‘Avatar 2’ Tops Box Office for 7th Weekend

“Avatar: The Way of Water” claimed the No. 1 spot on the domestic box office charts for the seventh weekend in a row with an additional $15.7 million, according to studio estimates on Sunday. 

It was a quiet weekend overall, notable mostly for the Hindi language blockbuster “Pathaan” that broke into the top five and the post-Oscar nominations rereleases of films like “Everything Everywhere All At Once” and “The Fabelmans.” 

“Avatar 2’s” first-place North American run has only been matched by the first “Avatar,” and, in the past 25 years, bested by “Titanic” (which stayed in first place for 15 weeks). All three were directed by James Cameron. 

Globally, “The Way of Water” has now grossed an estimated $2.1 billion, passing “Star Wars: The Force Awakens,” to become the fourth-highest grossing film of all time (of which Cameron has directed three). 

“James Cameron just keeps ticking off all the records and milestones,” said Paul Dergarabedian, the senior media analyst for Comscore. “And it’s still got a wide-open marketplace.” 

Second place went to Universal and DreamWorks’ family-oriented offering “Puss In Boots: The Last Wish,” which made $10.6 million in its sixth weekend. The animated spinoff has earned over $140.8 million in North America and was recently made available to stream at home, too. 

Third place went to Sony’s “A Man Called Otto” with $6.8 million from 3,957 locations. The meme-able horror “M3GAN,” a Universal release, snuck into fourth place with $6.4 million in its fourth weekend, bringing its domestic total to $82.3 million. 

The Indian film “Pathaan,” starring Shah Rukh Kha in his first role in five years, settled in fifth place with $5.9 million from only 695 screens. 

“A top five appearance is really impressive,” Dergarabedian said, noting that the marketplace over the past several years has presented opportunities for Indian films to break into the domestic top 10. 

Neon also launched the horror movie “Infinity Pool,” written and directed by Brandon Cronenberg and starring Mia Goth and Alexander Skarsgård, in 1,853 locations following its Sundance debut. It made an estimated $2.7 million. The romantic comedy “Maybe I Do,” with Diane Keaton, Richard Gere and Susan Sarandan, made $562,000 from 465 screens. And Lukas Dhont’s Cannes-winning boyhood drama “Close” opened on four screens in New York and Los Angeles, earning $68,143. 

Many studios boasting best picture nominees also chose to capitalize on the buzz of Tuesday’s Oscar nominations with sizable re-releases. “Everything Everywhere All At Once,” which got a leading 11 nominations, came back to theaters in force playing on 1,400 screens where it earned another $1 million. The A24 release has made $71 million domestically to date. Steven Spielberg’s “The Fabelmans,” nominated for seven Oscars, also expanded to 1,962 screens in North America and took in an additional $760,000, bringing its domestic total to $16 million. And Sarah Polley’s “Women Talking” also added a few hundred screens, earning $1 million over the weekend. It’s made $2.4 million to date. The Oscar boosts could continue over the coming weeks, too — the show isn’t until March 12. 

“We are seeing in real time the halo effect of the Oscar nominations on these best picture nominees,” Dergarbedian said. “The Oscar bounce is back, something we haven’t seen over the past couple of years.” 

Several of the highest profile releases of the weekend were both star-driven comedies that went straight to streaming: Netflix had “You People,” with Eddie Murphy, Julia Louis-Dreyfus, Jonah Hill and Lauren London and Amazon Prime Video offered “Shotgun Wedding,” with Jennifer Lopez, Josh Duhamel and Jennifer Coolidge. 

Seven weekends into “Avatar 2,” theater owners are also likely looking for the next big blockbuster, which is still a ways off. “Ant-Man and The Wasp: Quantumania” doesn’t arrive in theaters until Feb. 17. 

But, as Dergarabedian said, “2023 is already looking more like 2019 rather than the last three years.” 

“This is great news for theaters,” he said. “You have the Oscar bounce in play, an Indian film in the top 5 and ‘Avatar’ breaking records left and right.” 

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore, with Wednesday through Sunday in parentheses. Final domestic figures will be released Monday. 

  1. “Avatar: The Way of Water,” $15.7 million. 

  2. “Puss in Boots: The Last Wish,” $10.6 million. 

  3. “A Man Called Otto,” $6.8 million, 

  4. “M3GAN,” $6.4 million. 

