ОГЛЯД

TV’s late-night hosts planned to return to their evening sketches and monologues by next week, reinstating the flow of topical humor silenced for five months by the newly ended Hollywood’s writers strike.

Bill Maher led the charge back to work by announcing early Wednesday that his HBO show “Real Time with Bill Maher” would be back on the air Friday. By mid-morning, the hosts of NBC’s “The Tonight Show Starring Jimmy Fallon” and “Late Night with Seth Meyers,” ABC’s “Jimmy Kimmel Live,” and “The Late Show With Stephen Colbert” on CBS had announced they’d also return, all by Monday. “Last Week Tonight” with John Oliver was slated to return to the air Sunday.

Fallon, Meyers, Kimmel, Colbert and Oliver had spent the latter part of the strike teaming up for a popular podcast called “Strike Force Five” — named after their personal text chain and with all proceeds benefiting their out-of-work writers. On Instagram on Wednesday, they announced “their mission complete.”

The plans for some late-night shows were not immediately clear, like “Saturday Night Live” and Comedy Central’s “Daily Show,” which had been using guest hosts when the strike hit.

Scripted shows will take longer to return, with actors still on strike and no negotiations yet on the horizon.

On Tuesday night, board members from the writers union approved a contract agreement with studios, bringing the industry at least partly back from a historic halt in production that stretched nearly five months.

Maher had delayed returning to his talk show during the ongoing strike by writers and actors, a decision that followed similar pauses by “The Drew Barrymore Show,” “The Talk” and “The Jennifer Hudson Show.”

The three-year agreement with studios, producers and streaming services includes significant wins in the main areas that writers had fought for — compensation, length of employment, size of staffs and control of artificial intelligence — matching or nearly equaling what they had sought at the outset of the strike.

The union had sought minimum increases in pay and future residual earnings from shows and will get a raise of between 3.5% and 5% in those areas — more than the studios had initially offered.

The guild also negotiated new residual payments based on the popularity of streaming shows, where writers will get bonuses for being a part of the most popular shows on Netflix, Max and other services, a proposal that studios initially rejected. Many writers on picket lines had complained that they weren’t properly paid for helping create heavily watched properties.

On artificial intelligence, the writers got the regulation and control of the emerging technology they had sought. Under the contract, raw, AI-generated storylines will not be regarded as “literary material” — a term in their contracts for scripts and other story forms a screenwriter produces. This means they won’t be competing with computers for screen credits. Nor will AI-generated stories be considered “source” material, their contractual language for the novels, video games or other works that writers may adapt into scripts.

Writers have the right under the deal to use artificial intelligence in their process if the company they are working for agrees and other conditions are met. But companies cannot require a writer to use artificial intelligence. 
…

The Writers Guild of America (WGA) said its members could return to work on Wednesday while a ratification vote takes place on a new three-year contract with Hollywood studios. 

Union leaders “voted unanimously to lift the restraining order and end the strike as of 12:01 a.m. PT/3:01 a.m. ET on Wednesday, September 27th,” the WGA said in a statement on Tuesday. 

WGA members will have until October 9 to cast their votes on the contract, the union said. 

Film and television writers walked off the job in May in a fight for higher pay, protections that their work will not be replaced by artificial intelligence, and other issues. 

The writers appeared to have won concessions across the board, with raises over the three years of the contract, increased health and pension contributions, and AI safeguards. 

Under the tentative agreement, AI cannot be used to undermine a writer’s credit. Writers can choose to use AI when drafting scripts, but a company cannot require the use of the software. The studios also have to disclose to a writer if any materials they furnish were generated by AI. 
…

Actor David McCallum, who became a teen heartthrob in the hit series “The Man From U.N.C.L.E.” in the 1960s and was the eccentric medical examiner in the popular “NCIS” 40 years later, has died. He was 90.

McCallum died Monday of natural causes surrounded by family at New York Presbyterian Hospital, CBS said in a statement.

“David was a gifted actor and author, and beloved by many around the world. He led an incredible life, and his legacy will forever live on through his family and the countless hours on film and television that will never go away,” said a statement from CBS.

Scottish-born McCallum had been doing well appearing in such films “A Night to Remember” (about the Titanic), “The Great Escape” and “The Greatest Story Ever Told” (as Judas). But it was “The Man From U.N.C.L.E.” that made the blond actor with the Beatlesque haircut a household name in the mid-’60s.

The success of the James Bond books and films had set off a chain reaction, with secret agents proliferating on both large and small screens. Indeed, Bond creator Ian Fleming contributed some ideas as “The Man From U.N.C.L.E.” was being developed, according to Jon Heitland’s “The Man From U.N.C.L.E. Book.”

The show, which debuted in 1964, starred Robert Vaughn as Napoleon Solo, an agent in a secretive, high-tech squad of crime fighters whose initials stood for United Network Command for Law and Enforcement. Despite the Cold War, the agency had an international staff, with McCallum as Illya Kuryakin, Solo’s Russian sidekick.

