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Aerosmith will be touring a city near you for the last time to celebrate the rock band’s 50-plus years together. 

The Rock & Roll Hall of Fame band announced Monday the dates for their farewell tour called “Peace Out” starting Sept. 2 in Philadelphia. The 40-date run of shows, which includes a stop in the band’s hometown of Boston on New Year’s Eve, will end Jan. 26 in Montreal. 

“I think it’s about time,” guitarist Joe Perry said in an interview with The Associated Press. 

Perry said the group, with frontman Steven Tyler, bassist Tom Hamilton, drummer Joey Kramer and guitarist Brad Whitford, learned from the staging and production from their recent Las Vegas residency shows. 

Perry believes the time to say goodbye is now, especially with every founding band member over the age of 70. Tyler, 75, is the oldest in the group. 

“It’s kind of a chance to celebrate the 50 years we’ve been out here,” Perry said. “You never know how much longer everybody’s going to be healthy to do this. … It’s been a while since we’ve actually done a real tour. We did that run in Vegas, which was great. It was fun, but (we’re) kind of anxious to get back on the road.” 

Tyler and Perry said the band is looking forward to digging into their lengthy catalog of the group’s rock classics including “Crazy,” “Janie’s Got a Gun” and “Livin’ on the Edge.” 

Over the years, Aerosmith, which formed in 1970, has collected four Grammys. The band broke boundaries intersecting rock and hip-hop with their epic collaboration with Run-DMC for “Walk This Way.” 

Aerosmith performed the Super Bowl halftime show in 2001 and even had their own theme park attraction in 1999 at Disney World in Florida and later in Paris with the launch of the “Rock ‘n’ Roller Coaster Starring Aerosmith” ride. 

“We’re opening up Pandora’s Box one last time to present our fans with the Peace Out tour,” Tyler said in a statement to the AP. His “Pandora’s Box” reference calls out Aerosmith’s 1991 three-disc compilation album that covered the band’s output from the 1970s to the early 1980s. 

“Be there or beware as we bring all the toys out of the attic. Get ready,” Tyler added. 

The band said Kramer decided to not take part in the current dates on the upcoming tour. He’s still a part of the group, but the drummer has been on leave to “focus his attention on his family and health” since their Vegas residency last year. Drummer John Douglas will continue to play in his place. 

Perry called Kramer their brother. The band said his “legendary presence behind the drum kit will be sorely missed.” 

Before the 40-date tour wraps, Perry said other cities domestically and internationally could be added. 

“It’s the final farewell tour, but I have a feeling it will go on for a while,” he said. “But I don’t know how many times we’ll be coming back to the same cities. It could very possibly be the last time.” 
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Ten years ago, Native American photographer Matika Wilbur embarked on a road trip with an ambitious goal to document all 562 federally recognized Indigenous tribes. Her multiyear work culminated in a new book aiming to change the way people see Native Americans. She launched her book tour in her home state of Washington. VOA’s Natasha Mozgovaya has more from Seattle.
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“The Super Mario Bros. Movie” led ticket sales for the fourth straight weekend in U.S. and Canadian theaters with $40 million as the global haul for the Universal Pictures release surpassed $1 billion, according to studio estimates Sunday.

The Nintendo videogame adaptation dominated the month of April in theaters, smashing records along the way. Over the weekend, it faced little new competition, though that will change next week when Marvel’s “Guardians of the Galaxy Vol. 3” kicks off the summer movie calendar and is expected to move Mario to the side. Studios spent the last week at CinemaCon in Las Vegas promoting coming blockbusters and promising big returns at the summer box office.

“The Super Mario Bros. Movie” was estimated to easily cross $1 billion in worldwide box office Sunday, making it the 10th animated film to reach that milestone and the first since 2019. With a domestic total thus far of $490 million, international sales are even stronger. The Illumination-animated release took in $68.3 million overseas over the weekend, pushing its international haul to $532.5 million.

Second place went to “Evil Dead Rise.” The horror sequel from Warner Bros. held well in its second week, especially for a horror film, dipping 50% with $12.2 million.

Among the weekend’s newcomers, the Judy Blume adaptation “Are You There God? It’s Me, Margaret” fared the best. The Lionsgate release grossed $6.8 million in 3,343 locations, a decent start for the $30 million-budgeted coming-of age tale written and directed by Kelly Fremon Craig (“The Edge of Seventeen”).

As expected, “Are You There God? It’s Me, Margaret,” about an 11-year-old (Abby Ryder Fortson) going through puberty, drew an overwhelming female audience. With stellar reviews (99% fresh on Rotten Tomatoes) and strong audience scores (an “A” CinemaScore), “Are You There God? It’s Me Margaret,” should play well through Mother’s Day.

