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Citing “concern about holding individual athletes accountable for the actions and decisions of their governments,” the U.S. Tennis Association will let Russian and Belarusian tennis players participate in the U.S. Open later this summer.

Wimbledon will still maintain the ban on those athletes, which will include the world’s No. 1 player, Daniil Medvedev. Medvedev is the defending U.S. Open champion.

Wimbledon starts June 27 in England. The U.S. Open starts August 29 in New York.

Players from Russia and Belarus will participate under a neutral flag.

Since Russia’s invasion of Ukraine in February, Russian athletes have been banned from competing in a variety of sports, including soccer’s World Cup qualifying playoffs.

Some information in this report comes from The Associated Press and Reuters.
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Growing up in the Democratic Republic of Congo, Bismack Biyombo dreamed of playing professional basketball in the United States. His dream has been reality ever since he was drafted into the NBA more than a decade ago. But what he’s doing off the court gives a notable assist to his home country.

The 29-year-old center for Arizona’s Phoenix Suns calls himself “a child of Africa” who “stepped onto a basketball court at the age of 13 in Lubumbashi,” a major city in southeastern DRC. “And I was lucky enough to have, you know, parents that supported me,” he told VOA in an interview at the Suns’ practice facility earlier this spring.

Biyombo credits his father Francois Biyombo and mother Françoise Ngoy with nurturing a spirit of purpose and generosity. They sacrificed to ensure that the eldest of their seven children could play basketball, including when he went to Yemen at 16 to try out for a local team, and later when he joined a club league in Spain. After Biyombo was drafted into the NBA in 2011, they encouraged his giving back.

He has. Bismack Biyombo has donated time and millions of dollars to support education and health care in the DRC, largely through the self-named foundation he started in 2017 in Florida. (Before joining the Phoenix Suns for the 2021-22 season, he played with the Orlando Magic — also in Florida — as well as the Charlotte Hornets in North Carolina and Toronto Raptors in Canada.)

Biyombo heavily funded the Kivu International School, which opened in Goma in 2017. “Each year, we award more than 150 scholarships within the DRC and the U.S.,” he said in a video clip posted on the foundation website. The foundation has brought more than 60 DRC students to the United States to study, he told VOA. Biyombo also hosts free basketball camps each summer in the DRC, equipping youths with new skills, athletic shoes and other gear.

“My job becomes to inspire kids across Congo and make sure that we give all of them an equal opportunity,” he said in the VOA interview.

Biyombo’s foundation has supported Congolese mobile clinics and upgrades to public health facilities. It also provided hundreds of thousands of dollars’ worth of health care equipment, including face masks and hazmat suits, to help combat the COVID-19 pandemic in the DRC.

“And now we’ve set bigger goals and we’re going for it,” Biyombo said.

That includes building a Lubumbashi hospital in honor of his father, who died last August at age 61 of complications from COVID-19. Biyombo announced earlier this year that he would donate his salary for the 2021-2022 season — $1.3 million, according to his foundation’s website — toward that mission.

“I want to build my dad a hospital that will continue servicing people, because he believed in one guy, which is me,” Biyombo said. “And now we get to do it for him.”

Such humanitarian gestures are right out of the playbook of retired NBA great Dikembe Mutombo, a Congolese player who, Biyombo said, is “like a big brother.”

Mutombo, who hung up his jersey in 2009 and was inducted into the Basketball Hall of Fame six years later, started a foundation in 1997 to aid people, especially those in his native DRC. That foundation’s projects include building the Biamba Marie Mutombo Hospital in his hometown of Kinshasa.

Dr. Joseph Nsambi Bulanda, health minister for Haut Katanga province where Lubumbashi is located, told VOA his government appreciated Biyombo’s offer of a new hospital. Construction has not yet begun.

“We can give him some advice,” Nsambi said, noting his government aims “to improve and to let all Congolese and all people from Haut Katanga province have a very good health system.”

Nsambi said of Biyombo, “He’s someone with very good will.” He added that the public health system in his country – one of the world’s poorest — welcomes an assist. “We need people. We need organizations.”

Biyombo’s generosity has brought him accolades. TIME named him to its 2021 list of Next Generation Leaders. The NBA and health care provider Kaiser Permanente honored him this year with a “community cares” award — and a $10,000 check for his foundation — for his efforts to aid the DRC.

The athlete wants others to benefit from basketball, as he has.

“So many young African American leaders [are] now coming into the NBA that I think the future of Africa there is great,” Biyombo said. He also talked up the Basketball Africa League, a partnership of the NBA and International Basketball Federation (FIBA).

