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Iran has arrested an internationally renowned filmmaker, several newspapers reported Tuesday, the third Iranian director to be locked up in less than a week as the government escalates a crackdown on the country’s celebrated cinema industry.

The arrest of award-winning director Jafar Panahi and wider pressure on filmmakers follows a wave of recent arrests as tensions escalate between Iran’s hardline government and the West. Security forces have detained several foreigners and a prominent reformist politician as talks to revive Tehran’s nuclear accord with world powers hit a deadlock and fears grow over the country’s economic crisis.

Panahi, one of Iran’s best-known dissident filmmakers, had gone to the prosecutor’s office in Tehran on Monday evening to check on the cases of his two colleagues detained last week, when security forces scooped him up as well, the reports said.

A colleague of Panahi, who spoke on condition of anonymity because of fear of reprisals, told The Associated Press that authorities sent him to Iran’s notorious Evin Prison to serve out a prison term dating back years ago.

In 2011, Panahi received a six-year prison sentence on charges of creating anti-government propaganda and was banned from filmmaking for 20 years. He was also barred from leaving the country.

However, the sentence was never really enforced and Panahi continued to make underground films — without government script approval or permits — that were released abroad to great acclaim.

Panahi has won multiple festival awards, including the 2015 Berlin Golden Bear for “Taxi,” a wide-ranging meditation on poverty, sexism and censorship in Iran, and the Venice Golden Lion in 2000 for “The Circle,” a deep dive into women’s lives in Iran’s patriarchal society.

The Berlin International Film Festival said it was “dismayed and outraged” to hear of Panahi’s arrest, calling it “another violation of freedom of expression and freedom of the arts.”

His detention came after the arrest of two other Iranian filmmakers, Mohamad Rasoulof and Mostafa al-Ahmad.

Authorities accused Rasoulof and al-Ahmad of undermining the nation’s security by voicing opposition on social media to the government’s violent crackdown on unrest in the country’s southwest.

Following the catastrophic collapse of the Metropol Building that killed at least 41 people in May, protests erupted over allegations of government negligence and deeply rooted corruption. Police responded with a heavy hand, clubbing protesters and firing tear gas, according to footage widely circulating online.

Rasoulof won the Berlin Film Festival’s top prize in 2020 for his film “There Is No Evil” that explores four stories loosely connected to the themes of the death penalty in Iran and personal freedoms under tyranny. In 2011, Rasoulof’s film “Goodbye” won a prize at Cannes but he was not allowed to travel to France to accept it.

Cannes sharply condemned the arrests of the three filmmakers and “the wave of repression obviously in progress in Iran against its artists.”

PEN America, a literary and free speech organization, said their detention marks a “brazen violation of their human right to free expression and speech.”

Several foreigners have also landed in Iranian prison in recent weeks, including two French citizens, a Swedish tourist, a Polish scientist and others, spurring concerns that Iran is trying to leverage them as bargaining chips in negotiations.

It’s a tactic Iran has used in the past, including in 2014 when authorities arrested Washington Post reporter Jason Rezaian. He was released a year and a half later in a prisoner swap with the United States as the landmark nuclear accord took effect.

On Monday, the family of a Belgian humanitarian worker being held in Iran, Olivier Vandecasteele, appealed to Brussels to do “everything” to secure his release from Evin Prison. They said he was arrested in late February after working for more than six years in Iran to help its Afghan migrant community.

The Belgian Ministry of Foreign Affairs told the AP on Tuesday it had asked Iran for his release on “several occasions” and still had “no information on the reasons of his arrest.” It said the government was providing him with consular assistance.
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“Succession” received a leading 25 Emmy nominations Tuesday, but the satirical drama about the rich and ruthless has a landmark rival in “Squid Game,” the first non-English language series to vie for television’s top honor.

“Squid Game,” a South Korea-set drama in which the poor are fodder for brutal games, earned a best drama nomination and 13 other bids for September’s Emmy Awards. “Succession” captured the best drama trophy and eight other awards when it last vied for Emmys, in 2020.

“Ted Lasso” was the top comedy series nominee with 20 bids and has the chance to earn its second consecutive best comedy trophy, as with academy voters proved undeterred by its sophomore season turn to the emotional dark side.

Other top nominees included the tropical resort-set anthology dramedy “The White Lotus,” which also received 20 nominations; the comedies “Hacks” and “Only Murders in the Building” with 17 bids each, and teenage dysfunction drama “Euphoria.” Its star, Zendaya, was crowned best actress in 2020 was nominated again.

The nominees for best drama series are: “Better Call Saul”; “Euphoria”; “Ozark”; “Severance”; “Squid Game”; “Stranger Things”; “Succession”; “Yellowjackets.”

The nominees for best comedy series are: “Abbott Elementary”; “Barry”; “Curb Your Enthusiasm”; “Hacks”; “The Marvelous Mrs. Maisel”; “Only Murders in the Building”; “Ted Lasso” and “What We Do in the Shadows.”

 

The nominees for best comedy series actress are: Rachel Brosnahan, “The Marvelous Mrs. Maisel”; Quinta Brunson, “Abbott Elementary”; Kaley Cuoco, “The Flight Attendant”; Elle Fanning, “The Great”; Issa Rae, “Insecure”; Jean Smart, “Hacks.”

