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WESTBURY, New York — Spinner Keshav Maharaj bowled a six-run, two-wicket final over and South Africa held off Bangladesh by four runs to stay unbeaten in cricket’s T20 World Cup on Monday.

Bangladesh needed 11 from the last six deliveries to register a famous win, then needed a six off the last ball. Taskin Ahmed came to the crease after Bangladesh’s seventh wicket, and faced the last ball, a full toss by Maharaj. Ahmed swung and managed only one run.

On a typically tough batting pitch at Nassau County Stadium, South Africa successfully defended its lowly total of 113-6 and restricted Bangladesh to 109-7.

It was the lowest target — 114 — ever defended in a T20 World Cup, trumping India’s defense of 120 runs just the day before.

“That was not nice on the heart, but feels good that we got over the line,” said top-scorer Heinrich Klaasen, the player of the match. “This wicket is not great for stroke play. We got some information from the last game and applied it today. I think we got a decent total on the board. 

“We have had three pressure games now and I think we are through [to the next round].” 

Maharaj finished with 3-27 in four overs, while Kagiso Rabada (2-19) and Anrich Nortje (2-17) also bowled well.

South Africa firmed the top spot in Group D with three from three and was in pole position to secure a Super Eight spot. Bangladesh’s first loss in two matches kept it in second place.

South Africa chased down Sri Lanka and the Netherlands in its previous two matches at the ground and was made to bat first this time.

But it still fumbled another start. Pace bowler Tanzim Sakib trapped opener Reeza Hendricks for a golden duck and had Tristan Stubbs caught for a five-ball duck. 

Aiden Markram was bowled for 4. In between, Sakib bowled Quinton de Kock for 18 as the Proteas slumped to 23-4 in 4.2 overs.

David Miller came up with another rescue job after his half-century against the Netherlands. He scored 29 off 38 balls and put on 79 runs for the fifth wicket with Klaasen.

Klaasen top-scored with 46 off 44, including two fours and three sixes. The duo pushed South Africa past 100 before falling in the space of six deliveries.

The late strikes left South Africa hanging at just about a par total.

Bangladesh’s chase faltered at the start, too. It was down to 37-3 and then 50-4 at the halfway stage.

Nortje dismissed skipper Nazmul Shanto for 14, and sent back Shakib Al Hasan for just 3, picking up his eighth wicket in three games.

Litton Das was out caught off Maharaj, while Rabada had Tanzid Hasan caught behind for 9.

Towhid Hridoy and Mahmudullah put on 44 off 45 balls to bring Bangladesh back on track.

At 94-4 in the 18th over, Bangladesh was in the driver’s seat, then lost wickets rapidly to spiral out of control. It went from 94-4 to 108-7 in the space of 17 deliveries. 

Rabada returned to trap Hridoy but Maharaj’s left-arm spin turned the game in the final over.

South Africa completes the group stage against Nepal on Friday. Bangladesh has the Netherlands on Thursday. 
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LOS ANGELES — Tens of thousands of people lined the streets of Hollywood on Sunday for the L.A. Pride Parade, one of the biggest events during a month of celebrations honoring the LGBTQ+ community in and around Los Angeles. 

Rainbow flags ruled the day as revelers cheered the lively procession that featured “Star Trek” star and activist George Takei as the Icon Grand Marshal. 

“As someone who has witnessed the struggles and triumphs of our community over the years, I am filled with gratitude for the progress we have made and inspired to continue the fight for full acceptance and equality for all,” Takei said in a statement. 

The parade’s Community Grand Marshal was L.A. Fire Department Chief Kristin Crowley. The department’s first openly gay chief said she was “overjoyed” by the honor. 

Following the parade, the L.A. Pride Block Party offered DJs, live performances, food trucks and a beer garden. 

On Saturday night, Latin pop superstar Ricky Martin headlined a concert dubbed Pride in the Park at Los Angeles State Historic Park. 

Other events scheduled for Pride Month include celebrations at Dodger Stadium and Universal Studios Hollywood. 
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New York — “Bad Boys: Ride or Die,” the fourth installment in the Will Smith-Martin Lawrence action-comedy series, opened with an estimated $56 million in theaters over the weekend, handing Hollywood a much-needed summer hit and Smith his biggest success since he slapped Chris Rock at the Academy Awards.

Expectations were all over the map for “Ride or Die” given the dismal moviegoing market thus far this summer and Smith’s less certain box-office clout. In the end, though, the Sony Pictures release came in very close to, or slightly above, its tracking forecast.

