Category: Новини

President Joe Biden hosted K-pop supergroup BTS Tuesday to raise awareness of anti-Asian discrimination. The septet is South Korea’s most prominent crossover act, bagging two Grammy nominations and an armful of American music awards and garnering widespread appeal among American teens. They’re also U.N. ambassadors. VOA White House Correspondent Anita Powell reports from the White House. 
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Much-anticipated action film “Top Gun: Maverick” was expected to have a big opening and it did not disappoint, taking in an estimated $151 million in North America for the four-day Memorial Day weekend, industry watcher Exhibitor Relations reported. 

Viewers had to wait 36 years to see the sequel to the original “Top Gun,” but critics say the Paramount/Skydance production was worth the wait, with some calling it superior to the original film. 

“The source material remains strong, the execution is excellent, and Tom Cruise makes it work impeccably well,” said analyst David A. Gross of Franchise Entertainment Research. 

The film — whose release had been delayed two years by the COVID-19 pandemic — notched $124 million for the first three days of the holiday weekend and took in the same amount overseas, despite not playing in China or Russia. It was Cruise’s first opening to top $100 million. 

He again plays cocky (if grayer) navy test pilot Pete “Maverick” Mitchell, now a captain, as he trains to bomb a rogue nation’s uranium enrichment facility. A strong supporting cast includes Ed Harris, Jennifer Connelly, Miles Teller and Jon Hamm; original “Top Gun” veteran Val (Iceman) Kilmer appears briefly. 

Slipping a notch to second place was “Doctor Strange in the Multiverse of Madness,” which in its fourth weekend took in $16.4 million for the Friday-through-Sunday period and $21.1 million for the full four days. 

The Disney film, starring Benedict Cumberbatch, had opened to a year’s best $187 million. 

In third spot was 20th Century’s new “Bob’s Burgers Movie.” The animated film, based on a popular television show, earned $12.6 million for three days and $15 million for four. 

Focus Features’ “Downton Abbey: A New Era” took fourth place, with $5.9 million for three days and $7.5 million for four. Based on the hugely popular British series, it again stars Maggie Smith, Hugh Bonneville, Elizabeth McGovern and Michelle Dockery. 

And in fifth was Universal’s family-friendly animation “The Bad Guys,” at $4.6 million for three days and $6.1 million for four. 

Rounding out the top 10 were: 

“Sonic the Hedgehog 2” ($2.5 million for three days; $3.1 million for four) 

“Everything Everywhere All at Once” ($2.5 million; $3.1 million) 

“The Lost City” ($1.8 million; $2.3 million) 

“Men” ($1.2 million; $1.5 million) 

“Fantastic Beasts: The Secrets of Dumbledore” ($905,000; $1.1 million) 

 
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Ukraine’s Kalush Orchestra, which won the Eurovision this year, has auctioned its trophy for a $900,000 donation to a foundation that helps the Ukrainian army.

The trophy — a large crystal microphone with the song contest’s logo — was put up for auction on Facebook.

The bidding ended Saturday night and was won by WhiteBIT, a Ukrainian bitcoin company. 

“You guys are amazing!” Kalush Orchestra wrote on Facebook late Sunday announcing the winner.

“Special thanks to the WhiteBIT team who bought the trophy for $900,000 and are now the rightful owners.”

The band said that funds raised in auction, which could be entered using cryptocurrencies, will be donated to the Prytula Foundation, which helps the Ukrainian army.

The group Kalush Orchestra won the European contest on May 14 with its song “Stefania” mixing hip-hop and traditional music.

Russia, which invaded Ukraine on February 24, was excluded from the competition.
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Indian police are investigating the murder of a popular Punjabi rapper who blended hip-hop, rap and folk music, a day after he was fatally shot, officials said Monday. 

Shubhdeep Singh Sidhu, also known around the world by his stage name Sidhu Moose Wala, was killed Sunday evening while driving his car in Mansa, a district in northern India’s Punjab state. Moose Wala, 28, was rushed to the hospital where he was declared dead.  

Punjab state’s top police official VK Bhawra said the initial investigation has revealed the killing to be an inter-gang rivalry. 

A day before the attack, the Punjab government had pulled security cover for over 400 individuals, including Moose Wala, in a bid to clamp down on VIP culture, local media reports said. 

Moose Wala started off as a songwriter before a hit song in 2017 catapulted his singing career, making him well known among the Indian and Punjabi diaspora in countries like the United Kingdom and Canada. 

Most of his singles have an English title even though the songs were mainly sung in Punjabi. His glossy music videos were most famous for his rap lyrics and often focused on macho culture. His debut album in 2018 made it to Canada’s Billboard Albums chart.     

Moose Wala was a controversial figure, in part due to his lyrical style. In 2020, police charged him under India’s Arms Act for allegedly promoting gun culture in one of his songs. 

