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Osaka, Japan — Japan celebrated on Monday the record-breaking Emmy Awards triumph of “Shogun”, although many confessed not having watched the series about the country’s warring dynasties in the feudal era.

“Shogun” smashed all-time records at the television awards in Los Angeles on Sunday, taking home an astounding 18 statuettes and becoming the first non-English-language winner of the highly coveted award for best drama series.

Lead Hiroyuki Sanada, who played Lord Toranaga, became the first Japanese actor to win an Emmy, while Anna Sawai achieved the same for her performance as Lady Mariko.

“As a Japanese, I’m happy Sanada won,” Kiyoko Kanda, a 70-year-old pensioner, told AFP in Tokyo.

“He worked so hard since he moved to Los Angeles,” she said.

“In ‘Last Samurai’, Tom Cruise was the lead, but it’s exciting Sanada is the main character in ‘Shogun’,” Kanda added.

But she admitted that she only watched the trailer.

The series is available only on Disney’s streaming platform, which is relatively new in Japan.

“I want to watch it. I’m curious to know how Japan is portrayed,” Kanda said.

Otsuka, who declined to give her first name, said she, too, has not watched the show.

“But I saw the news and I’m happy he won.” Sanada, now 63, began his acting career at the age of five in Tokyo and moved to LA after appearing in “Last Samurai” in 2003.

The words “historic achievements” and “Hiroyuki Sanada” were trending on X in Japanese, while Sanada’s speech at the awards racked up tens of thousands of views.

Yusuke Takizawa, 41, also only watched a trailer but he said he was amazed by the quality of the show.

“I was impressed by the high-spirited acting, the attention to detail and the film technology,” Takizawa told AFP outside Osaka Castle, a major historical location for the series.

“I think many young people will want to try their hand in Hollywood after watching Sanada,” he said.

Tourists at the castle also welcomed the record Emmy win.

“I think was the best TV show that I’ve seen this year,” said Zara Ferjani, a visitor from London.

“I thought it was amazing… The direction was beautiful, and I really enjoyed watching something that wasn’t in English as well,” the 33-year-old said.

She said she had planned to watch “Shogun” after returning home from Japan.

“But one of my friends strongly advised me to watch it beforehand, just to appreciate the culture more and definitely Osaka Castle more,” she added.

Breaking from cliches

Many in the Japanese film industry were also jubilant.

“He won after many years of trying hard in Hollywood. It’s too cool,” wrote Shinichiro Ueda, director of the hit low-budget film “One Cut of the Dead”, on X.

Video game creator and movie fan Hideo Kojima, who has described the show as “Game of Thrones in 17th-century Japan”, reposted a news story on the win.

The drama, adapted from a popular novel by James Clavell and filmed in Canada, tells the tale of Lord Toranaga, who fights for his life against his enemies alongside Mariko and British sailor John Blackthorne.

A previous TV adaptation made in 1980 was centered on Blackthorne’s perspective.

But the new “Shogun” breaks away from decades of cliched and often bungled depictions of Japan in Western cinema, with Japanese spoken throughout most of the show.

Sanada, who also co-produced the drama, is credited with bringing a new level of cultural and historical authenticity to “Shogun.”

An army of experts, including several wig technicians from Japan, worked behind the scenes to make the series realistic, poring over sets, costumes and the actors’ movements.
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LOS ANGELES — “Hacks” won the comedy series at Sunday’s Emmy Awards, topping “The Bear,” which took home several of the night’s honors.

“Shogun” won the best drama series win, collecting a whopping 18 Emmys for its first season, just one of several historic wins.

Hiroyuki Sanada won best actor in a drama for “Shogun” on Sunday night at the Emmy Awards, and Anna Sawai won best actress as they became the first two Japanese actors to win Emmys.

Their wins gave the FX series momentum going into one of the night’s top awards, where “Shogun” won best drama series.

“The Bear” came back for seconds in a big way at the ceremony four times including best actor, best supporting actor and best supporting actress in a comedy, while British upstart “Baby Reindeer” won four of its own, including best limited series.

The star of FX’s “The Bear” Jeremy Allen White won best actor in a comedy for the second straight year, and Ebon Moss-Bachrach repeated as best supporting actor.

A surprise came when Liza Colón-Zayas won best supporting actor over major competition.

