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Artist Danielle SeeWalker says she is attempting to paint an accurate and insightful representation of contemporary Native American life. Her work is on exhibit in the Western U.S. state of Colorado. VOA’s Scott Stearns gives us a look.

Camera: Scott Stearns
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The arrest of actor Jonathan Majors has upended the Army’s newly launched advertising campaign that was aimed at reviving the service’s struggling recruiting numbers. 

Majors, who authorities said was arrested Saturday in New York on charges of strangulation, assault and harassment, was the narrator of two ads at the heart of a broader media campaign that kicked off at the start of the NCAA’s March Madness college basketball tournament. 

Army leaders were hopeful that the popularity of the star of the recently released “Creed III” and “Ant-Man and The Wasp: Quantumania,” would help them reach the youth audience. 

In a statement Sunday, the Army’s Enterprise Marketing Office said that the Army was aware of Majors’ arrest and was “deeply concerned by the allegations.” It added that while Majors “is innocent until proven guilty, prudence dictates that we pull our ads until the investigation into these allegations is complete.” 

New York City police said the actor was involved in a domestic dispute with a 30-year-old woman. “The victim informed police she was assaulted,” a police spokesperson said in a statement. 

A lawyer for Majors, Priya Chaudhry, said in a statement Sunday there was evidence clearing Majors and that the actor “is provably the victim of an altercation with a woman he knows.” 

The Army ads, titled “Overcoming Obstacles” and “Pushing Tomorrow,” are part of the plan to revive the Army’s “Be All You Can be” motto. They highlighted the history of the Army and some of the many professions that recruits can pursue. 

The “Be All You Can Be” slogan dominated its recruiting ads for two decades starting in 1981. A nearly two-minute preview video, made available before the campaign rollout in early March, featured soldiers jumping out of airplanes, working on helicopters, climbing obstacle courses and diving underwater. A voiceover said: “We bring out the best in the people who serve, because America calls for nothing less.” 

In the Army’s worst recruiting year in recent history, the service fell 25% short of its goal to enlist 60,000 recruits in 2022. The new ads were a key element in the Army’s drive to find creative new ways to attract recruits and ensure that the service has the troops it needs to help defend the nation.

Army Secretary Christine Wormuth said the Army has set a difficult goal for this year: aiming to bring in 65,000 recruits, which would be 20,000 more than in 2022. 
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Choirs from across the world joined their voices to sing for peace in Ukraine Sunday, with nearly 300 singers gathering in Madrid where the initiative began a year ago. 

Under cloudless blue skies, singers from 46 choirs in and around the Spanish capital gathered outside the Reina Sofia art museum and began singing at midday (1000 GMT) in an event involving thousands of others across Europe and Latin America.

This year, choirs joined from 81 locations in nine countries, with 1,000 singers from Ukraine joining their voices with others from Argentina, Brazil, Colombia, Denmark, Germany, Portugal and Venezuela.

Standing in the museum square, they sang “Dona Nobis Pacem,” the Hebrew slaves’ chorus from Verdi’s Nabucco and finally “Sing an Anthem for Our Peace,” which was written specially by U.S. composer Jim Papoulis. 

The simultaneous event, which was broadcast live on YouTube, was organized by Choirs for Peace, an initiative started by Madrid choir a month after Russia’s invasion of Ukraine whose first event drew over 25,000 singers. 

“We are here to support Ukraine and say we need peace now, that we have to stop this war,” said Elvira Polyenova, a 48-year-old Ukrainian soprano who used to perform at the Odesa opera house, and who sang the opening solo in “There is Peace.” 

“Music unites people, so the choir is a perfect instrument for spreading messages of peace and unity,” said Mariano Garcia, choir director at Santiago Apostol church which started Choirs for Peace last year.

“Although its power of influence is limited, we believe all choral music has the capacity to make us all a little more aware … and might even reach those with the capacity to decide,” he told AFP.

After seeing last year’s event, Elena Redondo, 54, decided to join a choir so she could be part of this year’s initiative.

“We all forget there’s not only this war in Ukraine but others all over the world, and we seem to get used to it. So, events like this are an important wake-up call,” she said. “Music changes many things, not only on a global level, but also on an individual level, it really changes the way you see things. I think it’s important to join together with other voices.”
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“John Wick: Chapter 4,” the fourth installment in the Keanu Reeves assassin series, debuted with a franchise-best $73.5 million at the box office, according to studio estimates Sunday.

