Category: Новини

One Washington teacher’s attempt to help one student has turned into something much larger. VOA’s Philip Alexiou has this story of a chess academy for kids. (Camera and produced by: Philip Alexiou)
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NEW YORK — He had some help: Morgan Wallen tops the 2024 Country Music Association Awards nominations with seven.

For a third year in a row, Wallen is up for both the top prize — entertainer of the year — and the male vocalist categories.

Rounding out the entertainer of the year categories are Luke Combs, Jelly Roll, Chris Stapleton and Lainey Wilson.

Post Malone’s massive radio hit, “I Had Some Help,” which features Wallen, is the main reason why the country singer leads the pack this year. It is up for single, song, musical event and music video of the year. His last nomination is a second one in the musical event category, for his collaboration with Eric Church, “Man Made a Bar.”

Single of the year is awarded to the artist, producer and mix engineers; song of the year is given to the songwriters.

Ahead of the nominations announcement, some fans speculated that Beyoncé, whose landmark country-and-then-some reclamation Cowboy Carter was released during the eligibility window, could receive a nomination at the 2024 CMAs. She did not.

Earlier this year, the album hit No. 1 on the Billboard country albums chart, making her the first Black woman to top the chart since its 1964 inception.

The album was five years in the making, a direct result of what Beyoncé has called “an experience that I had years ago where I did not feel welcomed … and it was very clear that I wasn’t,” most likely a reference to a 2016 CMAs performance that resulted in racist backlash.

The CMA Awards are nominated and voted on by members of the Country Music Association, which includes music executives, artists, publicists, songwriters and other industry professionals.

Wallen is followed by both Cody Johnson, who is also nominated in the male vocalist category for the third year in a row, and 7-time male vocalist of the year winner, Stapleton.

Stapleton and Johnson have five nominations each.

But Stapleton could take home seven trophies, should he sweep his categories.

Stapleton is both an artist and producer on “White Horse,” up for single of the year, and Higher, up for album of the year.

At the CMAs, production credits are not counted as separate nominations, although they are factored into trophy counts.

First-time nominee Post Malone and Wilson, last year’s entertainer of the year winner, are tied with four nominations. All of Malone’s nominations are for “I Had Some Help.”

Louis Bell, Charlie Handsome and Hoskins are tied with three nominations for their work as producers and co-writers on “I Had Some Help.”

Jelly Roll, Combs, Kacey Musgraves and Megan Moroney also boast three nods each. The latter three could take home four trophies: Combs is both artist and producer on Fathers & Sons, up for album of the year. The same is true for Musgraves’ album Deeper Well.

And Moroney is both artist and director of her nominated music video, “I’m Not Pretty.”

The CMA Awards will air on November 20 on ABC at 8 p.m. Eastern. It can be streamed the next day on Hulu.
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NEW YORK — James Earl Jones, who overcame racial prejudice and a severe stutter to become a celebrated icon of stage and screen — eventually lending his deep, commanding voice to CNN, The Lion King and Darth Vader — has died. He was 93.

His agent, Barry McPherson, confirmed Jones died Monday morning at home in New York’s Hudson Valley region. The cause was not immediately clear.

The pioneering Jones, who was one of the first African American actors in a continuing role on a daytime drama and worked deep into his 80s, won two Emmys, a Golden Globe, two Tony Awards, a Grammy, the National Medal of Arts, the Kennedy Center Honors and was given an honorary Oscar and a special Tony for lifetime achievement. In 2022, a Broadway theater was renamed in his honor.

He cut an elegant figure late in life, with a wry sense of humor and a ferocious work habit. In 2015, he arrived at rehearsals for a Broadway run of The Gin Game having already memorized the play and with notebooks filled with comments from the creative team. He said he was always in service of the work.

“The need to storytell has always been with us,” he told The Associated Press then. “I think it first happened around campfires when the man came home and told his family he got the bear, the bear didn’t get him.”

Jones created such memorable film roles as the reclusive writer coaxed back into the spotlight in Field of Dreams, the boxer Jack Johnson in the stage and screen hit The Great White Hope, the writer Alex Haley in Roots: The Next Generation and a South African minister in Cry, the Beloved Country.

He was also a sought-after voice actor, expressing the villainy of Darth Vader (“No, I am your father,” commonly misremembered as “Luke, I am your father”), as well as the benign dignity of King Mufasa in Disney’s animated The Lion King and announcing “This is CNN” during station breaks. He won a 1977 Grammy for his performance on the Great American Documents audiobook.

“If you were an actor or aspired to be an actor, if you pounded the payment in these streets … one of the standards we always had was to be a James Earl Jones,” Samuel L. Jackson once said.

Some of his other films include Dr. Strangelove, The Greatest (with Muhammad Ali), Conan the Barbarian, Three Fugitives and playing an admiral in three Tom Clancy blockbuster adaptations — The Hunt for Red October, Patriot Games and Clear and Present Danger. In a rare romantic comedy, Claudine, Jones had an onscreen love affair with Diahann Carroll.