“How could I have thought it would be possible to be in the presence of Meryl Streep and Carol Burnett,” Colón-Zayas said as tears welled in her eyes as she accepted the award on the stage of the Peacock Theater in Los Angeles.

She is the first Latina to win in the category.

“To all the Latinas who are looking at me,” she said, “keep believing and vote.”

Netflix’s darkly quirky “Baby Reindeer” won best actor and best writing for the show’s creator and star Richard Gadd and best supporting actress for Jessica Gunning, who plays his tormentor.

Accepting the best limited series award, Gadd urged the makers of television to take chances.

“The only constant across any success in television is good storytelling,” he said. “Good storytelling that speaks to our times. So take risks, push boundaries. Explore the uncomfortable. Dare to fail in order to achieve.”

“Baby Reindeer” is based on a one man-stage show in which Gadd describes being sexually abused along with other emotional struggles.

Accepting that award, he said, “no matter how bad it gets, it always gets better.”

The Associated Press does not typically name people who say they have been sexually abused unless they come forward publicly as Gadd has.

Jodie Foster won her first Emmy to go with her two Oscars when she took best actress in a limited series for “True Detective: Night Country.”

The creator of “The Bear” was also a repeat winner. Christopher Storer took his second straight Emmy for directing, an award handed out by reunited “Happy Days” co-stars Ron Howard and Henry Winkler.

White said backstage that he was watching in the wings as Colón-Zayas won and “that was just the greatest.”

He also shouted out two acting wins the show had already scored at last weekend’s Creative Arts Emmy Awards, when Jamie Lee Curtis won best guest actress in a comedy for playing his mother, and Jon Bernthal won best guest actor for playing his big brother.

“The Bear” won six times including most of the top comedy categories at the strike-delayed Emmys in January.

While the third season of FX’s “The Bear” has already dropped, the trio won their second Emmys for its second, in which White’s chef Carmen “Carmy” Berzatto attempts to turn his family’s grungy Chicago sandwich shop into an elite restaurant. It could still win more Sunday night including best comedy series.

The father-son hosting duo of Eugene and Dan Levy in their monologue at the top of the show mocked the very dramatic “The Bear” being in the comedy category.

“In honor of ‘The Bear’ we will be making no jokes,” Eugene Levy said, to laughs.

Jean Smart won best actress in a comedy for “Hacks.” She has won for all three seasons of “Hacks,” and has six Emmys overall.

She beat nominees including Ayo Edebiri, who as co-star of “The Bear” moved from supporting actress, which she won in January, to lead actress.

Coming into the show the big story was “Shogun,” which had already taken the most Emmys for a show in a single season with 14 at the Creative Arts ceremony.

The FX series about lordly politicking in feudal Japan can still win best drama series.

If “Shogun” faces competition for the best drama prize, it could come for the sixth and final season of “The Crown,” the only show among the nominees that has won before in a category recently dominated by the retired “Succession.”

Elizabeth Debicki took best supporting actress in a drama for playing Princess Diana at the end of her life in the sixth and final season of the show.

“Playing this part, based on this unparalleled, incredible human being, has been my great privilege,” Debicki said. “It’s been a gift.”

Billy Crudup won best actor in a drama for “The Morning Show.”

Streep wasn’t the only Oscar winner trumped by a little-known name. Robert Downey Jr., the reigning best supporting actor winner for “Oppenheimer,” was considered the favorite to win best supporting actor in a limited series for “The Sympathizer,” but that award went to Lamorne Morris for “Fargo.”

“Robert Downey Jr. I have a poster of you in my house!” Morris said from the stage as he accepted his first Emmy.

Several awards were presented by themed teams from TV history, including sitcom dads George Lopez, Damon Wayans and Jesse Tyler Ferguson and TV moms Meredith Baxter, Connie Britton, and Susan Kelechi Watson.
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LOS ANGELES — The 76th annual Emmy Awards were handed out Sunday at the Peacock Theater in downtown Los Angeles.

“Shogun” set a single season record for most wins with 18. “Shogun” won best drama series, and Hiroyuki Sanada and Anna Sawai won acting awards for their roles.

“Hacks’’ won the award for best comedy series. ”Baby Reindeer” and “The Bear’’ won four awards apiece.

Early winners included Ebon Moss-Bachrach, Jeremy Allen White and Liza Colón-Zayas, who won awards for their work in the comedy series “The Bear.”