The Lionsgate film, starring Reeves as the reluctant-but-not-that-reluctant killer John Wick, exceeded both expectations and previous opening weekends in the R-rated franchise. Since first launching in 2014 with “John Wick” ($14 million on its opening weekend), the Chad Stahelski-directed series has steadily grown as a ticket-seller with each sequel. The 2017 follow-up opened with $30.4 million, and the 2019 third chapter, “Parabellum,” debuted with $56.8 million.

But “Chapter 4,” running two hours and 49 minutes and costing at least $100 million to produce, is the biggest film yet in the once-lean action series. Critics also said it was a franchise high point, scoring 95% fresh on Rotten Tomatoes. The film, which drew a 69% male audience, added $64 million overseas. It’s Lionsgate’s biggest success of the pandemic era.

“When you make a fourth in an action franchise, you have to expect it to go down. That is the nature of these franchises,” said Joe Drake, chairman of Lionsgate Motion Picture Group. “But we kept seeing signals and it was wonderful to see the movie they delivered. We saw the audience wanting more.”

Though “John Wick” has been bigger at the box office with each new release — an enviable and rare trajectory among Hollywood franchises — “Chapter 4” brings some finality to Reeves’ character. The actor hasn’t entirely dismissed continuing the series, telling interviewers, “Never say never.”

Regardless, the franchise is set to keep humming. A spin-off titled “Ballerina” starring Ana de Armas and co-starring Reeves has already been shot. The miniseries “The Continental,” with Mel Gibson, is upcoming on Peacock.

“Chad and Keanu have created this world and that world continues to expand. I don’t know what all the edges of that world are, still,” said Drake. “As best they can, they’ll continue to try to seduce Keanu to come back and do things. He gets beat up in these shows. He really does. And at the end he’s like, ‘I’m not doing it anymore.’ Then you watch him sit in the theater and feel that audience.”

“So, we’re going to continue to look for ways to meet that demand.”

The release of “John Wick: Chapter 4,” which included a surprise premiere at SXSW, was also bittersweet. Lance Reddick, who plays the Continental Hotel concierge, Charon, in the films, unexpectedly died at the age of 60 a week before the film’s release.

But the success of “John Wick: Chapter 4” adds to a strong start in 2023 for Hollywood. After ticket sales rebounded to about 67% of pre-pandemic levels last year, the release lineup is steadier and more packed this year. Sequels have led the way, including “Creed III” and “Scream VI.” Ticket sales are up 28% from last year, according to the data firm Comscore.

But there have been some exceptions. After its disappointing $30.5 million debut last weekend, the superhero sequel “Shazam! Fury of the Gods” slumped to second place with $9.7 million in its second weekend. The Warner Bros. release dropped steeply, tumbling 68% from its launch.

“Scream VI” took third place with $8.4 million in its third weekend, bringing its total thus far to $90.4 million domestic and $139.3 million worldwide. “Creed III” followed in fourth with $8.4 million. Michael B. Jordan’s sequel is up to $140.9 million domestic.

The weekend’s other new releases were more modest.

Zach Braff’s “A Good Person,” starring Florence Pugh and Morgan Freeman, opened at 530 theaters. The MGM release grossed $834,000. IFC Films’ “The Lost King,” with Sally Hawkins and Steve Coogan, debuted with $575,000 in 753 locations.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “John Wick: Chapter 4,” $73.5 million.

2. “Shazam! Fury of the Gods,” $9.7 million.

3. “Scream VI,” $8.4 million.

4. “Creed III,” $8.4 million.

5. “65,” $3.3 million.

6. “Ant-Man and the Wasp: Quantumania,” $2.4 million.

7. “Cocaine Bear,” $2.1 million.

8. “Jesus Revolution,” $2 million.

9. “Champions,” $1.5 million.

10. “Avatar: The Way of Water,” $1.4 million.
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A former Formula One champion has been fined nearly $1 million in damages for racist and homophobic remarks about Lewis Hamilton, the sport’s only Black driver.

Nelson Piquet, 70, a three-time Formula One champion, used a Brazilian racial and homophobic slur in a 2021 television interview about a crash, involving Hamilton and Max Verstappen, who is in a relationship with Piquet’s daughter.

Piquet’s comments went viral, and he has since apologized.

World champion Hamilton called for “archaic mindsets” to change after footage of the interview emerged.

A court statement noted that Piquet has apologized, but it also said his words “affect not only the individual rights of the victim, but the values of the entire community, and of the black population and the LGBTQIA+ community in particular.”

Judge Pedro Matos de Arrudo said the nearly $1 million fine was allotted “so that, as a society, we can someday be free from the pernicious acts that are racism and homophobia.”

Four human rights groups brought the charges to court.
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Years ago, skateboarding was branded as a hobby for rebels or stoners in city streets, schoolyards and back alleys. Those days are long gone.