  5. “Pathaan,” $5.9 million. 

  6. “Missing,” $3.8 million. 

  7. “Plane,” $3.8 million. 

  8. “Infinity Pool,” $2.7 million. 

  9. “Left Behind: Rise of the Antichrist,” $2.4 million. 

  10. “The Wandering Earth 2,” $1.4 million. 

Gregory Allen Howard Who Wrote ‘Remember the Titans’ Dies 

Screenwriter Gregory Allen Howard, who skillfully adapted stories of historical Black figures in “Remember the Titans” starring Denzel Washington, “Ali” with Will Smith and “Harriet” with Cynthia Erivo, has died. He was 70.

Howard died Friday at his home in Miami after a brief illness, according to a statement from publicist Jeff Sanderson.

Howard was the first Black screenwriter to write a drama that made $100 million at the box office when “Titans” crossed that milestone in 2000. It was about a real-life Black coach coming into a newly integrated Virginia school and helping lead their football team to victory. It had the iconic line: “I don’t care if you like each other or not. But you will respect each other.”

Howard said he shopped the story around Hollywood with no success. So he took a chance and wrote the screenplay himself. ″They didn’t expect it to make much money, but it became a monster, making $100 million,” he said. “It made my career,” he told the Times-Herald of Vallejo, California, in 2009. The film made the Associated Press’ list of the best 25 sports movies ever made.

Howard followed up “Remember the Titans” with “Ali,” the 2002 Michael Mann-directed biopic of Muhammad Ali. Smith famously bulked up to play Ali and was nominated for a best actor Oscar.

Howard also produced and co-wrote 2019′s “Harriet,” about abolitionist Harriet Tubman. Erivo lead a cast that included Leslie Odom Jr., Clarke Peters and Joe Alwyn.

“I got into this business to write about the complexity of the Black man. I wanted to write about Martin Luther King, Malcolm X, Muhammad Ali, Marcus Garvey. I think it takes a Black man to write about Black men,” he told the Times-Herald.

Born in Virginia, his family moved often due to his stepfather’s career in the Navy. After attending Princeton University, graduating with a degree in American history, Howard briefly worked at Merrill Lynch on Wall Street before moving to Los Angeles in his mid-20s to pursue a writing career.

He wrote for TV and penned the play “Tinseltown Trilogy,” which focused on three men in Los Angeles over Christmastime as their stories interconnect and inform each other.

Howard also wrote “The Harlem Renaissance,” a limited series for HBO, “Misty,” the story of prima ballerina Misty Copeland and “This Little Light,” the Fannie Lou Hamer story. Most recently, he wrote the civil rights project “Power to the People” for producer Ben Affleck and Paramount Pictures.

He is survived by a sister, Lynette Henley; a brother, Michael Henley; two nieces and a nephew.

Ердоган заявив, що Анкара погодить заявку Фінляндії на вступ до НАТО раніше, ніж Швеції – Reuters

Він заявив, що турецька влада передала Стокгольму перелік членів Робітничої партії Курдистану, які нібито переховуються в Швеції

До Британії на навчання прибули українські танкісти

Велика Британія надасть Україні танки Challenger 2 разом із країнами-партнерами, уточнили в Міноборони

Джокович в 10-й раз переміг на Australian Open

У фіналі сербський тенісист переміг четверту ракетку світу – грека Стефаноса Ціціпаса

Church Helps Mining Community Evolve in Dark, Warming Arctic

The warm glow of Svalbard Kirke’s lights gleams on the snow-covered mountain slope from where the church stands like a beacon over this remote Norwegian Arctic village, cloaked in the polar night’s constant darkness.

A century after it was founded to minister to the coal miners who settled Longyearbyen, the Lutheran house of faith is open 24/7, serving as a crucial gathering point for a community navigating a drastic change in its identity.

The last Norwegian coal mine in Svalbard – an archipelago that’s one of the world’s fastest warming spots – was slated to close this year and only got a reprieve until 2025 because of the energy crisis driven by the war in Ukraine.

For the lone pastor in this fragile, starkly beautiful environment, the challenge is to fulfill the church’s historical mission of ministering to those in crisis while addressing a pressing and divisive contemporary challenge.

“We pray every Sunday for everyone who’s affected by climate change,” the Rev. Siv Limstrand said. “We also have a role to play as church when it comes to thinking theologically, about what are we doing to the creation.”

