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It hardly mattered that “Five Nights at Freddy’s” was released simultaneously in theaters and on streaming this weekend. Fans flocked to movie theaters across the country to see the scary video game adaptation on the big screen, which made $78 million to top the North American box office, according to studio estimates Sunday.

Universal Pictures bet on a day-and-date release on the weekend before Halloween, sending it to 3,675 theaters in the U.S. and Canada, while also making it available for Peacock subscribers, the subscription streaming service owned by NBCUniversal. The movie also opened in 64 markets internationally, where it’s expected to gross $52.6 million, giving the film a $130.6 million global launch – the biggest of any horror released this year.

“It was an extraordinary debut,” said Jim Orr, the president of domestic distribution for Universal, who praised Blumhouse, the filmmakers and the studio’s marketing department for the targeted campaign.

“Our marketing department continues to be one of the great superpowers we have at Universal,” he said.

Blumhouse, the company behind “Paranormal Activity,” “Get Out” and recent horror hits like “M3GAN” and “The Black Phone,” produced “Five Nights at Freddy’s,” which was directed by Emma Tammi and stars Josh Hutcherson, Mary Stuart Masterson and Matthew Lillard. The popular video game series, in which a security guard has to fend off murderous animatronic characters at a rundown family pizza restaurant, Freddy Fazbear’s Pizza, was created by Scott Cawthon and first released in 2014.

While the game’s fanbase was strong, and passionate, the movie took many years to make. Producer Jason Blum said in an interview with IGN earlier this year that he was made fun of for pursuing an adaptation.

“Everyone said we could never get the movie done, including, by the way, internally in my company,” Blum said. They made the film with a reported $20 million production budget.

And it paid off: “Five Nights at Freddy’s” is his company’s biggest opening of all time, surpassing “Halloween’s” domestic and global debut. It’s also Blumhouse’s 19th No. 1 debut, which Orr noted is an “amazing accomplishment.”

The opening weekend audience was predominately male (58%) and overwhelmingly young, with an estimated 80% under the age of 25 and 38% between the ages of 13 and 17.

While the numbers aren’t surprising for anyone who knows the game’s audience, it is still notable for a generation not known for making theatrical moviegoing a priority.

“It’s great to get that kind of audience in theaters,” Orr said.

Audiences gave the film an A- CinemaScore, which could be promising for future weekends too.

“It’s a very young demographic,” said Paul Dergarabedian, the senior media analyst for Comscore. “It won’t be lost on any of the other studios or video game manufacturers. This door has been kicked wide open.”

It’s also notable that so many chose theaters even though it was also available to watch at home.

“In some cases streaming can be additive and complimentary to theatrical,” Dergarabedian said. “Clearly audiences wanted that communal experience.

“Five Nights at Freddy’s” did not score well with critics, however. It currently has a dismal 25% on Rotten Tomatoes. AP’s Mark Kennedy wrote that it “has to go down as one of the poorest films in any genre this year.” But like many other horror movies, it appears to be critic-proof.

In second place, “Taylor Swift: The Eras Tour” is expected to cross $200 million in global grosses by the end of Sunday, having added $14.7 million domestically and $6.7 million internationally this weekend. The concert film, distributed by AMC Theatres, is in its third weekend in theaters where it is only playing from Thursday through Sunday, though there will be “special Halloween showtimes” on Tuesday at a discounted price of $13.13.

Third place went to Martin Scorsese’s “Killers of the Flower Moon,” which added $9 million in its second weekend, bringing its total domestic earnings to $40.7 million, according to Paramount. With an additional $14.1 million from international showings, the film’s global total now stands at over $88 million.

Angel Studios’ “After Death,” a Christian documentary film about people who have had near death experiences, opened in fourth place to $5.1 million from 2,645 locations.

And “The Exorcist: Believer” rounded out the top five with $3.1 million in its fourth weekend, bringing its domestic earnings to just shy of $60 million.

Several of the fall’s high-profile films also launched in very limited release this weekend, including Alexander Payne’s “The Holdovers” and Sofia Coppola’s “Priscilla.” Both opened exclusively in New York and Los Angeles and will expand in the coming weeks.