The role was relatively small at first, McCallum recalled, adding in a 1998 interview that “I’d never heard of the word ‘sidekick’ before.”

The show drew mixed reviews but eventually caught on, particularly with teenage girls attracted by McCallum’s good looks and enigmatic, intellectual character. By 1965, Illya was a full partner to Vaughn’s character and both stars were mobbed during personal appearances.

The series lasted to 1968. Vaughn and McCallum reunited in 1983 for a nostalgic TV movie, “The Return of the Man From U.N.C.L.E.,” in which the agents were lured out of retirement to save the world once more.

McCallum returned to television in 2003 in another series with an agency known by its initials — CBS’ “NCIS.” He played Dr. Donald “Ducky” Mallard, a bookish pathologist for the Naval Criminal Investigation Service, an agency handling crimes involving the Navy or the Marines. Mark Harmon played the NCIS boss.

McCallum said he thought Ducky, who sported glasses and a bow tie and had an eye for pretty women, “looked a little silly, but it was great fun to do.” He took the role seriously, too, spending time in the Los Angeles coroner’s office to gain insight into how autopsies are conducted.

Co-star Lauren Holly took to X, formerly Twitter, to mourn: “You were the kindest man. Thank you for being you.” The previously announced 20th anniversary “NCIS” marathon on Monday night will now include an “in memoriam” card in remembrance of McCallum.

The series built an audience gradually, eventually reaching the roster of top 10 shows. McCallum, who lived in New York, stayed in a one-bedroom apartment in Santa Monica when “NCIS” was in production.

“He was a scholar and a gentleman, always gracious, a consummate professional, and never one to pass up a joke. From day one, it was an honor to work with him and he never let us down. He was, quite simply, a legend, said a statement from ”NCIS” Executive Producers Steven D. Binder and David North.

McCallum’s work with “U.N.C.L.E.” brought him two Emmy nominations, and he got a third as an educator struggling with alcoholism in a 1969 Hallmark Hall of Fame drama called “Teacher, Teacher.”

In 1975, he had the title role in a short-lived science fiction series, “The Invisible Man,” and from 1979 to 1982 he played Steel in a British science fiction series, “Sapphire and Steel.” Over the years, he also appeared in guest shots in many TV shows, including “Murder, She Wrote” and “Sex and the City.”

He appeared on Broadway in a 1968 comedy, “The Flip Side,” and in a 1999 revival of “Amadeus” starring Michael Sheen and David Suchet. He also was in several off-Broadway productions.

Largely based in the U.S. from the 1960s onward, McCallum was a longtime American citizen, telling The Associated Press in 2003 that “I have always loved the freedom of this country and everything it stands for. And I live here, and I like to vote here.”

David Keith McCallum was born in Glasgow in 1933. His parents were musicians; his father, also named David, played violin, his mother played cello. When David was 3, the family moved to London, where David Sr. played with the London Philharmonic and Royal Philharmonic.

 
…

Spanish prosecutors have charged pop star Shakira with failing to pay $7.1 million in tax on her 2018 income, authorities said Tuesday, in Spain’s latest fiscal allegations against the Colombian singer. 

Shakira is alleged to have used an offshore company based in a tax haven to avoid paying the tax, Barcelona prosecutors said in a statement. 

She has been notified of the charges in Miami, where she lives, according to the statement. 

Shakira is already due to be tried in Barcelona on November 20 in a separate case that hinges on where she lived between 2012-14. In that case, prosecutors allege she failed to pay $15.4 million in tax. 

Prosecutors in Barcelona have alleged the Grammy winner spent more than half of the 2012-14 period in Spain and therefore should have paid taxes in the country, even though her official residence was in the Bahamas. 

Spanish tax officials opened the latest case against Shakira last July. After reviewing the evidence gathered over the last two months, prosecutors have decided to bring charges. No date for a trial was set. 

The public relations firm that previously has handled Shakira’s affairs, Llorente y Cuenca, made no immediate comment. 

Last July, it said the artist had “always acted in concordance with the law and on the advice of her financial advisers.” 

Shakira, whose full name is Shakira Isabel Mebarak Ripoll, has been linked to Spain since she started dating the now-retired soccer player Gerard Pique. The couple, who have two children, lived together in Barcelona until last year, when they ended their 11-year relationship. 

Spain tax authorities have over the past decade or so cracked down on soccer stars like Lionel Messi and Cristiano Ronaldo for not paying their full due in taxes. Those players were found guilty of tax evasion but avoided prison time thanks to a provision that allows a judge to waive sentences under two years in length for first-time offenders. 
…

“My Mama and the Full-Scale Invasion,” a play by Ukrainian playwright Sasha Denisova, made its debut at Washington, D.C.’s Woolly Mammoth theater earlier this month. The play was inspired by online chats its creator had with her 82-year-old mother who lives near Kyiv. Maxim Adams has the story. Camera: David Gogokhia.
…