“Ride or Die,” produced by Jerry Bruckheimer and directed by Adil El Arbi and Bilall Fallah, is Smith’s first theatrical test since his 2022 slap of Rock earned him a 10-year Oscar ban. The “Bad Boys” film was in development at the time and was momentarily put on hold, but ultimately went forward with about a $100 million production budget.

Smith starred in the Apple release “Emancipation,” but that film — released in late 2022 — was shot before the slap and received only a modest theatrical release before streaming.

This time around, Smith largely avoided soul-searching interviews looking back on the Oscars and instead went on a whistle-stop publicity tour of red carpets from Mexico to Saudi Arabia, where he attended what was billed as the country’s first Hollywood premiere. The 55-year-old Smith, who for years was one of Hollywood’s most bankable stars, appeared on “The Tonight Show With Jimmy Fallon,” the YouTube series “Hot Ones” and Friday, made a surprise appearance at a Los Angeles movie theater.

Given that “Bad Boys” trailed May disappointments like “Furiosa: A Mad Max Saga” and “The Fall Guy” – both of which struggled to pop with ticket buyers despite very good reviews – the “Ride or Die” opening counts as a critical weekend win for the movie business.

“The fact that a movie overperformed is the best possible news,” said Paul Dergarabedian, senior media analyst for Comscore. “It seems like all we’ve been doing over the past few weeks and almost since the beginning of the year, with a couple of exceptions, is try to figure out why seemingly well-marketed, well-reviewed movies have underperformed. This ignites the spark that the industry has been waiting for.”

“Ride or Die” still didn’t quite manage to match the opening of the previous “Bad Boys” film: 2020’s “Bad Boys for Life.” That movie, released in January 2020, debuted with $62.5 million. After the pandemic shut down theaters, it was the highest grossing North American release of that year, with $204 million domestically.

“Ride or Die” added $48.6 million internationally. Though reviews were mixed (64% on Rotten Tomatoes), audiences gave the film a high grade with an “A-” CinemaScore.

Black moviegoers accounted for 44% of ticket buyers, the largest demographic.

In the film, which comes 29 years after the original, Smith and Lawrence reprise their roles as Miami detectives. The plot revolves around uncovering a scheme to frame their late police captain (Joe Pantoliano). In one of the movie’s most notable scenes, Lawrence slaps Smith and calls him a “bad boy.”

Movie theaters will need a lot more than “Bad Boys: Ride or Die,” though, to right the ship. Ticket sales are down 26% from last year and more than 40% below pre-pandemic totals, according to Comscore. A big test comes next weekend with the release of Pixar’s “Inside Out 2.” After sending several Pixar releases straight to Disney+, the studio has vowed a lengthy, traditional theatrical rollout this time.

Last weekend’s top film “The Garfield Movie,” slid to second place. Also from Sony, the family animated comedy collected $10 million in ticket sales over its third weekend, bringing its domestic gross to $68.6 million.

The weekend’s other new wide release, “The Watchers,” failed to click with moviegoers. The horror film, directed by Ishana Night Shyamalan, daughter of M. Night Shyamalan, is about a stranded 28-year-old artist in Ireland. Following poor reviews, the Warner Bros. release grossed $7 million in 3,351 theaters.

That allowed “If,” the Ryan Reynolds imaginary friend fantasy, to grab third place in its fourth weekend of release, bringing the Paramount Pictures cumulative domestic total to $93.5 million. Rounding out the top five was “Kingdom of the Planet of the Apes,” which added $5.4 million in its fifth weekend of release. It has grossed $150 million domestically and $360 million worldwide.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Bad Boys: Ride or Die,” $56 million.

2. ”The Garfield Movie,” $10 million.

3. “If,” $8 million.

4. “The Watchers,” $7 million.

5. “Kingdom of the Planet of the Apes,” $5.4 million.

6. “Furiosa: A Mad Max Saga,” $4.2 million.

7. “The Fall Guy,” $2.7 million.

8. “Lord of the Rings: The Fellowship of the Ring,” $2.4 million.

9. “Lord of the Rings: The Two Towers,” $1.9 million.

10. “The Strangers: Chapter 1,” $1.8 million.
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WESTPORT, Connecticut — Kate Bulkeley’s pledge to stay off social media in high school worked at first. She watched the benefits pile up: She was getting excellent grades. She read lots of books. The family had lively conversations around the dinner table and gathered for movie nights on weekends.

Then, as sophomore year got under way, the unexpected problems surfaced. She missed a student government meeting arranged on Snapchat. Her Model U.N. team communicates on social media, too, causing her scheduling problems. Even the Bible Study club at her Connecticut high school uses Instagram to communicate with members.

