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los angeles, california — Halloween has arrived earlier than ever at major U.S. theme parks, as operators such as Disney, Six Flags, and Universal Studios seek to expand their reach and build on consumers’ love of spooky costumes and scares. 

Theme park operators have introduced a range of attractions, live performances, merchandise and food and beverages in August — before summer has ended and well before the October 31 holiday — to take advantage of the surging popularity of Halloween. These holiday-themed efforts come at a time when domestic theme park attendance has slumped, following a surge in demand after COVID.  

Edithann Ramey, chief marketing officer at Six Flags, told Reuters that the theme parks saw attendance gains and increases in guest spending in 2023 when it introduced attractions based on the horror films “SAW” and “The Conjuring.” 

The offerings were so successful that the theme park company has been investing more in Halloween experiences, Ramey said. 

“It’s become this time of the year that’s grown in explosive ways,” Ramey said. “It’s become a billion-dollar industry in the last five years.”

Jakob Wahl, chief executive for the International Association of Amusement Parks and Attractions, said Halloween has become one of the strongest selling points for parks that cater to young people and families.  

“We actually see a growth every year in terms of Halloween events, not only North America, but across the world,” Wahl said.  

Disney starts season in August

Walt Disney’s parks started the Halloween season earlier than ever this year with “Mickey’s Not So Scary Party” beginning on August 9 and running through the end of October.  

The Oogie Boogie Bash, a separately ticketed event named for the “Nightmare Before Christmas” villain, sold out this year in 11 days, Disney said. Its popularity prompted the company to push the release date to August 25 from September 5. 

“We’ve seen from our guests in years past that there’s a demand for them to come and enjoy that season with us,” said Tracy Halas, creative director of Disney Live Entertainment.  

Six Flags also kicks off Halloween early this year, on September 14, with a new experience called “Saw: Legacy of Terror” celebrating the 20th anniversary of the “SAW” horror movie franchise.  

Following the $8 billion merger of Six Flags and former rival Cedar Fair, which created the nation’s largest amusement park operator, with 42 parks across 17 states, Six Flags is increasing its investment in Halloween.  

That includes adding Hollywood-themed experiences to Six Flags Fright Fest based on Netflix’s science fiction series, “Stranger Things,” as well as horror films “Texas Chainsaw Massacre,” and “The Conjuring.”

Universal adds ‘Ghostbusters’ haunted house 

Comcast-owned Universal Studios 2024 Halloween Horror Nights in Orlando runs from August 30 to November 3, the longest season they’ve ever had. The company did not immediately respond to a Reuters request for comment. 

Universal is adding a “Ghostbusters: Frozen Empire” haunted house to its Halloween programming alongside the first attraction inspired by horror franchise, “A Quiet Place.”  

Universal also aims to attract guests at Universal Studios Japan with a new 4D show in collaboration with the anime television series “Chainsaw Man.”  

Both Universal Orlando and Japan will add cast members dressed as the antagonists called Death Eaters to haunt Diagon Alley during Horror Nights.  

Disney villain Cruella de Vil hosted a “Let’s Get Wicked” celebration at Hong Kong Disneyland in 2022, which received an industry award and returns this year.  
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Venice, Italy — Hollywood heavyweights George Clooney and Brad Pitt admit they are disappointed their latest comedy “Wolfs” is not getting a broad cinema release and instead heading almost straight onto Apple TV.

“It is a bummer,” Clooney said on Sunday, adding that television streamers, such as Apple AAPL.O, were nevertheless vital to the future of filmmaking, presenting actors with opportunities and generating bigger audiences for their work.

“Streaming, we need it, our industry needs this,” he said.

Written and directed by Jon Watts, “Wolfs” is an old-fashioned crime caper with Clooney and Pitt playing lone-wolf professional fixers who are forced to work together with comically unfortunate consequences.  

Apple originally signaled it would place the film in a large number of cinemas before the TV release, but instead opted to show it briefly in a restricted number of U.S. movie theatres and then run it on its global TV service.

“We’ll always be romantic about the theatrical experience. At the same time, I love the existence of the streamers because we get to see more story, we get to see more talent, it gets more eyes,” said Pitt. “It’s a delicate balance right now and it’ll right itself.”

Asked what it meant if two of the biggest names in the business could not get a broad cinema release, as they had requested, Clooney quipped: “Clearly we’re declining.”

Sixteen years after last appearing together in 2008’s Coen brothers’ comedy “Burn After Reading,” Pitt and Clooney said they jumped at the chance to reunite when they read Watts’ script for “Wolfs.”

“I got to say, just as I get older, just working with the people that I just really enjoy spending time with has really become important to me,” said Pitt, who turned 60 last year.

In a news conference full of light-hearted banter, Clooney, said Pitt, was fortunate still to be offered parts. “He’s 74 years-old and he’s very lucky at this age to still be working.”

On a more serious note, he denied a New York Times story in August that said both he and Pitt had been paid more than $35 million each to appear in the film.

“I’m only saying that because I think it’s bad for our industry if that’s what people think is the standard bearer for salaries. I think that’s a terrible thing. It will make it impossible to make a film,” he said.

“Wolfs” is showing out of competition at the Venice Film Festival, which runs until Sept. 7.
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New York — Does American tennis have a pickleball problem?

Even as the U.S. Open opened this week with more than a million fans expected for the sport’s biggest showcase, the game’s leaders are being forced to confront a devastating fact — the nation’s fastest-growing racket sport (or sport of any kind) is not tennis but pickleball, which has seen participation boom 223% in the past three years.

“Quite frankly, it’s obnoxious to hear that pickleball noise,” U.S. Tennis Association President Dr. Brian Hainline grumbled at a recent state-of-the-game news conference, bemoaning the distinctive pock, pock, pock of pickleball points.

