Category: Новини

In Mogadishu, the troubled capital of Somalia, elderly citizens gather every afternoon in the Bondere district for an archery contest. The activity is part of a deeper historical tradition. Jamal Ahmed Osman has more about this unique activity, in this story narrated by Kevin Enochs. Camera and video editing by Abdulkadir Zubeyr.
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Tampa, Florida — Revelers clad in pirate finery packed Tampa’s waterfront this weekend as a flotilla of boats arrived for the city’s annual Gasparilla Pirate Fest.

Led by Ye Mystic Krewe of Gasparilla, the invading pirates docked to make a final demand for the key to the city. Once ashore, the festivities celebrating their annual invasion included a Saturday afternoon parade through downtown and live music and bead throwing that lasted well into the night.

A fixture nearly every year since 1904, the Gasparilla Pirate Fest is named for the mythical pirate Jose Gaspar. There’s not much evidence he actually existed, but according to legend he plundered ships and captured hostages in the Gulf of Mexico from the 1780s until around 1821.

The colorful account of his supposed life first surfaced in the early 1900s in an advertising brochure for the Gasparilla Inn, which was located south of Tampa in Boca Grande at the end of a rail line and in need of an exciting promotion to lure in guests.

Called the “Last of the Buccaneers,” Gaspar’s memory lives on in the name of Tampa Bay’s NFL team.
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New Orleans, Louisiana — With their purple, gold and green colors and toy babies hidden inside, king cakes are staples of Mardi Gras celebrations in New Orleans, but apparently they’re also valuable enough to steal — at least this time of year during the Carnival season.

A thief stole seven king cakes — about as many as he could carry — during a break-in last week at a New Orleans bakery. The thief also took cash and a case of vodka from Bittersweet Confections last Wednesday, according to the New Orleans Police Department.

“Our king cakes are just that good,” the bakery wrote on social media. “But please come and purchase one during our regular store hours.”

While it’s a secular celebration, Carnival in New Orleans — and around the world — is strongly linked to Christian and Roman Catholic traditions. The season begins on Jan. 6, the 12th day after Christmas, and continues until Mardi Gras, known as Fat Tuesday, which is the final day of feasting, drinking and revelry before Ash Wednesday and the fasting associated with Lent.

King cakes are among the foods most associated with Carnival in New Orleans. The rings of pastry are adorned with purple, green and gold sugar or icing, and they often have a tiny plastic baby hidden inside as a prize.

One wisecracker responded to the bakery’s social media post with a tongue-in-cheek false admission that he was the thief.

“It was me. …I’m holding all seven babies hostage until I get a lifetime supply of King Cakes from you every year,” the man posted.
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albany, new york — A performer who appeared naked in a show by world-renowned performance artist Marina Abramovic at New York City’s Museum of Modern Art is suing the museum, saying it failed to take action after he was sexually assaulted multiple times by attendees during the performances nearly 14 years ago. 

The suit was filed in Manhattan on Monday under the New York Adult Survivors Act, a special state law that created a yearslong suspension of the usual time limit for accusers to sue. Although the law expired last year, the suit says the parties agreed to extend the window closing. 

John Bonafede alleges in the suit he was sexually assaulted by five public onlookers who attended a show he was hired by the museum to perform in as part of Abramovic’s retrospective “The Artist Is Present.” 

Email messages sent to the museum this week were not returned. Abramovic is not named as a defendant and did not immediately return a request for comment. 

The work, titled “Imponderabilia,” saw Bonafede and another performer standing face-to-face with each other in a doorway about 18 inches (45.7 centimeters) apart, fully nude, silent, and still. The exhibition, which ran from March 14, 2010, through May 31, 2010, was curated by the museum in a way that encouraged visitors to pass in between the performers as they went from one gallery to the next, the suit alleges. 

Mostly older men involved, says suit

The people who assaulted Bonafede were mostly older men, the suit says. One of the perpetrators was a corporate member of the museum, who was ultimately kicked out and revoked of his membership, according to the suit. 

During the final weeks of the exhibition, another attendee non-consensually groped Bonafede’s private areas three times before they were finally stopped by security, the suit said. 

Bonafede reported four of the individuals to the museum staff and security immediately, according to the suit, while the fifth was witnessed personally by the museum security staff. 

