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PHNOM PENH, CAMBODIA — Archaeologists in Cambodia have unearthed a dozen centuries-old sandstone statues in a “remarkable discovery” at the Angkor World Heritage Site near the city of Siem Reap, authorities said Wednesday.

The statues — depicting “door guardians” — were discovered last week near the north gate leading to the 11th-century Royal Palace at Angkor Thom, the last capital of the Khmer Empire, said Long Kosal, spokesperson for the Apsara National Authority, the government agency that oversees the archaeological park.

Teams were assessing the ancient gate’s structure and searching for fallen stones around the portal on the north side of Angkor Thom, one of four entrances to the complex, when the discovery was made.

The statues depict guardians standing at attention and vary in size from about 1 meter to 110 centimeters (about 39 to 43 inches). They were found buried at depths of up to 1.4 meters (4.5 feet), and some are in surprisingly good shape, with each featuring unique facial hair ornaments, adding to their distinctiveness, archaeologist Sorn Chanthorn said.

“Experts believe these door guardian statues exemplify the Khneang Style, aligning with the construction period of the 11th-century palace.” the Apsara National Authority said.

Angkor Thom is part of the Angkor Archaeological Park, a complex that sprawls over some 400 square kilometers (155 square miles), named a UNESCO World Heritage Site in 1992 and one of Southeast Asia’s most popular tourist destinations.

It contains the ruins of Khmer Empire capitals from the 9th to 15th centuries, including the temple of Angkor Wat.

The site, near Siem Reap, about 320 kilometers (200 miles) northwest of the capital, Phnom Penh, drew more than 500,000 international visitors in the first half of 2024, according to Cambodia’s Tourism Ministry.

The archaeological dig was a collaborative project between Apsara and the China-Cambodia Government Team for Safeguarding Angkor, Apsara said.

Following the discovery of the statues, the archaeological team carefully documented their positions before removing them for cleaning and restoration. They will eventually be returned to their original locations, authorities said.

Many Khmer cultural treasures were looted during the long period of civil war and instability when Cambodia was ruled by the brutal communist Khmer Rouge regime in the 1970s.

Cambodia has benefited from a trend that in recent decades has seen the repatriation of art and archaeological treasures taken from their homelands. In August, it celebrated the return of dozens of artifacts from museums and private collections abroad.

It has also come under criticism for efforts to clean up the Angkor site, which has involved relocating thousands of families in what Amnesty International has condemned as a “gross violation of international human rights law.”

At its meeting in July, the U.N.’s World Heritage Committee recommended that Cambodia invite a new team of experts to monitor the situation.
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LOS ANGELES — Teri Garr, the quirky comedy actor who rose from background dancer in Elvis Presley movies to co-star of such favorites as Young Frankenstein and Tootsie, has died. She was 79. 

Garr died Tuesday of multiple sclerosis “surrounded by family and friends,” publicist Heidi Schaeffer said. Garr battled other health problems in recent years and underwent an operation in January 2007 to repair an aneurysm. 

Admirers took to social media in her honor, with writer-director Paul Feig calling her “truly one of my comedy heroes. I couldn’t have loved her more” and screenwriter Cinco Paul saying: “Never the star, but always shining. She made everything she was in better.” 

The actor, who was sometimes credited as Terri, Terry or Terry Ann during her long career, seemed destined for show business from her childhood. 

Her father was Eddie Garr, a well-known vaudeville comedian; her mother was Phyllis Lind, one of the original high-kicking Rockettes at New York’s Radio City Music Hall. Their daughter began dance lessons at 6 and by 14 was dancing with the San Francisco and Los Angeles ballet companies. 

She was 16 when she joined the road company of West Side Story in Los Angeles, and as early as 1963 she began appearing in bit parts in films. 

She recalled in a 1988 interview how she won the West Side Story role. After being dropped from her first audition, she returned a day later in different clothes and was accepted. 

From there, the blonde, statuesque Garr found steady work dancing in movies, and she appeared in the chorus of nine Presley films, including Viva Las Vegas, Roustabout and Clambake. 

She also appeared on numerous television shows, including Star Trek, Dr. Kildare and Batman, and was a featured dancer on the rock ‘n’ roll music show Shindig, the rock concert performance T.A.M.I. and a cast member of The Sonny and Cher Comedy Hour. 

Her big film break came as Gene Hackman’s girlfriend in 1974’s Francis Ford Coppola thriller The Conversation. That led to an interview with Mel Brooks, who said he would hire her for the role of Gene Wilder’s German lab assistant in 1974’s Young Frankenstein — if she could speak with a German accent. 

“Cher had this German woman, Renata, making wigs, so I got the accent from her,” Garr once recalled. 

The film established her as a talented comedy performer, with New Yorker film critic Pauline Kael proclaiming her “the funniest neurotic dizzy dame on the screen.” 