Stars presenting Emmys to their peers included: Billy Crystal, Viola Davis, Selena Gomez, Steve Martin, Maya Rudolph and Martin Sheen.

Several actors and shows, including Rudolph, won last week. Rudolph won her sixth Emmy Award at last weekend’s Creative Arts Emmys for her voice work on “Big Mouth.” Jamie Lee Curtis also picked up a supporting actress Emmy last weekend for her appearance on “The Bear.”

Here’s a list of winners at Sunday’s Emmys:

Supporting actor in a comedy series

Ebon Moss-Bachrach, “The Bear”

Supporting actor in a drama series

Billy Crudup, “The Morning Show”

Actor in a comedy series

Jeremy Allen White, “The Bear”

Supporting actress in a comedy series

Liza Colón-Zayas, “The Bear”

Supporting actress in a drama series

Elizabeth Debicki, “The Crown”

Actress in a comedy series

Jean Smart, “Hacks”

Reality competition program

“The Traitors,” Peacock

Supporting actress limited

Jessica Gunning, “Baby Reindeer”

Scripted variety series

“Last Week Tonight with John Oliver,” HBO/Max

Writing for a variety special

Alex Edelman, “Just for Us”

Directing for a limited or anthology series

Steven Zaillian, “Ripley”

Writing for a comedy series

Lucia Aniello, Paul W. Downs and Jen Statsky, “Hacks”

Talk series

“The Daily Show,” Comedy Central

Supporting actor in a limited or anthology series

Lamorne Morris, “Fargo”

Writing for a drama series

Will Smith, “Slow Horses”

Writing for a limited series, anthology or movie

Richard Gadd, “Baby Reindeer”

Directing for a comedy series

Christopher Storer, “The Bear”

Governors award

Greg Berlanti

Directing for a drama series

Frederick E.O. Toye, “Shogun”

Actor in a limited, anthology series or movie

Richard Gadd, “Baby Reindeer”

Actress in a limited, anthology series or movie

Jodie Foster, “True Detective: Night Country”

Limited, anthology series or movie

“Baby Reindeer”

Actor in a drama series

Hiroyuki Sanada, “Shogun”

Actress in a drama series

Anna Sawai, “Shogun”

Drama series

“Shogun”

Comedy series

“Hacks”
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Los Angeles — Hollywood will dole out the annual Emmy Awards, the highest honors in television, Sunday at a red-carpet ceremony where the historical drama “Shogun” and restaurant tale “The Bear” are poised to dominate the night.

“Shogun,” a lavish epic about a power struggle in 17th-century Japan, is the front-runner to take the night’s top trophy for best drama series, according to awards pundits. Reigning best comedy champion “The Bear” is expected to claim that prize again.

Both shows debuted on the FX cable network and stream on Hulu, setting up a big night for owner Walt Disney and its TV chief Dana Walden.

Sunday’s ceremony will take place just eight months after the last Emmys, which aired in an unusual January slot because of disruptions caused by Hollywood labor strikes.

Back on a September schedule, the show will air live from downtown Los Angeles on Disney’s ABC starting at 5 p.m. Pacific time Sunday (12 a.m. GMT on Monday).

“Schitt’s Creek” father-son duo Eugene and Dan Levy will host the festivities. Producers have promised cast reunions from shows past, such as “Happy Days,” and other moments to celebrate the history of television.

Olympic gold medalist swimmer Caeleb Dressel and bronze medalist rugby player Ilona Maher also are scheduled to appear.

Ahead of the ceremony, “Shogun” has already set records. It won 14 trophies — the most ever for one season of a drama series — at last weekend’s Creative Arts Emmys, where awards were given for guest actors and crafts such as cinematography.

The expensive series was no sure thing. It had been in development for years before it came together with elaborate sets, makeup and costumes and storytelling that impressed critics with its attention to detail.

“That’s part of the Cinderella story of this series,” said Clayton Davis, awards editor at Hollywood publication Variety.

Competitors for best drama include British royal family saga “The Crown” and spy thriller “Mr. & Mrs. Smith” from Amazon’s Prime Video.

“The Bear” also performed well at the Creative Arts Emmys, earning seven awards. The show is competing with its second season, which featured a widely praised episode about a disastrous family holiday gathering.

