ОГЛЯД

FIFA revealed eight different armbands highlighting social causes that sides will be able to wear at the women’s World Cup as world football’s governing body seeks to avoid a row that erupted at last year’s men’s World Cup.

Captains from a number of European countries, including England and Germany, planned to wear a “OneLove” armband in rainbow colors in Qatar in support of LGBTQ rights.

However, they abandoned that stance after being threatened with sporting sanctions just days before the tournament kicked off.

The armband had widely been viewed as a symbolic protest against laws in Qatar, where homosexuality is illegal.

The “unite for inclusion” armband for the women’s World Cup is similar in style to the one outlawed with the words alongside a heart shape in rainbow colors.

Other causes highlighted include gender equality, ending violence against women, hunger and the rights of indigenous people.

Captains will be able to wear a different armband for each match corresponding to the cause being promoted or support one cause for the entire tournament.

“Football unites the world and our global events, such as the FIFA Women’s World Cup, have a unique power to bring people together and provide joy, excitement and passion,” said FIFA President Gianni Infantino.

“After some very open talks with stakeholders, including member associations and players, we have decided to highlight a series of social causes – from inclusion to gender equality, from peace to ending hunger, from education to tackling domestic violence – during all 64 matches at the FIFA Women’s World Cup.”

The women’s World Cup, which will be hosted by Australia and New Zealand, begins on July 20.
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Alan Arkin, the wry character actor who demonstrated his versatility in everything from farcical comedy to chilling drama as he received four Academy Award nominations and won an Oscar in 2007 for “Little Miss Sunshine,” has died. He was 89.

His sons Adam, Matthew and Anthony confirmed their father’s death through the actor’s publicist on Friday. “Our father was a uniquely talented force of nature, both as an artist and a man,” they said in a statement.

A member of Chicago’s famed Second City comedy troupe, Arkin was an immediate success in movies with the Cold War spoof “The Russians Are Coming, The Russians Are Coming” and peaked late in life with his win as best supporting actor for the surprise 2006 hit “Little Miss Sunshine.” More than 40 years separated his first Oscar nomination, for “The Russians are Coming,” from his nomination for playing a conniving Hollywood producer in the Oscar-winning “Argo.”

In recent years he starred opposite Michael Douglas in the Netflix comedy series “The Kominsky Method,” a role that earned him two Emmy nominations.

“When I was a young actor people wanted to know if I wanted to be a serious actor or a funny one,” Michael McKean tweeted Friday. ‘I’d answer ‘Which kind is Alan Arkin?’ and that shut them up.”

Arkin once joked to The Associated Press that the beauty of being a character actor was not having to take his clothes off for a role. He wasn’t a sex symbol or superstar, but was rarely out of work, appearing in more than 100 TV and feature films. His trademarks were likability, relatability and complete immersion in his roles, no matter how unusual, whether playing a Russian submarine officer in “The Russians are Coming” who struggles to communicate with the equally jittery Americans, or standing out as the foul-mouthed, drug-addicted grandfather in “Little Miss Sunshine.”

“Alan’s never had an identifiable screen personality because he just disappears into his characters,” director Norman Jewison of “The Russians are Coming” once observed. “His accents are impeccable, and he’s even able to change his looks. … He’s always been underestimated, partly because he’s never been in service of his own success.”

While still with Second City, Arkin was chosen by Carl Reiner to play the young protagonist in the 1963 Broadway play “Enter Laughing,” based on Reiner’s semi-autobiographical novel.

He attracted strong reviews and the notice of Jewison, who was preparing to direct a 1966 comedy about a Russian sub that creates a panic when it ventures too close to a small New England town. In Arkin’s next major film, he proved he could also play a villain, however reluctantly. Arkin starred in “Wait Until Dark” as a vicious drug dealer who holds a blind woman (Audrey Hepburn) captive in her own apartment, believing a drug shipment is hidden there.

He recalled in a 1998 interview how difficult it was to terrorize Hepburn’s character.

“Just awful,” he said. “She was an exquisite lady, so being mean to her was hard.”

Arkin’s rise continued in 1968 with “The Heart Is a Lonely Hunter,” in which he played a sensitive man who could not hear or speak. He starred as the bumbling French detective in “Inspector Clouseau” that same year, but the film would become overlooked in favor of Peter Sellers’ Clouseau in the “Pink Panther” movies.