On treeless land hemmed by glaciers, mountains and deep fjords, Longyearbyen is a town of visible paradoxes.

The open water of the rapidly warming sea laps up against old coal mining conveyors. Tourists come by the environmentally unfriendly planeload to seek pristine wilderness they can only explore with guides armed against polar bears.

Right below where the first mine was built, Svalbard Kirke beckons to its fireplace-warmed lounge that opens into the sanctuary. A cup of coffee or hymnbooks in multiple languages are always available – as long as visitors first remove their shoes in the entryway, as miners used to do with soot-covered boots.

“You don’t have to be very religious. They have room for everybody,” said Leonard Snoeks, whose daughter sings in Polargospel, the church’s children’s choir, and whose wife is working on the city’s transition to renewable energy.

The switch this year from coal-fired to diesel-powered energy production at the plant – which prompted the mine’s original decision to shut down – is expected to halve carbon dioxide emissions even as the search for long-term, cleaner alternatives continues, said Torbjørn Grøtte, Longyearbyen’s energy transition project leader.

As change swirls faster than the snowdrifts covering Longyearbyen’s few miles of paved roads, the church’s anchoring role seems poised to remain the only constant.

It attracts miners who have attended funerals for colleagues who died on the job over the decades, as well as newly arrived scientists and tourism workers seeking to integrate in the increasingly diverse community where people now tend to stay only a couple of years.

Store Norske, the Norwegian company still operating the remaining mine, built the first church in 1921 in Longyearbyen – which translates as “the town of Longyear,” the surname of the American who established the first mining operation here.

For decades, the town’s two supreme authorities were the mine’s executive and the church’s pastor, old-timers say.

The first pastor was also the teacher in the company town that for most of the 20th century was inhabited by single miners and the mining executives’ families. Outside town limits, a few trappers continued to hunt, a long tradition in these glacier-covered islands.

Miners and their families also made up the Russian towns in Svalbard. At the surviving one, Barentsburg, coal is still extracted under a century-old international treaty that grants rights to all signatory countries. Relations with Longyearbyen, which had normalized after the end of the Cold War as miners traded visits by boat and snowmobile, have been strained again by Russia’s invasion of Ukraine nearly a year ago.

Trond Johansen was 17 when he arrived in Longyearbyen in 1971 on a plane chartered by the mining company that landed on an ice field – the airport would be built a few years later.

Sipping black coffee on a mid-January morning in the town’s sleek café that offers knitted wear and artisanal chocolates, the retired miner recalled when the main entertainment was at the church.

Before TVs, let alone anything like the plush cinema soon to open in the town’s new art gallery, Johansen and fellow miners gathered on Wednesdays to watch four-week-old videocassettes of news broadcasts from the mainland – though they skipped over the weather forecast, Johansen added with a chuckle.

“It was a fantastic place to grow up, more free probably than many places, and you had the wild and the excitement with polar bears lurking around,” said Bent Jakobsen, who was born on Svalbard and works at the Norwegian coal mine like his father and brothers before him.

But today he jokes the mine’s closing will turn him into an endangered species just like the iconic Arctic predator.

“I can be stuffed and put in the museum, me and the polar bear,” Jakobsen said.

Svalbard’s natural environment has been changing fast, too. There’s no more ice on Isfjorden, which translates as “ice fjord” and whose feet-thick ice cover used to be traversed by polar bears in winter until a dozen years ago.

“Everything except the darkness has changed,” said Kim Holmén, a special advisor to the Norwegian Polar Institute who has researched climate in Svalbard for decades. At this latitude, only the January moon glows around the clock.

Swept by the Gulf Stream ocean current and increasingly surrounded by open water, which accelerates heating, Svalbard is warming even faster than the rest of the Arctic, according to both Holmén and data from the Norwegian Meteorological Institute.

Compared to the 1961-1990 normal, winter temperatures of the last decade averaged 7.3 degrees Celsius (13.2 degrees Fahrenheit) warmer. It’s been a dozen years since Svalbard hit -30 degrees Celsius (-22 degrees Fahrenheit), which used to happen regularly decades ago.

“Plants, animals, birds, the whole ecosystem is changing,” Holmén added, as cold-adjusted species struggle and new ones arrive.

Unusual winter rains unsettle the snowpack, which has led to more avalanches, including a deadly one a few days before Christmas in 2015 that ripped through town, killing two people.