Jones made his Broadway debut in 1958’s Sunrise At Campobello and would win his two Tony Awards for The Great White Hope (1969) and Fences (1987). He also was nominated for On Golden Pond (2005) and Gore Vidal’s The Best Man (2012). He was celebrated for his command of Shakespeare and Athol Fugard alike. More recent Broadway appearances include Cat on a Hot Tin Roof, Driving Miss Daisy, The Iceman Cometh, and You Can’t Take It With You.

As a rising stage and television actor, he appeared in As the World Turns in 1965, one of the first Black actors to have such a role on daytime TV. He performed with the New York Shakespeare Festival Theater in Othello, Macbeth and King Lear and in off-Broadway plays.

Early years

Jones was born by the light of an oil lamp in a shack in Arkabutla, Mississippi, on Jan. 17, 1931. His father, Robert Earl Jones, had deserted his wife before the baby’s arrival to pursue life as a boxer and, later, an actor.

When Jones was 6, his mother took him to her parents’ farm near Manistee, Michigan. His grandparents adopted the boy and raised him.

“A world ended for me, the safe world of childhood,” Jones wrote in his autobiography, Voices and Silences. “The move from Mississippi to Michigan was supposed to be a glorious event. For me it was a heartbreak, and not long after, I began to stutter.”

Too embarrassed to speak, he remained virtually mute for years, communicating with teachers and fellow students with handwritten notes. A sympathetic high school teacher, Donald Crouch, learned that the boy wrote poetry, and demanded that Jones read one of his poems aloud in class. He did so faultlessly.

Teacher and student worked together to restore the boy’s normal speech. “I could not get enough of speaking, debating, orating — acting,” he recalled in his book.

At the University of Michigan, he failed a pre-med exam and switched to drama, also playing four seasons of basketball. He served in the Army from 1953 to 1955.

In New York, he moved in with his father and enrolled with the American Theater Wing program for young actors. Father and son waxed floors to support themselves while looking for acting jobs.

True stardom came suddenly in 1970 with The Great White Hope. Howard Sackler’s Pulitzer Prize-winning Broadway play depicted the struggles of Jack Johnson, the first Black heavyweight boxing champion, amid the racism of early 20th-century America. In 1972, Jones repeated his role in the movie version and was nominated for an Academy Award as best actor.

Jones’ two wives were also actors. He married Julienne Marie Hendricks in 1967. After their divorce, he married Cecilia Hart, best known for her role as Stacey Erickson in the CBS police drama Paris, in 1982. She died in 2016. They had a son, Flynn Earl, born in 1983.

No artist ‘has served America more’

In 2022, the Cort Theater on Broadway was renamed after Jones, with a ceremony that included Norm Lewis singing “Go the Distance,” Brian Stokes Mitchell singing “Make Them Hear You” and words from Mayor Eric Adams, Samuel L. Jackson and LaTanya Richardson Jackson.

“You can’t think of an artist that has served America more,” director Kenny Leon told the AP. “It’s like it seems like a small act, but it’s a huge action. It’s something we can look up and see that’s tangible.”

Citing his stutter as one of the reasons he wasn’t a political activist, Jones nonetheless hoped his art could change minds.

“I realized early on, from people like Athol Fugard, that you cannot change anybody’s mind, no matter what you do,” he told the AP. “As a preacher, as a scholar, you cannot change their mind. But you can change the way they feel.”
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Havana, Cuba — Socialist Cuba, the birthplace of salsa and other rhythms that have conquered the world, is now surrendering to the invasion of South Korean pop music.

Thirteen thousand kilometers of distance separate the Asian nation and the communist-run island, as well as a different language and cultural traditions. However, all of these barriers would seem to vanish in a split second thanks to K-pop’s infectious beat and elaborate choreography.

Korean popular music, or K-pop, has spread far and wide from its Asian roots as boy bands like BTS and NCT and their female counterpart Blackpink rival Taylor Swift for downloads and album sales globally.

But it was slow to catch on in Cuba, where salsa is king and internet speeds were glacial until recently.

On Saturday, far from Seoul, dozens of teenagers clad in plaid, prep school skirts, baggy bomber pants and heavy black eyeliner busted their best moves as images of the genre’s idols were projected on a large screen of a Havana dance club.

“K-pop has opened a new world to me,” said 24-year-old Fransico Piedra, who when not working with his father as a blacksmith dreams up meticulous dance steps. Known by his artistic name Ken he one day aspires to be a professional K-pop choreographer. “It’s a place where I can be myself, and share with friends the joy of laughter, song and dance.”

Many of the teenagers hope to follow in the footsteps of two Cuban groups — Limitless and LTX — that before the pandemic traveled to South Korea to partake in the K-POP World Festival, an annual talent competition.

K-pop — a catch all for musical styles ranging from R&B to rock — first penetrated the island when Cubans fell in love with South Korean soap operas about a decade ago. As internet speeds improved, and government controls eased, more young Cubans got online and started streaming videos like teenagers everywhere.

While Cuban kids may be mesmerized by K-pop, an older generation of leaders have had frostier ties to South Korea. The two countries only restored diplomatic relations that were severed following the 1959 Cuban revolution this year and have yet to exchange ambassadors.

Meanwhile, Cuba remains a staunch ally of North Korea, which views K-pop as a dangerous form of propaganda from a capitalist enemy with whom is has been locked in a military standoff since the 1950s.
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