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Hundreds of soccer fans stormed into a hotel in Tehran on Monday, hoping for a glimpse of star player Cristiano Ronaldo after he arrived with his Saudi teammates ahead of a game. 

Chanting “Ronaldo, Ronaldo,” the fans pushed past police, filling the corridors and public spaces of the Espinas Palace Hotel. 

Ronaldo arrived on his first visit to Iran with the Saudi football club Al-Nassr, which is set to play Iran’s Persepolis in Tehran on September 19. The return game will be played in the Saudi capital, Riyadh, on November 27. 

Ronaldo was the first of several big-name players to accept lavish contracts to play for Saudi teams. The oil-rich kingdom is spending billions of dollars to try to transform itself into a sports and entertainment powerhouse. 

The Asian Champions League games are made possible by the restoration of diplomatic relations between Iran and Saudi Arabia following an agreement brokered by China earlier this year. The longtime rivals had severed ties in 2016 after an angry crowd stormed Saudi diplomatic missions in Iran to protest Saudi Arabia’s execution of a popular Shiite cleric. 

The 2015 Asian Champions League edition was the last time Saudi and Iranian teams faced each other on home turf in the group stage or knockout rounds. 
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New York Fashion Week is generally known as a showcase for fashion designers, and the celebrities that wear their clothes. But several shows held on the sidelines are trying to call attention not only to fashion but to serious and difficult issues like sexual assault. VOA’s Rendy Wicaksana reports from New York
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Cord Jefferson’s “American Fiction,” a biting satire starring Jeffrey Wright as a disillusioned academic, has won the People’s Choice Award at the Toronto International Film Festival, a much-watched bellwether in the Oscar race.

“American Fiction” is the directorial debut of Jefferson, the veteran TV writer of “Watchmen” and “Succession,” and an adaptation of Percival Everett’s 2001 novel “Erasure.” The film, about an author who resents that the literary industry is only interested in “Black books” that cater to the stereotypes of white audiences, emerged as a breakout hit at TIFF.

Toronto’s audience award winner, voted on by festival attendees, has historically nearly always signified a best-picture contender at the Academy Awards. Since 2012, every People’s Choice winner at TIFF has gone on to score a best-picture nod. In 2018, when “Green Book” won, it announced the film as a surprise awards contender. (Peter Farrelly’s film went on to win best picture at the Oscars.) Last year, Steven Spielberg’s “The Fabelmans” won Toronto’s top prize.

First runner-up went to Alexander Payne’s “The Holdovers,” starring Paul Giamatti as a curmudgeonly boarding school teacher tasked with staying with a handful of students over Christmas break in the 1970s. Second runner-up was Hayao Miyazaki’s “The Boy and the Heron,” the long-awaited latest Studio Ghibli film from the Japanese anime master.

“American Fiction,” which MGM will release in theaters Nov. 3, co-stars Sterling K. Brown, Issa Rae and Tracee Ellis Ross. In an interview, Jefferson said he immediately connected with Everett’s book.

“I was having the exact same conversations with Black colleagues in both professions: Why are we always writing about misery and trauma and violence and pain inflicted on Blacks?” said Jefferson. “Why is this what people expect from us? Why is this the only thing we have to offer to culture?”

The Toronto International Film Festival, which wraps Sunday, was diminished this year due to the ongoing actors and writers strikes. Red-carpet premieres were mostly without movie stars, detracting from some of the buzz that the largest film festival in North American typically generates. It followed a similarly strike-affected Venice Film Festival, where the festival’s top prize, the Golden Lion, went to Yorgos Lanthimos’ “Poor Things.” (That film skipped TIFF.)

The People’s Choice winner for documentary went to Robert McCallum’s “Mr. Dressup: The Magic of Make-Believe” and the midnight madness award went to Larry Charles’ “Dicks: The Musical.” The festival’s juried competition awards were given to Tarsem Singh Dhandwar’s “Dear Jassi,” winner of the Platform section, and Meredith Hama-Brown’s “Seagrass,” which took the FIPRESCI award from international critics.
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“The Nun 2” and “A Haunting in Venice” virtually tied for the No. 1 spot in U.S. and Canadian theaters over the weekend, with a slight edge carrying the horror sequel over the Hercule Poirot mystery, according to studio estimates Sunday.

In its second weekend of release, Warner Bros.’ “The Nun 2,” a spinoff from the studio’s lucrative “Conjuring” franchise, grossed $14.7 million. If numbers hold, that will give “The Nun 2” (up to $56.5 million total and $158.8 million worldwide) the top spot at the box office for the second straight week.

