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The Spanish government maybe had a good idea, but the execution of the body positivity campaign has gone horribly wrong. 

The idea was to encourage women to come out and enjoy the beaches – without any worries about how they looked in their swimsuits.

But three of the five women whose photographs were used in the campaign said they had not given permission for the images to be used. 

Arte Mapache the campaign’s creator, has apologized for failing to obtain permission to use the images.  

“Given the – justified – controversy over the image rights in the illustration, I have decided that the best way to make amends for the damages that may have resulted from my actions is to share out the money I received for the work and give equal parts to the people in the poster,” the artist said.

Two of the women in the campaign’s artwork are professional models.  One has a prosthetic leg that was airbrushed out of the campaign artwork. 

Sian Green-Lord told The Guardian, “It’s one thing using my image without my permission, but it’s another thing editing my body, my body with my prosthetic leg … I don’t even know what to say but it’s beyond wrong.”

Juliet FitzPatrick, a cancer survivor, told the BBC that the face of a woman who had a mastectomy may be based on a photograph of her.  However, while the woman in the Spanish government photo has had a single mastectomy, FitzPatrick had a double mastectomy. 

She told the BBC that using her likeness without her permission “seems to be totally against” the theme of the campaign.  “For me it is about how my body has been used and represented without my permission.”

British photographer Ami Barwell who had taken photos of Fitzpatrick told the BBC that she believes Fitzpatrick’s photo was a composite of photos that she had taken of Fitzpatrick and another woman.  

Barwell told the BBC, “I think that the person who created the art has gone through my gallery and pieced them together.” 

Another model, Nyome Nicholas-Williams, who wears a gold bikini in the photo, said her image was taken from her Instagram account without her permission. 
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Pat Carroll, a comedic television mainstay for decades, an Emmy-winner for “Caesar’s Hour” and the voice Ursula in “The Little Mermaid,” has died. She was 95. 

Her daughter Kerry Karsian, a casting agent, said Carroll died at her home in Cape Cod, Massachusetts, on Saturday. Her other daughter Tara Karsian wrote on Instagram that they want everyone to “honor her by having a raucous laugh at absolutely anything today (and everyday forward) because besides her brilliant talent and love, she leaves my sister Kerry and I with the greatest gift of all, imbuing us with humor and the ability to laugh…even in the saddest of times.” 

Carroll was born in Shreveport, Louisiana, in 1927. Her family relocated to Los Angeles when she was 5 years old. Her first film role came in 1948 in “Hometown Girl,” but she found her stride in television.

She won an Emmy for her work on the sketch comedy series “Caesar’s Hour” in 1956, was a regular on “Make Room for Daddy” with Danny Thomas, a guest star on “The DuPont Show with June Allyson” and a variety show regular stopping by “The Danny Kaye Show,” “The Red Skelton Show” and “The Carol Burnett Show.” 

Carroll also played one of the wicked stepsisters in the 1965 television production of “Rodgers and Hammerstein’s Cinderella” with Lesley Ann Warren. 

In addition, she also played one of the wicked stepsisters in the 1965 television production of “Rodgers and Hammerstein’s Cinderella” with Lesley Ann Warren. Plus, she won a Grammy in 1980 for the recording of her one-woman show “Gertrude Stein, Gertrude Stein, Gertrude Stein.” 

A new generation would come to know and love Carroll’s voice thanks to Disney’s “The Little Mermaid,” which came out in 1989. She was not the first choice of directors Ron Clements and John Musker or the musical team of Howard Ashman and Alan Menken, who reportedly wanted Joan Collins or Bea Arthur to voice the sea witch. Elaine Stritch was even cast originally before Carroll got to audition. And her throaty rendition of “Poor Unfortunate Souls” would make her one of Disney’s most memorable villains. 

Carroll would often say that Ursula was one of her favorite roles. She said she saw her as an “Ex-Shakespearean actress who now sold cars.” 

“She’s a mean old thing! I think people are fascinated by mean characters,” Carroll said in an interview. “There’s a fatal kind of distraction about the horrible mean characters of the world because we don’t meet too many of them in real life. So when we have a chance, theatrically, to see one and this one, she’s a biggie, it’s kind of fascinating for us.” 

She got the chance to reprise the role in several “Little Mermaid” sequels, spinoffs and even theme park rides. 

Carroll was also the voice of Granny in the English-language dub of Hayao Miyazaki’s “My Neighbor Totoro.”
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Nichelle Nichols, who broke barriers for Black women in Hollywood when she played communications officer Lt. Uhura on the original Star Trek television series, has died at the age of 89.