HBO’s “Hacks,” about a 70-something comedienne and a millennial writer, could play the role of spoiler in the comedy category. Due to the timing of their seasons, the shows have never competed head-to-head at the Emmys.

Limited series looks like a lock for “Baby Reindeer,” awards watchers said. The Netflix series tells the tale of a bartender stalked and harassed by a customer.

Scottish comedian and star Richard Gadd has said the Netflix show is based on his real-life story, although a defamation lawsuit argues the stalker’s behavior is exaggerated.

Rivals for limited series include Netflix’s psychological thriller “Ripley,” FX’s “Fargo” and HBO’s “True Detective: Night Country,” starring lead actress nominee Jodie Foster.

Winners are chosen by the nearly 22,000 performers, directors, producers and other members of Hollywood’s Television Academy.
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What is Art? It’s an age-old question: is it paint on canvas, ceramics or sculpture? The fun part is – art can be anything – and can even be created with a chainsaw. That’s the medium of one artist from the U.S. state of Virginia. Maxim Adams has the story. (Camera: Andrey Degtyarev; Produced by: Andrey Degtyarev, Anna Rice)
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MEJICANOS, El Salvador — From the window of her tin-sided shop outside El Salvador’s capital, San Salvador, Esmeralda Quintanilla watches artists get to work in her neighborhood on walls still pockmarked by bullet holes from the country’s civil war and gang conflict.

Armed with brushes, paint and spray cans, muralists and graffiti artists have already covered the walls of several of the 40 five-story units in a housing complex in the Zacamil neighborhood of the Mejicanos district.

“With the murals, everything looks really nice,” said Quintanilla, a 55-year-old seamstress who has lived in the neighborhood nearly half her life. “You start to see all this, and it gives the place a different image. I feel really happy, proud.”

The dozen murals already completed include a Mesoamerican pyramid, pixelated depictions of the Virgin Mary and works straight out of the artists’ imaginations.

The initiative in the once-violent neighborhood is led by a Salvadoran foundation that seeks to fill communities with art. Its aim in Zacamil is to create stories-high murals over the next two years on nearly every wall of the complex, which houses around 4,000 residents.

Zacamil got a break from decades of violence two years ago when President Nayib Bukele launched a nationwide crackdown on gangs. The state of emergency — which human rights groups have said Bukele must end amid reports of abuses — has put almost 82,000 alleged gang members in prison.

Even with the murals improving the neighborhood’s appearance, chronic infrastructure issues remain, with garbage piled up in the streets and storm drains clogged. TV antennas, power cables and clothes strewn out windows across clotheslines also dot the neighborhood.

Many Zacamil residents fled in 1989 when fighting between the Salvadoran army and the former leftist guerrilla group, Farabundo Marti National Liberation Front, or FMLN, nearly destroyed the Mejicanos district.

When they returned, many found homes damaged by two earthquakes in 2001 or invaded by gang members.

“There are always problems, but this is a facelift,” said a 70-year-old resident who declined to give his name.

El Salvador’s 12-year civil war from late 1979 to January 1992 killed more than 75,000 people.
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rio de janeiro — Rio de Janeiro’s main beaches bustle with commotion on sunny weekends. But activity ground to a near standstill on one stretch of sand. People held up their phones to record athletic feats they’d never before witnessed, or even imagined.

The game? Footvolley, a combination of soccer and beach volleyball. The athlete? A 3-year-old border collie named Floki.

Floki sparks wonder among bystanders because he hangs tough in a game that even humans struggle to get a handle on. Footvolley rules are essentially the same as beach volleyball, but with a slightly lower net and, like soccer, players are forbidden from using hands and arms. Floki springs up from the sand to drive the ball with his snout. He has become something of an internet sensation in Brazil, with hundreds of thousands of followers on Instagram and TikTok.

Floki’s owner, Gustavo Rodrigues, is a footvolley coach, but swears he didn’t plan this. He had wanted an American Bully, a decidedly less sprightly breed. Floki came into Rodrigues’ life instead and quickly revealed his potential when, at just 2 months old, he started jumping after birthday balloons.

Rodrigues started Floki out on what’s called “altinha,” where a group standing in a circle juggles a soccer ball for as long as possible. In 2023, Floki made his debut in the much more complex, competitive game of footvolley — a hobby enjoyed by some Brazilian soccer stars after they retire, including World Cup winners Ronaldinho and Romario.