Female performer also assaulted, suit says

At one point, Bonafede also witnessed a public attendee sexually assault his female co-performer by kissing her on the mouth without her consent, the suit said. 

Prior to the exhibition, the performers had voiced their concerns about nude performers being subject to harassment in a letter to the museum during contract negotiations, the suit said. 

Once it began, several news outlets including The New York Times reported on the inappropriate behavior by visitors, and the sexual assaults on “Imponderabilia” were discussed within New York City’s art and performance communities, the suit says. 

Despite the museum having knowledge of the issue, it failed to take action to protect the performers and prevent further sexual assaults, such as telling visitors ahead of time that touching was not allowed, the lawsuit said. 

About a month into the exhibition, the museum created a handbook outlining protocols for the performers to alert museum staff if they felt unsafe or were inappropriately touched. 

Bonafede agreed to continue the performance after he was assaulted because of the “tough it out” culture of the exhibition, the suit says, but suffered for years from emotional distress, and his mental health, body image and career were damaged as a result. 

The Associated Press generally does not name people who say they have been sexually assaulted unless they come forward publicly. Bonafede gave consent through his lawyer, Jordan Fletcher. 

Fletcher declined to comment further on the suit, but said they will be seeking a jury trial and compensatory damages. 
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MEXICO CITY — Mexico’s government has acknowledged that at least two well-known Mayan ruin sites are unreachable by visitors because of a toxic mix of cartel violence and land disputes.

But two tourist guides in the southern state of Chiapas, near the border with Guatemala, say two other sites that the government claims are still open to visitors can only be reached by passing though drug gang checkpoints.

The explosion of drug cartel violence in Chiapas since last year has left the Yaxchilán ruin site completely cut off, the government conceded Friday.

The tour guides, who spoke on condition of anonymity because they must still work in the area, said that gunmen and checkpoints are often seen on the road to another site, Bonampak, famous for its murals.

They say that to get to yet another archaeological site, Lagartero, travelers are forced to hand over identification and cellphones at cartel checkpoints.

Meanwhile, officials concede that visitors also can’t go to the imposing, towering pyramids at Tonina, because a landowner has shut off across his land while seeking payment from the government for granting the right of way.

The cartel-related dangers are the most problematic. The two cartels warring over the area’s lucrative drug and migrant smuggling routes set up the checkpoints to detect any movement by their rivals.

Though no tourist has been harmed so far, and the government claims the sites are safe, many guides no longer take tour groups there.

“It’s as if you told me to go to the Gaza Strip, right?” said one of the guides.

“They demand your identification, to see if you’re a local resident,” he said, describing an almost permanent gang checkpoint on the road to Lagartero, a Mayan pyramid complex that is surrounded by pristine, turquoise jungle lagoons.

“They take your cellphone and demand your sign-in code, and then they look through your conversations to see if you belong to some other gang,” he said. “At any given time, a rival group could show up and start a gunbattle.”

The government seems unconcerned, and there is even anger that anyone would suggest there is a problem, in line with President Andrés Manuel López Obrador’s policy of playing down gang violence — even as the cartels take over more territory in Mexico.

“Bonampak and Lagartero are open to the public,” the National Institute of Anthropology and History said in a statement Friday.

“It is false, biased and irresponsible to say that these archaeological sites are in danger from drug traffickers,” added the agency, known as the INAH, which claimed it “retains control of the sites.”

Both guides stressed that the best-known Mayan ruin site in Chiapas, the imposing temple complex at Palenque, is open and perfectly safe for visitors. But starting around December, tourists have canceled about 5% of trips booked to the area, and there are fears that could grow.

Things that some tourists once enjoyed — like the more adventurous trip to ruins buried deep in the jungle, like Yaxchilán, on the banks of the Usumacinta river and reachable only by boat — are either no longer possible, or so risky that several guides have publicly announced they won’t take tourists there.

Residents of the town of Frontera Comalapa, where the boats once picked up tourists to take them to Yaxchilan, closed the road in October because of constant incursions by gunmen. 

Even the INAH admits there is no access to Yaxchilan, noting that “the institute itself has recommended at certain points that tourists not go to the archaeological site, because they could have an unsuccessful visit.” But it said that the problems there are “of a social nature” and are beyond its control.