Arkin’s career as a character actor continued to blossom when Mike Nichols, a fellow Second City alumnus, cast him in the starring role as Yossarian, the victim of wartime red tape in 1970’s “Catch-22,” based on Joseph Heller’s million-selling novel. Through the years, Arkin turned up in such favorites as “Edward Scissorhands,” playing Johnny Depp’s neighbor; and in the film version of David Mamet’s “Glengarry Glen Ross” as a dogged real estate salesman. He and Reiner played brothers, one successful (Reiner), one struggling (Arkin), in the 1998 film “The Slums of Beverly Hills.”

“I used to think that my stuff had a lot of variety. But I realized that for the first twenty years or so, most of the characters I played were outsiders, strangers to their environment, foreigners in one way or another,” he told The Associated Press in 2007.

“As I started to get more and more comfortable with myself, that started to shift. I got one of the nicest compliments I’ve ever gotten from someone a few days ago. They said that they thought my characters were very often the heart, the moral center of a film. I didn’t particularly understand it, but I liked it; it made me happy.”

Other recent credits included “Going in Style,” a 2017 remake featuring fellow Oscar winners Michael Caine and Morgan Freeman, and “The Kominsky Method.” He played a Hollywood talent agent and friend of Douglas’ character, a once-promising actor who ran an acting school after his career sputtered.

He also was the voice of Wild Knuckles in the 2022 animated film “Minions: The Rise of Gru.”

Arkin also directed the film version of Jules Feiffer’s 1971 dark comedy “Little Murders” and Neil Simon’s 1972 play about bickering old vaudeville partners, “The Sunshine Boys.” On television, Arkin appeared in the short-lived series “Fay” and “Harry” and played a night court judge in Sidney Lumet’s drama series “100 Centre Street” on A&E. He also wrote several books for children.

Born in New York City’s borough of Brooklyn, he and his family, which included two younger brothers, moved to Los Angeles when he was 11. His parents found jobs as teachers, but were fired during the post-World War II Red Scare because they were Communists.

“We were dirt poor so I couldn’t afford to go to the movies often,” he told the AP in 1998. “But I went whenever I could and focused in on movies, as they were more important than anything in my life.”

He studied acting at Los Angeles City College; California State University, Los Angeles; and Bennington College in Vermont, where he earned a scholarship to the formerly all-girls school.

He married a fellow student, Jeremy Yaffe, and they had two sons, Adam and Matthew.

After he and Yaffe divorced in 1961, Arkin married actress-writer Barbara Dana, and they had a son, Anthony. All three sons became actors: Adam starred in the TV series “Chicago Hope.”

“It was certainly nothing that I pushed them into,” Arkin said in 1998. “It made absolutely no difference to me what they did, as long as it allowed them to grow.”

Arkin began his entertainment career as an organizer and singer with The Tarriers, a group that briefly rode the folk musical revival wave of the late 1950s. Later, he turned to stage acting, off-Broadway and always in dramatic roles.

At Second City, he worked with Nichols, Elaine May, Jerry Stiller, Anne Meara and others in creating intellectual, high-speed impromptu riffs the fads and follies of the day.

“I never knew that I could be funny until I joined Second City,” he said.
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A screenwriters’ strike in Hollywood has been going on for two months,  grinding scripted TV production basically to a halt and costing California millions in losses each day. Angelina Bagdasaryan has more in this story, narrated by Anna Rice. Camera: Vazgen Varzhabetian        
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Members of the U.N.’s cultural agency are gathering Thursday for the start of two days of meetings in Paris that are expected to include a vote to accept the return of the United States to the organization.

The United States withdrew in 2018 complaining of anti-Israel bias and mismanagement at the agency.

Before leaving, the U.S. was UNESCO’s largest single donor, providing about one-fifth of the agency’s overall funding.

U.S. officials said earlier this month that the desire to return to UNESCO was motivated by concerns about China’s influence in policymaking at the agency, particularly regarding artificial intelligence and technology education.

As part of the proposed return plan, the Biden administration has requested $150 million in funding for 2024 UNESCO dues and arrears.

