Hoy was dealt another blow when his wife Sarra Kemp was diagnosed with multiple sclerosis in November.

“But you remind yourself, aren’t I lucky that there is medicine I can take that will fend this off for as long as possible,” an optimistic Hoy said.

“I’m not just saying these words. I’ve learnt to live in the moment, and I have days of genuine joy and happiness.”

“It’s absolutely not denial or self-delusion. It’s about trying to recognize, what do we have control over?

“The fear and anxiety, it all comes from trying to predict the future. But the future is this abstract concept in our minds. None of us know what’s going to happen. The one thing we know is we’ve got a finite time on the planet.”

Hoy was at the vanguard of Britain’s era of domination in track cycling, winning gold medals at the Athens, Beijing and London Olympics. He also claimed 11 world titles during a glittering career.

Until 2021 Hoy was the most successful British Olympian and the most successful Olympic cyclist of all time before being overtaken by fellow Briton Jason Kenny who claimed his seventh Olympic gold at the Tokyo Games.
…

KATHMANDU, Nepal — A Nepali teenager, the youngest person ever to scale all 14 of the world’s tallest peaks, says he wants to use his skills to benefit the Himalayan nation’s Sherpa community and turn out world-class athletes.

Sherpas, an ethnic group living mainly in the vicinity of the world’s highest peak, Mount Everest, are known for climbing skills that make them the backbone of mountain expeditions.

They fix ropes, ladders, carry loads, cook and guide foreign climbers, earning from a single expedition amounts that range from $2,500 to $16,500 or more, depending on experience.

“I want to see Sherpas as global athletes, not just guides,” said Nima Rinji Sherpa, 18, who last week climbed Shishapangma, the world’s 14th-highest peak at 8,027 meters, in Tibet.

“We deserve the same privilege as Western climbers,” added the 12th grader, who began climbing at the age of 16, and scaled all 14 peaks exceeding 2,438 meters in the last two years.

He said he planned to exploit his climbing skills to build contacts with donor agencies, mobilizing funds and support for schools, hospitals and activities to benefit the mountain community.

“I want to be a medium between the community and donor agencies,” Nima said on Wednesday, the lower portion of his face still black from burns caused by the sun’s reflections off the snow during his climb.

The son of a veteran Everest climber who now runs his own company organizing expeditions, Nima bested the record of Mingma Gyalu Sherpa of Nepal, who was 30 when he achieved the feat in 2019.

His most demanding effort was the 8,034-meter climb of Pakistan’s Gasherbrum II last year directly after having scaled Gasherbrum I, the world’s 11th highest peak at 8,080 meters, in 25 hours without proper rest and food, he said.

Nima said muscle cramps were his biggest physical challenge as his “fragile” teenage body had not finished growing, adding, “I am not as strong as I should be.”

He was caught in a small avalanche on Nepal’s Annapurna I peak this year after a fall of about 5-10 meters on Pakistan’s Nanga Parbat last year, but luckily escaped serious injury both times.

“I never push myself beyond my bounds,” he said. “There is (the need for) good judgment. There is (the need for) safety.”

This winter, Nima aims for an alpine-style climb of Nepal’s Mount Manaslu, the world’s eighth highest peak at 8,163 meters.

An 8,000-meter mountain has never been climbed in winter in alpine style, he said, referring to the technique in which climbers tackle the summit in one go, without oxygen and relying chiefly on themselves, with minimum support.
…

ISTANBUL — With a farewell song of “Good Vibrations” by the Beach Boys, a Turkish radio station fell silent this week after nearly 30 years of broadcasts.

The final Acik Radyo broadcast on Wednesday came as a court upheld the Turkish media regulator’s order to revoke the Istanbul-based station’s license over the mention of “Armenian genocide” on air.

Following the court ruling on October 8, the Radio and Television Supreme Council, known as RTUK, informed Acik Radyo that it must stop broadcasting within five days.

The order to revoke the license silenced the independent radio station for the first time since it began terrestrial broadcasting in 1995.

