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EAUBONNE, France — Growing up in cutthroat New York gave Lauren Scruggs the competitive mindset needed to claim an unexpected fencing silver medal on her Olympic debut in Paris.

The 21-year-old Queens native shared the podium with fellow American Lee Kiefer, who retained her Olympic title in the women’s individual foil event gold medal bout on Sunday.

“I’ve grown up in New York my whole life. It can be kind of rough sometimes,” Scruggs, the first Black American fencer to win an Olympic medal in a women’s individual event, told Reuters.

“You develop a hard shell, and in terms of how that translates to my fencing, I think it came out, that energy and that toughness.”

When Scruggs found herself neck-and-neck with then world No. 2 Arriana Errigo in the quarterfinals, she managed to score the last touch, knocking out the Italian 15-14.

“I think that was my toughest bout of the day in terms of energy, and going past my limits, and I have definitely New York to thank for that,” said Scruggs, one of the rare Black fencers at the highest level.

“Fencing is predominantly white, I think for a multitude of reasons, it’s just the history of the sport, and the lack of representation and encouragement,” she explained.

“To have this accomplishment is a big deal for me, because when I was younger I only had a few people to look up to in the sport, so to be someone that little kids now can look up to is very special to me.”

They can draw inspiration from her impressive grit, which coach Sean McClain described in the U.S. training venue in Eaubonne, in the outskirts of Paris, saying that since she was eight, Scruggs only cared about winning medals.

“And she’s maintained that distaste for losing her entire career,” he said. “I really think in an event like the Olympics, it’s more about how you compete.”

Expensive sport

Born in the U.S. to Jamaican immigrants, Scruggs grew up in Queens with her mother and grandmother.

“I was in a single-parent household early on, so my family had to basically cut some corners around here and there to support us,” said Scruggs, whose brother was the first to get into fencing and inspired her to take up the sport.

Now a college student at Harvard, where she trains every day, Scruggs had to fight to make it into a “pretty expensive” sport.

“It was not easy growing up, trying to fence while being from where I’m from, just income-wise,” she said.

“If you have the funds, it makes it a lot easier to pursue the sport and feel comfortable asking that from your family.

“But if you’re coming from a lower-income background, it might push you harder. And I think it’s what happened with me. I just wanted it more than my peers.”

On paper, Scruggs did not have a big medal chance, but she showed her mettle at the Grand Palais arena.

“Fencing skill wise, Lauren is on par with the better fencers in the world, but she’s not better than them. What made the difference was that competitiveness,” said McClain, who has also become Scruggs’ stepfather.

“That comes from my wife,” he added. “I knew it was possible, but I didn’t really think Lauren was going to win a medal in her first Olympics. But my wife did. She was like, she’d better win a medal. So that’s where it comes from — that’s the fiery spirit!”

With Kiefer and alongside teammates Jackie Dubrovich and Maia Weintraub, Scruggs will represent the U.S. against China on Thursday in the quarterfinals of the women’s foil team event.

Scruggs is aiming for gold this time and is dreaming already of qualifying for the next Games, which will take place in Los Angeles in four years’ time.

“I can’t imagine myself not fencing,” she said. “It’s not even love, it’s just a part of me. It’s connected to who I am,” she said. 
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Paris — As a gay youth growing up in central France, Hugo Bardin never felt he lived in a world that represented who he was — a world in which he had a place.

And that is why Bardin, who performs as the drag queen Paloma, felt it was meaningful and important to be part of a Paris Olympics opening ceremony that presented a multifaceted, multiethnic France with people of different ethnicities and orientations.

“It was a really important moment for the French people and the representation of France around the world,” says Paloma, who took part in a single scene that has drawn some furious criticism — including from presidential candidate Donald Trump in the United States, who called it “a disgrace.”

Although the ceremony’s artistic director, Thomas Jolly, and other participants have repeatedly said the scene wasn’t inspired by “The Last Supper,” critics interpreted that part of the show as a mockery of Leonardo Da Vinci’s painting showing Jesus Christ and his apostles. 

Paloma, best known for winning “Drag Race France,” appeared with other drag artists and dancers alongside Barbara Butch, a popular DJ who wore a silver headdress that looked like a halo. Butch has now filed a complaint alleging online abuse and harassment, and Paris police have launched an investigation.

Paloma is not, at this point, planning to take legal action over online harassment, and would prefer to focus on the many “loving messages” that have been pouring in. The performer been getting thousands of messages daily, she told The Associated Press, most of them positive but some that he described as “violent” and even “from the Middle Ages.”

Still, there are no misgivings, despite the backlash. Paloma said she was proud to have been part of a show that did not rely on a series of French cliches — for example, “the Parisian with a baguette under their arm.”

“It could have been a postcard from 1930,” she said of the ceremony. “But instead, it was a photograph of France in 2024.”

Many agreed, and praised the ceremony for its creativity, style and showmanship.

But French Catholic bishops and others were among those who said Christians had been offended, though Paris Olympics organizers have said there was “never an intention to show disrespect to any religious group” but rather to “celebrate community tolerance.”

Trump was asked on Fox News what he thought of the so-called “Last Supper” scene. “I’m very open-minded,” the former president and current Republican nominee told host Laura Ingraham, “but I thought what they did was a disgrace.”

Of Trump’s comments, Paloma said: “My first reaction is to say that if Donald Trump is not reacting, then we have not done our job.”

The criticism, she said, has been fueled by hate. “Where is the Catholicism, the Christianity in that? It is very hypocritical that their message is not about religion or kindness, it’s about hate towards Jews, fat people, queer people and trans people.”

“We have been accused of trying to impose our vision on the world,” Bardin said. “We are not. … We just want to let people know that we have a place in the world, and we are claiming that place.”

Paloma spoke to the AP in a phone interview and later at her Paris workshop, a studio devoted to her drag performance. Bardin debuted the drag queen persona some five years ago, the Spanish name inspired by the films of Pedro Almodóvar.

Asked if she had any regrets, Paloma replied: “My only regrets is people’s reactions. I’m sorry if people are offended but we did not try to parody, to mock ‘The Last Supper.’ It was not the point. So I can’t regret what I did. I’m sorry for people to only see things in a bad way.”

She added: “Maybe change the perspective. Change the point of view. Try to see the beauty in what we did. Because it was just beauty. It was just only about beauty and reunion, and reparation.” 
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