Very close behind was “A Haunting in Venice,” Kenneth Branagh’s third Agatha Christie adaptation following 2017’s “Murder on the Orient Express” and 2022’s “Death on the Nile.” It opened with $14.5 million.

Final box-office figures will be released Monday.

After the successful run of “Murder on the Orient Express” ($352.8 million worldwide against a production budget of $55 million) and the less-stellar global haul of “Death on the Nile” ($137.3 million against a $90 million budget), the sluggish start for “A Haunting in Venice” may have signaled the death knell for Branagh’s detective.

The 20th Century Studios film, released by the Walt Disney Co., grossed $22.7 million internationally. And it cost less than its predecessor, carrying a production budget of about $60 million.

“The Equalizer 3,” starring Denzel Washington, dropped to third place with $7.2 million. In three weeks, it grossed $73.7 million domestically and $132.4 million worldwide. Fourth place went to “My Big Fat Greek Wedding 3” with $4.7 million in its second weekend of release. It’s grossed $18.5 million domestically.

It was one of the quietest weekends in movie theaters this year, as Hollywood — which has spent much of the last two weeks promoting its films at the Venice, Telluride and Toronto film festivals — treads water in between the summer smashes of “Barbie” and “Oppenheimer” and awaits its top fall movies. Some of those, like “Dune: Part Two,” have already been postponed until next year due to the SAG-AFTRA and WGA strikes.

One anticipated fall film, Sony’s “Dumb Money,” opted for a platform release, debuting in eight theaters over the weekend before expanding next weekend and going wide Sept. 29. The film, a rollicking dramatization of the GameStop stock frenzy, grossed $217,000, for a per-location average of about $27,000.

And “Barbie” also remains in the picture. For the ninth straight weekend, Greta Gerwig’s box-office sensation ranked in the top five films. It added $4 million to bring its domestic total to $625 million and its global haul to $1.42 billion. Meanwhile, “Oppenheimer” has reached $912.7 million, making it the highest grossing biopic ever, passing “Bohemian Rhapsody.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “The Nun II,” $14.7 million.

2. “A Haunting in Venice,” $14.5 million.

3. “The Equalizer 3,” $7.2 million.

4. “My Big Fat Greek Wedding 3,” $4.7million.

5. “Barbie,” $4 million.

6. “Jawan,” $2.5 million.

7. “Blue Beetle,” $2.5 million.

8. “Gran Turismo: Based on a True Story,” $2.4 million.

9. “Oppenheimer,” $2.1 million.

10. “Teenage Mutant Ninja Turtles: Mutant Mayhem,” $2 million.
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A U.N. conference voted Sunday to list ruins of the ancient West Bank city of Jericho as a World Heritage Site, a decision likely to anger Israel, which controls the territory and does not recognize a Palestinian state.

Jericho is one of the oldest continually inhabited cities on earth, and is in a part of the Israeli-occupied West Bank that is administered by the internationally recognized Palestinian Authority. The listing refers to the Tel es-Sultan archaeological site nearby, which contains ruins dating back to the 9th millennium B.C.

The decision was taken at a meeting of the U.N. World Heritage Committee in Riyadh, Saudi Arabia, under the auspices of the U.N. Educational, Scientific and Cultural Organization, UNESCO.

Israel quit UNESCO in 2019, accusing it of being biased against it and of diminishing its connection to the Holy Land. Israel also objected to UNESCO’s acceptance of Palestine as a member state in 2011. But Israel remains a party to the World Heritage Convention, and it sent a delegation to the meeting in Riyadh.

Israel captured the West Bank, along with Gaza and east Jerusalem, in the 1967 Mideast war. The Palestinians want all three territories for their future state. Israel views the West Bank as the biblical and cultural heartland of the Jewish people.

There have been no serious or substantive peace negotiations in over a decade, and Israel is currently led by the most nationalist and religious government in its history, making any move toward Palestinian statehood nearly unimaginable.

The modern city of Jericho is a major draw for tourism to the Palestinian territories, both because of its historical sites and proximity to the Dead Sea. In 2021, the Palestinian Authority unveiled major renovations to one of the largest mosaics in the Middle East, in a Jericho palace dating back to the 8th century.
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The beer is flowing and millions of people are descending on the Bavarian capital to celebrate the official opening of Oktoberfest.

With the traditional cry of “O’zapft is” — “It’s tapped” — Mayor Dieter Reiter inserted the tap in the first keg at noon on Saturday, officially opening the 18 days of festivities.