Lionsgate also released the Finnish action movie “Sisu” in 1,006 locations. The film, about a prospector (Jorma Tommila) whose gold is stolen by Nazis, grossed an estimated $3.3 million. That was a solid result for the rare international film to receive a nationwide opening. Reviews have been good (93% fresh on Rotten Tomatoes) for writer-director Jalmari Helander’s film.

“Sisu” managed to surpass the weekend’s most heavyweight new release: “Big George Foreman: The Miraculous Story of the Once and Future Heavyweight Champion of the World.” The film, from Sony’s Christian production company Affirm Films, gives a faith-based twist to the sports biopic. But after getting dinged by bad review, it didn’t punch very hard, with $3 million in 3,054 theaters.

Nida Manzoor’s “Polite Society,” about a British-Pakistani high-schooler (Priya Kansara) with dreams of becoming a stuntwoman, debuted with $800,000 in 927 theaters. The Focus Features film, one of the standouts of January’s Sundance Film Festival, blends kung-fu with Jane Austen in a story about London sisters.

One of the weekend’s biggest successes was a familiar box-office force. The Walt Disney Co.’s rerelease of “Star Wars: Return of the Jedi” grossed $4.7 million in just 475 theaters. Disney put “Jedi” (the 1997 special edition version) back into theaters to commemorate the 1983 film’s 40th anniversary.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “The Super Mario Bros. Movie,” $40 million.

2. “Evil Dead Rise,” $12.2 million.

3. “Are You There, God? It’s Me, Margaret,” $6.8 million.

4. “John Wick: Chapter 4,” $5 million.

5. “Star Wars: Return of the Jedi,” $4.7 million.

6. “Dungeons and Dragons: Honor Among Thieves,” $4.1 million.

7. “Air,” $4 million.

8. “Ponniyin Selvan: Part Two,” $3.6 million.

9. “The Covenant,” $3.6 million.

10. “Sisu,” $3.3 million.
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The American Library Association says there were a record number of demands to censor U.S. library books last year, nearly double the challenges from the previous year. For VOA, Deana Mitchell takes us to a Texas town that is considering closing its library to block a court ruling ordering the return of banned books.
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Ever since missionaries started building churches out of mud 400 years ago in what was the isolated frontier of the Spanish empire, tiny mountain communities like Cordova relied on their own resources to keep the faith going.

Thousands of miles from religious and lay seats of power, everything from priests to sculptors to paint pigments was hard to come by. Villagers instituted lay church caretakers called “mayordomos,” and filled chapels with elaborate altarpieces made of local wood.

Today, threatened by depopulation, dwindling congregations and fading traditions, some of their descendants are fighting to save these historic adobe structures from literally crumbling back to the earth they were built with.

“Our ancestors put blood and sweat in this place for us to have Jesus present,” said Angelo Sandoval on a spring day inside the 1830s church of St. Anthony, where he serves as mayordomo. “We’re not just a church, we’re not just a religion — we have roots.”

These churches anchor a uniquely New Mexican way of life for their communities, many of which no longer have schools or stores, and struggle with chronic poverty and addiction. But it’s becoming increasingly difficult to find the necessary resources to preserve the estimated 500 Catholic mission churches, especially since most are used for only a few services each year.

“When the faithful generation is gone, are they going to be a museum or serve their purpose?” said the Rev. Rob Yaksich, pastor of Our Lady of Sorrows in Las Vegas, New Mexico, which oversees 23 rural churches. “This old, deep-rooted Spanish Catholicism is experiencing serious disruption.”

‘It’s our job now’

In the hamlet of Ledoux, Fidel Trujillo is mayordomo of the pink-stucco San Jose church, which he keeps spotless even though few Masses are celebrated here regularly.

“Our ‘antepasados’ (ancestors) did a tremendous job in handing over the faith, and it’s our job now,” Trujillo said in the characteristic mix of Spanish and English that most speak in this region. “I much prefer coming to these ‘capillas’ (chapels). It’s a compass that guides where your heart really belongs.”

Each mission church is devoted to a particular saint. When New Mexico’s largest wildfire last spring charred forests less than 100 yards from San Jose church, and Trujillo was displaced for a month, he took the statue of St. Joseph with him.

“Four hundred years ago, life was very difficult in this part of the world,” explained Felix Lopez, a master “santero” — an artist who sculpts, paints and conserves saint figures in New Mexico’s unique devotional style. “People needed these ‘santos.’ They were a source of comfort and refuge.”

In intervening centuries, most were stolen, sold or damaged, according to Bernadette Lucero, director, curator and archivist for the Archdiocese of Santa Fe.