Gabriela Durham, a high school senior in Brooklyn, says navigating high school without social media has made her who she is today. She is a focused, organized, straight-A student. Not having social media has made her an “outsider,” in some ways. That used to hurt; now, she says, it feels like a badge of honor.

With the damaging consequences of social media increasingly well documented, many parents are trying to raise their children with restrictions or blanket bans. Teenagers themselves are aware that too much social media is bad for them, and some are initiating social media “cleanses” because of the toll it takes on mental health and grades.

This is a tale of two families, social media and the ever-present challenge of navigating high school. It’s about what kids do when they can’t extend their Snapstreaks or shut their bedroom doors and scroll through TikToks past midnight. It’s about what families discuss when they’re not having screen-time battles. It’s also about persistent social ramifications.

The journeys of both families show the rewards and pitfalls of trying to avoid social media in a world that is saturated by it.

Concerns about children and phone use are not new. But there is a growing realization among experts that the COVID-19 pandemic fundamentally changed the relationship kids have with social media. As youth coped with isolation and spent excessive time online, the pandemic effectively carved out a much larger space for social media in the lives of American children.

Social media is where many kids turn to forge their emerging identities, to seek advice, to unwind and relieve stress. In this era of parental control apps and location tracking, social media is where this generation is finding freedom.

It is also increasingly clear that the more time youth spend online, the higher the risk of mental health problems.

Kids who use social media for more than three hours a day face double the risk of depression and anxiety, according to studies cited by U.S. Surgeon General Vivek Murthy, who issued an extraordinary public warning last spring about the risks of social media to young people.

The Bulkeleys and Gabriela’s mother, Elena Romero, both set strict rules starting when their kids were young and still in elementary school. They delayed giving phones until middle school and declared no social media until 18. They educated the girls, and their younger siblings, on the impact of social media on young brains, on online privacy concerns, on the dangers of posting photos or comments that can come back to haunt you.

At school, on the subway and at dance classes around New York City, Gabriela is surrounded by reminders that social media is everywhere — except on her phone.

Growing up without it has meant missing out on things. Everyone but you gets the same jokes, practices the same TikTok dances, is up on the latest viral trends. When Gabriela was younger, that felt isolating; at times, it still does. But now, she sees not having social media as freeing.

“From my perspective, as an outsider,” she says, “it seems like a lot of kids use social media to promote a facade. And it’s really sad.”

There is also friend drama on social media and a lack of honesty, humility and kindness that she feels lucky to be removed from.

Gabriela is a dance major at the Brooklyn High School of the Arts. Senior year got intense with college and scholarship applications capped by getting to perform at Broadway’s Shubert Theatre in March as part of a city showcase of high school musicals.

“My kids’ schedules will make your head spin,” Romero says. On school days, they’re up at 5:30 a.m. and out the door by 7. Romero drives the girls to their three schools scattered around Brooklyn, then takes the subway into Manhattan, where she teaches mass communications at the Fashion Institute of Technology.

In New York City, it’s common for kids to get phones early in elementary school, but Romero waited until each daughter reached middle school and started taking public transportation home alone.

In the upscale suburb of Westport, Connecticut, the Bulkeleys have faced questions about bending their rules. But not for the reason they had anticipated.

Kate was perfectly content to not have social media. Her parents figured at some point she might resist their ban because of peer pressure or fear of missing out. But the 15-year-old sees it as a waste of time. She describes herself as academic, introverted and focused on building up extracurricular activities.

That’s why she needed Instagram.

“I needed it to be co-president of my Bible Study Club,” Kate explains.

As Kate’s sophomore year started, she told her parents that she was excited to be leading a variety of clubs but needed social media to do her job. “It was the school that really drove the fact that we had to reconsider our rule about no social media,” says Steph Bulkeley, Kate’s mother.

Schools talk the talk about limiting screen time and the dangers of social media, says her dad, Russ Bulkeley. But technology is rapidly becoming part of the school day. Kate’s high school and their 13-year-old daughter Sutton’s middle school have cell phone bans that aren’t enforced. Teachers will ask them to take out their phones to photograph material during class time.

The Bulkeleys aren’t on board with that but feel powerless to change it.

Ultimately they gave in to Kate’s plea for Instagram because they trust her, and because she’s too busy to devote much time to social media.
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SARATOGA SPRINGS, New York — When Luis Saez first rode Dornoch at Saratoga Race Course last summer, he told trainer Danny Gargan, “You have the Derby winner.”