Revelers decked out in traditional lederhosen and dirndl dresses trooped to Munich’s festival grounds Saturday morning, filling the dozens of traditional tents in anticipation of getting their first 1-liter mug of beer.

Minutes before the first keg was tapped, to cheers from the crowd, Bavarian Gov. Markus Soeder asked festivalgoers if they were ready for Oktoberfest to begin.

“I can only say one thing: This is the most beautiful, biggest, most important festival in the world,” he said.

The Oktoberfest has typically drawn about 6 million visitors every year. The event was skipped in 2020 and 2021 as authorities grappled with COVID-19, but it returned in 2022.

A 1-liter mug costs between 12.60 euros and 14.90 euros ($13.45 to $15.90) this year, an increase of around 6% from last year.

This year’s Oktoberfest, the 188th edition, runs through Oct. 3. 
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A U.N. conference voted Sunday to list ruins of the ancient West Bank city of Jericho as a World Heritage Site in Palestine, a decision likely to anger Israel, which controls the territory and does not recognize a Palestinian state.

Jericho is one of the oldest continually inhabited cities on earth, and is in a part of the Israeli-occupied West Bank that is administered by the internationally recognized Palestinian Authority. The listing refers to the Tel es-Sultan archaeological site nearby, which contains ruins dating back to the 9th millennium B.C.

The decision was taken at a meeting of the U.N. World Heritage Committee in Riyadh, Saudi Arabia, under the auspices of the U.N. Educational, Scientific and Cultural Organization, UNESCO.

Israel quit UNESCO in 2019, accusing it of being biased against it and of diminishing its connection to the Holy Land. Israel also objected to UNESCO’s acceptance of Palestine as a member state in 2011. But Israel remains a party to the World Heritage Convention, and it sent a delegation to the meeting in Riyadh.

Israel captured the West Bank, along with Gaza and east Jerusalem, in the 1967 Mideast war. The Palestinians want all three territories for their future state. Israel views the West Bank as the biblical and cultural heartland of the Jewish people.

There have been no serious or substantive peace negotiations in over a decade, and Israel is currently led by the most nationalist and religious government in its history, making any move toward Palestinian statehood nearly unimaginable.

The modern city of Jericho is a major draw for tourism to the Palestinian territories, both because of its historical sites and proximity to the Dead Sea. In 2021, the Palestinian Authority unveiled major renovations to one of the largest mosaics in the Middle East, in a Jericho palace dating back to the 8th century. 
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Jann Wenner, who co-founded Rolling Stone magazine and also was a co-founder of the Rock & Roll Hall of Fame, has been removed from the hall’s board of directors after making comments that were seen as disparaging toward Black and female musicians.

“Jann Wenner has been removed from the Board of Directors of the Rock & Roll Hall of Fame Foundation,” the hall said Saturday, a day after Wenner’s comments were published in a New York Times interview.

A representative for Wenner, 77, did not immediately respond for a comment.

Wenner created a firestorm doing publicity for his new book, The Masters, which features interviews with musicians Bob Dylan, Jerry Garcia, Mick Jagger, John Lennon, Bruce Springsteen, Pete Townshend and U2’s Bono — all white and male.

Asked why he didn’t interview women or Black musicians, Wenner responded: “It’s not that they’re inarticulate, although, go have a deep conversation with Grace Slick or Janis Joplin. Please, be my guest. You know, Joni [Mitchell] was not a philosopher of rock ’n’ roll. She didn’t, in my mind, meet that test,” he told the Times.

“Of Black artists — you know, Stevie Wonder, genius, right? I suppose when you use a word as broad as ‘masters,’ the fault is using that word. Maybe Marvin Gaye, or Curtis Mayfield? I mean, they just didn’t articulate at that level,” Wenner said.

Wenner co-founded Rolling Stone in 1967 and served as its editor or editorial director until 2019. He also co-founded the Rock & Roll Hall of Fame, which was launched in 1987.

In the interview, Wenner seemed to acknowledge he would face a backlash. “Just for public relations sake, maybe I should have gone and found one Black and one woman artist to include here that didn’t measure up to that same historical standard, just to avert this kind of criticism.”

Last year, Rolling Stone magazine published its 500 Greatest Albums of All Time and ranked Gaye’s What’s Going On No. 1, Blue by Mitchell at No. 3, Wonder’s Songs in the Key of Life at No. 4, Purple Rain by Prince and the Revolution at No. 8 and Ms. Lauryn Hill’s The Miseducation of Lauryn Hill at No. 10.

Rolling Stone’s niche in magazines was an outgrowth of Wenner’s outsized interests, a mixture of authoritative music and cultural coverage with tough investigative reporting. 
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