Focus Features’ “The Holdovers,” starring Paul Giamatti as a curmudgeonly ancient history teacher at a New England prep school, debuted in six theaters where it earned an estimated $200,000.

Coppola’s “Priscilla,” about Priscilla Presley’s life with Elvis, also opened on four screens in New York and Los Angeles, where it averaged $33,035 per screen. With a cumulative gross of $132,139, the A24 release starring Cailee Spaeny and Jacob Elordi expands nationwide next weekend.

“It was an eclectic and exciting weekend for moviegoers,” Dergarabedian said. “If you couldn’t find a film to your liking, you’re not looking hard enough.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Five Nights at Freddy’s,” $78 million.

2. “Taylor Swift: The Eras Tour,” $14.7 million.

3. “Killers of the Flower Moon,” $9 million.

4. “After Death,” $5.1 million.

5. “The Exorcist: Believer,” $3.1 million.

6. “Paw Patrol: The Mighty Movie,” $2.2 million.

7. “Freelance,” $2.1 million.

8. “The Nightmare Before Christmas” (re-release), $2 million.

9. “Saw X,” $1.7 million.

10. “The Creator,” $1 million.
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Matthew Perry, who starred as sarcastic-but-sweet Chandler Bing in the hit series “Friends,” has died. He was 54. 

The Emmy-nominated actor was found dead of an apparent drowning at his home in Los Angeles, California, on Saturday, according to the Los Angeles Times and celebrity website TMZ, which was the first to report the news. Both outlets cited unnamed sources confirming Perry’s death. 

Perry’s publicists and other representatives did not immediately respond to messages from The Associated Press seeking comment. Asked to confirm police response to what was listed as Perry’s home address, LAPD Officer Drake Madison told AP that officers had gone to that block “for a death investigation of a male in his 50s.”   

Perry’s 10 seasons on “Friends” made him one of Hollywood’s most recognizable actors, starring opposite Jennifer Aniston, Courteney Cox, Matt LeBlanc, Lisa Kudrow and David Schwimmer as a friend group in New York. 

As Chandler, he played the quick-witted, insecure and neurotic roommate of LeBlanc’s Joey and a close friend of Schwimmer’s Ross. By the series’ end, Chandler is married to Cox’s Monica and they have a family, reflecting the journey of the core cast from single New Yorkers to married and starting families. 

The series was one of television’s biggest hits and has taken on a new life — and found surprising popularity with younger fans — in recent years on streaming services.

“Friends” ran from 1994 until 2004, and the cast notably banded together for later seasons to obtain a salary of $1 million per episode for each. 

Unknown at the time was the struggle Perry had with addiction and an intense desire to please audiences.   

“‘Friends’ was huge. I couldn’t jeopardize that,” he wrote in his memoir, “Friends, Lovers and the Big Terrible Thing.” “… I loved my co-actors. I loved the scripts. I loved everything about the show but I was struggling with my addictions which only added to my sense of shame. I had a secret and no one could know.” 

“I felt like I was gonna die if the live audience didn’t laugh, and that’s not healthy for sure. But I could sometimes say a line and the audience wouldn’t laugh and I would sweat and sometimes go into convulsions,” Perry wrote. “If I didn’t get the laugh I was supposed to get I would freak out. I felt that every single night. This pressure left me in a bad place. I also knew of the six people making that show, only one of them was sick.” 

An HBO Max reunion special in 2021 was hosted by James Corden and fed into huge interest in seeing the cast together again, although the program consisted of the actors discussing the show and was not a continuation of their characters’ storylines. 

Perry received one Emmy nomination for his “Friends” role and two more for appearances as an associate White House counsel on “The West Wing.” 

Perry also had several notable film roles, starring opposite Salma Hayek in the romantic comedy “Fools Rush In” and Bruce Willis in the the crime comedy “The Whole Nine Yards.” 
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A glittering crown on her head and a bouquet of flowers in her hands, Andreia Solange Sicato Muhitu beamed at being named the co-winner of the inaugural Mr. and Miss Albinism Southern Africa pageant. 

The 28-year-old Angolan model has competed in beauty pageants in her home country since her teens and won some of them. But none made her feel more beautiful or purposeful as the pageant for people with albinism that was held this month in Zimbabwe’s capital, Harare. 