Footvolley players need poise, agility, coordination, timing, finesse. Covering one side of the court between just two people means quick sprints back and forth on soft sand under the baking sun. It’s no mean feat, but Floki was a natural. A star was born.

“He does things that even some professionals don’t — like positioning on the court,” said Rodrigues, 26. “Sometimes the ball goes from one side (of the court) to the other, and he doesn’t keep his back turned to it. He turns toward the ball to always hit it straight on.”

It’s clear this high-energy pup lives for this game. Even resting under the shade of the beach’s caipirinha bar, he was laser-focused on the action of the adjacent court’s match.

When playing, he barks at Rodrigues to pass him the ball and seems to at least understand the basic rules. At times, rather than passing back to Rodrigues for the third and final touch their opponents expect, he sneaks the ball over the net himself to score a point. Then he jumps into Rodrigues’ arms to celebrate.

One of the awestruck onlookers Sunday was Luiza Chioli, who had traveled to Rio from Sao Paulo. She already knew the famous Floki from TikTok, but hadn’t expected front-row seats to watch him while sipping her gin and tonic.

“Seeing social media, we had thought it was just cuts, that they used the best takes,” said Chioli, 21. “But we saw he played, performed the whole time, did really well. It’s really cool.”

As Floki’s follower count has grown, partnerships and endorsement deals have come rolling in. Rodrigues and Floki live in the inland capital Brasilia, but often travel to Rio — footvolley’s mecca — and other Brazilian states to show off his skills, do marketing appearances and create monetized social media content.

Floki’s Sunday began with almost an hour playing beside former footvolley champion Natalia Guitler, who’s been called Queen of the Beach. Between attempts to film her doing a trick pass to him, he scampered for drinks of water or to dip in the ocean. By the end, both she and Floki were scrambling for shade.

“We’re dead,” she said as she collapsed onto the sand next to a panting Floki. Someone passed her a phone to check out the best clips for her Instagram, where she has almost 3 million followers.

“Me and my bestie @dog_altinha playing footvolley,” she wrote in a later post showing their long rally, and which included her bicycle kicking the ball over the net.

After a rest and another footvolley session, Floki headed to a more remote beach to do a marketing shoot for Farm, a fashion designer that’s become the paragon of Rio’s breezy tropical style, both in Brazil and abroad.

Then Floki was on Instagram hyping a brand of dog popsicles, gnawing a banana-flavored one himself, and giving an altinha demonstration to mall shoppers. His evening stroll along Copacabana’s beachside promenade showed him straining against his leash, still evidently bursting with his boundless energy.

With their weekend marketing blitz in Rio over, Rodrigues and Floki would head back to Brasilia, where their influencer hustle takes a back seat to the hustle of playing competitive matches. They win about one in every three, Rodrigues said, and their opponents are always desperate to avoid being beaten by a dog.

“It generates talk, and people make fun,” said Rodrigues. “No one likes to lose a point to him, so people play their hearts out against us.”
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LONDON — Prince Harry was always something different.

From the moment he first appeared in public, snuggled in Princess Diana’s arms outside the London hospital where he was born in 1984, Harry was the ginger-haired scamp who stuck his tongue out at photographers. He grew to be a boisterous adolescent who was roundly criticized for wearing a Nazi uniform to a costume party, and then a young man who gave up the trappings of royal life and moved to Southern California with his American wife.

Through it all, there was a sense that Harry was rebelling against an accident of birth that made him, in the harsh calculus of the House of Windsor, just “the spare.” As the second son of the man who is now King Charles III, he was raised as a prince but wouldn’t inherit the throne unless brother William came to harm.

Now the angry young man is turning 40, the halfway point in many lives, providing a chance to either dwell on the past or look forward to what might still be achieved.

For the past four years, Harry has focused mainly on the past, making millions of dollars by airing his grievances in a wildly successful memoir and a Netflix docu-series. But he faces the likelihood that the royal aura so critical to his image may be fading, said Sally Bedell Smith, author of “Charles: The Passions and Paradoxes of an Improbable Life.”

“He is at a sort of crossroads,’’ Smith told The Associated Press. “And he appears to be struggling with how he wants to proceed.’’

How did we get here?

It wasn’t always this way.

Six years ago, Harry and his wife were among the most popular royals, a glamorous young couple who reflected the multicultural face of modern Britain and were expected to help revitalize the monarchy.