Her big smile and off-center appeal helped land her roles in Oh God! opposite George Burns and John Denver, Mr. Mom (as Michael Keaton’s wife) and Tootsie in which she played the girlfriend who loses Dustin Hoffman to Jessica Lange. 

Although best known for comedy, Garr showed in such films as Close Encounters of the Third Kind, The Black Stallion and The Escape Artist that she could handle drama equally well. 

She had a flair for spontaneous humor, often playing David Letterman’s foil during guest appearances on NBC’s Late Night With David Letterman early in its run. 

Her appearances became so frequent, and the pair’s good-natured bickering so convincing, that for a time rumors cropped up that they were romantically involved. Years later, Letterman credited those early appearances with helping make the show a hit. 

It was also during those years that Garr began to feel something in her right leg. It began in 1983 and eventually spread to her right arm. By 1999 the symptoms had become so severe that she consulted a doctor. The diagnosis: multiple sclerosis. 

For three years Garr didn’t reveal her illness. 

“I was afraid that I wouldn’t get work,” she explained in a 2003 interview. “People hear MS and think, ‘Oh, my God, the person has two days to live.'” 

After going public, she became a spokeswoman for the National Multiple Sclerosis Society, making humorous speeches to gatherings in the U.S. and Canada. 

“You have to find your center and roll with the punches because that’s a hard thing to do: to have people pity you,” she said in 2005. “Just trying to explain to people that I’m OK is tiresome.” 

She also continued to act, appearing on Law & Order: Special Victims Unit, Greetings From Tucson, Life With Bonnie and other TV shows. She also had a brief recurring role on Friends in the 1990s as Lisa Kudrow’s mother. After several failed romances, Garr married contractor John O’Neill in 1993. They adopted a daughter, Molly, before divorcing in 1996. 
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Abuja, Nigeria — Africa’s football governing body has sided with Nigeria in that country’s dispute with Libya over a canceled qualifying game. The Confederation of African Football (CAF) awarded Nigeria a 3-0 victory over Libya following accusations Libya deliberately breached competition guidelines.

Libya’s football federation is appealing.

The decision by the CAF puts Nigeria at the top of their division, Group D, and in contention for a spot at next year’s Africa Cup of Nations, or AFCON, finals, in Morocco.

The CAF on Saturday said Libya violated a rule that mandates that host nations receive and manage the logistics of visiting teams.

The body also ordered Libya to pay a fine of $50,000 within 60 days.

On October 15, Nigerian players returned home rather than play what would have been a qualifying match in Libya. They were protesting long delays at an airport about 250 kilometers away from the venue after their charter flight was unexpectedly diverted. Some news reports say the players were delayed by about 16 hours.

Nigerian football fan Elvis Ume welcomed the CAF’s decision.

“I think justice was served because the truth of the matter is that they genuinely put our players’ lives in danger,” he said “It was extremely malicious on their part. In my opinion they got off lightly. I think CAF could still have been a bit more firm in their decision for it to serve a sort of a deterrent to other countries.”

But the Libya Football Federation, or LFF, denies deliberately trying to dampen the morale of the Nigerian Super Eagles players and has appealed the decision.

Libya called the CAF’s decision unjust and malicious. The federation accused the Nigerian team of using the reputation of its players – who are team members of various European leagues – to win global support on the matter.

The LFF said its players faced similar challenges in Nigeria days earlier and that the situation is not unique to African football leagues.

Sports analysts say common tricks may include immigration delays, lengthy trips or allocation of poor training facilities.

“When you look at antecedents, the North Africans especially Libya, Morocco, Egypt, they’re known for this ‘gamesmanship,'” said Nigerian sports analyst Bunmi Haruna. “I think in Europe they call it the ‘dark act.’ This is the chance for CAF to let the whole world know … it’s not good for our football in any way.”

Haruna said the CAF must continue to uphold this standard.

“I think it’s a very good step from CAF and I hope it’s not just going to be a one-off because these things happen even in club football. They want to go and appeal, which is good in terms of testing the laws.”

It is very unlikely that the CAF will reverse its decision, but many will be watching to see the outcome of Libya’s appeal.
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In Shanghai, police, not trick-or-treaters and partygoers, are taking to the streets this week as the city approaches Halloween. The strengthened police force accompanies official notices prohibiting citizens from “role-playing” on Halloween, signaling the government’s paranoia over the social instability the holiday’s festivities could bring.

Videos online show police cars lining the streets of Shanghai, with some officers approaching crowds and instructing them to disperse from fenced-off areas.

A leaked notice from the Huangpu subdistrict office identified any form of Halloween costumes, but especially role-playing costumes and makeup with gore, to be prohibited in public. Police have been instructed to persuade those in costume to leave or take off offensive garments and employ more coercive measures in the event of noncompliance.