“I can be that inspiration for young girls, especially those with albinism, to feel comfortable and beautiful in their own skin,” Muhitu said. “That is the strong message we are hoping to send out there.” 

Misunderstood condition

Albinism, an inherited genetic condition that reduces melanin pigment production, is “still profoundly misunderstood,” according to the United Nations human rights agency. People with the condition have pale-colored skin, hair and eyes, are vulnerable to sun exposure and bright light, often have eyesight problems, and are prone to developing skin cancer. 

Although traditional beauty pageants have come under criticism for objectifying women’s bodies, Muhitu thinks the October 14 event where she was crowned could bring about positive change in parts of Africa where people with albinism are treated with disdain, ridicule and even violence driven by dangerously misguided superstitions. 

“This crown gives me the opportunity to change the lives of people living with albinism in ways I never imagined, not just in my country, but in the entire region. I don’t feel shamed, I feel empowered,” she said, shaking hands with people eager to congratulate her. 

The superstitions include the belief that having sex with a person with albinism can cure HIV or that their skin, hair, feet, hands, eyes, genitals or breasts have supernatural powers to bring good luck or boost the effectiveness of witchcraft potions, according to the U.N. and rights activists. In Malawi and Tanzania, people with the condition are sometimes killed for their body parts. 

They typically face daily prejudice despite anti-discrimination laws. She and other pageant participants talked about rejection by families and fathers who denied paternity once they realized a child had albinism. 

The contestants also highlighted how they need affordable skincare services and cancer treatment but more often receive hate, mocking or insults. 

Muhitu, who works as head of the tourism department in southeastern Angola’s Cuando Cubango province, said ridicule at school almost derailed her dreams, but celebrating her skin color is helping her and others push back against stereotypes and stigma. 

“The progressive laws on paper and the ugly reality on the ground are miles apart,” Muhitu said, adding: “It is time for soft power. We can change mindsets through modeling contests, storytelling, music and any outlets that are interesting. Art forms can be a powerful tool to change mindsets.” 

Albinism is more common in sub-Saharan Africa, where it affects about 1 in 5,000 people. The prevalence can reach 1 in 1,000 in some populations in Zimbabwe and in other ethnic groups in southern Africa, compared to 1 in every 17,000 to 20,000 in North America and Europe, according to the U.N. Office of the High Commissioner for Human Rights. 

‘We are no different’

The 18 contestants who participated in the regional pageant in Zimbabwe came from countries that also included South Africa, Zambia, Mozambique, Malawi, Angola and Tanzania. They included fashion designers, health workers and professional models. 

Waving their national flags, they entertained a small audience with poetry, song and dance performances. They elegantly cat-walked in professional wear, evening gowns and African animal skin outfits before answering questions from a panel of judges on a variety of social and economic topics. 

Held under the theme, “Into the light,” the pageant was aimed at shining a spotlight on the “boundless talents” of people with albinism in a region where they often face harsh treatment and stigma, event organizer Brenda Mudzimu, who also has albinism, said. 

“We are mentally and physically tortured, yet we are no different from any other person except skin color,” said Mudzimu, whose Miss Albinism Trust founded the event as a local Zimbabwean contest in 2018. 

The contestants were judged for their charisma, confidence, poise, quality of walk and intellect. The Mr. Albinism Southern Africa title was claimed by Zimbabwean Ntandoyenkosi Mnkandla, 26, a trainee paralegal. 

Winners also received cash prizes, trophies, medals and flowers for categories such as Miss Personality and the People’s Choice awards. 

Muhitu, who received $250 for winning the Miss Albinism prize, commended the growing number of events that celebrate people with albinism in Africa. 

“Pageants are a powerful way of showcasing our limitless potential. I love them and I want to keep on inspiring young girls to follow their dreams,” she said. “People living with albinism have dreams, they have talent, and they are amazing people. But they will stay in the background if they are not given a chance to sparkle.” 
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Tens of thousands of books are being banned or restricted by U.S. prisons, according to a new report from PEN America. The list includes titles ranging from self-help books to an Elmore Leonard novel.