Their wedding on May 19, 2018, united a grandson of Queen Elizabeth II with the former Meghan Markle, a biracial American actress who had starred for seven years in the U.S. television drama “Suits.” George Clooney, Serena Williams and Elton John attended their wedding at Windsor Castle, after which the couple were formally known as the Duke and Duchess of Sussex.

But the optimism quickly faded amid allegations that Britain’s tabloid media and even members of the royal household treated Meghan unfairly because of racism.

By January 2020, the pressures of life in the gilded cage had become too much, and the couple announced they were giving up royal duties and moving to America, where they hoped to become “financially independent.” They signed lucrative deals with Netflix and Spotify as they settled into the wealthy enclave of Montecito, near Santa Barbara, California.

Since then, Harry has missed few opportunities to bare his soul, most famously in his memoir, aptly titled “Spare.”

In the ghostwritten book, Harry recounted his grief at the death of Princess Diana, a fight with Prince William and his unease with life in the royal shadow of his elder brother. From accounts of cocaine use and losing his virginity to raw family rifts, the book was rife with damning allegations about the royal family.

Among the most toxic was Harry’s description of how some family members leaked unflattering information about other royals in exchange for positive coverage of themselves. The prince singled out his father’s second wife, Queen Camilla, accusing her of feeding private conversations to the media as she sought to rehabilitate an image tarnished by her role in the breakup of Charles’ marriage to Diana.

The allegations were so venomous that there is little chance of a return to public duty, Smith said.

“He criticized the royal family in such a powerful and damaging way. You can’t un-say those things,” she said. “And you can’t unsee things like Meghan in that Netflix series doing a mock curtsey. It’s such a demeaning gesture to the queen.’’

Harry, who agreed not to use the honorific HRH, or “his royal highness,” after he stepped away from front-line royal duties, is now fifth in line to the British throne, behind his brother and William’s three children.

While he grew up in a palace and is said to be in line to inherit millions of dollars on his 40th birthday from a trust set up by his great-grandmother, applied developmental psychologist Deborah Heiser thinks that, in many ways, Harry is just like the rest of us.

Like anyone turning 40, he is likely to have learned a few lessons and has a good idea of who his real friends are, and that will help him chart the next phase of his life, said Heiser, who writes a blog called “The Right Side of 40” for Psychology Today.

“He has had a very public display of what a lot of people have gone through,” Heiser said. “I mean, most people are not princes, but … they have all kinds of issues within their families. He’s not alone. That’s why he’s so relatable.’’

Harry’s next chapter

Of course, Harry’s story isn’t just about the drama within the House of Windsor.

If he wants to write a new chapter, Harry can build on his 10 years of service in the British Army. Before retiring as a captain in 2015, the prince earned his wings as a helicopter pilot, served two tours in Afghanistan and shed the hard-partying reputation of his youth.

Harry also won accolades for establishing the Invictus Games in 2014, a Paralympic-style competition to inspire and aid in the rehabilitation of sick and wounded servicemembers and veterans.

Harry and Meghan made headlines this year with their two international trips to promote mental health and internet safety. While some in British media criticized them for accepting royal treatment in Nigeria and Colombia, the couple said they visited at the invitation of local officials.

Will Charles see the grandkids?

The prospects of reconciliation are unclear, although Harry did race home to see his father after Charles’ cancer diagnosis. And in what may be seen as a tentative olive branch, the paperback edition of “Spare” slated for October has no additions — so nothing new to stir the pot.

But plainly at this point, Harry is thinking about his family in California. He told the BBC about the importance of his two young children, Archie and Lilibet.

“Being a dad is one of life’s greatest joys and has only made me more driven and more committed to making this world a better place,” the prince said in a statement released by his spokesperson.
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FORT LAUDERDALE, Florida — Ballet dancer Michaela Mabinty DePrince, who came to the United States from an orphanage in war-ravaged Sierra Leone and performed on some of the world’s biggest stages, has died, her family said in a statement. She was 29.

“Michaela touched so many lives across the world, including ours. She was an unforgettable inspiration to everyone who knew her or heard her story,” her family said in a statement posted Friday on DePrince’s social media accounts. “From her early life in war-torn Africa, to stages and screens across the world, she achieved her dreams and so much more.”

A cause of death was not provided.