“The reality of the league,” Biyombo said, “is that I think a lot of these kids are given an opportunity to actually stay home” and still prosper in the sport.

“You know, most of the kids want to find a way to escape what’s happening in Africa,” he said. “And you got to give them a reason to stay. I think that’s one thing that motivated me to invest so much in the younger generation. … The more tools we can give to the next generation, they’ll be able to solve more of the problems that we’re dealing with today.

“There is an opportunity to make an impact,” Biyombo said. “And I don’t want to waste it.”

VOA Lingala service’s Eddy Isango contributed to this report.
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About 5 million Ukrainian refugees have fled to other parts of Europe since Russia’s assault on their homeland began in February. Among them: nearly three dozen dancers from the Kyiv City Ballet. They’ve found refuge in Paris and continue to perform and plan foreign tours, but the conflict is never far away. For VOA, Lisa Bryant has more from Paris.
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A startup professional golf tour backed by Saudi Arabia’s sovereign wealth fund has roiled the usually staid world of professional golf — the PGA Tour — in the United States.

The PGA suspended 17 professional players last week for participating in the inaugural Saudi tournament, which began June 9.

The new tour, the LIV Golf Invitational Series, has caused controversy for months, in large part because critics of the Saudi regime’s policies claimed it was a way to launder the reputation of the country’s monarchy, particularly that of Crown Prince Mohammed bin Salman.

The crown prince has been held in disrepute internationally since at least 2018, when agents of his government allegedly assassinated journalist Jamal Khashoggi at the Saudi embassy in Istanbul and dismembered his body to hide the evidence. The CIA later concluded that Salman ordered the killing.

U.S. President Joe Biden, who, as a candidate in 2019, declared that Saudi Arabia should be considered a “pariah” state based on its record of human rights abuses, including the Khashoggi killing, is currently attempting a rapprochement with the Saudi regime. He is expected to visit Riyadh in July.

A new approach

The Roman numerals in the new tour’s name — LIV, or 54 — refer to its format. Unlike the traditional PGA Tour, which typically involves four rounds of golf totaling 72 holes, LIV Golf consists of just three rounds, for a total of 54 holes.

LIV Golf markets itself as taking a fresh approach to a sport steeped in history, decorum and understatement. Its tournaments feature loud music, a team format and “shotgun” starts in which all teams begin play at the same time at different holes.

The new tour also offers large purses. On Saturday, South African golfer Charl Schwartzel won the tournament’s top individual prize of $4 million. Schwartzel’s side also won the team competition, splitting an additional $3 million between the four of them.

The Saudis are also reportedly paying top players undisclosed appearance fees, which in some cases might exceed the prize money on offer at specific tournaments.

Indeed, the amount of money the Saudis are pouring into LIV Golf appears be a major reason it has been able to separate well-known players, including Dustin Johnson, Bryson DeChambeau and Patrick Reed, from the PGA Tour.

LIV ‘leverage’

Early this year, American golfer Phil Mickelson, one of the most popular and successful players of his generation, sparked anger after a biographer quoted him weighing the pros and cons of playing in the new league.

Characterizing the Saudi leadership as “scary,” Mickelson said, “We know they killed Khashoggi and have a horrible record on human rights. They execute people over there for being gay. Knowing all of this, why would I even consider it?”

Mickelson went on to say that he has joined LIV Golf because he saw the new league as a way to force change on the PGA Tour, which he characterized as “manipulative” and “coercive,” toward players.

“The Saudi money has finally given us that leverage,” he said.

Mickelson was immediately dropped by a number of high-profile sponsors. He later apologized and withdrew from professional golf for months. However, he was on hand when the inaugural LIV Golf Invitational London tournament kicked off June 9 in Hemel Hempstead, England.

Dueling statements

As the LIV event began, PGA Tour Commissioner Jay Monahan sent a letter to the tour members announcing that 17 players had been suspended for their participation. Ten of them had already voluntarily resigned their PGA Tour membership.

“These players have made their choice for their own financial-based reasons,” a decision, he wrote, that “disrespects you, our fans and our partners.”

He added: “I am certain our fans and partners — who are surely tired of all this talk of money, money and more money — will continue to be entertained and compelled by the world-class competition you display each and every week, where there are true consequences for every shot you take and your rightful place in history whenever you reach that elusive winner’s circle.”

LIV Golf responded immediately with a statement of its own.

“Today’s announcement by the PGA Tour is vindictive and it deepens the divide between the Tour and its members,” it said. “It’s troubling that the Tour, an organization dedicated to creating opportunities for golfers to play the game, is the entity blocking golfers from playing. This certainly is not the last word on this topic. The era of free agency is beginning as we are proud to have a full field of players joining us in London, and beyond.”

