Category: Новини

washington — South Korean kimchi exports hit a record high amid a global surge in the popularity of Korean culture, hitting 44,041 tons in 2023, a 7.1% increase from 42,544 tons exported in 2021. 

Kimchi, a traditional Korean dish made by fermenting cabbage or other vegetables, was exported to 92 countries from South Korea last year, with the United States and Japan being the top customers, according to BusinessKorea, a monthly magazine.  

The United States imported more than 10,000 tons of kimchi in 2023, and Japan imported more than 20,000 tons. Kimchi exports to the United States have grown significantly in the past few years, increasing from $14.8 million in 2019 to $29 million in 2022, according to The Korea Daily. 

Some experts see a connection between this rise in exports and the rising popularity of Korean entertainment content, such as K-pop and K-dramas. According to Forbes, U.S. viewership of Korean dramas rose 200% from 2019 to 2021, with TV shows like “Squid Game” topping the Netflix viewership charts in the United States.  

Others attribute the rising popularity of kimchi to its health benefits, as fermented foods expand the diversity of digestive tract microbes.  

Patrice Cunningham, founder and CEO of Tae-Gu Kimchi in Washington, spoke about the increase in popularity of kimchi in the United States. 

“Kimchi is a huge part of the Korean diet,” she said. “They eat it as a side dish with almost every meal. … In the states now, we’re kind of implementing that same style of eating.”  

Cunningham makes and distributes kimchi with her mother, selling both vegan and non-vegan varieties made from napa cabbage.  

“I always knew that my mom had a really great kimchi recipe, and I remember saying to myself for a while that I wanted to bottle it one day and sell it,” Cunningham said.  

She attends 15 to 16 farmers markets a week in the main season and has won multiple grants for her business, contributing to its growth. 

She said many of their customers focus on their “gut health … and so they buy our kimchi for that.”   

K-culture boosts popularity

Another Washington business that sells kimchi is Rice Market. Partner Sak Pollert said kimchi sales have increased significantly over the past two years.  

He said more customers come in “with recipes on their phone, looking for Korean and other Asian ingredients, too.”   

As to kimchi’s rise in popularity, particularly in the United States, Pollert said that many in Washington are world travelers already familiar with kimchi but don’t like the smell.  

“But now, they learned it’s probiotic foods that taste good and help with digestion,” he said. “It helps make other foods taste better, so they get over the smell quickly.”  

Pollert said he thinks that K-content has played an important role in bolstering kimchi’s global popularity. K-dramas “did a phenomenal job promoting kimchi and Korean food and drinks, especially soju,” a Korean grain-based alcohol.  

He noted that restaurant and dinner scenes in many K-dramas feature ajummas — Korean for married or middle-aged women — gathering around a table to gossip and make kimchi before winter.  

South Korea promotes its cuisine 

This rise in popularity of kimchi, though influenced by multiple factors, is a part of a broader plan by the South Korean government to push Korean cuisine worldwide.  

“South Korea’s government and corporations are thinking of ways to promote Korean food and profit from it,” National Public Radio’s Anthony Kuhn said in an interview with Yang Joo-Pil, an official at the South Korean Ministry of Agriculture, Food and Rural Affairs.  

Yang said that each year, about 10 food items are chosen for product placement in popular dramas, and Korean foods are sold at K-pop concerts. 

In Washington, efforts to promote Korean food and spread Korean culture are evident in the work of the Korean Cultural Center. Last November, the center partnered with Tae-Gu Kimchi for “DC’s First Kimjang: Making and Sharing Kimchi.”  

Kimjang in Korea is an event that occurs once or twice a year “as a way for communities to collectively stock up on and share essential foods,” according to the Korean Cultural Center’s event page.  

At the kimjang event, participants had the opportunity to try kimchi over rice and make their own kimchi in a hands-on workshop. 
…

…

…

NEW YORK — N. Scott Momaday, a Pulitzer Prize-winning storyteller, poet, educator and folklorist whose debut novel “House Made of Dawn” is widely credited as the starting point for contemporary Native American literature, has died. He was 89.

Momaday died Wednesday at his home in Santa Fe, New Mexico, publisher HarperCollins announced. He had been in failing health.

“Scott was an extraordinary person and an extraordinary poet and writer. He was a singular voice in American literature, and it was an honor and a privilege to work with him,” Momaday’s editor, Jennifer Civiletto, said in a statement. “His Kiowa heritage was deeply meaningful to him and he devoted much of his life to celebrating and preserving Native American culture, especially the oral tradition.”

“House Made of Dawn,” published in 1968, tells of a World War II soldier who returns home and struggles to fit back in, a story as old as war itself: In this case, home is a Native community in rural New Mexico. Much of the book was based on Momaday’s childhood in Jemez Pueblo, New Mexico, and on his conflicts between the ways of his ancestors and the risks and possibilities of the outside world.