One of them was a friend of Svalbard Kirke’s then-pastor, the Rev. Leif Magne Helgesen, who had already been working on raising awareness of the changes he was observing on the island.

“As a pastor on Svalbard, you’re the northernmost religious leader in the world. That gives you a pulpit,” Helgesen said.

“There are three main ethical challenges we need to deal with and have a prophetic voice in the church: Poverty, conflict, and climate,” he added. “It’s hypocritical to only talk about life after death. We also strongly believe in life on earth and life today.”

He started including prayers about climate in regular worship services. He also worked with the church’s then music director, Espen Rotevatn, to create vocals and instrumentals for a climate change Mass – including a rite of penance for piano with deep, haunting notes and upbeat, Blues-inspired passages.

“Some lyrics are dark, but much of it is filled with hope,” said Rotevatn. He has been lobbying for the mine to close, which he said was a very unpopular cause just a few years ago.

From a Christian perspective, some might argue that God can fix everything – but Rotevatn shares a different view he believes is more common in the Norway’s churches.

“We have a responsibility for the earth that is given to us, to (not) destroy it, which is what we may be doing now,” he said.

Rotevatn is now the principal of Svalbard Folkehøgskole, an alternative higher-ed institution in Longyearbyen that he hopes to run as “green” as possible, including with solar panels. For several months in the spring and summer, the sun never sets in Svalbard, just like it never rises in winter.

In that constant darkness, keeping a light burning becomes more than a metaphor for Svalbard Kirke.

“Physical openness and accessibility to me not only symbolizes, but it is also … an ideal for what a church should be,” said Limstrand, who became pastor here in 2019, nearly thirty years after her ordination. “People can come in totally on their own terms.”

Among a couple dozen congregants at a mid-January Sunday afternoon Mass was a Hindu family from the Indian state of Uttar Pradesh – two scientists and their 18-month-old daughter, whom they named Svalbie after the archipelago.

“God is God, it doesn’t matter which religion. We feel good, peaceful and calm, similar to how we feel when we go to temple,” said environmental chemist Neelu Singh.

She and Svalbie started coming to church for the weekly “baby song hour.” To the church piano’s accompaniment, new parents sing to their babies in a circle before sharing lunch with the pastor and church staff.

“You feel connected with the community and get a chance to be social,” said Singh, who believes hers was the only Indian family in Longyearbyen when they moved here four years ago.

What Limstrand calls “spiritual hospitality” also extends outwards from the red-slatted church.

Before the pandemic, she hosted regular visits by Catholic and Orthodox priests to minister to their congregations – including Poles at remote research stations, Russians and Ukrainians in Barentsburg, and a few Filipino workers at the town’s only supermarket who happily reminisced recently about those moments.

The pastor herself travels to celebrate services beyond the church – including once at Green Dog, a dogsledding outfit half a dozen miles from Longyearbyen in a broad valley.

“How many priests can you ask to come to a dog yard in -11 (degrees Celsius, 12 degrees Fahrenheit) to baptize two kids?” said their mother, Karina Bernlow, who runs Green Dog with her husband and arrived in Svalbard 11 years ago after a stint in Greenland.

In this time, Bernlow has already seen Longyearbyen transform from a community where mining families lived for generations and extended a warm welcome to outsiders, to a mix of short-term workers who hardly ever meet outside their jobs.

“A place without history, that’s what it’s turning into. I can see how it’s disappearing,” she said as the wind, and the dogs, howled outside a log cabin near her yard. Bright lights marked the entrance to the last Norway-operated mine on the opposite mountainside.

“The church is a bridge-builder. A place like this, with so many nationalities, it’s really important to have,” she added. “I don’t go to church very often, but I know it’s there if I need it.”

That is exactly the kind of church Limstrand wants to foster in order to serve this changing community.

Here, people feel at home when they come to worship by the rose-filled altar, because they have already attended a concert, or a community gathering, or the Tuesday night coffee hour, when hot-off-the-griddle waffles are smothered in brunost, Norway’s traditional caramel-tasting cheese.

“It’s not the pastor’s church, it’s not the Church’s church, it’s not the church council’s church, but it’s our church,” Limstrand said. “It’s something that is shared, it’s not something that is guarded.”