“We are finishing now; thank you to all Acik Radyo listeners and supporters. Acik Radyo will remain open to all the sounds, colors and vibrations of the universe,” Omer Madra, the editor-in-chief, said on air before the last song played.

The license revocation is related to comments made on air by journalist Cengiz Aktar on April 24. Aktar said the day was “the 109th anniversary, the anniversary of the massacres of Armenians, that is, the deportations and massacres that took place in the Ottoman lands, the massacres that are termed genocide.”

“This year, the commemoration of the Armenian genocide was also banned, you know,” Aktar said.

In a statement to VOA’s Turkish Service, the RTUK said “the terms ‘genocide’ and ‘massacre’ were used for the 1915 Events, and the program moderator made no attempt to correct this.”

The term “1915 Events” is how Turkish officials usually refer to the killing of an estimated 1.5 million Armenians in the final years of the Ottoman Empire. Turkey denies the deaths constituted genocide, saying that the toll has been inflated and that those killed were victims of civil war and unrest.

April 24 is recognized as a commemoration day of the beginning of what many historians and countries, including the United States, Canada and France, recognize as the Armenian genocide.

Broadcasts cut

Turkey’s media regulator first imposed an administrative fine and five-day suspension on Acik Radyo in May over the guest’s statements.

RTUK said the broadcast violated the law by inciting public hatred and enmity by making distinctions “based on race, language, religion, gender, class, region and religious order.”

On July 3, the regulator moved to revoke the license, saying that Acik Radyo had failed to comply with the suspension.

In a statement, the radio station said that it had intended to comply and had paid the first installment of the administrative fine. It added that the failure to implement the suspension was a result of “technical inconvenience.”

An RTUK official told VOA that according to the law, if a media provider continues to broadcast after a suspension “the Supreme Council shall decide on revoking its broadcasting license.”

“As can be seen, the legislator did not grant the Supreme Board any discretion in this matter and made it mandatory to cancel the license in case the sanction is not applied,” the RTUK official told VOA.

Acik Radyo defended the guest’s statement as being in “the scope of freedom of expression.”

When Acik Radyo appealed the fine and suspension, a court in July ruled in the station’s favor.

But RTUK objected to the court ruling and, on October 8, the court ruled in favor of the regulator.

Umit Altas, Acik Radyo’s lawyer, called RTUK’s move “excessive intervention.”

“RTUK’s decision to revoke the license, which is the most severe penalty, is against all precedents. This has exceeded the proportionality criteria of both Turkey’s Constitutional Court and the European Court of Human Rights. License cancellation is the most severe decision. We think that it is not lawful to make such a decision,” Altas  told VOA Turkish.

The station has appealed the most recent court decision, and its lawyer expects a verdict within a month.

Acik Radyo’s broadcast coordinator, Didem Gencturk, told VOA Turkish that the station is evaluating its options. She said that RTUK also requires internet broadcasters to obtain a license.

“We have the right to apply for different license forms as broadcasters. We hope to continue our broadcasts with one of these, even if not on a terrestrial [land-based] medium,” Gencturk said.

Supporters gather

On Wednesday evening, Acik Radyo’s listeners and supporters gathered in front of the outlet’s studios in Istanbul to show their solidarity.

Madra read a statement and called the license withdrawal “an attempt to silence the public voice.”

Madra added that the station is evaluating its options for continuing its broadcasts.

“There is no way that Acik Radyo will be silenced or be forgotten after the RTUK’s decision. Let me even say that we may be able to take [the license] back,” Madra told VOA Turkish.

Some of those who gathered outside the station had contributed to programming over the years.

“We are not giving in to despair. We will bring our broadcasts to our listeners and supporters as soon as possible,” said Yesim Burul, who produces “Sinefil,” a show on cinema, for Acik Radyo.

Murat Meric, who produces several music shows, called for solidarity and said he is preparing to continue his show.

Turkish actor Tulin Ozen told VOA Turkish she grew up with the station.

“I think the silencing of Acik Radyo is a shame for Turkey. I am here because I am against censorship in general. I am here because I am against being silenced,” Ozen said.

This story originated in VOA’s Turkish Service.
…