Cartel battles started to get really bad in Chiapas in 2023, which coincides with the uptick in the number of migrants — now about a half-million annually — moving through the Darien Gap jungle from South America, through Central America and Mexico to the U.S. border.

Because many of the new wave of migrants are from Cuba, Asia and Africa, they can pay more than Central Americans, making the smuggling routes through Chiapas more valuable. The problem now seems to be beyond anyone’s control.

The National Guard — the quasi-military force that López Obrador has made the centerpiece of law enforcement in Mexico — has been pelted with stones and sticks by local residents in several towns in that region of Chiapas in recent weeks.

The other tour guide said that was because the two warring drug cartels, Sinaloa and Jalisco, often recruit or force local people to act as foot soldiers and prevent National Guard troopers from entering their towns.

In Chiapas, residents are often members of Indigenous groups like the Choles or Lacandones, both descendants of the ancient Maya. The potential damage of using them as foot soldiers in cartel fights is grim, given that some groups have either very few remaining members or are already locked in land disputes.

The guide said the ruin sites have the added disadvantage of being in jungle areas where the cartels have carved out at least four clandestine landing strips to fly drugs in from South America.

But the damages are mounting for the Indigenous residents who have come to depend on tourism.

“There are communities that sell handicrafts, that provide places to stay, boat trips, craftspeople. It affects the economy a lot,” said the first guide. “You have to remember that this is an agricultural state that has no industry, no factories, so tourism has become an economic lever, one of the few sources of work.”
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MELBOURNE, AUSTRALIA — Aryna Sabalenka continued to be an irrepressible force at the Australian Open as she powered to a 6-3, 6-2 victory over Chinese 12th seed Zheng Qinwen on Saturday to successfully defend her title and add a second Grand Slam trophy to her cabinet. 

The Belarusian second seed has barely put a foot wrong as she became the first woman to retain the Melbourne Park crown since compatriot Victoria Azarenka in 2013. 

“It’s been an amazing couple of weeks, and I couldn’t imagine myself lifting this trophy one more time,” Sabalenka said. 

“I want to congratulate you, Qinwen, on an incredible couple of weeks here in Australia. I know it’s really tough to lose in the final, but you’re such an incredible player,” she said. “You’re such a young girl, and you’re going to make many more finals and you’re going to get it.” 

Sabalenka came into the match without dropping a set at the year’s first major. She remained perfect to join Ash Barty, Serena Williams, Maria Sharapova and Lindsay Davenport in the elite club of players to have managed the feat since 2000. 

She unleashed monster groundstrokes to grab the final by the scruff of the neck with an early break, and thousands of Chinese supporters and millions back home watched Zheng fall behind 3-0. 

Sabalenka did not have her nation’s flags in the stands because of a ban over her country’s role in Russia’s invasion of Ukraine, but the charismatic 25-year-old has a big Melbourne fan base. She rode the Rod Laver Arena support to take the first set. 

Zheng, who had saved four set points, showed she was slowly growing in confidence in her second meeting with Sabalenka by firing up her own big forehand amid the rallying cry of “Jia You” from her compatriots in the crowd. 

The 21-year-old first-time finalist, bidding to match her idol Li Na — the Melbourne Park champion 10 years ago and first Chinese player to win a major — saw her hopes fade after two more errors on serve left her 4-1 down. 

Sabalenka shrugged off a shaky service game to close out the most one-sided final since Azarenka beat Maria Sharapova 6-3, 6-0 in 2012. 

“It’s my first final and I’m feeling a little bit pity, but that’s how it is,” Zheng said. “I feel very complicated because I could have done better than I did in this match.” 
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NEW YORK — Pornographic deepfake images of Taylor Swift are circulating online, making the singer the most famous victim of a scourge that tech platforms and anti-abuse groups have struggled to fix.

Sexually explicit and abusive fake images of Swift began circulating widely this week on the social media platform X.

Her ardent fanbase of “Swifties” quickly mobilized, launching a counteroffensive on the platform formerly known as Twitter and a #ProtectTaylorSwift hashtag to flood it with more positive images of the pop star. Some said they were reporting accounts that were sharing the deepfakes.

