Category: Новини

Kenya’s Benson Kipruto won the pandemic-delayed Boston Marathon on Monday when the race returned from a 30-month absence with a smaller, socially distanced feel and moved from the spring for the first time in its 125-year history.

Diana Kipyogei won the women’s race to complete the eighth Kenyan sweep since 2000.

Although organizers put runners through COVID-19 protocols and asked spectators to keep their distance, large crowds lined the 26.2-mile course from Hopkinton to Boston as an early drizzle cleared and temperatures rose to the low 60s for a beautiful fall day. 

They watched Kipruto run away from the lead pack as it turned onto Beacon Street with about three miles to go and break the tape in 2 hours, 9 minutes, 51 seconds.

A winner in Prague and Athens who finished 10th in Boston in 2019, Kipruto waited out an early breakaway by American CJ Albertson, who led by as many as two minutes at the halfway point. Kipruto took the lead at Cleveland Circle and finished 46 seconds ahead of 2016 winner Lemi Berhanu; Albertson, who turned 28 on Monday, was 10th, 1:53 back.

Kipyogei ran ahead for much of the race and finished in 2:24:45, 23 seconds ahead of 2017 winner Edna Kiplagat.

Marcel Hug of Switzerland won the men’s wheelchair race earlier despite making a wrong term in the final mile, finishing the slightly detoured route just seven seconds off his course record in 1:08:11.

Manuela Schär, also from Switzerland, won the women’s wheelchair race in 1:35:21.

Hug, who has raced Boston eight times and has five victories here, cost himself a $50,000 course record bonus when he missed the second-to-last turn, following the lead vehicle instead of turning from Commonwealth Avenue onto Hereford Street.

“The car went straight and I followed the car,” said Hug, who finished second in the Chicago Marathon by 1 second on Sunday. “But it’s my fault. I should go right, but I followed the car.”

With fall foliage replacing the spring daffodils and more masks than mylar blankets, the 125th Boston Marathon at last left Hopkinton for its long-awaited long run to Copley Square. 

A rolling start and shrunken field allowed for social distancing on the course, as organizers tried to manage amid a changing COVID-19 pandemic that forced them to cancel the race last year for the first time since the event began in 1897.

“It’s a great feeling to be out on the road,” race director Dave McGillivray said. “Everyone is excited. We’re looking forward to a good day.”

A light rain greeted participants at the Hopkinton Green, where about 30 uniformed members of the Massachusetts National Guard left at 6 a.m. The men’s and women’s wheelchair racers — some of whom completed the 26.2-mile (42.2 km) distance in Chicago a day earlier — left shortly after 8 a.m., followed by the men’s and women’s professional fields. 

“We took things for granted before COVID-19. It’s great to get back to the community and it puts things in perspective,” said National Guard Capt. Greg Davis, 39, who was walking with the military group for the fourth time. “This is a historic race, but today is a historic day.”

Kenya’s Lawrence Cherono and Worknesh Degefa of Ethiopia did not return to defend their 2019 titles, but 13 past champions and five Tokyo Paralympic gold medal winners were in the professional fields.

Held annually since a group of Bostonians returned from the 1896 Athens Olympics and decided to stage a marathon of their own, the race has occurred during World Wars and even the 1918 Spanish flu pandemic. But it was first postponed, then canceled last year, then postponed from the spring in 2021.

It’s the first time the event hasn’t been held in April as part of the Patriots’ Day holiday that commemorates the start of the Revolutionary War. To recognize Indigenous Peoples Day, race organizers honored 1936 and ’39 winner Ellison “Tarzan” Brown and three-time runner-up Patti Catalano Dillon, a member of the Mi’kmaq tribe.

To manage the spread of the coronavirus, runners had to show proof that they’re vaccinated or test negative for COVID-19. Organizers also re-engineered the start so runners in the recreational field of more than 18,000 weren’t waiting around in crowded corrals for their wave to begin; instead, once they get off the bus in Hopkinton they can go.

“I love that we’re back to races across the country and the world,” said Doug Flannery, a 56-year-old Illinois resident who was waiting to start his sixth Boston Marathon. “It gives people hope that things are starting to come back.”

Police were visible all along the course as authorities vowed to remain vigilant eight years after the bombings that killed three spectators and maimed hundreds of others on Boylston Street near the Back Bay finish line.