Pickleball, an easy-to-play mix of tennis and ping pong using paddles and a wiffleball, has quickly soared from nearly nothing to 13.6 million U.S. players in just a few years, leading tennis purists to fear a day when it could surpass tennis’ 23.8 million players. And most troubling is that pickleball’s rise has often come at the expense of thousands of tennis courts encroached upon or even replaced by smaller pickleball courts.

“When you see an explosion of a sport and it starts potentially eroding into your sport, then, yes, you’re concerned,” Hainline said in an interview with The Associated Press. “That erosion has come in our infrastructure. … A lot of pickleball advocates just came in and said, ‘We need these tennis courts.’ It was a great, organic grassroots movement but it was a little anti-tennis.”

Some tennis governing bodies in other countries have embraced pickleball and other racket sports under the more-the-merrier belief they could lead more players to the mothership of tennis. France’s tennis federation even set up a few pickleball courts at this year’s French Open to give top players and fans a chance to try it out.

But the USTA has taken a decidedly different approach. Nowhere at the U.S. Open’s Billie Jean King National Tennis Center is there any such demonstration court, exhibition match or any other nod to pickleball or its possible crossover appeal.

In fact, the USTA is flipping the script on pickleball with an ambitious launch of more than 400 pilot programs across the country to broaden the reach of an easier-to-play, smaller-court version of tennis called “red ball tennis.” Backers say it’s the ideal way for people of all ages to get into tennis and the best place to try it is (wait for it) on pickleball courts.

“You can begin tennis at any age,” USTA’s Hainline said. “We believe that when you do begin this great sport of tennis, it’s probably best to begin it on a shorter court with a larger, low-compression red ball. What’s an ideal short court? A pickleball court.”

And instead of the plasticky plink of a pickleball against a flat paddle, Hainline said, striking a fuzzy red tennis ball with a stringed racket allows for a greater variety of strokes and “just a beautiful sound.” Players can either stick with red ball tennis or advance through a progression of bouncier balls to full-court tennis.

“Not to put it down,” Hainline said of pickleball, “but compared to tennis … seriously?”

So what does the head of the nation’s pickleball governing body have to say about such comments and big tennis’ plans to plant the seeds of its growth, at least in part, on pickleball courts?

“I don’t like it but there is so much going on with pickleball, so many good things, I’m going to stick to what I can control, harnessing the growth and supporting this game,” said Pickleball USA CEO Mike Nealy.

Among the positive signs, Nealy said, is the continuing construction of new pickleball courts across the country, raising the total to more than 50,000. There’s also growing investment in the game at clubs built in former big-box retail stores, pro leagues with such backers as Tom Brady, LeBron James and Drake, and the emergence of “dink-and-drink” establishments that tap into the social aspect of the game by allowing friends to enjoy pickleball, beer, wine and food under the same roof.

“I don’t think it needs to be one or the other or a competition,” Nealy said of pickleball and tennis. “You’re certainly going to have the inherent frictions in communities when tennis people don’t feel that they’re getting what they want. … They’re different games but I think they are complimentary. There’s plenty of room for both sports to be very successful.”

Top-ranked American tennis player Taylor Fritz agreed. “There are some people in the tennis world that are just absolute pickleball haters, and that’s fine. But for me, I don’t really have an issue with pickleball. I like playing sometimes. … I don’t see any reason why both of them can’t exist.”
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Blantyre, Malawi — A 72-year-old woman has shot to music stardom in Malawi, challenging societal norms in a country where elderly people are often abused, tortured or even killed over false accusations of witchcraft.

Christina Malaya, now popularly known by her stage name, Jetu, is breaking the internet with her amapiano-style tracks.

Jetu started her music career last year, at the age of 71 — soon after the death of her husband, in central Malawi, where she was staying.

Relatives suggested she go to Blantyre to stay with grandchildren. Those grandchildren were “doing music,” she said, and asked her to join them as a way to overcome her loneliness and boredom.

Under the management of her grandson, musician Blessings Kazembe, popularly known as Emmu Dee, Jetu has released three powerful singles: “Wakalamba Wafuna,” “Chakwaza” and “Simunatchene.”

Her fans and admirers have crowned her the Malawian queen of amapiano — a subgenre of South African house music — which dominates the music scene in Malawi.

Jetu is excited that music has allowed her to go places she never dreamed of visiting, including Johannesburg and Cape Town when she performed in South Africa in June.

Her talent has earned her recognition as an ambassador for elderly people in Malawi, helping to reduce attacks and killings. Older people in Malawi are faced with attacks and killings on suspicion of practicing witchcraft even though Malawi law does not recognize witchcraft.

Andrew Kavala, executive director of the Malawi Network of Older Persons’ Organizations, told VOA that in 2023, his organization recorded 25 killings and 87 cases of violence, including setting fire to homes and assault. That was up from 2022’s 17 deaths.

So far in 2024, he said, 17 elderly people have been killed and 89 have been abused.

Kavala said his organization chose Jetu as an ambassador for elderly Malawians because of her strong appeal to youth, who studies show make 86% of the witchcraft accusations.

“We are trying to explore means through which Jetu can use her platform to convey the message to the youth, ‘Stop bullying, stop abusing elderly persons,’” he said.

Malawi’s youthful and renowned fashion designer Xandria Kawanga, owner of the House of Xandria fashion brand, has started to dress Jetu for events.

“Most people at her age have already given up or they feel they cannot do anything, entertainment or arts, because they are old now,” Kawanga said “So, I thought one of the best ways [to help] is to complement her art and to give her that push.”

Jetu and her grandson/manager, Emmu Dee, are working to promote their new song, which has a video that was was produced this month.
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