The deepfake-detecting group Reality Defender said it tracked a deluge of nonconsensual pornographic material depicting Swift, particularly on X. Some images also made their way to Meta-owned Facebook and other social media platforms.

“Unfortunately, they spread to millions and millions of users by the time that some of them were taken down,” said Mason Allen, Reality Defender’s head of growth.

The researchers found at least a couple dozen unique AI-generated images. The most widely shared were football-related, showing a painted or bloodied Swift that objectified her and in some cases inflicted violent harm on her deepfake persona.

Researchers have said the number of explicit deepfakes has grown in the past few years, as the technology used to produce such images has become more accessible and easier to use. In 2019, a report released by the AI firm DeepTrace Labs showed these images were overwhelmingly weaponized against women. Most of the victims, it said, were Hollywood actors and South Korean K-pop singers.

Brittany Spanos, a senior writer at Rolling Stone who teaches a course on Swift at New York University, says Swift’s fans are quick to mobilize in support of their artist, especially those who take their fandom very seriously and in situations of wrongdoing.

“This could be a huge deal if she really does pursue it to court,” she said.

Spanos says the deep fake pornography issue aligns with others Swift has had in the past, pointing to her 2017 lawsuit against a radio station DJ who allegedly groped her; jurors awarded Swift $1 in damages, a sum her attorney, Douglas Baldridge, called “a single symbolic dollar, the value of which is immeasurable to all women in this situation” in the midst of the MeToo movement. (The $1 lawsuit became a trend thereafter, like in Gwyneth Paltrow’s 2023 countersuit against a skier.)

When reached for comment on the fake images of Swift, X directed the The Associated Press to a post from its safety account that said the company strictly prohibits the sharing of non-consensual nude images on its platform. The company has also sharply cut back its content-moderation teams since Elon Musk took over the platform in 2022.

“Our teams are actively removing all identified images and taking appropriate actions against the accounts responsible for posting them,” the company wrote in the X post early Friday morning. “We’re closely monitoring the situation to ensure that any further violations are immediately addressed, and the content is removed.”

Meanwhile, Meta said in a statement that it strongly condemns “the content that has appeared across different internet services” and has worked to remove it.

“We continue to monitor our platforms for this violating content and will take appropriate action as needed,” the company said.

A representative for Swift didn’t immediately respond to a request for comment Friday.

Allen said the researchers are 90% confident that the images were created by diffusion models, which are a type of generative artificial intelligence model that can produce new and photorealistic images from written prompts. The most widely known are Stable Diffusion, Midjourney and OpenAI’s DALL-E. Allen’s group didn’t try to determine the provenance.

OpenAI said it has safeguards in place to limit the generation of harmful content and “decline requests that ask for a public figure by name, including Taylor Swift.”

Microsoft, which offers an image-generator based partly on DALL-E, said Friday it was in the process of investigating whether its tool was misused. Much like other commercial AI services, it said it doesn’t allow “adult or non-consensual intimate content, and any repeated attempts to produce content that goes against our policies may result in loss of access to the service.”

Asked about the Swift deepfakes on NBC Nightly News, Microsoft CEO Satya Nadella told host Lester Holt in an interview airing Tuesday that there’s a lot still to be done in setting AI safeguards and “it behooves us to move fast on this.”

“Absolutely this is alarming and terrible, and so therefore yes, we have to act,” Nadella said.

Midjourney, OpenAI and Stable Diffusion-maker Stability AI didn’t immediately respond to requests for comment.

Federal lawmakers who’ve introduced bills to put more restrictions or criminalize deepfake porn indicated the incident shows why the U.S. needs to implement better protections.

“For years, women have been victims of non-consensual deepfakes, so what happened to Taylor Swift is more common than most people realize,” said U.S. Rep. Yvette D. Clarke, a Democrat from New York who’s introduced legislation would require creators to digitally watermark deepfake content.

“Generative-AI is helping create better deepfakes at a fraction of the cost,” Clarke said.

U.S. Rep. Joe Morelle, another New York Democrat pushing a bill that would criminalize sharing deepfake porn online, said what happened to Swift was disturbing and has become more and more pervasive across the internet.

“The images may be fake, but their impacts are very real,” Morelle said in a statement. “Deepfakes are happening every day to women everywhere in our increasingly digital world, and it’s time to put a stop to them.” 
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