His latest track, “The Last Ride,” was released earlier this month. 

The rapper joined India’s Congress Party last year and unsuccessfully ran in the state’s assembly elections. 

Punjab’s chief minister Bhagwant Mann said, “no culprit will be spared” and that he was deeply shocked and saddened by the murder. 

Rahul Gandhi, a senior Congress leader, took to Twitter to express his condolences over the killing.     

“Deeply shocked and saddened by the murder of promising Congress leader and talented artist,” he said.   
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Forget breaking the sound barrier: Tom Cruise just soared past a major career milestone.

The 59-year-old superstar just got his first $100 million opening weekend with “Top Gun: Maverick.” In its first three days in North American theaters, the long-in-the-works sequel earned an estimated $124 million in ticket sales, Paramount Pictures said Sunday. Including international showings — its worldwide total is $248 million.

It’s a supersonic start for a film that still has the wide-open skies of Memorial Day itself to rake in even more cash. According to projections and estimates, by Monday’s close, “Top Gun: Maverick” will likely have over $150 million.

“These results are ridiculously, over-the-top fantastic,” said Chris Aronson, Paramount’s president of domestic distribution. “I’m happy for everyone. I’m happy for the company, for Tom, for the filmmakers.”

Though undeniably one of the biggest stars in the world — perhaps even “the last movie star,” according to various headlines — Cruise is not known for massive blockbuster openings.

Before “Maverick,” his biggest domestic debut was in 2005, with Steven Spielberg’s “War of the Worlds,” which opened to $64 million. After that it was “Mission: Impossible — Fallout” with $61 million in 2018. It’s not that his films don’t make money in the long run: They just aren’t enormously frontloaded.

“Top Gun: Maverick” had an extremely long journey to get to the theaters. The sequel to the late Tony Scott’s “Top Gun,” which was released in 1986, was originally slated to open in the summer of 2020. Its marketing campaign technically started back in July 2019. The pandemic got in the way of those plans, however, and it was delayed several times. Directed by Joseph Kosinski, produced by Jerry Bruckheimer and co-produced and co-financed by Skydance, the sequel reportedly cost $152 million to make.

But even as the months, and years, went by and many other companies chose to compromise on hybrid releases, Cruise and Paramount didn’t waver on their desire to have a major theatrical release. A streaming debut was simply not an option.

“That was never going to happen,” Cruise said in Cannes.

And it is major, with 4,735 North American theaters (a record) showing “Top Gun: Maverick.” It also opened in 23,600 locations in 62 international markets.

“This is one of the longest runways for a marketing campaign for any film ever. And it only served to create more excitement around the movie,” said Paul Dergarabedian, the senior media analyst for Comscore. “This movie literally waited for the movie theater to come back.”

The buildup has been just as flashy, with fighter-jet-adorned premieres on an aircraft carrier in San Diego and at the Cannes Film Festival, where Cruise was also given an honorary Palme d’Or, and a royal premiere in London attended by Prince William and his wife Kate.

“The feeling you get when you watch this film with an audience, it’s pretty special,” Aronson said. “The first big screening we had, there was spontaneous applause during the movie.”

Reviews have been stellar, too, with the film notching a 97% on Rotten Tomatoes. Audiences, who were 58% male, gave it an A+ CinemaScore, according to exit polls.

The new film has Cruise reprising the role of Maverick, who returns to the elite aviation training program to train the next generation of flyers, including Miles Teller, Glen Powell, Monica Barbaro, Greg Tarzan Davis, Danny Ramirez, Lewis Pullman and Jay Ellis. Jennifer Connelly, Jon Hamm and Val Kilmer, reprising his role from the original, also star.

“This solidifies the notion that the movie theater is a singular and a vitally important outlet for people,” Dergarabedian said. “People are looking for a great escape from everything that’s going on in the world right now.”

“Maverick” is now among the top pandemic era openings, still led by “Spider-Man: No Way Home” with $260 million, followed by “Doctor Strange in the Multiverse of Madness” with $187 million and “The Batman” with $134 million.

Notably, “Top Gun: Maverick” is the only non-superhero movie in the bunch. It also attracted a wide swath of age groups to the theater. An estimated 55% of the audience was over 35.

“Superhero movies aren’t for everybody. This movie is for everyone and that’s what sets it apart,” Aronson said. “The theatrical exhibition business has challenges ahead of it, but this is a shot in the arm for that.”

“The Bob’s Burgers Movie” was the only new release that dared go up against “Top Gun.” Released by 20th Century Studios and Disney, the animated pic earned $12.6 million from 3,425 locations. It opened in third place, behind “Doctor Strange 2,” which earned $16.4 million in its fourth weekend in theaters.

“Top Gun” will continue to essentially have the skies to itself until “Jurassic World: Dominion” opens June 10.