Щольц вкотре відмовився передавати Україні винищувачі, аби не «підвищувати ставки»

Берлін бажає уникнути можливої конфронтації між Росією та НАТО, наголосив канцлер

В Ірані вночі сталася масована атака на військові об’єкти: влада каже про безпілотники

«Тегеран став мішенню ймовірних ударів ізраїльських безпілотників на тлі тіньової війни з його конкурентом на Близькому Сході» – видання Аpnews

‘Remember the Titans’ Screenwriter Gregory Allen Howard Dies

Screenwriter Gregory Allen Howard, who skillfully adapted stories of historical Black figures in “Remember the Titans” starring Denzel Washington, “Ali” with Will Smith and “Harriet” with Cynthia Erivo, has died. He was 70.
Howard died Friday at his home in Miami after a brief illness, according to a statement from publicist Jeff Sanderson.

Howard was the first Black screenwriter to write a drama that made $100 million at the box office when “Titans” crossed that milestone in 2000. It was about a real-life Black coach coming into a newly segregated Virginia school and helping lead their football team to victory. It had the iconic line: “I don’t care if you like each other or not. But you will respect each other.”

Howard said he shopped the story around Hollywood with no success. So, he took a chance and wrote the screenplay himself. ″They didn’t expect it to make much money, but it became a monster, making $100 million,” he said. “It made my career,” he told the Times-Herald of Vallejo, California, in 2009. The film made The Associated Press’ list of the best 25 sports movies ever made.

Howard followed up “Remember the Titans” with “Ali,” the 2002 Michael Mann-directed biopic of Muhammad Ali. Smith famously bulked up to play Ali and was nominated for a best actor Oscar.

Howard also produced and co-wrote 2019′s “Harriet,” about abolitionist Harriet Tubman. Erivo led a cast, that included Leslie Odom Jr., Clarke Peters and Joe Alwyn.

“I got into this business to write about the complexity of the Black man. I wanted to write about Martin Luther King, Malcolm X, Muhammad Ali, Marcus Harvey. I think it takes a Black man to write about Black men,” he told the Times-Herald.

Born in Virginia, his family moved often due to his stepfather’s career in the Navy. After attending Princeton University, graduating with a degree in American history, Howard briefly worked at Merrill Lynch on Wall Street before moving to Los Angeles in his mid-20s to pursue a writing career.

He wrote for TV and penned the play “Tinseltown Trilogy,” which focused on three men in Los Angeles over Christmastime as their stories interconnect and inform each other.

Howard also wrote “The Harlem Renaissance,” a limited series for HBO, “Misty,” the story of prima ballerina Misty Copeland and “This Little Light,” the Fannie Lou Hamer story. Most recently, he wrote the civil rights project “Power to the People” for producer Ben Affleck and Paramount Pictures.

He is survived by a sister, Lynette Henley; a brother, Michael Henley; two nieces and a nephew.

Втеча від мобілізації. П’ятеро росіян на місяці застрягли в аеропорту Сеула

Сеул відмовив чоловікам у проханні надати притулок після їхнього прибуття в жовтні та листопаді. Відтоді вони живуть в аеропорту

Глави МЗС Фінляндії та Швеції: процес вступу до НАТО не зупинився

Міністри закордонних справ Швеції та Фінляндії повторили в окремих інтерв’ю, опублікованих у суботу, що процес вступу двох скандинавських країн до НАТО триває, незважаючи на те, що президент Туреччини заявив, що Швеція не повинна очікувати, що його країна схвалить її членство. Про це повідомляє агенція AP.

Міністр закордонних справ Швеції Тобіас Більстрем визнав в інтерв’ю шведській газеті Expressen, що обурення Туреччини через недавні демонстрації та спалення Корану перед турецьким посольством у Стокгольмі ускладнило вступ Швеції до НАТО. Щоб прийняти нові країни, НАТО вимагає одностайного схвалення існуючих членів, одним з яких є Туреччина. Незважаючи на це, шведський уряд сподівається приєднатися до НАТО цього літа, сказав Більстрем.

«Зрозуміло, що ми очікуємо саміту (НАТО) у Вільнюсі, столиці Литви, у липні», – сказав Більстрем, коли його запитали про графік можливого вступу Швеції.

Угорщина та Туреччина є єдиними країнами Альянсу, які не підписали заявки Фінляндії та Швеції. Будапешт обіцяв зробити це в лютому. 