While that did not come true, Dornoch made good on that optimism Saturday by winning the first Belmont Stakes at Saratoga, hugging the rail and holding off Mindframe to spring a major upset in the Triple Crown finale at odds of 17-1.

The horse co-owned by World Series champion Jayson Werth won the Belmont five weeks after a troubled trip led to a 10th-place finish in the Kentucky Derby. This time, Dornoch sat off leader Seize the Grey, passed the Preakness winner down the stretch and held on for a 1 1/2-length victory.

“I would put it right up there with winning on the biggest stage. Horse racing is the most underrated sport in the world, bar none,” said Werth, who won Major League Baseball’s championship with the Philadelphia Phillies in 2008. “It’s the biggest game: You get the Derby, the Preakness, the Belmont. We just won the Belmont. This is as good as it gets in horse racing. It’s as good as it gets in sports.”

It’s the first win in any Triple Crown race for Gargan and the second in the Belmont for Saez, who said he never lost faith in Dornoch.

“He’s one of the top 3-year-olds in the country, and we’ve always thought it,” Gargan said. “We let him run his race, and he won. If he gets to run, he’s always going to be tough to beat.”

It’s the sixth consecutive year a different horse won each of the three Triple Crown races. Sierra Leone, the Derby runner-up who went off as the favorite, was third and Honor Marie fourth.

Dornoch paid $37.40 to win, $17.60 to place and $8.10 to show. Todd Pletcher-trained Mindframe paid $6.80 to place and $4.20 to show and Sierra Leone paid $2.60 to show after a jumbled start and more directional problems.

There were no such issues for Dornoch, who triumphed at the track known as the graveyard of favorites for its penchant for upsets.

“No one believed in this horse,” Gargan said. “It’s speechless. He’s such a talented horse.”

Despite there not being a Triple Crown on the line, it’s a historic Belmont because the race was run at Saratoga for the first time in the venue’s 161-year history. It returns next year while Belmont Park undergoes a massive, $455 million reconstruction with the plan for the Triple Crown race to go back to the New York track in 2026.

Having it at Saratoga necessitated shortening the race to 1 1/4 miles from the usual “test of the champion” 1 1/2-mile distance that has been a hallmark of the Belmont for nearly a century. The temporary change contributed to getting more quality horses into the field who previously ran in the Kentucky Derby, Preakness or both. At 1 1/4-mile distance, Dornoch crossed the wire in a time of 2:01.64. 
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VATICAN CITY — Pope Francis, who says he regularly prays “Lord, give me a sense of humor,” will welcome comedians from around the world to a cultural event in Italy to “celebrate the beauty of human diversity,” the Vatican said Saturday. 

Whoopi Goldberg, Jimmy Fallon, Conan O’Brien and Chris Rock will be among more than 100 entertainers at the Vatican on June 14. 

The pope “recognizes the significant impact that the art of comedy has on the world of contemporary culture,” a Vatican statement said. 

British comedian Stephen Merchant — the co-writer of the TV comedy series “The Office” — and Italian comedian Lino Banfi will also be at the event. 

The meeting will take place Friday morning, before the pope travels to Puglia to attend the Group of Seven (G7) leaders’ summit. 

“The meeting between Pope Francis and the world’s comedians aims to celebrate the beauty of human diversity and to promote a message of peace, love and solidarity,” the Vatican said. 

The audience has been organized by the Vatican’s Dicastery for Culture and Education and Dicastery for Communication. 

Goldberg last month said in an interview that she had offered the pope a cameo in “Sister Act 3,” in which she will reprise her comedy role of a singer who takes refuge in a convent and organizes a choir. 

“He said he would see what his time was like,” Goldberg said joking, when asked if the pope had accepted her offer. 
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The United States cricket team beat Pakistan — a former world champion — on Thursday, achieving one of the biggest upsets in T20 Cricket World Cup history. This year’s tournament is being hosted by the United States and the West Indies. Saqib Ul Islam has more from the games in Dallas, Texas.
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PARIS — U.S. President Joe Biden capped his visit to France by being feted with a tres-chic state visit Saturday — finishing with a flourish a trip that launches a frantic six-week diplomatic push that analysts say could radically alter Europe’s security architecture, right as the continent holds parliamentary elections that could shift the politics sharply inward at a time when Biden is stressing the need for global unity.

Leonie Allard, a visiting fellow at the Atlantic Council’s Europe Center and a former French defense official, told VOA, “I believe that we are in a very significant sequence, not only for Ukraine, but really the future of European security, the future of the European architecture. With the NATO Summit coming, with the G7 summit coming, with European elections, U.S. elections — it’s definitely a turning point for the future of the architecture in Europe.”