Her son Kyle Johnson said Nichols died Saturday in Silver City, New Mexico.

“Last night, my mother, Nichelle Nichols, succumbed to natural causes and passed away. Her light however, like the ancient galaxies now being seen for the first time, will remain for us and future generations to enjoy, learn from, and draw inspiration,” Johnson wrote on her official Facebook page Sunday. “Hers was a life well lived and as such a model for us all.”

Her role in the 1966-69 series as Lt. Uhura earned Nichols a lifelong position of honor with the series’ rabid fans. It also earned her accolades for breaking stereotypes that had limited Black women to acting roles as servants and included an interracial onscreen kiss with co-star William Shatner that was unheard of at the time.

“I shall have more to say about the trailblazing, incomparable Nichelle Nichols, who shared the bridge with us as Lt. Uhura of the USS Enterprise, and who passed today at age 89,” George Takei wrote on Twitter. “For today, my heart is heavy, my eyes shining like the stars you now rest among, my dearest friend.”

Like other original cast members, Nichols also appeared in six big-screen spinoffs starting in 1979 with “Star Trek: The Motion Picture” and frequented “Star Trek” fan conventions. She also served for many years as a NASA recruiter, helping bring minorities and women into the astronaut corps.

More recently, she had a recurring role on television’s “Heroes,” playing the great-aunt of a young boy with mystical powers.

The original “Star Trek” premiered on NBC on Sept. 8, 1966. Its multicultural, multiracial cast was creator Gene Roddenberry’s message to viewers that in the far-off future — the 23rd century — human diversity would be fully accepted.

“I think many people took it into their hearts … that what was being said on TV at that time was a reason to celebrate,” Nichols said in 1992 when a “Star Trek” exhibit was on view at the Smithsonian Institution.

She often recalled how Martin Luther King Jr. was a fan of the show and praised her role. She met him at a civil rights gathering in 1967, at a time when she had decided not to return for the show’s second season.

“When I told him I was going to miss my co-stars and I was leaving the show, he became very serious and said, ‘You cannot do that,'” she told The Tulsa (Okla.) World in a 2008 interview.

“‘You’ve changed the face of television forever, and therefore, you’ve changed the minds of people,’ ” she said the civil rights leader told her.

“That foresight Dr. King had was a lightning bolt in my life,” Nichols said.

During the show’s third season, Nichols’ character and Shatner’s Capt. James Kirk shared what was described as the first interracial kiss to be broadcast on a U.S. television series. In the episode, “Plato’s Stepchildren,” their characters, who always maintained a platonic relationship, were forced into the kiss by aliens who were controlling their actions.

The kiss “suggested that there was a future where these issues were not such a big deal,” Eric Deggans, a television critic for National Public Radio, told The Associated Press in 2018. “The characters themselves were not freaking out because a Black woman was kissing a white man. … In this utopian-like future, we solved this issue. We’re beyond it. That was a wonderful message to send.”

Worried about reaction from Southern television stations, showrunners wanted to film a second take of the scene where the kiss happened off-screen. But Nichols said in her book, “Beyond Uhura: Star Trek and Other Memories,” that she and Shatner deliberately flubbed lines to force the original take to be used.

Despite concerns, the episode aired without blowback. In fact, it got the most “fan mail that Paramount had ever gotten on Star Trek for one episode,” Nichols said in a 2010 interview with the Archive of American Television.

Born Grace Dell Nichols in Robbins, Illinois, Nichols hated being called “Gracie,” which everyone insisted on, she said in the 2010 interview. When she was a teen her mother told her she had wanted to name her Michelle but thought she ought to have alliterative initials like Marilyn Monroe, whom Nichols loved. Hence, “Nichelle.”

Nichols first worked professionally as a singer and dancer in Chicago at age 14, moving on to New York nightclubs and working for a time with the Duke Ellington and Lionel Hampton bands before coming to Hollywood for her film debut in 1959’s “Porgy and Bess,” the first of several small film and TV roles that led up to her “Star Trek” stardom.

Nichols was known as being unafraid to stand up to Shatner on the set when others complained that he was stealing scenes and camera time. They later learned she had a strong supporter in the show’s creator.

In her 1994 book, she said she met Roddenberry when she guest starred on his show “The Lieutenant,” and the two had an affair a couple of years before “Star Trek” began. The two remained lifelong close friends.

Another fan of Nichols and the show was future astronaut Mae Jemison, who became the first black woman in space when she flew aboard the shuttle Endeavour in 1992.
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