Міністр закордонних справ Туреччини Мевлют Чавушоглу заявив, що запланована зустріч у Брюсселі для обговорення членства Швеції та Фінляндії в НАТО відкладена. Така зустріч була б «безглуздою» після подій минулих вихідних у Стокгольмі, сказав Чавушоглу, маючи на увазі спалення священної книги ісламу під час протесту біля турецького посольства.

Expressen цитує Більстрема, який заявив, що робота над вступом Швеції та Фінляндії до НАТО не призупинена.

«Процес НАТО не зупинився. (Шведський) уряд продовжує виконувати меморандум, який існує між Швецією, Фінляндією та Туреччиною. Але Туреччина сама вирішує, коли вона ратифікує», – сказав він.

Міністр закордонних справ Фінляндії Пекка Гаавісто повторив заяву свого шведського колегу та сказав, що дві країни планують продовжувати спільний шлях до НАТО.

«На мій погляд, дорога до НАТО не закрита для жодної країни», – сказав Гаавісто в інтерв’ю фінській громадській телекомпанії YLE.

Він сказав, що заява Анкари про відкладення тристоронніх переговорів із Фінляндією, Швецією та Туреччиною на даний момент «означає подовження часу з боку Туреччини, і що це питання можна переглянути після виборів у Туреччині», призначених на 14 травня.

Гаавісто сподівається, що часові рамки дозволять завершити Фінляндії та Швеції набуття членства в НАТО на саміті в Литві 11-12 липня.

Чехія: на президентських виборах переміг генерал у відставці Петр Павел

За нього проголосували понад 58 відсотків виборців

Вибори в Чехії: голосування завершилось, за попередніми даними – лідирує Павел

На пост глави держави претендують генерал у відставці Петро Павел та колишній прем’єр-міністр Чехії Андрей Бабіш

У Єрусалимі обстріляли синагогу, загинули сім людей, близько 10 поранені

Убиті й поранені залишали синагогу після пʼятничної молитви

Міністр оборони Німеччини: надання винищувачів Україні «виключене»

«Ми ризикуватимемо зайти у виміри, від яких я б зараз застерігав»

Бельгія надає Україні найбільший на сьогодні пакет допомоги – прем’єр

Бельгія посилює свою військову підтримку України

У Росії обмежили доступ до сайтів ЦРУ та ФБР

Агентству ТАСС у «Роскомнагляді» повідомили, що причиною блокування стало поширення фейків

Роль Абрамовича як посередника у переговорах із Києвом послабилась – WSJ

На Заході вважають, що особисті мотиви зі скасування санкцій переважають над «миротворчою» роллю Абрамовича

В Ірані через напад на посольство Азербайджану загинув голова служби охорони

Також постраждали двоє охоронців посольства

США ввели нові санкції проти високопоставлених чиновників РФ і судноремонтних підприємств

Держдепартамент США також запровадив візові обмеження щодо 531 російського військовослужбовця

Ancient Tomb Discovered in Egypt

An excavation team in Egypt has unearthed an ancient tomb containing a mummy believed to be 4,300 years old. It is among dozens of artifacts recently discovered.

After a year-long excavation, renowned archaeologist Zahi Hawass announced the findings at Gisr al-Mudir, also known as the Great Enclosure, one of the oldest known stone structures in Egypt. Among them – Khmumdjedef – a priest from the fifth dynasty, Meri, a palace official who held the title “keeper of the secrets,” and a man named Hekashepes.

“This mummy may be the oldest and most complete mummy found in Egypt to date,” Hawass said about Hekashepes, in a statement. Other major discoveries from the excavation included statues, amulets, and a well-preserved sarcophagus.

“I put my head inside to see what was inside the sarcophagus: A beautiful mummy of a man completely covered in layers of gold,” said Hawass.

Over the past week, researchers have made many other discoveries, such as dozens of burial sites from the New Kingdom Era, which dates from 1800 to 1600 B.C., near the southern city of Luxor.   

Additionally, a group of scientists from Cairo University announced details Tuesday about a previously uncovered mummified teenage boy. Through the use of CT scans, they were able to shed new light on the boy’s high social status by examining the intricate details of the amulets inserted in his mummified body as well as the type of burial he received.

The Egyptian tombs are a large tourist draw and the North African country often advertises them as a way to bring in more money. The number of visitors, however, has been negatively affected since an uprising in 2011, the coronavirus pandemic, and, most recently, the war in Ukraine. 

Some information for this report came from The Associated Press and Reuters.   