Some information for this report came from The Associated Press and Reuters.
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Sprinkle the sequins and pump up the volume: The 67th Eurovision Song Contest reaches its climax on Saturday with a grand final broadcast live from Liverpool. There will be catchy choruses, a kaleidoscope of costumes and tributes to the spirit of Ukraine in a competition that for seven decades has captured the changing zeitgeist of a continent.

Here’s what to expect as acts from across Europe — and beyond — vie for the continent’s pop crown.

Who’s Competing?

This year, 37 countries sent an act to Eurovision, selected through national competitions or internal selections by broadcasters. The host country is usually the winner of the previous year’s event, but 2022 runner-up Britain is hosting this time around on behalf of the winner, Ukraine.

Twenty-six countries will compete in Saturday’s final at the Liverpool Arena, beside the River Mersey in the port city that gave birth to The Beatles. Six countries automatically qualify: last year’s winner and the “Big Five” who pay the most to the contest — France, Germany, Italy, Spain and the U.K.

The other 20 finalists, chosen by public votes in two semifinals on Tuesday and Thursday, are: Albania, Armenia, Australia, Austria, Belgium, Croatia, Cyprus, Czech Republic, Estonia, Finland, Israel, Lithuania, Moldova, Norway, Poland, Portugal, Serbia, Slovenia, Sweden and Switzerland.

Wait — Australia?

Eurovision is about spirit, not just geography. Eurovision is hugely popular in Australia, and the country was allowed to join the competition in 2015. Other entrants from outside Europe’s borders include Israel and Azerbaijan.

Who Are This Year’s Favorites?

It’s hard to predict victors in a contest whose past winners have ranged from ABBA to Finnish cartoon metal band Lordi, but bookmakers say Swedish diva Loreen, who won Eurovision in 2012, is favorite to score a double with her power ballad “Tattoo.”

Finland’s Käärijä was a crowd-pleaser in the semifinals with his pop-metal party tune “Cha Cha Cha,” and Canadian singer La Zarra, competing for France, is also highly ranked for her Edith Piaf-esque chanson “Évidemment.”

And never underestimate left-field entries like Croatia’s Let 3, whose song “Mama ŠČ!”is pure Eurovision camp: an antiwar rock opera that plays like Monty Python meets “Dr. Strangelove.”

What Happens During The Final?

Around 6,000 fans will attend the final, hosted by long-time BBC Eurovision presenter Graham Norton, “Ted Lasso” star Hannah Waddingham, British singer Alesha Dixon and Ukrainian rock star Julia Sanina.

Each competing act must sing live and stick to a three-minute limit, but otherwise is free to create its own staging — the flashier the pyrotechnics and more elaborate the choreography, the better.

Russia’s war in Ukraine will lend a solemn note to a contest famed for celebrating cheesy pop. The show will open with a performance by last year’s winner, Ukrainian folk-rap band Kalush Orchestra. Ukrainian singer Jamala, who won the contest in 2016, will perform a tribute to her Crimean Tatar culture.

One person who won’t be appearing is Ukrainian President Volodymyr Zelenskyy. He asked to address the final by video — but organizer the European Broadcasting Union said “regrettably,” that would breach “the nonpolitical nature of the event.”

How Is The Winner Decided?

After all the acts have performed, viewers in participating nations can vote by phone, text message or app – though they can’t vote for their own country. This year for the first time, viewers in nonparticipating countries can also vote online, with the combined “rest of the world” votes being given the weight of one individual country.

National juries of music industry professionals also allocate between one and 12 points to their favorite songs, with an announcer from each country popping up to declare which has been granted the coveted “douze points” (12 points).

Public and jury votes are combined to give each country a single score. Ending up with “nul points” (zero points) is considered a national embarrassment. It’s a fate the U.K. has suffered several times.

How Can I Watch?

Eurovision is being shown by national broadcasters that belong to the European Broadcasting Union, including the BBC in Britain, and on the Eurovision YouTube channel. In the United States, it’s being shown on NBC’s Peacock streaming service.
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Thousands of Ukrainians fleeing the war found refuge in the small town of Uzhhorod in Ukraine. A local theater director decided to stage the Shakespearean play, King Lear, to help refugees find some normalcy during the war. They were surprised by what happened next. Angelina Bagdasaryan has the story, narrated by Anna Rice. Camera: Vazgen Varzhabetian
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