“I grew up in both worlds and straddle those worlds even now,” Momaday said in a 2019 PBS documentary. “It has made for confusion and a richness in my life.”

Despite such works as John Joseph Mathews’ 1934 release “Sundown,” novels by American Indians weren’t widely recognized at the time of “House Made of Dawn.” A New York Times reviewer, Marshall Sprague, even contended in an otherwise favorable review that “American Indians do not write novels and poetry as a rule, or teach English in top-ranking universities, either. But we cannot be patronizing. N. Scott Momaday’s book is superb in its own right.”

Like Joseph Heller’s “Catch-22,” Momaday’s novel was a World War II story that resonated with a generation protesting the Vietnam War. In 1969, Momaday became the first Native American to win the fiction Pulitzer, and his novel helped launch a generation of authors, including Leslie Marmon Silko, James Welch and Louise Erdrich.

His other admirers would range from the poet Joy Harjo, the country’s first Native to be named poet laureate, to the film stars Robert Redford and Jeff Bridges.

“He was a kind of literary father for a lot of us,” Harjo told The Associated Press during a telephone interview Monday. “He showed how potent and powerful language and words were in shaping our very existence.”

Over the following decades, he taught at Stanford, Princeton and Columbia universities, among other top-ranking schools, was a commentator for NPR, and lectured worldwide.

He published more than a dozen books, from “Angle of Geese and Other Poems” to the novels “The Way to Rainy Mountain” and “The Ancient Child,” and became a leading advocate for the beauty and vitality of traditional Native life.

Addressing a gathering of American Indian scholars in 1970, Momaday said, “Our very existence consists in our imagination of ourselves.” He championed Natives’ reverence for nature, writing that “the American Indian has a unique investment in the American landscape.” He shared stories told to him by his parents and grandparents. He regarded oral culture as the wellspring of language and storytelling, and dated American culture back not to the early English settlers, but also to ancient times, noting the procession of gods depicted in the rock art at Utah’s Barrier Canyon.

“We do not know what they mean, but we know we are involved in their meaning,” he wrote in the essay “The Native Voice in American Literature.”

“They persist through time in the imagination, and we cannot doubt that they are invested with the very essence of language, the language of story and myth and primal song. They are 2,000 years old, more or less, and they remark as closely as anything can the origin of American literature.”

In 2007, President George W. Bush presented Momaday with a National Medal of Arts “for his writings and his work that celebrate and preserve Native American art and oral tradition.” Besides his Pulitzer, his honors included an Academy of American Poets prize and, in 2019, the Dayton Literary Peace Prize.

Momaday was married three times, most recently to Barbara Glenn, who died in 2008. He had four daughters, one of whom, Cael, died in 2017.

He was born Navarre Scott Mammedaty, in Lawton, Oklahoma, and was a member of the Kiowa Nation. His mother was a writer, and his father an artist who once told his son, “I have never known an Indian child who couldn’t draw,” a talent Momaday demonstrably shared. His artwork, from charcoal sketches to oil paintings, were included in his books and exhibited in museums in Arizona, New Mexico and North Dakota. Audio guides to tours of the Smithsonian Institution’s Museum of the American Indian featured Momaday’s avuncular baritone.

After spending his teens in New Mexico, he studied political science at the University of Mexico and received a master’s and Ph.D. in English from Stanford. Momaday began as a poet, his favorite art form, and the publication of “House Made of Dawn” was an unintentional result of his early reputation. Editor Fran McCullough, of what is now HarperCollins, had met Momaday at Stanford and several years later contacted him and asked whether he would like to submit a book of poems.

Momaday did not have enough for a book, and instead gave her the first chapter of “House Made of Dawn.”

Much of his writing was set in the American West and Southwest, whether tributes to bears — the animals he most identified with — or a cycle of poems about the life of Billy the Kid, a childhood obsession. He saw writing as a way of bridging the present with the ancient past and summed up his quest in the poem “If I Could Ascend”: 

Something like a leaf lies here within me; / it wavers almost not at all, / and there is no light to see it by / that it withers upon a black field. / If it could ascend the thousand years into my mouth, / I would make a word of it at last, / and I would speak it into the silence of the sun.

In 2019, he was the subject of a PBS “American Masters” documentary in which he discussed his belief he was a reincarnation of a bear connected to the Native American origin story around Devils Tower in Wyoming. He told The Associated Press in a rare interview that the documentary allowed him to reflect on his life, saying he was humbled that writers continued to say his work has influenced them.

“I’m greatly appreciative of that, but it comes a little bit of a surprise every time I hear it,” Momaday said. “I think I have been an influence. It’s not something I take a lot of credit for.” 
…

In Mogadishu, the troubled capital of Somalia, elderly citizens gather every afternoon in the Bondere district for an archery contest. The activity is part of a deeper historical tradition. Jamal Ahmed Osman has more about this unique activity, in this story narrated by Kevin Enochs. Camera and video editing by Abdulkadir Zubeyr.
…