‘Staggering’ amount of money

John A. Fortunato, a professor at Fordham University’s Gabelli School of Business, told VOA that the question of “free agency” in golf is not new. Some European players, for example, play in PGA Tour events in the U.S. but also participate in non-PGA events in Europe.

Fortunato, the author of the book Making the Cut: Life Inside the PGA Tour System, also said that freedom from the PGA’s participation rules is probably not the main driver behind some players opting for the LIV, he said.

“The amount of money is staggering,” he said. Indeed, Schwartzel’s $4 million purse in the LIV opener dwarfed the approximately $1.5 million that Rory McIlroy took home for winning a PGA Tour event in Canada on the same weekend.

Television deals and sponsors

Fortunato said the new league’s long-term success will hinge in part on getting television networks to cover its tournaments — a task that will be difficult in the U.S., given that most major broadcast networks as well as cable sports giant ESPN have long-standing relationships with the PGA Tour.

He said another factor will be how two “major” tournaments in the U.S. that are not run by the PGA Tour decide to address the issue of LIV participation.

One of those tournaments, the U.S. Open, begins Thursday, June 16, and appears poised to allow LIV participants to play. But that may be in part because the organizers did not have time to develop a policy toward the new tour.

The next Masters Tournament, held by the Augusta National Golf Club, will not take place until spring 2023. The Masters could prevent LIV participants from playing in Augusta.

“That’s the big domino that I’m watching,” Fortunato said. “And that is the thing that the PGA Tour, I think, is most hoping for.”
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June is Lesbian, Gay, Bisexual, Transgender and Queer Pride Month. In the Western U.S. state of Colorado, multimedia artists are exploring the intersections of gender identity and disability. VOA’s Scott Stearns has the story from Denver. WARNING: The video contains a brief depiction of nudity.
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“A Strange Loop,” an irreverent, sexually frank work about Blackness and queerness took home the best new musical crown at the Tony Awards on Sunday, as voters celebrated Broadway’s most racially diverse season by choosing an envelope-pushing Black voice.

Michael R. Jackson’s 2020 Pulitzer Prize drama winner is a theater meta-journey — a tuneful show about a Black gay man writing a show about a Black gay man. Jackson also won for best book. Many of the night’s other Tonys were spread over several productions.

The victory of a smaller, more offbeat musical against more commercial offerings continues a recent trend, as when the intimate musical “The Band’s Visit” beat the big brand-musicals “Frozen,” “Mean Girls” and “SpongeBob SquarePants” in 2018 or when “Hadestown” bested “Tootsie,” “Beetlejuice” and “Ain’t Too Proud” a year later.

“A Strange Loop” beat “MJ,” a bio musical of the King of Pop’s biggest hits, for the top prize, although the other Jackson musical nabbed four Tony Awards including for best choreography. Myles Frost moonwalked away with the award for best lead actor in a musical for playing Michael Jackson, becoming the youngest solo winner in that category. “Mom, I made it!” he said.

“MJ” represents the 22-year-old Frost’s Broadway debut as he plays Jackson with a high, whispery voice, a Lady Diana-like coquettishness and a fierce embrace of Jackson’s iconic dancing and singing style. “Heal the world,” Frost said from the stage, channeling Jackson.

Joaquina Kalukango won the Tony for best leading actress in a musical for her work in “Paradise Square,” a show about Irish immigrants and Black Americans jostling to survive in New York City around the time of the Civil War. Earlier in the night, she blew the house down with a stunning performance of the musical’s “Let It Burn.”

A gender-swapped revival of Stephen Sondheim’s “Company” rode the fondness Broadway has for the late iconic composer by earning five statuettes, including best musical revival. 

“Company” is an exploration of a single person’s conflicted feelings about commitment, traditionally focusing on a 35-year-old bachelor. This time, it had a bachelorette and the sexes of several couples were swapped.

Marianne Elliott made Tony history by becoming the only woman to have won three Tonys for directing, the latest for “Company.” She thanked Sondheim for letting her put a woman “front and center.” She dedicated her award to everyone fighting to keep theaters open. 

Patti LuPone won best featured actress in a musical for her work in the revival, thanking COVID-19 safety officials in her acceptance speech. Matt Doyle won for best featured actor in a musical for “Company.”

“The Lehman Trilogy,” spanning 150 years and running three and a half hours, follows the fortunes of a single family into the financial crash of 2008. It was crowned best new play and Sam Mendes won for best direction of a play, praising the season for its “rampant creativity.” One of its three stars, Simon Russell Beale, won for best actor in a play and thanked the audience for coming to see a trio of British actors tell a New York story.