DePrince was adopted by an American couple and by age 17 she had been featured in a documentary film and had performed on the TV show “Dancing with the Stars.”

After graduating from high school and the American Ballet Theatre’s Jacqueline Kennedy Onassis School, she became a principal dancer with the Dance Theatre of Harlem. She then went to the Netherlands, where she danced with the Dutch National Ballet. She later returned to the U.S. and joined the Boston Ballet in 2021.

“We’re sending our love and support to the family of Michaela Mabinty DePrince at this time of loss,” the Boston Ballet said in a statement to The Associated Press on Saturday. “We were so fortunate to know her; she was a beautiful person, a wonderful dancer, and she will be greatly missed by us all.”

In her memoir, Taking Flight: From War Orphan to Star Ballerina, she shared her journey from the orphanage to the stage. She also wrote a children’s book, Ballerina Dreams.

DePrince suffered from a skin pigmentation disorder that had her labeled “the devil’s child” at the orphanage.

“I lost both my parents, so I was there [the orphanage] for about a year, and I wasn’t treated very well because I had vitiligo,” DePrince told the AP in a 2012 interview. “We were ranked as numbers, and number 27 was the least favorite and that was my number, so I got the least amount of food, the least amount of clothes and whatnot.”

She added that she remembered seeing a photo of an American ballet dancer on a magazine page that had blown against the gate of the orphanage during Sierra Leone’s civil war.

“All I remember is she looked really, really happy,” DePrince told the AP, adding that she wished “to become this exact person.”

She said she saw hope in that photo, “and I ripped the page out and I stuck it in my underwear because I didn’t have any place to put it,” she said.

Her passion helped inspire young Black dancers to pursue their dreams, her family said.

“We will miss her and her gorgeous smile forever and we know you will, too,” their statement said.

Her sister, Mia Mabinty DePrince, recalled in the statement that they slept on a shared mat in the orphanage and used to make up their own musical theater plays and ballets.

“When we got adopted, our parents quickly poured into our dreams and arose the beautiful, gracefully strong ballerina that so many of you knew her as today. She was an inspiration,” Mia DePrince wrote. “Whether she was leaping across the stage or getting on a plane and flying to third-world countries to provide orphans and children with dance classes, she was determined to conquer all her dreams in the arts and dance.”
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RIO DE JANEIRO — Brazil formally received on Thursday the return from Denmark of an Indigenous cloak made with 4,000 red feathers of the scarlet ibis bird, a sacred mantle that was taken by Europeans during the 17th century colonial era.

President Luiz Inacio Lula da Silva attended the ceremony outside Brazil’s National Museum in Rio de Janeiro, marking the importance that Brazil gives to the item’s repatriation.

The cloak, a feathered ceremonial cape used in religious rituals of the Tupinamba people of Bahia in northeastern Brazil, was removed during the Dutch occupation of the area.

Its first mention comes in a Danish inventory in 1689, although it is thought to have been taken from Brazil some 50 years before.

By the 21st century it was held in the ethnographic collection of Denmark’s National Museum, the Nationalmuseet. In 2000, the museum lent the cloak out for an exhibition in Sao Paulo.

A Tupinamba leader saw it there and demanded its return. Last year, after lengthy diplomatic negotiations, the Danish museum announced it would donate the cloak to Brazil’s National Museum, and it was repatriated in July.

Some 170 Tupinamba traveled from southern Bahia to Rio to celebrate its return.

“It is crucial they return what isn’t theirs and rightfully belongs to us. Our heritage strengthens our identity,” said cacique, or chief, Jamopoty Tupinamba to Agencia Brasil on Wednesday.

From the first Portuguese voyages to Brazil in the early 16th century, Indigenous cultural items were taken to Europe as evidence of the “discovery” of new territories and then entered museums or private collections.

A fresco painted in 1674 on the ceiling of the Apollo Salon at the Palace of Versailles, the king’s throne room, depicts newly found America as a woman wearing a Tupinamba cloak as if it were a headdress.

According to cultural heritage activist Gliceria Tupinamba, there are another 10 such cloaks in Europe, held in museums and libraries in Italy, France, Belgium, Switzerland and Denmark, where the National Museum still has one large and three partial ones.

“It took more than 20 years to get the cloak back. Its return is a symbol of the protection of our cultural and land rights that are under threat today in Brazil,” she said.
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