The nominees for actor in a comedy series are: Donald Glover, “Atlanta”; Bill Hader, “Barry”; Bill Hader, “Barry”; Nicholas Holt, “The Great”; Jason Sudeikis, “Ted Lasso” Steve Martin, “Only Murders in the Building”; Martin Short, “Only Murders in the Building.”

The nominees for drama series actor are: Jason Bateman, “Ozark”; Brian Cox, “Succession”; Lee Jung-jae, “Squid Game”; Bob Odenkirk, “Better Call Saul”; Adam Scott, “Severance” and Jeremy Strong, “Succession.”

The best drama series actress nominees are: Jodie Comer, “Killing Eve”; Laura Linney, “Ozark”; Melanie Lynskey, “Yellowjackets”; Sandra Oh, “Killing Eve”; Reese Witherspoon, “The Morning Show” and Zendaya, “Euphoria.”

The limited series nominees are: “Dopesick”; “The Dropout”; “Inventing Anna”; “The White Lotus”; “Pam & Tommy.”

The nominees for variety talk series are: “The Daily Show with Trevor Noah”; “Jimmy Kimmel Live”; “Last Week Tonight with John Oliver”; “Late Night with Seth Meyers” and “The Late Show with Stephen Colbert.”

Television Academy President Frank Scherma kicked off the nomination announcement by saying that a record number of shows had been submitted, which reflects that series production was an all-time high after being drastically reduced during the pandemic.

The Emmys once were dominated by broadcast networks and then cable, with the rise of streaming services changing the balance of power and perhaps the awards themselves. Netflix’s “Squid Game” joining the Emmy mix is the result of streaming’s global marketplace focus.

“The Crown,” which dominated the 2021 drama awards, wasn’t televised within the eligibility period and is sitting this year out.

The Emmy ceremony is set for Sept. 12 and will air on NBC, with a host yet to be announced.
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Nicktar Benedito, an artist in south-central Mozambique, has physical disabilities that have limited the use of his hands but honed his determination and empathy. Andre Baptista reports from Chimoio, capital of Manica province, in this story narrated by Carol Guensburg. Camera: Andre Baptista
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The red on beige sign outside La Torre shop advertises the kind of underwear earlier generations might have worn, mostly knickerbockers and girdles.

The shop — known as The Tower in English — has been a standard in Barcelona for more than 120 years, preserving a glimpse into the city’s past.

La Torre has withstood the relentless march of Starbucks, McDonald’s, and other international corporate chains which, critics say, have eaten up the souls of downtowns. Other period shops, cinemas or libraries have not been so fortunate and have been forced to close.

Campaigners in Spain are determined to safeguard a form of heritage which they say is increasingly under threat: the shop signs which advertise small businesses often run by families.

Described as the “Indiana Jones of the Lost Shop Signs” by the Spanish newspaper ABC, they advocate for everything from the Art Deco cinema signs, old-fashioned flashing Buy Easy signs and the ornate golden shoe shop signs.

The commercial signs outside shops that have long shaped the identity of cities, towns and villages are a part of our past, said volunteers from the Iberian Network in Defense of Graphic Heritage, a collective of about 50 projects across Spain.

Heritage

To most people, heritage sums up the idea of castles, priceless paintings, and royal jewels. But these campaigners contend that the urban landscape which most people inhabit every day is as much a part of our treasured past too.

Heritage legislation in Spain protects everything from cathedrals to castles to bullfighting but not shop signs – so far. So, campaigners must first convince local councils to protect these symbols of everyday life.

“We are against nostalgia because it says that the past is better than the present or the future. We want to preserve these shop signs because they represent something from the past that we can use to learn about for the future,” Alberto Nanclares, of the Iberian Network, told VOA in an interview.

Nanclares said the organization began in 2014 after the then government abolished a law which guaranteed cheap rents to companies, driving many small shops out of business. He said they plan to open a museum to show off the signs they have saved.

“It should be very popular because it will attract designers, architects, elderly people who want to see the past and people who want to take their grandparents to see the place where they grew up,” he added.

Laura Asensio is a graphic designer who has been working for an organization called Valladolid with Character. They hope to stop Valladolid, a northern Spanish, from becoming a bland version of many other cities across Europe.

Volunteers are mapping out the old shop signs which have been saved or at risk from being lost.

Asensio said she hopes to convince the city council to change local laws to preserve this part of the city’s heritage. A book will be published with photographs in December detailing this part of the city life for future generations.

“The reason we started this organization is to stop shop signs from being lost to globalization. All over Europe, city centers are being dominated by McDonalds, Zara, or Burger King,” she told VOA.

Laura Aseguradade, an interior designer, and member of the Iberian Network, said younger people may not appreciate the value of the architectural heritage of their own cities.

“But if you don’t value traditions and distinctiveness of your cities then Madrid ends up looking much like Barcelona or London with the same chains springing up due to globalization,” she told VOA from her home in Madrid.

“We are not against globalization, but the architectural heritage brings value to your city because it makes it different to other places which is important for tourism and the quality of life.”
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Public health officials say one of the effects of the coronavirus lockdowns was that more people drank alcohol more heavily, with the World Health Organization warning of exacerbated health concerns and an increase in risky behaviors. As more bars reopen, Svitlana Prystynska takes us to one with a novel approach to drinking.
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