Deirdre O’Connell won for best actress in a play for her work in “Dana H.,” about a real woman kidnapped by a former convict and white supremacist. O’Connell never speaks, instead, lip-syncing to an edited recording of the survivor. On Sunday, O’Connell urged the crowd to ignore safe options and “make the weird art.”

“Take Me Out” won for best play revival, and “Modern Family” star Jesse Tyler Ferguson won the Tony for best featured actor in a play for his work in it. “Mom, Dad, thank you for letting me move to New York when I was 17-years-old. I told you it would be OK,” said Ferguson, who also thanked his understudy and his husband.

Host Ariana DeBose kicked off her portion of the show in a sparkling white jumpsuit and wide-brimmed hat, dancing and singing to the song “This Is Your Round of Applause,” which mashed up shards of musical theater favorites, like “Chicago, “The Wiz,” “Evita,” “Rent,” “Hair,” “Cabaret,” “Hairspray” and “West Side Story,” the movie remake for which she recently won an Oscar.

Still panting while welcoming viewers, she told the crowd that this was the season “Broadway got it’s groove back.”

Phylicia Rashad won best featured actress in a play for “Skeleton Crew.” The Dominique Morisseau play is about blue-collar job insecurity set in a Detroit auto stamping plant. “It’s wonderful to present humanity in all it’s fullness,” Rashad said.

And the Tonys ushered in the latest EGOT winner: Jennifer Hudson, who has an Emmy, Grammy and Oscar, and joined that elite group Sunday when “A Strange Loop” won best musical — she’s a producer.

A starry revival of the classic show “The Music Man” with Hugh Jackman and Sutton Foster walked away empty-handed despite six nominations and being a box office smash, regularly pulling in more than $3 million a week.

The season was marked by the embrace of seven Black playwrights, from contemporary writers like Dominique Morisseau, Keenan Scott II and Antoinette Nwandu, to underappreciated historical playwrights like Alice Childress and Ntozake Shange. DeBose said Broadway was more representative.

DeBose celebrated the Black voices and onstage talent — as well as noting that two Broadway theaters were being renamed for Black icons James Earl Jones and Lena Horne — saying that The Great White Way was now a nickname “as opposed to a how-to guide.”

DeBose also hailed the heroic efforts of understudies, swings and standbys to keep shows going throughout pandemic spikes, noting that she and many other Tony nominees had once been unheralded understudies and swings. After the cast of “Six” performed, DeBose noted that one was a fill-in at the last minute. 

Having been freed of handling the technical awards, the main telecast had a less frantic, more airy feel. DeBose was an assured, funny and versatile host, one who roamed the seats, sat in Andrew Garfield’s lap, danced with Sam Rockwell and prompted Laurence Fishburne to do a Daffy Duck imitation. She closed the show with a medley of the musical nominees, at one point making “MJ” part of the Dylan show: “You’ve been hit by/A rolling stone.”

Some of the show highlights included the massive cast of “The Music Man” filling the massive Radio City stage with “Seventy-Six Trombones,” as well as Prince Jackson and Paris Jackson introducing the show about their father before the “MJ” cast danced to an energetic “Smooth Criminal.”

Billy Crystal taught the crowd “Yiddish scatting,” and the original cast of the 2007 Tony-winning musical “Spring Awakening” — including Lea Michele and Jonathan Groff — reunited for a performance.

Many acceptance speeches thanked the audiences for braving spikes in COVID-19 to come to see shows, and Marsha Gay Harden cheered 150 safety officers invited as guests to the Tonys.

Earlier, Darren Criss and Julianne Hough kicked off the four-hour awards, handing out mostly design awards. Criss opened the telecast with the original song, “Set the Stage,” as he and Hough energetically danced up ladders, on laundry hampers and in sliding theater seats to celebrate the artists who keep theater alive.

The first award of the night — for best score — went to “Six: The Musical,” with music and lyrics by Toby Marlow and Lucy Moss. Marlow became the first out nonbinary composer-lyricist to win a Tony. “Six: The Musical” also picked up the award for best costumes for a musical.

The season — with 34 new productions — represents a full return to theaters after nearly two years of a pandemic-mandated shutdown. At the last Tonys nine months ago, the winners were pulled from just 18 eligible plays and musicals, and many of the competitive categories were depleted.

Sondheim, the iconic composer who died in late 2021, was honored in a special segment by Bernadette Peters singing his song “Children Will Listen.” Angela Lansbury, who was honored with a lifetime achievement Tony, wasn’t present so her “Sweeney Todd” co-star Len Cariou accepted on her behalf.
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