Skateboarding, which has Native Hawaiian roots connected to surfing, no longer is on the fringes. It became an Olympic sport in 2020. There are numerous amateur and professional skateboarding competitions in the U.S. And on Friday, the U.S. Postal Service issued stamps that laud the sport — and what Indigenous groups have brought to the skating culture.

Di’Orr Greenwood, 27, an artist born and raised on the Navajo Nation in Arizona whose work is featured on the new stamps, says it’s a long way from when she was a kid and people always kicked her out of certain spots just for skating.

“Now it’s like being accepted on a global scale,” Greenwood said. “There’s so many skateboarders I know that are extremely proud of it.”

The postal agency debuted the “Art of the Skateboard” stamps at a Phoenix skate park. The stamps feature skateboard artists from around the country, including Greenwood and Crystal Worl, who is Tlingit Athabascan. William James Taylor Jr., an artist from Virginia, and Federico “MasPaz” Frum, a Colombian-born muralist in Washington, D.C., round out the quartet of featured artists.

The stamps underscore the prevalence of skateboarding, especially in Indian Country where the demand for skate parks is growing.

The artists see the stamp as a small canvas, a functional art piece that will be seen across the U.S. and beyond.

“Maybe I’ll get a letter in the mail that someone sent me with my stamp on it,” said Worl, 35, who lives in Juneau, Alaska. “I think that’s when it will really hit home with the excitement of that.”

Antonio Alcalá, USPS art director, led the search for artists to paint skate decks for the project. After settling on a final design, each artist received a skateboard from Alcalá to work on. He then photographed the maple skate decks and incorporated them into an illustration of a young person holding up a skateboard for display. The person is seen in muted colors to draw attention to the skate deck.

Alcalá used social media to seek out artists who, besides being talented, were knowledgeable about skateboarding culture. Worl was already on his radar because her brother, Rico, designed the Raven Story stamp in 2021, which honored a central figure in Indigenous stories along the coast in the Pacific Northwest.

The Worl siblings run an online shop called Trickster Company with fashions, home goods and other merchandise with Indigenous and modern twists. For her skate deck, Crystal Worl paid homage to her clan and her love of the water with a Sockeye salmon against a blue and indigo background.

She was careful about choosing what to highlight.

“There are certain designs, patterns and stories that belong to certain clans and you have to have permission even as an Indigenous person to share certain stories or designs,” Worl said.

The only times Navajo culture has been featured in stamps is with rugs or necklaces. Greenwood, who tried out for the U.S. Women’s Olympic skateboarding team, knew immediately she wanted to incorporate her heritage in a modern way. Her nods to the Navajo culture include a turquoise inlay and a depiction of eagle feathers, which are used to give blessings.

“I was born and raised with my great-grandmother, who looked at a stamp kind of like how a young kid would look at an iPhone 13,” Greenwood said. “She entrusted every important news and every important document and everything to a stamp to send it and trust that it got there.”

Skateboarding has become a staple across Indian Country. A skate park opened in August on the Hopi reservation. Skateboarders on the Fort Apache Indian Reservation in eastern Arizona recently got funding for one from pro skateboarder Tony Hawk’s nonprofit, The Skatepark Project. Youth-organized competitions take place on the Pine Ridge Indian Reservation in South Dakota.

Dustinn Craig, a White Mountain Apache filmmaker and “lifer” skateboarder in Arizona, has made documentaries and short films on the sport. The 47-year-old remembers how skateboarding was seen as dorky and anti-establishment when he was a kid hiding “a useless wooden toy” in his locker. At the same time, Craig credits skateboarding culture as “my arts and humanities education.”

So he is wary of the mainstream’s embrace, as well as the sometimes clique-ish nature, of today’s skateboarding world.

“For those of us who have been in it for a very long time, it’s kind of insulting because I think a lot of the popularity has been due to the proliferation of access to the visuals of the youth culture skateboarding through the internet and social media,” Craig said. “So, I feel like it really sort of trivializes and sort of robs Native youth of authenticity of the older skateboard culture that I was raised on.”

He acknowledges that he may come off as the “grumpy old man” to younger Indigenous skateboarders who are open to collaborating with outsiders.

The four skateboards designed by the artists will eventually be transferred to the Smithsonian National Postal Museum, said Jonathan Castillo, USPS spokesperson.

The stamps, which will have a printing of 18 million, are available at post offices and on the USPS website. For the artists, being part of a project that feels low-tech in this age of social media is exciting.

“It’s like the physical thing is special because you go out of your way to go to the post office, buy the stamps and write something,” Worl said.
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