The race started about an hour earlier than usual, leading to smaller crowds in the first few towns. Wellesley College students had been told not to kiss the runners as they pass the school’s iconic “scream tunnel” near the halfway mark.
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It has been described as a “crash course in football club ownership” and the two Hollywood stars who bought a beleaguered team in English soccer’s fifth tier with the lofty aim of transforming it into a global force are certainly learning on the job. 

“I’m watching our PLAYERS MOP THE FIELD to continue the game,” read a tweet last week from Rob McElhenney, an American actor and director who was the creator of TV show “It’s Always Sunny in Philadelphia” and now makes up one half of the new ownership of Wrexham AFC. “I’ve never seen anything like it.” 

The residents of Wrexham have been rubbing their eyes in disbelief for a while. 

It’s nearly a year since McElhenney and Ryan Reynolds, the Canadian-born actor best known for starring in the “Deadpool” movies, completed their out-of-nowhere $2.5 million takeover of Wrexham, a 157-year-old club from Wales that has fallen on such hard times since the turn of the century that its supporters’ trust twice had to save the team from going out of business. 

Once the seed was planted by friends about buying a European soccer team, they sought out advisors to recommend a club that had history, was in a false position, and played a big role in the local community. Wrexham fitted the bill. 

After all, it’s the world’s third oldest professional club that used to attract attendances of 20,000 in the 1970s — and had some big wins in the FA Cup in the 1990s, including over then-English champion Arsenal — but has been languishing at non-league level, where some teams are semi-professional, since 2008. Located in an industrial town of about 65,000 people near the northwest English border, it is not too far from the soccer hotbeds of Liverpool and Manchester. 

To the amazement of everyone involved in English and Welsh soccer, the purchase went through and McElhenney and Reynolds immediately made some big promises: improvements to the stadium, playing squad and leadership structure; a major investment in the women’s team; and to “introduce the club to the world.” They’ve stayed true to their word, making Wrexham stand out at a time when many clubs below the lucrative English Premier League have plunged into financial turmoil because of the effects of the coronavirus pandemic. 

“I remember when it all first broke on the news, it seemed a bit surreal,” Wrexham manager Phil Parkinson told The Associated Press. “But since I’ve spoken to them, you understand how serious they are in terms of making a success of this club and leaving a legacy.” 

Walking through the tunnel and onto the field at the Racecourse Ground, it’s impossible to not notice the giant stand — known as “The Kop” — to the left that is being renovated and currently is covered in a huge red banner. On it are Wrexham’s new sponsors, TikTok, Aviation Gin and Expedia, globally recognized brands that typically have no place at this level of the game. 

Season-ticket sales have nearly trebled, from 2,000 to around 5,800, and attendances have been more than 8,000 for home games, better than many clubs get in the third and fourth tiers and a figure virtually unheard of at non-league level. 

For the first full season under Reynolds and McElhenney, the men’s squad has been enhanced — one player was signed for 200,000 pounds ($270,000), nearly a club record — and there’s a new coach and chief executive with decades of experience working in the English Football League, the three divisions below the Premier League. 

Behind the scenes, there are advisors acting as conduits between the board and the new owners who have held important leadership roles in British soccer: former Liverpool CEO Peter Moore, former Football Association technical director Les Reed and former English Football League CEO Shaun Harvey. 

Meanwhile, the push to put Wrexham “on the map” in world soccer is ongoing. 

It recently became the first non-league team to be included on the popular video game, FIFA. Reynolds (18 million) and McElhenney (700,000) use their large Twitter following to promote the club — and even to comment on the team’s games as an incredulous McElhenney did on Saturday when Wrexham’s match was abandoned because of a waterlogged pitch. 

And in what could perhaps be the biggest game-changer, Wrexham is the subject of an access-all-areas TV documentary charting its transformation under the new ownership. A two-season order of “Welcome to Wrexham” has been placed by American channel FX, with Reynolds and McElhenney the executive directors of what could prove to be something like a real-life version of Emmy Award-winning U.S. comedy “Ted Lasso.” 

FX has said the documentary will explore “the club, the town, and Rob and Ryan’s crash course in football club ownership.” Camera crews have been at the club for much of the past year. 

“Everywhere you go, there’s a camera,” Wrexham captain Luke Young said. “However, many times the crew say, ‘Be yourself and do what’s natural,’ you do to an extent but you then think, ‘Should I say this?’ But they’ve said they’re not going to hang you out to dry.” 