The police garrisons, protocols and general air of malaise in Shanghai find their roots in the local government’s fear of mass protest, according to Shanghai resident Ma, who declined to provide her first name out of fear of reprisal for talking to VOA.

“The Communist Party knows that ‘a spark can start a prairie fire’ and that many young people are now unemployed and unable to find jobs,” Ma siad. “So they have deployed a large number of police forces on Changle Road and Julu Road, probably because they are worried that some of the freethinking young people will protest against the government in a strange way on Halloween.” Ma told VOA.

Costumed people taken by police

Some youth in Shanghai have appeared to ignore the warnings, gathering in Zhongshan park and the nearby streets to celebrate the holiday early. Online videos of the scene show some people in costume being taken away by the police, while others argue with law enforcement.

At another celebration Friday night, in the Jing An district, Reuters reported that an attendee in a skeleton costume was detained by the police and escorted to an administrative building where he was asked to remove his makeup.

Wang, a Shanghai resident who declined to provide his first name for his personal security, disagreed with the sudden tightening of restrictions on Halloween celebrations in his city.

“What can wearing a unique dress do?” Wang asked. “As a normal, civilized society, this should not be a matter of concern at all. It is normal to ‘let the arts blossom’ and allow everyone to release their inner yearning for freedom. In a normal, civilized society, the police maintain the safety of the people. In our case, it’s the opposite,” Wang said.

Originating in the West, Halloween has found popularity in China in recent years. This is especially the case in Shanghai, known as China’s most international city and for its relative open-mindedness.

In 2023, the city resumed the celebration of Halloween for the first time after the COVID-19 lockdowns, and some residents used this opportunity for self-expression to critique the Chinese government and political phenomena through costume. Some people dressed as Winnie the Pooh, a character that is often censored online in China given his likeness to Chinese President Xi Jinping, and others referenced past protests through covering their bodies in white paper.

Ma believes that tensions this week between Halloween celebrants and local authorities are unlikely to escalate.

“Young people are indeed rebellious, but because of the education we have received since childhood, most Chinese young people dare not, and are unlikely, to rebel,” Ma said.

“Will the authorities completely control and prohibit Halloween? I don’t think they will, but they will strictly control it. There will definitely be a lot of police in more important places. If any little thing happens, they will immediately send a police car to prevent the matter from escalating,” she said.

Unique opportunity for free expression

Chen Daoyin, an independent political analyst in China, told VOA that he believes that Halloween provides Chinese people with a unique opportunity for Western-style free expression.

“Most people, especially young people who dress up as characters on festivals like Halloween, have usually adopted Western culture, or at the very least know that people in Western systems have the freedom of expression,” Chen said.

“We have opinions about the current situation and the government, and can make our voices heard, but we also know that this is not allowed in the current political environment in China. Everyone knows what is going on. So they express their dissatisfaction with the authorities through dressing up as characters,” he said.

Li Rongwei, executive director of the Taiwan Inspirational Association, however, told VOA that the holiday’s Western origins make it more susceptible to suppression.

“For China, Halloween is a product of the West, a typical capitalist bourgeois thing,” Li said. “Since Halloween is a foreign thing and not a product of the so-called Chinese nation or China as the CCP believes, it is, of course, a class struggle and should be slandered,” Li said.

October 27 marked the first anniversary of the death of former Chinese Premier Li Keqiang, whose unexpected passing less than a year after he left the powerful premier position, sparked online conspiracy theories about the Chinese government. The Chinese government also might fear a social disruption akin to the 2022 White Paper Movement in protest of strict pandemic regulations that was referenced at Halloween celebrations in Shanghai last year.

“Social movements always have to have a reason, and it is conceivable to use Li Keqiang as the reason,” Lai said. “This is also what the CCP fears the most. A tandem movement always has a theme. According to the perception of the CCP’s top officials, it may be believed that this is a social movement planned by foreign forces.”

But Chen believes that it is an over-speculation and inaccurate to link this year’s crackdown on Halloween with Li Keqiang and the White Paper Movement and says that there will not be any kind of uprising in China without an acute inciting incident.

“It is impossible for the youth of today … to start a movement of any kind without the impact of a big event,” he said.

“So far this year, there has been no major event that can arouse empathy and emotional expression,” Chen said.

Katherine Michaelson and Adrianna Zhang contributed to this report.
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Since Russia’s invasion of Ukraine in 2022, a musical group of American Christians calling themselves the Texas Country Boys have been playing charity events in Ukraine. Tetiana Kukurika met with the band members to find out why Ukraine is so important to them. Anna Rice narrates her story. (Camera: Sergiy Rybchynski; Produced by:  Vitaliy
Hrychanyuk and Anna Rice )
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