“The common concept underpinning the censorship we’re seeing is that certain ideas and information are a threat,” said the report’s lead author, Moira Marquis, senior manager in the prison and justice writing department at PEN, the literary and free expression organization.

Timed to the start Wednesday of Prison Banned Books Week, “Reading Between the Bars” draws upon public record requests, calls from PEN to prison mailrooms, dozens of accounts from inmates and PEN’s struggles to distribute its guide for prison writing, “The Sentences That Create Us: Crafting A Writer’s Life in Prison,” which came out last year.

Marquis said that the most common official reasons for bans are security and sexual content, terms that can apply to a very wide range of titles. Michigan’s “restricted” list includes Leonard’s thriller “Cuba Libre,” set right before the 1898 Spanish-American War, and Frederick Forsyth’s “The Day of the Jackal,” about a professional assassin’s attempt to murder French President Charles de Gaulle in the 1960s. Both novels were cited as a “threat to the order/security of institution.”

“One of the books [‘Day of the Jackal’] deals with the planned assassination of a political leader/methods for engaging in such activities and the second [‘Cuba Libre’] deals with an individual engaged in various criminal enterprises,” a spokesman for the Michigan Department of Corrections told The Associated Press in an email. “As part of the updated restricted publication process, a new Literary Review Committee has been formed to review items that were previously placed on the restricted publication list, to determine if they should remain or be removed.”

Amy Schumer’s memoir “The Girl with the Lower Back Tattoo” was flagged by Florida officials for graphic sexual content and for being “a threat to the security, order or rehabilitative objectives of the correctional system or the safety of any person.”

Other books to appear on banned lists: Sun Tzu’s “The Art of War,” the compilation “Prison Ramen: Recipes and Stories from Behind Bars,” Barrington Barber’s “Anyone Can Draw: Create Sensational Artwork in Easy Steps” and Robert Greene’s self-help best-seller “48 Laws of Power.”

“It’s a form of control. It’s the ultimate form of power of manipulation,” Greene said in a statement issued through PEN.

In its report, PEN found parallels between the frequency of prison bans and book bannings in schools and libraries. In Florida, PEN has estimated that more than 40% of all library bans took place in the state in 2022. Meanwhile, the organization found that more than 22,000 books are banned from Florida prisons — the highest of any state — as of early this year, with some entries dating back to the 1990s. Texas, another frequent site of library bannings, had more than 10,000 prison book bans, second only to Florida.

Incidents of banning are likely much higher than what PEN has compiled, according to “Reading Between the Bars,” because record-keeping by many prisons is erratic or nonexistent. Kentucky and New Mexico are among more than 20 states that do not keep centralized records.

“Prison book programs have mostly tried to raise awareness locally when prisons implement new censorship restrictions for communities they serve,” the report reads. “But these programs are largely run by volunteers and struggle to keep up with the demand for books even absent censorship. The upshot is that there have been few nationwide efforts to analyze trends in carceral censorship.”

Marquis says that PEN places bans into two categories: content-specific, in which books are banned because of what they say or allegedly say, and content-neutral, in which books are restricted because they are not sent through accepted channels. In Maine, Michigan and other states, prisoners may only receive books through a select number of vendors, whether Amazon.com, a local bookstore or an approved publisher. In Idaho, Amazon and Barnes & Noble are not among the nine approved sellers, which include Books a Million and the Women’s Prison Book Project.

Content-neutral restrictions may also apply to the packaging (some federal facilities only permit white wrapping, Marquis says), and against free or used literature “because the intended recipient did not receive permission from a warden — or similar administrator — for each specific title mailed to them before the literature arrived,” according to Marquis.

A spokesman for the Idaho Department of Correction told the AP in an email that restrictions on packaging had become necessary because of “an increase in the amount of drug-soaked mail being sent to our residents.” He added that inmates can receive books and periodicals free of charge from authorized vendors and publishers.

“We believe our guidelines are a reasonable response to a growing problem that puts the health and safety of the people who live and work in Idaho’s correctional facilities at risk,” he said.

“Reading Between the Bars” follows a report released late in 2022 by the nonprofit Marshall Project, which found some 50,000 banned prison titles, based on lists made available by 19 states.
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