So, is Wrexham simply being used as a vehicle to produce a reality TV show, as some skeptics will say? The scale of the transformation and the money being spent by the new owners on all areas of the club suggests otherwise. 

How long Reynolds and McElhenney stick around is up for debate. But, for now, Wrexham — both the soccer team and the local area — has been given a lift by the presence of famous new owners and the exposure that is providing. Fleur Robinson, the recently appointed CEO, said the club has new members “from Los Angeles to New York” and especially from Philadelphia, the city where McElhenney is from and the inspiration for Wrexham’s new green away uniform. 

The owners have been on chat shows in the U.S., talking about their new project. 

“There hasn’t been a day gone by when the football club hasn’t been mentioned in some way on a national or global scale,” Robinson said. 

Reynolds and McElhenney have promised to come to Wrexham once pandemic-related travel restrictions are lifted and watch the team, which is currently halfway down the National League standings after nine games. 

That visit could be anytime now, and they could be in for quite the reception. 

“There is a such a buzz about town, so this is what everyone is waiting for, to see them,” Robinson said. “They’ve bought a club and not seen it for themselves. I’m sure they are just as excited as the people in Wrexham to come here.” 
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Ethiopia’s Seifu Tura Abdiwak won the Chicago men’s marathon on Sunday and Kenya’s Ruth Chepngetich the women’s race.

The 24-year-old Tura completed the 42-kilometer course in 2:06:12, beating out American Galen Rupp, who finished close behind with an official time of 02:06:35.

Chepngetich, 27, finished her race in 02:22:31, with Emma Bates of the United States coming in second at 02:24:20.

One of the best-known long-distance races, the Boston Marathon, is set for Monday in the northeastern U.S. city. The coronavirus pandemic caused the race, normally run in April, to be moved to Monday’s date.
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Paul McCartney has revisited the breakup of The Beatles, flatly disputing the suggestion that he was responsible for the group’s demise.

Speaking on an episode of BBC Radio 4’s “This Cultural Life” that is scheduled to air on Oct. 23, McCartney said it was John Lennon who wanted to disband The Beatles.

“I didn’t instigate the split,” McCartney said. “That was our Johnny.”

The band’s fans have long debated who was responsible for the breakup, with many blaming McCartney. But McCartney said Lennon’s desire to “break loose” was the main driver behind the split.

Confusion about the breakup was allowed to fester because their manager asked the band members to keep quiet until he concluded a number of business deals, McCartney said. 

The interview comes ahead of Peter Jackson’s six-hour documentary chronicling the final months of the band. “The Beatles: Get Back,” set for release in November on Disney+, is certain to revisit the breakup of the legendary band. McCartney’s comments were first reported by The Observer.

When asked by interviewer John Wilson about the decision to strike out on his own, McCartney retorted: “Stop right there. I am not the person who instigated the split. Oh no, no, no. John walked into a room one day and said, ‘I am leaving The Beatles.’ Is that instigating the split, or not?”

McCartney expressed sadness over the breakup, saying the group was still making “pretty good stuff.” 

“This was my band, this was my job, this was my life. So, I wanted it to continue,” McCartney said.
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One player took off from the airport, while another jumped out of the window of his hotel room. In all, of the 24 members of Cuba’s national baseball team who arrived in Mexico for the under-23 World Cup, only about half came home.

This year, a record number of players have defected from the communist-run island nation, which is enduring its worst economic crisis in 30 years.

The mass defection is “unprecedented in the history of baseball,” Francys Romero, a sports journalist who has written a book on the phenomenon, told AFP.

The player who jumped from his hotel room window? He told Romero that he shimmied down a palm tree to get to a waiting getaway car.

Cuban baseball players leaving their homeland is not new. When professional sports were upended in the wake of the revolution led by Fidel Castro, many sought better opportunities abroad.

After a smattering of defections during the Cold War, the exodus picked up pace after the fall of the Soviet Union in the early 1990s.

Since Rene Arocha left the national team at the airport in Miami in 1991 for a career in the United States, about two or three players a year have deserted their country. Nine jumped ship in 1996. Those players are consistently regarded as traitors.

Some have left legally, an option that became possible with immigration reform in 2013, but which was starkly curtailed when flights were reduced because of the coronavirus pandemic.