“Saints are the spiritual go-to, they can be highly powerful,” said Victor Goler, a master santero who just completed conserving the altarpieces, or “reredos,” in Las Trampas’ mid-18th century church.

On a recent Sunday at Truchas’ 1760s Holy Rosary church, Lopez pointed out the rich decorative details that centuries of smoke and grime had hidden until he meticulously removed them with the absorbent inside of sourdough bread.

“I’m a devout Catholic, and I do this as meditation, as a form of prayer,” said Lopez, who’s been a santero for five decades and whose family hails from this village perched on a ridge at 7,000 feet (2,100 meters).

Faith that support will come

For the Rev. Sebastian Lee, who as administrator of the popular Santuario de Chimayo complex a few miles away also oversees these mission churches, fostering local attachment is a daunting challenge as congregations shrink even faster since the COVID-19 pandemic.

“I want missions to be where people can taste culture and religiosity. They’re very healing, you’re soaked with people’s faith,” Lee said. “I wonder how to help them, because sooner or later one mission is not going to have enough people.”

The archdiocese’s Catholic Foundation provides small grants, and several organizations have been founded to help conservation efforts.

Exposed to rain and snow, adobe needs a fresh replastering of dirt, sand and straw every couple of years lest it dissolve.

That makes local buy-in and some kind of ongoing activity, even just funerals, fundamental to long-term preservation, said Jake Barrow, program director at Cornerstones, which has worked on more than 300 churches and other structures.

But with fewer priests and fewer faithful, taking some rural missions off the church’s roster might be inevitable, said the Rev. Andy Pavlak, who serves on the archdiocese’s commission for the preservation of historic churches.

Not everyone agrees. Running his hand over the smooth adobe walls he restored at the 1880s Santo Nino de Atocha chapel in Monte Aplanado, a hamlet nestled in a high mountain valley, Leo Paul Pacheco argued that the answer might hinge on the faith of future generations of lay people like him.

“They still have access to the same dirt,” Pacheco said as the adobe walls’ sand particles and straw sparkled in the sun. “They will provide.”
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A U.S.-sponsored youth festival opened Saturday in Ethiopia with the theme “Be Inspired, Own Your Future.” The two-day festival is being held just months after a bloody two-year civil war ended in Ethiopia’s Tigray region and as peace talks begin with the rebel Oromo Liberation Army (OLA).

Nearly 20,000 youth from around the country are expected to take part over two days.

U.S. Ambassador to Ethiopia Tracey Ann Jacobson spoke about the importance of the festival during her opening remarks.

“The point of it is to provide job opportunities, to provide access to loans, to provide better opportunities for leadership and health care for young people throughout Ethiopia,” she said, “and I have seen it grow from a tiny seed that we started in March to this amazing program that we have today.”

Ethiopian Minister for Women and Social Affairs Ergoge Tesfaye spoke at the event about addressing the vulnerabilities of young people.

“Government and non-governmental institutions, other members of the community, as well as the youth themselves, need to understand that they are exposed to a variety of problems along with this untapped potential and providing necessary solutions and steps is expected from all of us,” she said.

Last week, the Ethiopian government started talks with representatives of the OLA in Tanzania after years of protracted communal conflict in Ethiopia’s Oromia region.

Entrepreneurs and creative individuals from across 17 cities in Ethiopia are showcasing their work at the Addis Ababa festival, but the event did not have representatives from the Tigray region because of the war’s impact.

Boni Bekele, from the Oromia region, had a booth for a clothing design shop at the market fair within the festival.

He said that he used to be able to work across the country in previous years but not anymore.

The government has made millions of young people lose hope, he said. But their strengths should be used, he said, and not just as soldiers, because that won’t transform a country. It’s philosophy, science and skills that can change a country, he said, adding that this must be a priority.

The youth festival also featured a tech village and an art gallery.

One of the artists presenting her work was 23-year-old Melat Shiferaw, who came from Dire Dawa in the eastern part of Ethiopia.

For her, though the current environment in the country is not encouraging, she hopes things will soon fall into place.

As humans, she said, we live not just thinking about today, but what we hope for tomorrow, hoping tomorrow will be better.

The festival, supported by USAID for five years, is expected to include participants from Tigray in coming years, as organizers finalize a post-conflict assessment in the region.
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While a clear majority of Americans still drink alcohol, many others choose to skip it.. As the US marks April as Alcohol Awareness month, the nondrinkers in Washington can head to a perfect bar, called Binge Bar – Washington’s first booze-free bar. Karina Bafradzhian has the story. Video: David Gogokhia
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