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Censors have altered the ending of the recent animated film “Minions: The Rise of Gru” for its domestic release in China, social media users across the country noticed over the weekend.

The editing is yet another example of Chinese authorities editing a popular Hollywood film to make it more politically correct, leading some viewers to lament the changes.

According to posts and screenshots from the movie shared on Weibo, a platform similar to Twitter, censors tacked on an addendum in which Wild Knuckles, a main character in the heist film, was caught by police and served 20 years in jail.

Gru, a co-conspirator of Wild Knuckles, “returned to his family” and “his biggest accomplishment is being the father to his three girls,” screenshots of the film showed.

In the international version, the film ends with Gru and Wild Knuckles, the story’s two thief anti-heroes, riding off together after Wild Knuckles faked his own death to evade capture from authorities.

Numerous online commentators mocked the addendum, saying it resembled a power-point presentation.

DuSir, an online movie review publisher with 14.4 million followers on Weibo, noted that the Chinese version of the film runs one minute longer than the international version and questioned why the extra minute was needed.

“It’s only us who need special guidance and care, for fear that a cartoon will ‘corrupt’ us,” DuSir wrote in a piece published Saturday.

Universal Pictures, the film’s U.S. distributor, did not respond to a request for comment outside of normal business hours.

Huaxia Film Distribution Co. and China Film Co., the film’s distributors in China, did not respond to a request for comment.

China places a quota on the number of overseas movies that can be shown in domestic movie theaters. Many Hollywood films that screen in the country have certain scenes omitted or altered.

At times, some viewers note, alternate endings to films diverge far from the original.

Last year, Chinese viewers of the classic 1999 film “Fight Club” noticed that the original ending, in which the protagonist and his alter ego detonate a set of skyscrapers, was not on the version shown on domestic streaming site Tencent Video.

Instead, an on-screen script said police “rapidly figured out the whole plan and arrested all criminals, successfully preventing the bomb from exploding.”

The changes were widely mocked among Chinese fans of the original film, and even elicited responses from the film’s director and the author of the novel it was based on. Tencent later restored the original ending.
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Friends and fellow authors spoke out on Salman Rushdie’s behalf during a rally Friday on the steps of the main branch of the New York Public Library, one week after he was attacked onstage in the western part of the state and hospitalized with stab wounds. 

Rushdie’s condition has improved, and, according to his literary agent, he has been removed from a ventilator. 

Jeffrey Eugenides, Tina Brown and Kiran Desai were among those who shared wishes for a full recovery, told stories of Rushdie as an inspiration and defender of free expression, and read passages from his books, essays and speeches, including from The Satanic Verses, the 1988 novel that some Muslims condemned as blasphemous. 

Rushdie spent years in hiding after Iran’s Ayatollah Ruhollah Khomeini issued a 1989 edict, a fatwa, calling for his death, but had traveled freely over the past two decades. 

The hourlong “Stand With Salman” gathering was presented in part by the library, by Rushdie’s publisher, Penguin Random House, and by the literary and human rights organization PEN America. Hundreds were in attendance, many affiliated with PEN, of which the 75-year-old Rushdie is a former president. 

‘Indefatigable champion’

“He’s been a constant, indefatigable champion of words and of writers attacked for the purported crime of their work,” said the day’s first speaker, PEN CEO Suzanne Nossel. “Today, we will celebrate Salman for what he has endured, but even more importantly, because of what he has engendered — the stories, characters, metaphors and images he has given to the world.” 

The rally did not include any new words from Rushdie, but Nossel said Rushdie was aware of the event and even made suggestions for what to read. Rushdie’s son Zafar Rushdie, who has been with his father, tweeted that “it was great to see a crowd gathered” outside the library. 

“Stand With Salman” took place the day after a judge in Mayville, New York, denied bail to Hadi Matar, 24, who has pleaded not guilty of attempted murder and assault. While in jail, Matar told the New York Post that he disdained Rushdie as anti-Muslim and expressed admiration for the ayatollah. 

On Friday, other readers included author and journalist Gay Talese, author and former PEN President Andrew Solomon, and poet-activist Reginald Dwayne Betts. Actor Aasif Mandvi read from Rushdie’s upcoming novel, Victory City, which he completed before the attack and includes the passage, “I myself am nothing now. All that remains is the city of words. Words are the only victors.” 

Eugenides, whose novels include the Pulitzer Prize-winning Middlesex, remembered traveling to London in the early 1980s. Eugenides was 20 and Rushdie’s breakthrough novel, Midnight’s Children, had recently been published. He knew Rushdie lived there and decided he wanted to meet him. It was years before The Satanic Verses, and Eugenides found his name and address in the phone book. 

“I took the tube out to his house. As it turned out, Salman wasn’t at home; he was in Italy, vacationing,” said Eugenides, who was greeted by Rushdie’s then-mother-in-law and left a note for the author. 

“That was the world we used to live in,” Eugenides added.
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The Victoria and Albert Museum in London is hosting an exhibition of African fashion that organizers say is the largest of its kind. The landmark exhibit — named simply “Africa Fashion” — promises to set a new standard on how the subject is portrayed in museums and art galleries. For VOA, Pasi Myohanen reports from London. Camera: Humberto Nascimento
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