Complicating things further: In the coming days, hundreds of millions of European voters will elect members of the 720-strong European parliament. If voters choose right-leaning representatives, analysts say, it could shift the continent inward at a critical time.

“I mean, you’ll have a lot of far-right members that will complicate things, but they may not necessarily be united,” said Matthias Matthijs, a senior fellow for Europe at the Council on Foreign Relations, or CFR. “So, in that sense, the next six months are going to be very — there’s going to be a lot of navel-gazing in both the EU and in the U.S. rather than focusing on the rest of the world.”

And, said Charles Kupchan, a senior fellow at CFR and professor of international affairs at Georgetown School of Foreign Service, Europe’s faith in Washington is also at risk.

“Even if Biden were to win Americans — Europeans are asking difficult questions about American reliability, and we did have a seven-month pause in the flow of aid to Ukraine even with an Atlanticist and a multilateralist in the Oval Office, and now we’re in a situation in which the likely next president, the leader in the polls, is a convicted felon, and that now is getting, you know, a lot of play in Europe and causing a lot of Europeans to scratch their heads,” he said.

“Clearly, beneath the surface of the solidarity that the Atlantic alliance is enjoying everybody — everybody — is going to be worried up about the illiberal populism on both sides of the Atlantic and the outcome of the November election here in the United States.”

French President Emmanuel Macron, who addressed Biden as “cher Joe” — “dear Joe” — said the leaders indeed discussed the need for unity on Ukraine and the impact of U.S. support, and the importance of the upcoming international summits in coming weeks. Overall, the two leaders trod over their areas of agreement, leaving aside any topics where they may not entirely see eye to eye.

“Thank you for being at Europe’s side,” Macron said.

He also addressed the divisive conflict in Gaza, speaking in support of the U.S.-backed cease-fire plan that Hamas and Israel have rejected and urging the militant group to release all hostages taken during their October 7 assault on Israel.

Biden echoed those thoughts and hammered in on solidarity during his sole public speaking opportunity on Saturday, saying, “France was our first friend. It remains one of our best friends.”

 

But now: Fashion

None of these weighty issues were present as the Bidens arrived at the sun-splashed Palace Elysee on Saturday for a state visit — he in a soft-shouldered navy pinstriped suit and jacquard tie the color of a stormy sky, and Jill Biden in a midi-length dress of a soft rose shade with a high black sash under the ribcage, with pointy-toed black and white slingbacks and a quilted boxy handbag from well-loved French fashion house Christian Dior.

She topped off the ensemble with a crystal-laden Georgian-style collar necklace of the type often sported by the fashion editor who has been credited with radically reshaping the sartorial archetype of powerful American women, Vogue editor Anna Wintour.

The Macrons skewed darker, both in blue as well — he was in a deep suit a few shades short of black with a matching tie, she in a knee-grazing bright cobalt dress with a matching coat and pointy-toed stiletto pumps.

Those choices, fashion experts say, speak volumes when leaders are often reluctant to speak — especially at these types of visually impactful events. And these are noticed in France, where the presidential palace sits on a tiny street in central Paris lined with some of the nation’s top fashion houses, including Chanel, Givenchy, Hermes and St. Laurent.

VOA floated a theory to Rachel Tashjian, fashion writer at The Washington Post: That the American president’s mood can be gauged by the blueness of his suit, which can vary from deep and dark at formal events, to almost ultramarine for more lighthearted occasions. Indeed, Biden wore blue of varying hues throughout his visit to France, including, for the somber and emotional commemorations of the 80th anniversary of D-Day, a deep navy suit so dark it appeared to swallow all the light into its fabric.

“That’s an interesting theory,” Tashjian replied, possibly diplomatically. “I think it’s a color that he feels confident in. … And I think for him it also sort of promotes an image of stability, probably, you know, we’re seeing him looking the same all of the time. And the stability is something that seems very important and central to his messaging.”

As for the first lady, Tashjian said, “I look at a lot of the dresses that she wears, which are very often floral dresses in pretty conservative or classic silhouettes or cuts. And you feel like you understand what she’s trying to say, you know, she’s trying to say, ‘I am relatable, I’m a force of joy and happiness.’ And you know, you can also see, I think, her background as an educator. Very often she reminds me, her clothing choices remind me of things that my teachers wore when I was growing up. And I do think that that is a big part of what she does, and again, there’s a sense of utility even when she’s wearing high heels.”
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