A who’s who of players who became Major League Baseball stars have made the leap, including Orlando and Livan Hernandez, Jose Abreu, Aroldis Chapman, Yasiel Puig and current Tampa Bay Rays standout Randy Arozarena.

Younger, not always stars

Not only has the number of players seeking careers abroad exploded, but their profiles are different: they are younger and not always destined for major league stardom, according to Romero.

So why are they risking it?

“To change their lives. Sports comes after that,” he said.

Those who have left have faced criticism on social media, but many Cubans have simply wished them well; they are all too aware of how difficult life is in Cuba at the moment, with major shortages of food and medicine.

Earlier this year, when Cuba’s national team came to the United States to play Olympic qualifying games, top talent Cesar Prieto, two other players and the team psychologist defected.

Cuba, a three-time Olympic champion and 25-time Baseball World Cup winner, failed for the first time to qualify for the Summer Games in Tokyo.

For Luis Daniel del Risco, currently the highest-ranking official in the Cuban baseball federation, there is “a war” under way to “destroy Cuban baseball.”

He slammed what he called “a harassment campaign” by foreign recruiters, who attend most games that Cuba plays abroad.

‘Very complicated decision’

“I’ve often heard it said that the state of baseball in Cuba reflects the state of the country,” said Cuban novelist Leonardo Padura, a huge baseball fan who has dedicated a book to interviews with players.

“I think that what happened is a representation of what’s happening in the country, this mass exodus” that has also been seen in an uptick in the number of Cubans trying to reach the United States on rickety boats to Florida.

“It’s really a very complicated decision to make, as they are giving up a lot,” he added.

They leave “without their passports, which are held by the delegation,” Romero said. And all are barred from coming home to Cuba for eight years.

Del Risco says the players “did not fulfill their commitments to their teammates and to the country,” but admits it’s a “personal decision for each of them.”

Major League Baseball and the Cuban baseball federation had reached a deal in late 2018 that would have allowed Cubans to play in the United States without having to first defect, but former President Donald Trump scrapped it in 2019.
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French President Emmanuel Macron said Friday that his country will return 26 African artworks — royal thrones, ceremonial altars, revered statues — to Benin later this month, part of France’s long-promised plans to give back artwork taken from Africa during the colonial era.

Discussions have been under way for years on returning the artworks from the 19th century Dahomey Kingdom. Called the “Abomey Treasures,” they currently are held in the Quai Branly Museum in Paris. The museum, near the Eiffel Tower, holds thousands of works from former French colonies.

Macron said the 26 pieces will be given back at the end of October, “because to restitute these works to Africa is to give African young people access to their culture.” It remains unclear when exactly they will arrive in Benin.

“We need to be honest with ourselves. There was colonial pillage, it’s absolutely true,” Macron told a group of African cultural figures at an Africa-France gathering in the southern city of Montpellier. He noted other works already were returned to Senegal and Benin, and the restitution of art to Ivory Coast is planned.

Cameroon-born art curator Koyo Kouoh pressed Macron for more efforts to right past wrongs.

“Our imagination was violated,” she said.

“Africa has been married to France in a forced marriage for at least 500 years,” Kouoh said. “The work (on mending relations) that should have been done for decades wasn’t done…It’s not possible that we find ourselves here in 2021.”

A sweeping 2018 report commissioned by Macron recommended that French museums give back works that were taken without consent, estimating that up to 90% of African art is located outside the continent. Some other European countries are making similar efforts.

Three years later, few artworks have been returned. To facilitate the repatriation of the Abomey Treasures, France’s parliament passed a law in December 2020 allowing the state to hand the works over and giving it up to one year to do so.

The Africa-France meeting Friday was frank and occasionally heated. Macron, who is trying to craft a new French strategy for Africa. met with hundreds of African entrepreneurs, cultural leaders and young people. 

Speakers from Nigeria, Chad, Guinea and beyond had a long list of demands for France: reparations for colonial crimes, withdrawal of French troops, investment that bypasses corrupt governments and a tougher stance toward African dictatorships.

Macron defended France’s military presence in Mali and other countries in the Sahel region as necessary to keep terrorists at bay, and he refused to apologize for the past.

But he acknowledged that France has a “responsibility and duty” to Africa because of its role in the slave trade and other colonial-era wrongs. Noting that more than 7 million French people have a family link to Africa, Macron said France cannot build its future unless it “assumes its Africanness.”
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