“It has a really nice, open marketplace to play,” Dergarabedian said. “Tom Cruise has always been about consistency. His movies are about the marathon. This is the first movie of his that is sprinting to big box office numbers. Here, he gets the sprint and the marathon.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Tuesday.

1. “Top Gun: Maverick,” $124 million.

2. “Doctor Strange in the Multiverse of Madness,” $16.4 million.

3. “The Bob’s Burgers Movie,” $12.6 million.

4. “Downton Abbey: A New Era,” $5.9 million.

5. “The Bad Guys,” $4.6 million.

6. “Sonic the Hedgehog 2,” $2.5 million.

7. “Everything Everywhere All At Once,” $2.5 million.

8. “The Lost City,” $1.8 million.

9. “Men,” $1.2 million.

10. “F3: Fun and Frustration,” $1 million.
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Swedish director Ruben Ostlund’s class warfare comedy “Triangle of Sadness” won the Palme d’Or at the 75th Cannes Film Festival on Saturday, giving Ostlund one of cinema’s most prestigious prizes for the second time. 

Ostlund, whose art-world send-up “The Square” took the Palme in 2017, pulled off the rare feat of winning Cannes’ top award for back-to-back films. “Triangle of Sadness,” featuring Woody Harrelson as a Marxist yacht captain and a climactic scene with rampant vomiting, pushes the satire even further. 

“We wanted after the screening (for people) to go out together and have something to talk about,” said Ostlund. “All of us agree that the unique thing with cinema is that we’re watching together. So, we have to save something to talk about, but we should also have fun and be entertained.” 

The awards were selected by a nine-member jury headed by French actor Vincent Lindon and presented Saturday in a closing ceremony inside Cannes’ Grand Lumière Theater. 

The jury’s second prize, the Grand Prix, was shared between the Belgian director Lukas Dhont’s tender boyhood drama “Close,” about two 13-year-old boys whose bond is tragically separated after their intimacy is mocked by schoolmates; and French filmmaking legend Claire Denis’ “Stars at Noon,” a Denis Johnson adaptation starring Margaret Qualley as a journalist in Nicaragua. 

The directing prize went to South Korean filmmaker Park Chan-wook (“Oldboy,” “The Handmaiden”) for his twisty noir “Decision to Leave,” a romance fused with a police procedural. 

Korean star Song Kang-ho was named best actor for his performance in Japanese director Hirokazu Kore-eda’s film “Broker,” about a Korean family seeking a home for an abandoned baby. 

“I’d like to thank all those who appreciate Korean cinema,” said Song, who also starred in Bong Joon Ho’s Palme d’Or winning film “Parasite” in Cannes three years ago. 

Best actress went to Zahra Amir Ebrahimi for her performance as a journalist in Ali Abbasi’s “Holy Spider,” a true-crime thriller about a serial killer targeting sex workers in the Iranian religious city of Mashhad. Violent and graphic, “Holy Spider” wasn’t permitted to shoot in Iran and instead was made in Jordan. Accepting the award, Ebrahimi said the film depicts “everything that’s impossible to show in Iran.”  

The jury prize was split between the friendship tale “The Eight Mountains,” by Charlotte Vandermeersch and Felix Van Groeningen, and Polish director Jerzy Skolimowski’s “EO,” about a donkey’s journey across a pitiless modern Europe. 

“I would like to thank my donkeys,” said Skolimowski, who proceeded to thank all six donkeys used in the film by name. 

The jury also awarded a special award for the 75th Cannes to Belgian directors Jean-Pierre and Luc Dardenne, two-time Palme-winners and long a regular presence at the festival, for their immigrant drama “Tori and Lokita.” Swedish-Egyptian filmmaker Tarik Saleh took best screenplay at Cannes for “Boy from Heaven,” a thriller set in Cairo’s Al-Azhar Mosque. 

The award for best first film, the Camera d’Or, went to Riley Keough and Gina Gammell for “War Pony,” a drama about the Pine Ridge Reservation made in collaboration with Oglala Lakota and Sicangu Lakota citizens. 

Saturday’s closing ceremony brought to a close a Cannes that attempted to fully resuscitate the annual France extravaganza that was canceled in 2020 by the pandemic and saw modest crowds last year. This year’s festival also unspooled against the backdrop of the war in Ukraine, which sparked red-carpet protests and a dialogue about the purpose of cinema in wartime. 

Last year, the French body horror thriller “Titane” took the top prize at Cannes, making director Julia Ducournau only the second female filmmaker ever to win the Palme. In 2019, Bong Joon Ho’s “Parasite” triumphed in Cannes before doing the same at the Academy Awards. 

This year, the biggest Hollywood films at Cannes — “Elvis,” “Top Gun: Maverick,” “Three Thousand Years of Longing” — played outside Cannes’ competition lineup of 21 films. But their presence helped restore some of Cannes’ glamour after the pandemic scaled down the festival for the last two years. 
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