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Late Poet Credited with Rescue of Kashmiri Language 

The literary world of Indian-administered Kashmir is mourning the death of a beloved poet and champion of the Kashmiri language, which he is largely credited with rescuing from obscurity.

Abdur Rehman Rahi, an acclaimed writer and professor of literature who died earlier this month at age 97, is being hailed as a living testament to Kashmir’s literary prestige who helped establish a unique identity for the once-endangered language.

“With Rahi’s death, we have lost one of the crown jewels from Kashmir’s literary landscape. His death marks an end of an era,” remarked Shad Ramzan, himself a highly regarded writer and Kashmiri-language scholar.

Rahi’s talents were recognized with numerous awards, including India’s leading literary prize, the Jnanpith Award, in 2007 for his poetic collection Siyah Rood Jaeren Manz (In Black Drizzle), and India’s fourth-highest civilian honor, the Padma Shri, in 2000.

But his more lasting legacy will stem from his tireless efforts to preserve and popularize the Kashmiri language, which is spoken today by some 6 million people in the Kashmir Valley and surrounding region.

The native tongue had fallen into deep decline in the decades after the end of British rule in 1947, with the federal government discontinuing its teaching in elementary schools in 1955.

The language “has always been given less preference from the rulers of the erstwhile state of Jammu and Kashmir. There is no mention from the political parties in their manifestos regarding the planning and development of the Kashmiri language,” says an article in the Interdisciplinary Journal of Linguistics, a publication of the University of Kashmir.

Ramzan says a key to Kashmiri’s renewed life was the establishment 1974 of a research cell for the study of the language at the University of Kashmir. Five years later, Rahi oversaw the conversion of the research cell into a full-fledged postgraduate department.

“Rahi introduced critical thinking of East and West poetry in the curriculum of the postgraduate program,” Ramzan said in an interview.

Continued agitation by Rahi and other scholars, social and cultural groups led to the language being taught more broadly, and by 2008, it had become mandatory in the former state of Jammu and Kashmir for students enrolled in kindergarten through eighth grade.

Outside the classroom, Rahi also worked to introduce the language to a global audience through his poetry. “He shifted the focus from the classical Kashmiri poetry that had previously dominated the literary landscape,” explained Salim Salik, an editor at the Jammu and Kashmir Academy of Art, Culture and Languages.

Muhammad Maroof Shah, another Kashmiri writer, agreed that Rahi’s success lay in his ability to write Kashmiri-language poetry worthy of international attention in the contemporary idiom. He praised Rahi for presenting the Kashmiri tradition in terms that could be understood and appreciated universally.

Despite his unquestioned literary genius, Rahi was criticized at times for not applying his talents to the political tensions that bedevil Kashmir, the focus of a long-running insurgency and repeated wars between India and Pakistan.

“I felt that he observed self-censorship fearing reprisal from both state and non-state actors,” said Bilal A. Jan, an award-winning filmmaker from Srinagar who directed a biographical documentary on Rahi’s life and works titled, “The Poet of Silence.”

“Rahi shared some incidents with me when he was threatened for his work,” added Jan, who told VOA he believes Rahi’s poetry was influenced by Marxist ideology while focused on the human predicament and day-to-day life issues of humans.

One of Rahi’s colleagues at the University of Kashmir, Shafi Shauq, challenged the notion that Rahi avoided the most challenging issues, saying, “One of his best poems is ‘Thyanvi Ros Sadaa’ (A Call without Sound) which speaks of the contemporary situation.”

Rahi was essentially a distinguished poet who tried to create his own style by mixing personally coined words, archaisms, allusions and verbal rhythms, Shauq told VOA.

“Although his popularity is based on a few lyrics sung by our best singers, the serious poetry contained in his three collections is beyond the comprehension of common readers. His two collections of literary essays are in keeping with his individual notion of poetic composition.”

Rahi is survived by three sons, all of whom work in the medical profession, and a daughter who worked for a time at the Jammu and Kashmir Academy of Art, Culture and Languages.

One of the sons, Dildar Ahmad, told VOA his father was a gentle and soft-spoken man who used to treat people equally irrespective of class, caste or age.

The daughter, Rubina Ellahi, said Rahi had been not only a father but also her best friend. “We used to discuss poetry for hours together,” she said in an interview. “He has left some unpublished work, which I will publish at an appropriate time.”

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